I'm cracking up. Everyone has a Miles Davis story and they are always funny. This one from Scofield is a new one for me, and I've heard multiple Miles Davis stories from Robben Ford that were absolutely hysterical. I think I've also heard a few from Barry Finnerty and Mike Stern.
JSM10 is semi with 15.75” body like the es335…but for 14.5” body like es339 but full hollow body check out the AMH90 which has same 2-5/8” depth and Super58 PUs. But the JSM has maple body and artstar fret edge work. JSM20 is matte black.
Ever notice that Scofield, Satriani, Vai, Gilbert, Benson, Matheney have all stayed with Ibanez once they signed. I think Kraz did! They seem to be doing something right! Meanwhile the American big Three (gibson, fender, PRS) are constantly exchanging endorsees, who become dissatisfied and leave for another company.
By the mid 80s Ibanez had Joe Pass, George Benson, Pat Metheny, John Scofield and John Abercrombie playing their guitars. Quite an achievement for a company that was making Les Paul knock-offs 10 years earlier (I have a 1976 LP copy which beats any Gibson I have tried so far)
*balikpapan* I've played 4 or so law suit Ibanez guitars and owned an SG copy and none of them could stay in tune. They are definitely better than epiphone but only better than an average Gibson. The best and only Ibanez I will play ever is the Santana SG model.
I just got my JSM10. I love the guitar! Will need a little setup work but sounds amazing and plays decent out of the box. Unfortunately the case is falling apart. The vinyl covering is pealing off and bubbling up. Will you repair the case and let me keep the guitar under warranty?
Bill Evans wrote 'Nardis'. But Miles got the credit. Same thing happened to 'Blue In Green'. Likewise, Miles wrote 'Donna Lee', but Bird got the credit.
getting the S520 later this year and putting Dimarzio Fred and Pro in it! Jazz guitars just need a great fuzz pedal to sound good, otherwise they sound too hollow for my taste!
My two cents: Fujigen made Ibanez quality not great these days. Just got a new AS2000 $3K top end unit with one thread hole stripped, tooling issues on the acrylic binding, settings all wrong and one Gotoh machine head very hard to spin. I have a telecaster made in Indonesia of better quality, and it was 1/3 of this Ibanez. Called Ibanez and they told me to ship it to the only one location they provide service in US on my money. Very disappointing! Ibanez, I've promised you a video on youtube about what you sell and how you treat your clients. That will come shortly, I just purchased a GB10 so now I will be able to provide a broader picture of these issues.
Seems the well established jazz fusion guitarists from two or three decades ago have moved to funky and blues oriented styles. Larry Carlton doesn`t seem to play with the harmonic concepts of yester-year and Robben Ford plays mainly 12 bar blues. Scofield is now playing this funky trashy style that might appeal to some. Seems a shame to me...
aladinin Not shame at all. What you've just mentioned is exactly what I like about their playing, the fact that they've gone back to their blues roots and let go that sophisticated fusion thing from the 70-80s. My favourite Scofield album is 'A Go Go' which is funk-groove-blues oriented, less intellectual and more soulful. Way more pleasant to my ears than the 'Loud Jazz' and 'Blue Matter' era.
@@DavidAlvaradoMusicagree 100%. The jazz funk/jazz blues genre is just so much more interested and catchy than straight ahead jazz. Melody is key. A Go Go is a classic. @aladinin "trashy" style? How is jazz funk trashy?
Krasno, even at his lofty level, hanging on every word of a master. Great to see these two together
I'm cracking up. Everyone has a Miles Davis story and they are always funny. This one from Scofield is a new one for me, and I've heard multiple Miles Davis stories from Robben Ford that were absolutely hysterical. I think I've also heard a few from Barry Finnerty and Mike Stern.
People always have the best stories about Miles
Nardis is the song he played, written by Miles Davis.+
JSM10 is semi with 15.75” body like the es335…but for 14.5” body like es339 but full hollow body check out the AMH90 which has same 2-5/8” depth and Super58 PUs. But the JSM has maple body and artstar fret edge work. JSM20 is matte black.
That's a JSM10 in this video? I thought it was Scofield's AS-200?
