Thanks for watching! I hope you learned a lot from this video and hope you have great success making videos. Don’t forget your 10% Discount code for MotionVFX (PASCAL10): geni.us/ERNn4 * My Favorite Plugins are: - mTransition Fade: geni.us/gj2P * - mTransition Shade: geni.us/eITbto * - mTransition Zoom: geni.us/wP84JkD * - m16mm: geni.us/XiABOU * - mRotoAI: geni.us/OCVgH *
I want to appreciate all of your efforts and the time that you put into making this guide. I had watched other beginners' guides in the past, and I admit that none of them are as thorough as yours. Neither come close to your guide. Even though I knew all of these info, I still watched it to see if I pick up one or two things here and there because all of your videos are creative and bring extra value to the YT community, and this video is no exception. The guide was well put together and complete with so much helpful and useful info for every person in the field. People should not overlook this video, neither take it for granted. This is the result of many years of experience and so much time building his craft. Great job, Pascal! -Wilfredo
as a solo shooter who edit his own videos i can say without a doubt that Mr Basel put a lot of work and effort to make this, and i mean a lot, this is not a simple video to make. thank you for your work and dedication wish you all the best.
by far the most detailed and explanatory video for any beginner... all content explained is stick to the fact...all doubts will be cleared and u will learn every needed information to continue your video journey... thank you so much for making this masterpiece...💯💯💯
An insane amount of work has gone into this video. The content is invaluable, the script, the shots, the edit... This feels like a University degree module in one 45 minute video. Thanks, Pascal!
Hey Pascal, just recently discovered your channel and you are such a gem!! Your videos are super helpful and they have definitely made it easier for me (and less terrifying) to pick up my own camera and get going! Thank you so much! Keep up the great work!👍🙌
This is an outstanding video. So very helpful for a new videographer coming from the photography world. If your free content is this good I can only imagine how good the paid courses are. That bundle is looking very tempting. I'd tip more but I'm saving for one of your courses!
Great video Pascal, such useful information, all in one place. I remember when I started I had to watch so many different videos on each of these topics, and this is delivered with such clarity and excellence, thanks for sharing such invaluable knowledge for free!
Excellent video and once again very helpful Pascal. This time last year i was only doing photography, but with help from yourself and other RUclipsr videographers, i feel ive made great progress in filmmaking and it's now 50/50 between photography and video. Thanks dude 👍
I don't shoot video for a long time so my understanding is a bit out of date. Thanks for this detailed video, the dynamic range is astonishing, your voice is clear and the color is comfortable to look at.
Great tutorial, I must say I enjoy all your videos. So thank you for taking the time to educate beginners. I’ve watched as many ads on this video as I could to support your channel.
I have been a stills shooter for nearly 3 decades now & always wanted to shoot videos - but with all the technical Jargon in video could never really do it . This is by far the best video i have seen on videography - like a 101 - Kudos - Superb . Mr Basel - wonderful effort very very well compiled - Many thanks
Hi Pascal, great video you have here. I've been shooting since the days of film so this information was a fun review and I like how you presented it. However there is one correction I need to make. At 17:56 you called 'A' or Aperture Priority mode "automatic mode". It is not fully automatic like it was presented. That would be 'P' or Program mode. You likely already understand this but for those that are unaware: Aperture Priority (A) mode is where you manually control the aperture and the camera tries to compensate for that setting by automatically adjusting the shutter speed. Shutter Priority (S) mode is the opposite of that, meaning that you manually set the shutter speed and the camera attempts to compensate the exposure using the aperture. 'A' and 'S' modes I guess could be termed semi-automatic Program (P) mode (sometimes also presented as AUTO) is the one that controls both shutter and aperture and is fully automatic. Manual (M) mode as indicated allows one to control both aperture and shutter speed without regard to exposure Hope this helps folks!
This was great! Thank you for this. Been shooting stills for a long time. Since the days of mamiya sekor. Digital for 20 years. Anyway, I know my way around still imagining and somewhat around video and D. Resolve Some great insights and tips now that I'm branching into video more these days. Thanks again!
