Morton Feldman: Coptic Light (1986)
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- Опубликовано: 5 сен 2024
- Morton Feldman (1926-1987): Coptic Light, per orchestra (1986).
Royal Concertgebouw Orchestra diretta da Peter Eötvös.
Registrazione Live, 23 Ottobre 1998.
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This is one of Feldman's most sublime works.
You stack endlessly any amount of Feldman's works over one another and they work brilliantly.
Nope. They will all just sound the same.
This was intensely beautiful
ahah fun to find you here Sevish :D
Continue your excellent work!
I need to hear this kind of music several times. When I finish to assimilate peaces like these, they often become landmarks in my music experience. I wonder why the title of "coptic". "Coptic" reminds me of gnosticism.
+Lino Althaner The piece was inspired by carpets from the coptic tradition: patters, seemingsly the same but with many small deviations from symmetry.
A diamond; this is something really special.
Masterpiece. Tout simplement.
When I discovered Morton Fledman in 2015 I was telling everyone...genius springs to mind..
Beautiful piece, fantastic timbres.
a masterpiece
Great music💐
This music exists on
the other side of the fence that marks the boundaries of our consciousness.
Varga Radu issuu.com/saccidananda-sadasiva/docs/sadasiva-godtweets-illustr__
☺✋
And by listening you step into that field
I agree and I am happy to find people feeling that way.
This is a wonderful work.another gem of mortys late period. A triymph!
This piece and this channel highlight the power and beauty of youtube and the internet. Thank you for uploading and thank you for your high standards of quality.
wonderful piece of music. many thx for posting. it's like a taste of the universe...
Amazing piece of music
wonderful web of patterns
EXCELLENT
Consiglio questa musica a chi pensa solo a far soldi e considera prezioso il suo tempo.Se riesce ad arrivare alla fine,vuol dire che è ancora recuperabile....
+Claudio Lippe Beh, se uno non riesce ad arrivare neanche alla fine di questo breve pezzo di Feldman, allora è proprio perduto :-)
great
Listen this music is to understand that materialism is a madness ... Listen as the magic, beauty and tragedy have subtle and soothing voices !!
Bien dit.
Truly one of his coolest, most 'rad works. The dreamy Somewhere Out of Kansas and Over The Rainbow feel. And I like the way it doesn't feel the need to shock or startle. I don't Schoenberg, or even Stravinsky so much. Webern. I think this music here is much more humane!
When glazoo and trelfee zoomed meez oop opp n away we go, it was a ship that sailed, Mars waz those greens they took me, and spoke of me and in me justly like about this. Fantom tastic, mortastic, morefeldman!
Hmm okay
I'll have to take your word for it.
@@daigreatcoat44 Please doo. Eym always hear for arnywon who needz more of this, neigh ive been my therapized.❤️
この曲の最後。とても美しい！
wonderful
People who cough in concerts should pay fines It is disgusting to me that such an interesting recording is marred by a person's inability to stay home when they're sick.
The sad but simple fact of the matter is that many people get the urge to cough when they are concentrating or listening intently to something. I almost always cough when I am practicing the piano. It's something I wish I didn't do, believe me. It's from a temporary loss of control of the muscles of the throat.
Agreed
Two words... cough drops...
@@docsketchy You are right, but the ignorance is, that these people fail to understand the acoustic of the concert hall they are sitting in. If they attempt to stifle the noise with either their hand or a handkerchief the effect would be minimized. But sadly most of them don't. I agree with the AmericanComposer completely.
You can tell those coughing are making no effort whatsoever to stifle the noise they are making. I agree, this work is completely ruined by these people.
This piece and For Samuel Beckett, composed the following year, are quite similar in texture. It's a little as if he created this genre of the "orchestral rug" piece
I read a transcript of a seminar where he said he composed pieces in series.
Ruddy well superb
It's brilliant music.. But it should take cca. 30 minutes. it's in the score.
Jonáš Starý they’re playing it as bebop.....
And nobody played synthesizer
much too fast
Very similar to ' For Samuel Beckett ' isn't it ?
I have a very low overall opinion of this composer, but have to admit this is good stuff.
I’m not hearing a single.
Someone could suggest me a guide to understanding this... piece?
Firstly, try to clear your mind. Do not relate the last sound you heard to the next one you hear. Let your mind subconsciously make that decision for you.
You, like many others will probably never "understand" the music ( and I don't wish to patronize you as I struggle to understand it fully too), but you have to remember that music can be described but never explained.
Hope this helps....good luck Guilherme.
Get a book about Feldmann. Read his writings. Learn about the people that had an influence on him, the N.Y. art scene at his time.
@@phaetrick Thank you. |t's a good call.
Sonic mobile
With a little more randomness, it could sound like something by György Ligeti.
Ligeti was never random.
there is move chaotic movement in this than in ligeti's sound textures.
Dead right for a documentary on coma.
+trajnamusiccpt It's meditative sonic art, don't expect expression or communication, it is itself and beautifully so, like a glittering object in time.
John Borstlap, I challenge you to stare at a beautiful object for 21 minutes non-stop , even if it is a coptic carpet. I met Feldman when he visited our university as a guest lecturer. All his music is remote and attenuated but the stuff he chose at that time to present was not totally without expression. The images of a blue bum accompanying the music are inappropriate, don't you agree? By the way I do respect your patently sincere admiration of Feldman's music and I found him a likeable and amusing person. He spent hours of his time searching the local antique shops for old engravings.
trajnamusiccpt
.... Of course one should have quite some time available to enjoy Feldman, and staring at objects does not add to the effect, it seems to me. It is an art form to be enjoyed 'out of time', i.e. far away from daily concerns. The length of his pieces makes them utterly unsuited for traditional performance. When one has broken a leg, or needs to spend infinite time in a sanatorium in the mountains, or is on one's death bed, or one is busy with some manual activity which is in itself boring, then istening to a recording of Feldman is really appropriate sonic art.
Oh, dear, if what you say is true, it is no wonder that I do not enjoy Feldman's music as much as I ought to, seeing that I am still able-bodied and not yet on my death bed. You made me wonder what music I would like to die to. When my ex-wife was dying, she had my recording of Granados' Goyescas played to her.
Dear John Borstlap,I have suddenly realized that your remark about Feldman being suitable background music to dying actually chimes in with my rather unkind comment about it being right for a documentary on coma, the observation you took exception to.
Sorry, I don't like to listen to that type of schizophrenia.