This is very late for her. She debuted in the late 50’s. The negative remarks here are made by ignorant people, who have no idea what it was like to hear her in the 60’s in her great parts. The walls trembled.
I like her very much but, for some reason I can't explain, this didn't work so well for her as one could expect. Ulrica needs deeper contraltrish voice to be effective. But it is quite good, though.
Un registro grave da contralto viene bene in quest'aria, ma non è strettamente necessario. Le note più gravi sono solo nella ripetizione della parola "silenzio", l'ultima dell'aria.
Thanks a lot for your kind answer, the lowest note are in the extremely end of the aria, on the repetition of word "silenzio". two G3 (Sol3). The aria is good for a contralto with extension to the mezzo soprano high register as Fedora Barbieri or Elena Nicolai, for ex. Not easy to find today. Best regards, Vittorio Maurino Tosi.
@@vittoriomaurinotosi718 Dear Vittorio, you are quite right. No one sings like these great singers today. And I do love Mme. Cossoto. She is one of the greatest mezzos ever. Regards.
The hype about her was when she was singing solidly mezzo roles such as Amneris, Azucena and Principessa in Adriana Lecouvreur. This is a little low for her.
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This is very late for her. She debuted in the late 50’s. The negative remarks here are made by ignorant people, who have no idea what it was like to hear her in the 60’s in her great parts. The walls trembled.
How do you know we didn’t hear her better earlier singing?
Some of us did.
Here she’s far from good.
brava... espectacular como siempre...!!!
OVERWHELMING 💖 💖 💖
BRAVA!!!!!!
Bravissima
Gran Teatre del Liceu 27-01-1988
I think that all are written in my description: Gran Teatre del Liceu 27-01-1988
I like her performance. When was this performed?
Me gusta más el rol de Ulrica en una contralto... pero Cossotto es maravillosa.
I like her very much but, for some reason I can't explain, this didn't work so well for her as one could expect. Ulrica needs deeper contraltrish voice to be effective. But it is quite good, though.
Un registro grave da contralto viene bene in quest'aria, ma non è strettamente necessario. Le note più gravi sono solo nella ripetizione della parola "silenzio", l'ultima dell'aria.
Thanks a lot for your kind answer, the lowest note are in the extremely end of the aria, on the repetition of word "silenzio". two G3 (Sol3).
The aria is good for a contralto with extension to the mezzo soprano high register as Fedora Barbieri or Elena Nicolai, for ex. Not easy to find today. Best regards, Vittorio Maurino Tosi.
@@vittoriomaurinotosi718 Dear Vittorio, you are quite right. No one sings like these great singers today. And I do love Mme. Cossoto. She is one of the greatest mezzos ever. Regards.
@@ESilva-qv1uv Yes it is today.
My best regards.
Not even close to Barbieri.
Bonita voz, virtuosa pero para ese papel como q no va.
booooo
Completamente fuori ruolo è costretta a pompare i bassi e inscurire una voce di per se chiara, ne risulta un’emissione del suono costretta.
Not imposing enough. This role demands much more of a contralto sound. I never understand the hype about her.
Never liked her timbre.
Dragan Vidic I agree it is very light. Especially compared to Obrastova. It’s extremely imposing
Have you seen her as Amneris?
The hype about her was when she was singing solidly mezzo roles such as Amneris, Azucena and Principessa in Adriana Lecouvreur. This is a little low for her.
Her acting skills were great, her voice.... eh. depressed soprano and ugly timbre.
She is an undeveloped soprano!