Thank you very much for making and posting this video. As someone completely new to this medium I'm grateful. I don't know if you will ever see this but at times there is one bright white spot near the dead middle of the video that looks like a stuck Pixel. I thought it was my device but it comes and goes and is only in specific sequences or frames so I think it might be in your video. The best example of it is the sequence starting at 17:00 right below your lips in the shot. I apologize for posting this if it's my mistake or device or it's my fault, I'm not trying to offend you and maybe it's my device but I don't think so. I'm posting it because if it were me, if our positions were reversed - I would want to know. You did such an amazing job with this video and it has provided me with a great introduction to shooting video with my cameras. Thank you again.
@@pascalbaselI only saw it pop up one more time at 17:33 under the "EXPOSURE" word. I thought I saw it in one more scene when you were working in DaVinci or another program but I don't have a time code. The only reason I think I saw it was because of your fantastic looking coloring, you are very talented at that, your stuff looks amazing! If it did pop up again I missed it, it's very hard to detect. Anyway, just trying to be helpful. Whatever you do, just keep making videos you're great at it, your work is fantastic! All the best to you.
Wow, you really put a lot of work into this video. It must have taken quite a long time to do. Thank you, it's a fantastic video both from a creative standpoint and an educational one.
As a complete newbie to Video, I needed this video of which I have placed a link in my saved sites. I can watch it again in sections. I had contacted Fujifilm but did not as yet get a reply. I recently purchased the XH2 and have been spending time and money on rigging it out using small rig and purchasing a monitor. Only thing to buy now is the Battery. Many thanks for such an informative overview.
This video is a masterpiece! There is a ton of info in here, but it's divided up in such a way that it's not confusing at all. The graphics are done really good as well and just help to make the whole process of learning how to operate a camera very simple! Thanks Pascal, God bless you as you keep helping others!
You have a way of making everything easy to understand. Thank you for your hard work! I have watched other videos, but always struggled to really wrap my head around some concepts. You have made it easier. Thank you!!!
Genau sowas hätte ich damals als ich angefangen habe gebraucht :D Habe selbst mit 8-Bit angefangen und der Sprung auf 10-Bit in S-Log war es so wert und wenn man sowieso mit ND-Filter arbeitet macht es für mich keinen Unterschied, ob ich in LOG oder in nem anderen Profil filme. Zum Thema Grey Card hab ich letztens gesehen, dass die Lenscap von Sony auch ne Art Grey Card ist, die hat man immer dabei und besser als nichts :D
Stimmt, die Endkappe ist grau. Das sollte gehen. Habs auch schon mit nem grauen T-Shirt gemacht. Ist bei sowas wahrscheinlich nicht ganz akkurat, aber gut genug.
Great video! Very well shot, edited and extremely helpful, with great supporting visual explainers. Also loved the real world examples and tips. I'll definitely link this to anyone learning. P.S. At 32:02 did you mean to say 20mm?
i feel like micro four thirds deserves a mention next to ff and apsc because they have many video focused models at great prices, cheap lenses and really good ibis, 4k and many video features (lumix gh/g series and omd/om 5 and 1)
Great video, thank you! Regarding the settings, my Alpha6700 allows me to film either in XAVC-S 4K 140M 4:2:2: 10bit at 25fps OR XAVC-HS 4K 100/150/200M 4:2:2 10 bit at 50fps. In this case, what would be the better option? Can you recommend any of the two?
Hi Pascal great video, but there is another camera brand and although you might not recommend it I like many have that brand unfortunately and that's Nikon and for us it would be nice if you could include some recommendations if you can it would be appreciated :)
It's not that I don't recommend Nikon. The Z8 and Zf look great, they are just too heavy for my way of shooting. If Nikon would send me some for testing, I'd love to feature them. But to give recommendations on my channel, I at least want to have some experience with the camera brand, even I can't properly test every single camera.
I feel you! I have absolutely no clue what is happening and most of the settings I think are not even available on Nikon so now I bought a new camera to try to make some videos but I guess I just wasted money! :D
@@LIA-mq4ci hi the Nikon Z6ii can film in 4k and is great for most beginners, yes it doesn't have all the features as more expensive cameras but I'm happy with my videos so far, and I'm sure if you signup to some of Pascals courses you will learn a not and your investment wouldn't of been a waist.
One FHD frame (1920x1080) consume around '2.1 mega bit' of space. @25fps, it would be around ( 25x 2.1) 50mega bite/sec. That equals to 6.25 Mega Bytes /sec.( 50÷8). So, a 4K footage (8mp appx./ Frame) @25p would require 200mega Bit - i.e. 25 MegaBytes /sec. The above calculation is - before implementation of any compression method. Am I right ? Now, the question is - why do you recommend 100MBps - that too, with applying compression (H.264). Kindly correct /clarify me.
