NEW Lighting Course Sneak - How to Paint Light with Aaron Blaise Out Now!
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- Опубликовано: 19 мар 2020
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About Aaron Blaise:
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Aaron Blaise is an animation feature film director and wildlife artist.
For 21 years Aaron worked with Disney helping to create some of the greatest animated films ever made. During that time he worked as an animator or supervising animator on "The Rescuers Down Under", "Beauty and the Beast", "Aladdin", "The Lion King", "Pocahontas", "Mulan" and more.
In 2003 he was co-director of "Brother Bear" for which he earned an Oscar nomination for Best Animated Feature Film.
After "Brother Bear" he helped to develop several projects but ultimately left Disney to pursue an opportunity back home in Florida. Aaron recently served as 2D Animation Supervisor and Character Designer for the "The Bear and the Hare" an advertisement loved by millions around the world. (vimeo.com/78740926)
Aaron currently is working on his mission to bring affordable art education and animation training to the world through his website: CreatureArtTeacher.com/?src=yt 
Хобби
thought I was hearing the train out behind me and then him saying "oh there's a train" I'm like wtf!?
But in all seriousness, this has been SUPER helpful. I would have never once on my own considered the method of using opposite colors to add shadows but rather just following the color wheel. This makes a HUGE difference, tysm!
I love this tutorial and discussion! It really hones in on the usefulness of lighting. I like how you incorporate the background. Coloring backgrounds is something I struggle with.
Lighting and Shadows has been my greatest challenge. But with this, it's helping me out a ton!
I am absolutely in love with your work!
On SALE NOW! Look Here: creatureartteacher.com/product/how-to-paint-light/
I only do paper style drawing and painting but find the tutorials are so good as it is about principles of drawing. A total gem
This preview alone has greatly leveled-up my mind, so I had no choice but to purchase the full course! It's always good to hear what you think you already know, from a different perspective... Thank you.
For the quality of your tutorials, I am surprised how affordable they are. Truly heaven sent 😇
what the hell the first 13 mins alredy taught me allot , yeah im buying your course! thanks
I totally recommend this course! Its a Great intro to lightning and Aaron makes it so fun to watch and paint along with him! 🐾
Supplement together with schoolism advanced course on lightning and you re good to go
It’s so beautiful!
I very love, thank you aaron blaise
Thanks so much for this course! Just purchased it. Really helps cement my book studies. Can't wait to dig into this course!
Masterclass Sir!
Thank you very , very much Aaron!
Another awesome tutorial. Its incredible how much I am able to glean through this video. Currently I am using watercolor, so this will be a worthy challenge to see how much i am able to apply. Thank you for this excellent video & tutorial.
Amazing lesson
I purchased this course and I am very happy with it! Aaron is a great teacher. Thank you!
I love watching your videos while I animate and draw. Though we have very different styles (mine is less realistic) your videos always help me, and keep me motivated
I'm buying the new course right away! No need to hesitate
amazing as always
Me encantan tus tutoriales! Ojala algun dia logre ser como usted saludos desde Argentina
Amazing and beautiful, thanks so much!
Nice tutorial
So nice, thank you.
Thank you so much!
This was very helpful thank you!
Thank you Sir
That was awsome very well explained. I so admire the way you do light and shadows. Its mesmerizing to me and one of the things that attracted me to your art and the othet is animals...i love drawing them too. Just wow...is all i can say when i look at your work.
This video has been extremely helpful! I am beginner at painting and shading has gotten me really confused. When you talked about putting in the shadows you said to put in the base color, then re add the tones and fine details. This I never fully understood until I watched your video and followed along. Then it all clicked.
great demo n info...thanks
Thanks you!
WOW
Never thought a that blue will look so real
When will this be on the ipad app? i love watching these and it saving my progress on the app
Apple has a delay in how we can release stuff for sale in the App if you buy it on the site and then sign into the app it will be there for you :)
Nice vid
Beautiful work. Would love to see the reference, I would have no idea where to place the shadow intuitively.
I liv this tutorial sir plz tell me which brushes use. For the digital painting sharp brusher ya blur brushes
Can you make some videos on painting fish? Also how to become a better sketcher and perspective? I would sign up for your courses for sure!
im hook up to your videos!
❤❤❤
I know this is a repetitive question that artists dislike as it ultimately isn't important, but I can't help but asking, which brush are you using here?
One question I have is, how you decide within the cold shadows, where to make some bits warmer? Is that explained in the full course? Thanks
I asked a similar question. Where to go more saturated. There is a free vid by another artist that explains this a bit. It's hard to replicate technique when things are not explained.
@@6hypnone Thanks Danielle! Where can I find the video you mentioned please?
@@SketchedbySte ruclips.net/video/gwLQ0cDb4cE/видео.html
One of the best I've seen.
@@6hypnone This is great! Thank you so much!!!
I would love to buy it but I'am broke
How to continue those highlights in the next frame ?????????????????????????? Please make a video in that
Curious...How do you really know the 'local' color of something, if its definition is w/out light or shadow? Guess? Also, when you got more saturated, what dictated that? It was not explained.
Which is this software?
4:01
Hi, your channel is (thankfully) pretty big with many videos, so my question has probably been answered somewhere, but it's super difficult to search for so.
How did traditional animators deal with timing/exposure sheets without digital tools, during the drawing of the frames?
What I mean is. In pretty much all digital packages, the timing is usually married to the drawings because every drawing gets put on a timeline, wheras in traditonal animation, you had your animators table with your pegbar and your stack of paper, no timing on a timeline.
Just you and the sheets of paper.
Did y'all just draw all the frames anyway, without any timing (although of course animation was timed out with stopwatches and written down in charts)?
I know there's flipping and rolling, but I don't know how close to film/frame timing that is.
I guess what I really want to know is, is timing that important when the frames that have to be drawn are known?
Can they even be known without timing tests (sending the papers off to some filming/pencil test)? Because sometimes frames must be favored to sell the motion over a framerate that isn't on ones.
Would it be possible to do an animation with tricky timing without ever doing any actual filmed tests that have the timing filmed and would return a result how it would look in the end?
If it is possible. Was that the standard? Or the exception? Did animators prefer (or were told to) send things to the cameraman every time to get a test reel back?
I'm just curious, sorry for this wordy thing...I just figure that requiring a filmed and timed out test reel every time would be a great hassle, but at the same time I wonder if tricky scenes can still be animated without the timing, simply by drawing all the required frames and flipping/rolling them on the drawing table.
We made timing charts on the pages
@@AaronBlaiseArt Thanks for answering. As 'duh' of a question it kinda was (since I do know about the timing charts), but it still answers my question in a way.
So, yeah, it was enough to do work with, having the charts.
Do I need to set my layer to something special? When I start coloring in the shadow with this blue it just covers the lion. It doesn’t look like it’s part of it if that makes sense.
Set the shadow layer to “multiply”‘that should do it :)
Please someone make a tutorial like this one but with paper and pencils
It would be the same information. I think you are looking for demos done in the medium you work in. It’s still the same information
do you have any tips for smear frames? what should my FPS be for the smears?
ruclips.net/video/oZdA0om9cGA/видео.html
The Art of Aaron Blaise thank you this video really helped! what FPS should i use for wipes?
Aha, very good to know even professional artists lose track of their layers! :)
thank you very much!!! This is awesome.