I'm a rock and blues player - a solid-body girl. But I also play a Godin 5th Ave., a Sheraton, a di Angelico Exl1, and my newest purchase and new favorite - an Ibanez AF95 VLS 12-03, bought used for under $500. Learning jazz is keeping me young. (I'm 76 -- playing since 12!)
Keep the faith, sister! I love my strats for blues, jazz and everything else... but I still dream of an arch-top.... I'm thinking a retirement prezzie from me-to-me might be in order....
I got a Casino with flat wound 13s installed. I play it through an AER Compact 60. It has a dark, woody sound that is comparable to much more expensive jazz boxes, in part because of the P90's not in spite of them. I've played duets with another guitarist who was playing humbuckers and round wounds. Mine had more of the "jazzy" sound one would expect for classic jazz standards. It was my main gigging guitar for 3 years, BUT the hum, though it could be mitigated, was present. I eventually picked up a used Epiphone Es335 Pro which was my gigging guitar for the next 3 years. The 335 is cleaner but not as warm or woody as the Casino. I've got an Ibanez George Benson top of the line. It is worth every penny but it is so precious that I tend to guard it. It is the most robust jazz guitar I have ever played. It could fall off the back of the van and still keep its tune. I've got a Sheraton which I found to be ideal for Rock and Blues but never hit the spot for Jazz, just a but too much edge and bite. I have an Ibanez Artist JS200 which is as good as a modern jazz guitar can get and an Ibanez AS187 (from China) which is surprisingly close to the AS200 (from Japan) considering the price difference and country of origin. I also have a Gibson ES335 which is in pristine condition and I never take to gigs because again it is too precious. I got ALL of them used for much less than new price from musicians who were quitting the business or had fallen out of love with them or were leaving the country. Of them all, I think I would choose the Epiphone 335 because it sounds good, feels good and is replaceable if broken or stolen. The Casino is a close second. The big difference for ANY of these guitars is a good setup and the correct type and feel of string. If you like Scofield, go with Ibanez AS series. If you like Benson, go with Benson. For versatility go with any of the Epiphones. One more thing...i LOVE GODIN guitars. You can't go wrong. It's not the guitar you've been dreaming of, but its sure the one you'll fall in love with.
I have a few questions. I heard that the Godin shows up and might not be playable right away. Is that true? The Sheraton is too rock? I thought so. How is the neck on the Benson?
@@joelgraham3 The neck on the Benson is on the round side (as opposed to it's flat "shredder" cousins) and I think it is also shorter scale, you can really move fast when changing fret positions and the overall outcome is nothing short of miraculous, it can take you where you want to go. It comes strung with 13's and I continue to use that gauge of string. It is a well balanced professional instrument. I think quality-wise it is almost beyond compare with any other guitar I've got, including the Gibson. It is not the most resonant guitar when played unplugged but acoustically or amped, it has a beautiful woody tone. Yes the Sheraton really feels like a Blues Rock instrument. I've also played the Sheraton 60's reissue with mini humbuckers and it is more of everything. This Chinese made guitar is a better instrument overall than the Korean models of the 90's but the Sheraton Pro is also superior to it's predecessors. Epiphone has upped their game. As for Godin, I only have a solid body BUT I would say any guitar needs to be set up to a player's preferences no matter what brand, no matter what vintage. For me that has usually been the main difference between a good guitar and a great guitar...but not always. But again, I really love the feel of the Godin I got. I've made thousands of dollars with it and only spent a few of hundred and probably the setup cost as much as the guitar.
Thank you for this comment. I am about to receive my epi es 335 tomorrow and I was super excited and then I watched this video, out of all the guitars, of course the es 335 epi is the one that is not recommended. But the thing is, it's the only decent semi-hollow that's for sale in my country. There is no sheraton pro even if I wanted to buy it. Nobody is selling Gibson also. I have to go to Singapore if I want to buy a higher-end epi or gibson. It just feels so good having read your comment. I am so excited to get my epi 335 tomorrow!
