Awesome! I really needed to see this . These stacks are fantastic . . . but your harmonic sense is out of this world!!! Thank you so much for sharing this.
Great ideas on the stacks, for sure. But man, you blew my mind with what you played starting at 0:11; what I’d like more than anything is to see you take that 18 seconds and make a video breaking down what you were doing with the voicings, the chords and the interplay between high and low parts. I mean, you were just plain breathing out a full orchestral arrangement right there, and I desperately want to understand a bit more of where all of that came from.
That's sort of pentatonic style American a la Aaron Copland. In the right hand find a strong rhythm maybe: bah-bah-baaahhhh. Then the left hand can reply. Bah-bah. In the right hand you can use suspended 4 and suspended 2 chords. Then major chords. Left hand mostly octaves moving by thirds. But you can throw in a fifth, if it is in the chosen pentatonic scale. Sometimes play the rhythm hands together. It doesn't matter if the bass note is contained in the right hand. So long as it is a whole step from the notes in the chord. So for a Gb chord in the right, you could put any chord tone, or Ab, or Eb in the bass. The easiest way to start is: play only on the black keys (no white), and follow the above tips. Add the F natural so you can make the Db chord and resolve the sus2 or sus4 chords on Db. Then add in the C natural which will give a lydian mode feel when used as a passing note for the Gb chord. But try to never move by half step in the right hand. To modulate, move your hands over to another pentatonic scale. Avoid half steps. Use pentatonic-ish chords.
I was watching the voices/RAM counts on those plugins ... makes my old Ensoniq ASR-10 with a whopping 14 Mb of RAM seem a little antiquated. Amazing sounds. $0.02
Scary good stuff here Michael and great playing! Just found you here but I've subscribed and will check out your website for sure. Thank you so much. 🙏🏾
Really like your videos. Never thought to use them like this, stacked. I always take one instrument one by one with different output channel and work on each line to try to get that result... But watching you makes me wanna try to bring different instrument on same channel (combined) and try to see how they sound together ! Nice one 👍
I know same. But i find the "old way," writing everyrhing out, I still cant this kind of sound vy programing in each instrument, unless I stack several patches of fhe same instrument anyway.
Great video ! Amazing playing ! Thanx a lot Sir ! A question can one save a stack within Kontakt or must one create a template to be able to recall the stack ?
How are these routed within Kontakt? Are certain instances set to be transposed up or down X # of octaves? Or, do you limit which parts of the keyboard contain which VSTs? Btw unbelievable video, your improvisation within the language of film scoring is also incredible.
you can radically pan dry/wet as left/right or increase pre/delay, or set to binaural panner and center some instruments that need focus. Headphones will give a better judgment of depth, checking what is “in your face”. Truth is that the best mixes have some elements very dry or close, because they are confident on the quality of the sound. I try to combine this with an infinite reverb . So my take ;) The first technique may be only mine, i don’t give you hollywood guarantee! But i loved.
Anyone know where to grab Albion 3 Iceni? looks like spitfire took it off the market recently,... btw Whitty - I am a full time trailer composer and have come back to this video time and time again to try and mimic these stacks you have - phenomenal video and thank you for sharing this information with the rest of us!!!!
Brass and winds was Loegria. Iceni is all low….no trumpets or flutes in the Iceni ensembles. Shame as Loegria isn’t available anymore…brass sounds fantastic here!
I know and they took that combi away from Albion one. However if you combine Brass high, Brass Mid, Brass Low (in Albion One) on the same MIDI channel you will get a similar result, but not quite as good as it used to be. The original samples had a human quality that was tuned out in Albion One. Or contact them maybe there is a way to buy it not on the website
@@whittymusic than you. I have a bunch of Spitfire Library (i'm love Abbey ROad One...) I'll check what I can do whit. Anyway, thanks for you excellent channel.
128 gb in 6 machines running vienna ensemble pro. But you could easily run this stack with 16gb no prob. It's more about your processor speed and core count
Bro. Of course the stacks are sweet as hell, but can we talk about the fact that you are killing the game with your voicings!? 👌🏽
Very nice ! By the way it is not Iceni (iceni has only low brass for exemple and the wallpaper colour is red ) but it’s Albion one legacy
Awesome! I really needed to see this . These stacks are fantastic . . . but your harmonic sense is out of this world!!! Thank you so much for sharing this.
thanks for the kind words!
Great ideas on the stacks, for sure. But man, you blew my mind with what you played starting at 0:11; what I’d like more than anything is to see you take that 18 seconds and make a video breaking down what you were doing with the voicings, the chords and the interplay between high and low parts. I mean, you were just plain breathing out a full orchestral arrangement right there, and I desperately want to understand a bit more of where all of that came from.
That's sort of pentatonic style American a la Aaron Copland. In the right hand find a strong rhythm maybe: bah-bah-baaahhhh. Then the left hand can reply. Bah-bah.
In the right hand you can use suspended 4 and suspended 2 chords. Then major chords. Left hand mostly octaves moving by thirds. But you can throw in a fifth, if it is in the chosen pentatonic scale.
Sometimes play the rhythm hands together. It doesn't matter if the bass note is contained in the right hand. So long as it is a whole step from the notes in the chord. So for a Gb chord in the right, you could put any chord tone, or Ab, or Eb in the bass.
The easiest way to start is: play only on the black keys (no white), and follow the above tips. Add the F natural so you can make the Db chord and resolve the sus2 or sus4 chords on Db. Then add in the C natural which will give a lydian mode feel when used as a passing note for the Gb chord.
But try to never move by half step in the right hand.
To modulate, move your hands over to another pentatonic scale. Avoid half steps. Use pentatonic-ish chords.