You kinda wrote the answer already. Compression means that it's not that much about the pixels any more (only to a certain degree), but more about the movement of and in front of the camera (more movement = higher bitrate needed). The numbers in the video are from my experience over the years. For steady shots without much movement, you might get away with lower bitrates, if you shoot a lot of very fast sports etc, higher bitrates and ProRes can make more sense. But with the bitrates mentioned, I never noticed any quality degradation in any shot. That's why I recommend them.
Going from shooting in 24 to 60. What about editing those two clips on the timeline like in fcp for ex. You can only set the timeline at one specific frame rate
Timeline to 24, and either adjust the 60P clip for slow motion (40% of the original speed), or 80% of the speed for slight, barely noticeable slow motion to keep the motion smooth (80% = 48P - multiplicator of 24). If you need to keep the clip at 100% speed, change it to 99% of the original speed and use Retime Process: Optical Flow + Motion Estimation: Speed Warp in DaVinci Resolve to let it calculate the frames to keep it smooth. Otherwise, 60P looks laggy unless there isn't much motion in the shot.
@@pascalbasel quick question. I’m editing the wedding I just shot on Saturday through FCP. I went back and forth from 4k 24, 1080x60, and 1080x120fps. When you say the timeline should be in 24fps, you’re meaning 4k 24fps yeah? This was different for me, usually when I shoot, I choose one frame rate and go from there but I wanted to try something different and get out the comfort zone.
Excellent content. For shooting nature videos and views of the ocean (without much movement) with the Iphone would you recommend using a VND and CPL filter in one or just the CPL filter alone? I want to use the CPL filter, but I'm wondering whether the combined version with a VND (that some filters have) would be a better option than using the CPL filter alone. What are your thoughts?
For static shots, you won’t notice a big difference. Every VND is also a CPL as it’s two CPL filters rotating against each other. CPL can be useful to cut reflections from the water. If you have a VND, you can slightly unscrew it and turn it to adjust the CPL effect, even if it’s not a „combined“ filter. Just be careful that the filter doesn’t fall off.
Hey there, I just subscribed because your videos are just excellent. Quick question, how long does it take you to edit for example this video? I'm asking because I know a thing or two about video editing and it takes a lot of time and effort to crank out a video such as this one. Excellent work. Please let me know.
@@pascalbasel Thank you Basel. Really appreciate it. It's amazing that you can crank out a video of this quality in such a short time. I have watched a bunch of your other videos as well. They're very good. I'll be watching a lot more. There's so much value in them. Thank you brother.
@@Menelik.videos It was 100% scripted and shot-listed though, so the animations too the most time. The rest was quite easy to edit. Shot listing (and actually numbering the files) helps a lot to finish projects like that quicker.
Bro,When we create a 24 fps timline sequence for a movie .which have little different fps clips like 60 fps ,120..etc for slowmotion.should I keep 24fps has timeline sequence.Does the slowmotion work great? Bro Please can you explain?
I just bought your course. The entire full package! Definitely a hefty price, but your content is such a great investment that WILL help me become a better filmmaker! 👍🏽
Taking photo through camera screen is the right way for a smart photographer. Through the camera screen, instead of view finder, you will have the better vew to judge the scale of the photo scene. In addition, you will know immmediate if your camera is taking the true color photo from the scene that you are shooting at.
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
Thanks for watching! I hope you learned a lot from this video and hope you have great success making videos.
Don’t forget your 10% Discount code for MotionVFX (PASCAL10): geni.us/ERNn4 *
My Favorite Plugins are:
- mTransition Fade: geni.us/gj2P *
- mTransition Shade: geni.us/eITbto *
- mTransition Zoom: geni.us/wP84JkD *
- m16mm: geni.us/XiABOU *
- mRotoAI: geni.us/OCVgH *
I want to appreciate all of your efforts and the time that you put into making this guide. I had watched other beginners' guides in the past, and I admit that none of them are as thorough as yours. Neither come close to your guide. Even though I knew all of these info, I still watched it to see if I pick up one or two things here and there because all of your videos are creative and bring extra value to the YT community, and this video is no exception. The guide was well put together and complete with so much helpful and useful info for every person in the field. People should not overlook this video, neither take it for granted. This is the result of many years of experience and so much time building his craft. Great job, Pascal! -Wilfredo
Wow, thanks a lot for that 👍🏻
I hope you could pick up something new.
