Beethoven - Symphony No. 5, Op. 67 (1808)
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- Опубликовано: 15 май 2024
- Ludwig van Beethoven (baptised 17 December 1770 - 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
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Symphony No. 5 in C minor, Op. 67 (1804-1808)
Dedication: Prince F. J. von Lobkowitz and Graf A. von Rasumovsky
1. Allegro con brio (0:00)
2. Andante con moto (7:35)
3. Scherzo. Allegro - Trio (17:12)
4. Allegro (22:29)
Orchestre des Concerts Lamoureux conducted by Igor Markevitch
Philips 1959
The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony (German: Schicksalssinfonie), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, and it is widely considered one of the cornerstones of western music. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". As is typical of symphonies during the Classical period, Beethoven's Fifth Symphony has four movements.
The Fifth Symphony premiered on 22 December 1808 at a mammoth concert at the Theater an der Wien in Vienna consisting entirely of Beethoven premieres, and directed by Beethoven himself on the conductor's podium.[4] The concert lasted for more than four hours. The two symphonies appeared on the programme in reverse order: the Sixth was played first, and the Fifth appeared in the second half.[5] The programme was as follows:
The Sixth Symphony
Aria: Ah! perfido, Op. 65
The Gloria movement of the Mass in C major
The Fourth Piano Concerto (played by Beethoven himself)
(Intermission)
The Fifth Symphony
The Sanctus and Benedictus movements of the C major Mass
A solo piano improvisation played by Beethoven
The Choral Fantasy
E.T.A. Hoffmann praised the "indescribably profound, magnificent symphony in C minor":
How this wonderful composition, in a climax that climbs on and on, leads the listener imperiously forward into the spirit world of the infinite!... No doubt the whole rushes like an ingenious rhapsody past many a man, but the soul of each thoughtful listener is assuredly stirred, deeply and intimately, by a feeling that is none other than that unutterable portentous longing, and until the final chord-indeed, even in the moments that follow it-he will be powerless to step out of that wondrous spirit realm where grief and joy embrace him in the form of sound.... 
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I love Beethoven's handwriting and the fact that many times was writing and making corrections... You can't never get enough of him!
This is a great piece of music by Beethoven, a composer that mankind is proud of.
Wunderschöne und spannende Interpretation dieser leidenschaftlichen doch perfekt komponierten Sinfonie mit gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der zweite Satz klingt besonders schön und echt beruhigend. Im Kontrast klingt der letzte Satz echt leidenschftlich und auch begeisternd. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im relativ schnellen Tempo und mit völlig effektiver Dynamik. Wunderbar und atemberaubend zugleich!
Old but gold.
This piece made me fall in love with Beethoven when I was 14. Of course I had come for the first movement but soon I found out how hauntingly beautiful the remaining three are. I still love it.
Uhhhh, are you guys able to read most of this?
maybe
It takes practice but after a bit it is actually not hard to figure out. You have to keep in mind that the score has a different set up then we are used to; from top to bottom: Violin I & 2, viola, flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani, cello and double bass.
Oltre all'immenso e impagabile capolavoro Beethoveniano un bellissimo ricordo di un grandissimo direttore, Igor Markevitch, autore di una interpretazione incandescente.
Grazie per la splendida pubblicazione ❤
@@poncione Vero! Una lettura asciutta ma piena di fuoco. Una bella scoperta.
@@emanuelezazzero4450 veramente... La ignoravo totalmente, o meglio ignoravo che Markevitch - che conoscevo per Mahler e Tschaikowsky - fosse riuscito a renderlo tanto bene. A questo punto sorge la curiosità di conoscere anche le altre, perché dovrebbe avere inciso tutto il ciclo...