Ever notice that Scofield, Satriani, Vai, Gilbert, Benson, Matheney have all stayed with Ibanez once they signed. I think Kraz did! They seem to be doing something right! Meanwhile the American big Three (gibson, fender, PRS) are constantly exchanging endorsees, who become dissatisfied and leave for another company.
By the mid 80s Ibanez had Joe Pass, George Benson, Pat Metheny, John Scofield and John Abercrombie playing their guitars. Quite an achievement for a company that was making Les Paul knock-offs 10 years earlier (I have a 1976 LP copy which beats any Gibson I have tried so far)
*balikpapan* I've played 4 or so law suit Ibanez guitars and owned an SG copy and none of them could stay in tune. They are definitely better than epiphone but only better than an average Gibson. The best and only Ibanez I will play ever is the Santana SG model.
I think you're confusing ibanez with yamaha.
Love Scofield's playing but I'm not sure this video would sell either of these models of guitars.
I just got my JSM10. I love the guitar! Will need a little setup work but sounds amazing and plays decent out of the box. Unfortunately the case is falling apart. The vinyl covering is pealing off and bubbling up. Will you repair the case and let me keep the guitar under warranty?
I had no idea, when I got my own Ibanez semi-hollow of the exact same shape, that I was joining such a distinguished club...
what club is that?
Bill Evans wrote 'Nardis'. But Miles got the credit. Same thing happened to 'Blue In Green'. Likewise, Miles wrote 'Donna Lee', but Bird got the credit.
@hugo-qo2gn Check out Miles Autobiography - co written w/ Quincy Troupe. He claims he wrote it, but Bird got the credit.
I think Bill Evans once said during a recorded live that Miles wrote Nardis
@@rayli4202 I likewise read a paraphrase from Bill stating his authorship of them, but Miles having appropriated himself of both.
Anyone tell me the Lettuce song theyre playing in the intro? I know its lettuce cant remeber the name
Reunion
getting the S520 later this year and putting Dimarzio Fred and Pro in it!
Jazz guitars just need a great fuzz pedal to sound good, otherwise they sound too hollow for my taste!
witch miles song is he talking about Narveth or something...
Nardis
Last time I saw John he was rockin" a Telecaster.
That's an Ibanez Tele copy from the 70s.
Hey Ibanez how about this guitar in a Ebony finish!!
👍👍👍
Exactly what I wrote Porsche...you guys charge $150k for a car I could drive just as fast for $15K!
Every time Krasno touched his volume knob I took a bite of chocolate, now my pants don’t fit :/
It was the tone knob FYI
My two cents: Fujigen made Ibanez quality not great these days. Just got a new AS2000 $3K top end unit with one thread hole stripped, tooling issues on the acrylic binding, settings all wrong and one Gotoh machine head very hard to spin. I have a telecaster made in Indonesia of better quality, and it was 1/3 of this Ibanez. Called Ibanez and they told me to ship it to the only one location they provide service in US on my money. Very disappointing! Ibanez, I've promised you a video on youtube about what you sell and how you treat your clients. That will come shortly, I just purchased a GB10 so now I will be able to provide a broader picture of these issues.
Fusion fell from grace decades ago...the pentatonic riffs keeps bread on the table
whoever those two are... ;)
Seems the well established jazz fusion guitarists from two or three decades ago have moved to funky and blues oriented styles. Larry Carlton doesn`t seem to play with the harmonic concepts of yester-year and Robben Ford plays mainly 12 bar blues. Scofield is now playing this funky trashy style that might appeal to some. Seems a shame to me...
aladinin Not shame at all. What you've just mentioned is exactly what I like about their playing, the fact that they've gone back to their blues roots and let go that sophisticated fusion thing from the 70-80s. My favourite Scofield album is 'A Go Go' which is funk-groove-blues oriented, less intellectual and more soulful. Way more pleasant to my ears than the 'Loud Jazz' and 'Blue Matter' era.
@@DavidAlvaradoMusicagree 100%. The jazz funk/jazz blues genre is just so much more interested and catchy than straight ahead jazz. Melody is key. A Go Go is a classic. @aladinin "trashy" style? How is jazz funk trashy?