@@pascalbaselYou're very welcome, mate. I hope your guide reaches many people. You truly deserve it. I did pick up something new. Thank you. 😊
as a solo shooter who edit his own videos i can say without a doubt that Mr Basel put a lot of work and effort to make this, and i mean a lot, this is not a simple video to make. thank you for your work and dedication wish you all the best.
Thanks, and yes... took about a month to pull that off.
Incredible work. The writer, actors, director, editors, videographer, sound! #Amazing
by far the most detailed and explanatory video for any beginner... all content explained is stick to the fact...all doubts will be cleared and u will learn every needed information to continue your video journey... thank you so much for making this masterpiece...💯💯💯
Thanks a lot 👍🏻
An insane amount of work has gone into this video. The content is invaluable, the script, the shots, the edit... This feels like a University degree module in one 45 minute video. Thanks, Pascal!
Hey Pascal, just recently discovered your channel and you are such a gem!! Your videos are super helpful and they have definitely made it easier for me (and less terrifying) to pick up my own camera and get going! Thank you so much! Keep up the great work!👍🙌
I have to say, this is the best video for Videography basics I've ever seen. Really amazing work
This is an outstanding video. So very helpful for a new videographer coming from the photography world. If your free content is this good I can only imagine how good the paid courses are. That bundle is looking very tempting. I'd tip more but I'm saving for one of your courses!
Thanks a lot 🙏
Awesome video for every beginner out there. Haven't seen such a in-depth guide on RUclips that comes close to this!
Great video Pascal, such useful information, all in one place. I remember when I started I had to watch so many different videos on each of these topics, and this is delivered with such clarity and excellence, thanks for sharing such invaluable knowledge for free!
Excellent video and once again very helpful Pascal. This time last year i was only doing photography, but with help from yourself and other RUclipsr videographers, i feel ive made great progress in filmmaking and it's now 50/50 between photography and video.
Thanks dude 👍
I don't shoot video for a long time so my understanding is a bit out of date. Thanks for this detailed video, the dynamic range is astonishing, your voice is clear and the color is comfortable to look at.
Great tutorial, I must say I enjoy all your videos. So thank you for taking the time to educate beginners. I’ve watched as many ads on this video as I could to support your channel.
Haha, thanks a lot^^
bro u deserve so much more followers, I love ur channel and the quality of your advises
Thanks a lot 👍🏻
Holy boring as heck at the same time very important and very good, thank you Pascal.
I have been a stills shooter for nearly 3 decades now & always wanted to shoot videos - but with all the technical Jargon in video could never really do it . This is by far the best video i have seen on videography - like a 101 - Kudos - Superb . Mr Basel - wonderful effort very very well compiled - Many thanks
This is exactly the video I was looking for. So so helpful. Thank you!
This is the best video tutorial i have ever seen BY FAR! Thank you for your time and effort to put this together. I have subscribed 👍
Great video for beginner brushing-up! Thank you!
There's so much great content in here. Thanks for all the hard work.
This was extremely well thought out and planned. I need a cheat sheet !
Hi Pascal, great video you have here. I've been shooting since the days of film so this information was a fun review and I like how you presented it. However there is one correction I need to make. At 17:56 you called 'A' or Aperture Priority mode "automatic mode". It is not fully automatic like it was presented. That would be 'P' or Program mode. You likely already understand this but for those that are unaware:
Aperture Priority (A) mode is where you manually control the aperture and the camera tries to compensate for that setting by automatically adjusting the shutter speed.
Shutter Priority (S) mode is the opposite of that, meaning that you manually set the shutter speed and the camera attempts to compensate the exposure using the aperture.
'A' and 'S' modes I guess could be termed semi-automatic
Program (P) mode (sometimes also presented as AUTO) is the one that controls both shutter and aperture and is fully automatic.
Manual (M) mode as indicated allows one to control both aperture and shutter speed without regard to exposure
Hope this helps folks!
Yeah, that’s technically correct. Aperture priority is the only automatic mode I use occasionally, aside from auto ISO. That’s why I wrote that.