I love my Gretch 5655. It has a center block, so it doesn't have the feedback issue and it is thinner than most of the other hollow body guitars. The neck is extra long and has the cutout. It plays and sounds wonderful for an $800-900 guitar. I would have liked the blue version better than the gold, but that isn't a big deal. You can get amazing guitars today for sub $1000. 20 years ago I had to pay $1500 for my Martin. I do love my Martin though. 😀 If you have a guitar that feels good, sounds good and stays in tune, it doesn't matter if it is a cheaper guitar. You end up spending thousands more for a guitar that has arguably, slightly better sound and pretty inlays. In the end, it is the love you have for the music that you make with your guitar that truly matters. Play on and love it.
While living in Japan, I picked up a 1971 Yamaha SA50 for about $400 USD (converted ¥ to $). It’s pretty nice. It has built in f hole baffles to cut down on feedback while playing live. I looked them up online and people are selling them from 1000 to 1500.
I just got the Ibanez GB EM and am delighted with it. I purchased it on line and based on your reivew. It was right on...I love the feel of the neck, the looks and the sound both amplified and acoustically....I was surprised as to the nice sweet sound of the guitar unplugged even. A keeper for sure and at the price hard to beat. Over my 60 years of playing I have owned may Gibsons, Epiphones and others and am as happy with this guitar as any of them. Thanks for your review !!
I'm a big fan of Ibanez guitars and I'm glad to see you have the brand so well represented here. One Ibanez I own is the AG85, which is very similar to the AG95. Biggest difference is the AG95 has gold plated hardware, whereas the AG85 has chrome plated hardware. I prefer chrome, actually, and the AG85, while not made anymore, can be found used for quite reasonable. My other Ibanez is a 2355M, a big ES-175 looking jazz box built back in the 70s. That guitar is a knockout, but at the top of your budget range. For folks who are really on a tight budget, the Ibanez AG75 (or something like that -- it'll be a something-75) is a very good bargain. Plays and sounds very nice. As for your choices, I think you've chosen very well. Cheers.
My preference for electric jazz tone is 17' wide, 2.5 inch deep, 2 set pickups, carved spruce top and completely hollow (or trestle bracing). These dimensions are not easy to find nor cheap. But they cost much less than the classic vintage Gibson and real John D'Angelico guitars or new Benedettos that are priced in the stratosphere. I'm still shopping and have been for a long time to buy just one guitar and not regret the money I will have spent.
Total respect for all your choices , value plus quality in this competitive range. Ibanez is fun to play more so sometimes than even a Gibson in this price .Thanks love your review
Absolutely. I recently bought a very high priced Heritage guitar and could have gotten two great guitars from other brands (like Ibanez), that, with some modding, would sound equality great. I think there's a price cap for when the guitar just doesn't get better, and you're just paying for a brand name. That price limit is around 3k.
The closest I get to Heritage is the Old Dog Tavern in Kalamazoo across the street from the 225 Parsons building. There was a workshop & concert there: Frank Vignola, Vinny Raniolo & a former student of Frank's, Glenn Tosto. My first guitar was built in the Gibson factory there long before Gibson moved and Heritage transformed it. The guitar DID have a 'dog-ear' P90 but the previous owner replaced it with a Patent-Issued HB, cutting a larger hole in the top! So there is a shadow or 'tan line' of the P90 but the hole is too large to ever put a P90 back. (P90 'problem' solved) ;@) That also makes the guitar a 'keeper'...purists would be horrified. I just discovered your channel last night. Great explanations I have not heard, like why certain chord shapes/positions are not practical.