Daves unite! ✊
Its not as simple as load the multi and hit the chords! Thats years of experience working with these things right there!Amazing 👏
Uhm no, its actually pretty easy. Basic orchestration knowledge is more than enough to build and write realistic orchestral pieces.
Love this video! Thank you so much for sharing your wisdom! Incredibly informative
Thanks sharing your knowledge with us!
Bro you are da bomb. I never hear such good stuff. This is a topic unto itself.
This sounds awesome Michael! Well done!
sounds awesome! keep stacking it brother 👍🏻
Man, thanks for sharing these stacks bro!! Super awesome
I was watching the voices/RAM counts on those plugins ... makes my old Ensoniq ASR-10 with a whopping 14 Mb of RAM seem a little antiquated. Amazing sounds. $0.02
Wow epic sounds! Thank you for these ideas :}
Inspiring as always.
14:07 what a movement!
Scary good stuff here Michael and great playing! Just found you here but I've subscribed and will check out your website for sure. Thank you so much. 🙏🏾
Really like your videos.
Never thought to use them like this, stacked.
I always take one instrument one by one with different output channel and work on each line to try to get that result... But watching you makes me wanna try to bring different instrument on same channel (combined) and try to see how they sound together ! Nice one 👍
I know same. But i find the "old way," writing everyrhing out, I still cant this kind of sound vy programing in each instrument, unless I stack several patches of fhe same instrument anyway.
Loving your videos!
Yes! This channel is an absolute gem.
Thanks for being a part!
a blessing to us all ......thanks
Great video ! Amazing playing ! Thanx a lot Sir ! A question can one save a stack within Kontakt or must one create a template to be able to recall the stack ?
Yes! You can save it as a multi!
That's incredible! Amazing stacks and voicing! Did also made panning for all of libraries?
Great work!!
Amazing tutorial
Wow! Thank you👍
FIRE brutha!!!!!!!!!!!!!!!!!
Killer, man! Thanks!
How are these routed within Kontakt? Are certain instances set to be transposed up or down X # of octaves? Or, do you limit which parts of the keyboard contain which VSTs?
Btw unbelievable video, your improvisation within the language of film scoring is also incredible.
Thanks. Good Ideas
I have watch two of your videos and have learned some really useful concepts. I’ll soon be joining your classes I think. Thank you so much for this.
thank you! awesome look forward to it!
May I ask what your reverb/spatialization setup is? I'm very impressed by the sense of depth in your sounds, without them sounding to mushy.
you can radically pan dry/wet as left/right or increase pre/delay, or set to binaural panner and center some instruments that need focus. Headphones will give a better judgment of depth, checking what is “in your face”. Truth is that the best mixes have some elements very dry or close, because they are confident on the quality of the sound. I try to combine this with an infinite reverb . So my take ;) The first technique may be only mine, i don’t give you hollywood guarantee! But i loved.
the ears will correct the split of dry/wet, just try
Anyone know where to grab Albion 3 Iceni? looks like spitfire took it off the market recently,... btw Whitty - I am a full time trailer composer and have come back to this video time and time again to try and mimic these stacks you have - phenomenal video and thank you for sharing this information with the rest of us!!!!
Wow, these stacks sounds incredible!!!!! What sample library do you use to stack your instruments?
Thank you, all the libraries in these stack are in the video
thanks!
Is there a video on how to stack? Thanks
可以出一些关于 音源使用 写作不同主题的视频吗 你做的太棒了！
Can you please also tell how you set these and make a patch .. especially in ranges so that we can play everything together.
the ranges are the stock ranges of those patches, there has been no changing of that
Inspiring video! What's your white fader box we see @ 9:29? I'm looking for one. Please don't see it's custom made!
Its by Nakedboards, however I highly recommend NOT getting one. Mine got tied up in Russian customs for months and they wouldn't send my money back.
@@whittymusic ah bummer but yeah not a good time to order stuff from Russia...
Such good stuff here! Recommended to all my film scoring friends.KEENLY WAITING FOR MORE VIDEOS PLEASE DON'T STOP!! :))
nice one
Sir I am pankaj from India how this software downloaded
Wonderful video. Could you confirm--is the woodwind patch definitely from Iceni, or is it actually from Albion II Loegria?
Brass and winds was Loegria. Iceni is all low….no trumpets or flutes in the Iceni ensembles. Shame as Loegria isn’t available anymore…brass sounds fantastic here!
@@kevinperry6276 Thanks for letting me know. Yeah, that's a shame, I really love the sound of these winds and brass too!
That move at 9:24 is as good as stolen.
Nice if you export to audio, not so much if you have to deliver a score and parts for live recording.
Can we talk about your chord choices during that string set? Or I guess I'll just figure it out haha
I tried this but only the top instrument would play. Is there an explanation how to make them work together?
They need to be put on the same midi channel in Kontakt
Create a track stack in Logic
❤💥
what is ur go to piano for cinematic projects to come up with ideas?
the ravenscroft piano or emotional piano for a more dark and soft tone
@@whittymusic ty sir, greetings from germany! 👍
Shit ! Albion Iceni does not exist anymore. Could you give any alternative ?
I know and they took that combi away from Albion one. However if you combine Brass high, Brass Mid, Brass Low (in Albion One) on the same MIDI channel you will get a similar result, but not quite as good as it used to be. The original samples had a human quality that was tuned out in Albion One. Or contact them maybe there is a way to buy it not on the website
@@whittymusic than you. I have a bunch of Spitfire Library (i'm love Abbey ROad One...) I'll check what I can do whit.
Anyway, thanks for you excellent channel.
But how much RAM do you have? ...
128 gb in 6 machines running vienna ensemble pro. But you could easily run this stack with 16gb no prob. It's more about your processor speed and core count