It’s crazy how much effort you put into your content! Thanks a lot!!!
You're welcome 😉
@@pascalbasel schau deine Videos immer wieder gerne, hab da mehr gelernt als sonst wo 😇🙏
I can only imagine how much effort you put into this video. Thanks a ton for such an informative video!!
Dear Lord, this is all i needed to get me started. Soooo detailed. Thank you for the hardwork you put in. You have helped alot of us beginers
The best video I watched regarding videography! All doubts I had regarding codecs, profiles were clarified. Thanks for this video Pascal!
This was great! Thank you for this. Been shooting stills for a long time. Since the days of mamiya sekor. Digital for 20 years. Anyway, I know my way around still imagining and somewhat around video and D. Resolve
Some great insights and tips now that I'm branching into video more these days. Thanks again!
Thank You, Brother Pascal!! You're a Genius. 🙏🏾😎 Wishing you and your loved ones all the Best, my Friend.
Thank you very much for making and posting this video. As someone completely new to this medium I'm grateful.
I don't know if you will ever see this but at times there is one bright white spot near the dead middle of the video that looks like a stuck Pixel. I thought it was my device but it comes and goes and is only in specific sequences or frames so I think it might be in your video. The best example of it is the sequence starting at 17:00 right below your lips in the shot.
I apologize for posting this if it's my mistake or device or it's my fault, I'm not trying to offend you and maybe it's my device but I don't think so. I'm posting it because if it were me, if our positions were reversed - I would want to know.
You did such an amazing job with this video and it has provided me with a great introduction to shooting video with my cameras. Thank you again.
Thanks for telling me. Looks like something was on the lens. Can't see it other shots.
@@pascalbaselI only saw it pop up one more time at 17:33 under the "EXPOSURE" word. I thought I saw it in one more scene when you were working in DaVinci or another program but I don't have a time code.
The only reason I think I saw it was because of your fantastic looking coloring, you are very talented at that, your stuff looks amazing! If it did pop up again I missed it, it's very hard to detect.
Anyway, just trying to be helpful. Whatever you do, just keep making videos you're great at it, your work is fantastic!
All the best to you.
Wow, you really put a lot of work into this video. It must have taken quite a long time to do. Thank you, it's a fantastic video both from a creative standpoint and an educational one.
As a complete newbie to Video, I needed this video of which I have placed a link in my saved sites. I can watch it again in sections. I had contacted Fujifilm but did not as yet get a reply. I recently purchased the XH2 and have been spending time and money on rigging it out using small rig and purchasing a monitor. Only thing to buy now is the Battery. Many thanks for such an informative overview.
That's nice to hear. Seems like you're going all in directly 👍🏻
I really appreciate this. It seems like most RUclipsrs are allergic to long videos because they only care about clicks.
Unfortunately, yes. Long form is very underrated.
This video is a masterpiece! There is a ton of info in here, but it's divided up in such a way that it's not confusing at all. The graphics are done really good as well and just help to make the whole process of learning how to operate a camera very simple! Thanks Pascal, God bless you as you keep helping others!
Thanks, nice to know you like it.
The absolute BEST intro video on videos I have ever seen!
You have a way of making everything easy to understand. Thank you for your hard work! I have watched other videos, but always struggled to really wrap my head around some concepts. You have made it easier. Thank you!!!
Glad I could help!
Thanks
Thank you very much 🙏🏻
Genau sowas hätte ich damals als ich angefangen habe gebraucht :D Habe selbst mit 8-Bit angefangen und der Sprung auf 10-Bit in S-Log war es so wert und wenn man sowieso mit ND-Filter arbeitet macht es für mich keinen Unterschied, ob ich in LOG oder in nem anderen Profil filme. Zum Thema Grey Card hab ich letztens gesehen, dass die Lenscap von Sony auch ne Art Grey Card ist, die hat man immer dabei und besser als nichts :D
Stimmt, die Endkappe ist grau. Das sollte gehen. Habs auch schon mit nem grauen T-Shirt gemacht. Ist bei sowas wahrscheinlich nicht ganz akkurat, aber gut genug.
Insanely helpful, well thought out and engaging video. Taking a look at your courses as a result - Thank you!
Ohh Man!! This is the exact video i was looking for!! Superb quality and the effort that you put in for this video is remarkable. Keep it up man❤
Glad you liked it!
Great video! Now to just start filming ;)
What a great amount of information here! I have to watch it a couple of times and take notes.
Vielen Dank!
What a brilliant video. Excellent explanations. Thanks!
Just started my videography journey and I appreciate this video a lot.
Thank you very much Pascal. Well structured and explained.
Teşekkürler.
Thank you 🙏
Thank you! I am starting to get an idea of the basics
Great video! Very well shot, edited and extremely helpful, with great supporting visual explainers. Also loved the real world examples and tips. I'll definitely link this to anyone learning.
P.S. At 32:02 did you mean to say 20mm?
I had 16mm in my script but didn't have a 16mm lens at this time. So I just left it as it is.
One videography tutorial to end them all. That was amazing. Thank you!
That was the comment I was looking for xD
Great video, I will recommend this to everyone interested in starting to film. This is very complete
Thanks a lot Laurent 👍🏻
The production quality and free knowledge in this video is insane! Good work 🫡👏
Thanks for all of the detailed info and real world application!
One of the best camera 101 lesson video ! Thxxx.
What is this editing wooooow all this for a tutorial damn you earned my respect
Thank you bro for the video, all my questions are answered.
i love what ur doing man great video, alot of value
I got soooo much from this video.
Thank you for all your efforts 🙏
Awesome, that's nice to hear.
love this video so much so clear on everything!
I've learnt sooooo much from this video, thank you so so so much!
Amazing info and very helpful - thank you!
Wow! Thank you for this incredible video!
i feel like micro four thirds deserves a mention next to ff and apsc because they have many video focused models at great prices, cheap lenses and really good ibis, 4k and many video features (lumix gh/g series and omd/om 5 and 1)
Great video, thank you!
Regarding the settings, my Alpha6700 allows me to film either in XAVC-S 4K 140M 4:2:2: 10bit at 25fps OR XAVC-HS 4K 100/150/200M 4:2:2 10 bit at 50fps. In this case, what would be the better option? Can you recommend any of the two?
Thanks!
Explained in the codec and bitrate part ;-) HS 200 422 10bit, if your computer handles it.
Very nice Video. Thank you!👍
Thanks Pascal
What a masterclass video. Well done!!! New subscriber here!
GREAT work, and THANK YOU! 🙏
Hi Pascal great video, but there is another camera brand and although you might not recommend it I like many have that brand unfortunately and that's Nikon and for us it would be nice if you could include some recommendations if you can it would be appreciated :)
It's not that I don't recommend Nikon. The Z8 and Zf look great, they are just too heavy for my way of shooting. If Nikon would send me some for testing, I'd love to feature them. But to give recommendations on my channel, I at least want to have some experience with the camera brand, even I can't properly test every single camera.
@@pascalbasel I'll have a word with Nikon 😂
I feel you! I have absolutely no clue what is happening and most of the settings I think are not even available on Nikon so now I bought a new camera to try to make some videos but I guess I just wasted money! :D
@@LIA-mq4ci hi the Nikon Z6ii can film in 4k and is great for most beginners, yes it doesn't have all the features as more expensive cameras but I'm happy with my videos so far, and I'm sure if you signup to some of Pascals courses you will learn a not and your investment wouldn't of been a waist.
Outstanding tutorial, thank you
Thanks you so so much ❤
Incredible, thank you very much!
One FHD frame (1920x1080) consume around '2.1 mega bit' of space.
@25fps, it would be around ( 25x 2.1) 50mega bite/sec.
That equals to 6.25 Mega Bytes /sec.( 50÷8).
So, a 4K footage (8mp appx./ Frame) @25p would require 200mega Bit - i.e. 25 MegaBytes /sec.
The above calculation is - before implementation of any compression method.
Am I right ?
Now, the question is - why do you recommend 100MBps - that too, with applying compression (H.264).
Kindly correct /clarify me.
You kinda wrote the answer already. Compression means that it's not that much about the pixels any more (only to a certain degree), but more about the movement of and in front of the camera (more movement = higher bitrate needed). The numbers in the video are from my experience over the years. For steady shots without much movement, you might get away with lower bitrates, if you shoot a lot of very fast sports etc, higher bitrates and ProRes can make more sense. But with the bitrates mentioned, I never noticed any quality degradation in any shot. That's why I recommend them.
Tolles Video, danke! 🤩
thanks
Woah, that was awesome. ❤
Going from shooting in 24 to 60. What about editing those two clips on the timeline like in fcp for ex. You can only set the timeline at one specific frame rate
Timeline to 24, and either adjust the 60P clip for slow motion (40% of the original speed), or 80% of the speed for slight, barely noticeable slow motion to keep the motion smooth (80% = 48P - multiplicator of 24). If you need to keep the clip at 100% speed, change it to 99% of the original speed and use Retime Process: Optical Flow + Motion Estimation: Speed Warp in DaVinci Resolve to let it calculate the frames to keep it smooth. Otherwise, 60P looks laggy unless there isn't much motion in the shot.
@@pascalbasel thank you for the feedback!
@@pascalbasel quick question. I’m editing the wedding I just shot on Saturday through FCP. I went back and forth from 4k 24, 1080x60, and 1080x120fps. When you say the timeline should be in 24fps, you’re meaning 4k 24fps yeah?
This was different for me, usually when I shoot, I choose one frame rate and go from there but I wanted to try something different and get out the comfort zone.
Best comprehensive guide ❤
Thank you for this video, please i have a question, are you saying, i can shoot at 24p though im in Europe? im still a beginner.
Sure
Excellent content. For shooting nature videos and views of the ocean (without much movement) with the Iphone would you recommend using a VND and CPL filter in one or just the CPL filter alone? I want to use the CPL filter, but I'm wondering whether the combined version with a VND (that some filters have) would be a better option than using the CPL filter alone. What are your thoughts?
For static shots, you won’t notice a big difference. Every VND is also a CPL as it’s two CPL filters rotating against each other. CPL can be useful to cut reflections from the water. If you have a VND, you can slightly unscrew it and turn it to adjust the CPL effect, even if it’s not a „combined“ filter. Just be careful that the filter doesn’t fall off.
Thank you :). I might try that
brilliant ,thank you Pascal
This is one of the best videos I've ever found. It's well explained and very clear. :) Liked and subscribed for the true value it provides
The best 45 min invested on a video 👌
Thank You Sir
Great video! Instantly subscribed ✌️
Hey there, I just subscribed because your videos are just excellent. Quick question, how long does it take you to edit for example this video? I'm asking because I know a thing or two about video editing and it takes a lot of time and effort to crank out a video such as this one. Excellent work. Please let me know.
Thanks for subscribing. This video took about 3 weeks to edit. But it's an exception, usually about 1-2 days.
@@pascalbasel Thank you Basel. Really appreciate it. It's amazing that you can crank out a video of this quality in such a short time. I have watched a bunch of your other videos as well. They're very good. I'll be watching a lot more. There's so much value in them. Thank you brother.
@@Menelik.videos It was 100% scripted and shot-listed though, so the animations too the most time. The rest was quite easy to edit. Shot listing (and actually numbering the files) helps a lot to finish projects like that quicker.
@@pascalbasel yeah I would imagine that the animations took the most amount of time. All right brother have a good one and thanks again.
Thank you!
Bro,When we create a 24 fps timline sequence for a movie .which have little different fps clips like 60 fps ,120..etc for slowmotion.should I keep 24fps has timeline sequence.Does the slowmotion work great?
Bro Please can you explain?
Sure, 24 is 40% of 60, so you get 40% slow motion. 20% for 120.
Thank you!!!!!
I just bought your course. The entire full package! Definitely a hefty price, but your content is such a great investment that WILL help me become a better filmmaker! 👍🏽
Thanks for joining. I hope you learn a lot. Don’t forget to join our Facebook group and share your work there.
@@pascalbasel Definitely 🙏🏽
Awesome vid. Thanks.
Well done
You did great job with video
Great video mate.
Hey please can you suggest good camera for cinematic travelling videos
a7c ii
Nice intro, thanks!
can you make a similar video for mobile videography
i have a question Mr. Basel are your Courses just for Fuji cameras ?? i have a7ii camera
My courses are camera independent. I also use Sony right now.
HI SIR. were you using premier pro? or any other software for editing.
Resolve
great guidance
Great video thanks for sharing 👌
You're welcome
Taking photo through camera screen is the right way for a smart photographer. Through the camera screen, instead of view finder, you will have the better vew to judge the scale of the photo scene. In addition, you will know immmediate if your camera is taking the true color photo from the scene that you are shooting at.