Very interesting comment regarding price capping at 3k and after that you reckon you're starting to pay more for brand name over additional quality, incidentally, is that 3k US dollars or 3k euros? 🤔
I own a blonde Gibson HR Fusion - a wonderfully versatile guitar - the only Gibson I’ve never had a problem with in 19 years. Epiphones have been lacking and fall apart in my experience. Ibanez make great jazz guitars, especially the GB models, I own a GB100 and a LGB30, both beautifully constructed and sound fabulous!
the best jazz sound I've ever heard came from Grant Green and his legendary ES-330 (which is basically the same guitar as the Epiphone Casino). For me the Casino would be the first option to consider. I prefer P-90s over humbuckers and hollow body guitars over semi hollow.
I just noticed P90's on Grant Green's guitar on the cover of Feelin' the Spirit. I hadn't really thought about P90's & jazz, but GG tone is one of my favorites...I guess it depends who's playing...
Got an Epiphone ES-335 Figured about a year ago and it's one of the best guitars I've ever owned. Just looks and plays beautifully. The fit and finish are so nice you'd think it would cost a lot more.
Rich Severson my no.2 jazz go-to guy (after you) cannot believe how Samick can produce such fine jazz box guitars so cheaply (when reviewing the LaSalle J2. Zooglot also is impressed with its jazz tones and uses the same description of the guitar including the quilted bubble maple back - gorgeous
I'm glad to see you cover the Epiphone Joe Pass. I'm 82 years old, started playing lounges 70 years ago, and have had many guitars too numerous to count in my hands, including three Joe Pass models. I got rid of each one of them after letting other guitarists play them and, understandably, fell in love with it and just had to have it. The first one I got a blonde Gibson 175 plus cash in trade. The second one I got a Gibson Barney Kessel plus cash in trade.
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Every time I learn one of your lessons, I do so on my Joe Pass, which I've had about two years now. It's never been plugged in, and it sounds fine acoustically. The neck seem a bit wide though, and it slows down my playing a bit, but that's okay. My wife has a Yamaha "super-strat" that has a thinner neck, and it's easier to play, so my next guitar will have a thineer neck. Thanks for a great review of these gutiars, I'd like to own a few of them, but somehow, with me, it's about what is done with the instrument, I'm not that much of a gear-head.
I agree with Sandra that the Joe Pass is a bit "chunky." The neck has a bit of a baseball bat feel to it, which at first I thought I wouldn't like, cuz I prefer the Gibson "Slim 60s" profile. But after playing it a bit, I came to the conclusion that it was ultimately very easy to play and the extra girth didn't bother me. But you refer specifically to the neck width. Far as I know, the Joe Pass has the standard Gibson nut width of 1-11/`16" (43mm). I'm pretty sure it isn't any wider than that.
Thanks to your guide. I found my perfect arch top. GB10EM. I tried many Epiphone semi-hollow body guitars but they made my hand cramp up. My go-to guitar is a Strat copy. When I put my hands on the neck of the GB10EM, it felt perfect. Thanks for digging up this gem. Cheers.
@@GuitarversumSandraSherman thank you, you're the best. I have another question. The guitar comes with 11 gage strings. if I put 9's in them, like my Strat, would that soften the sound? It is too "ping-y" or "acoustic like".
I would probably lean towards the Epiphone Joe Pass Emperor-II Pro, or the Ibanez GB 10EM. I have a question for you Sandra, I currently do not have a computer because the one I had was hacked. If I buy the “Everything bundle: Guitar Pro + PDF tabs”, would I be able to access any of the material with my phone?
Epiphone casino coupe has been my main gigging guitar for a year now The coupe is its own animal with 339 body style. I use a gretsch streamliner as my back up wish I bought hollow body decade's ago.
I have a Sub Zero New Orleans hollow body jazz guitar I paid £70 for it from Gear4Music's 'B' list. Took it apart and thinned down the top, Changed the neck pickup for a Gabojo PAF '57 scatter wound pick up and uprated all the controls, set the action at 1mm on the treble side and 1.5 an the bass side. I now have one of the sweetest jazz guitars going total cost £150.00p. I love your channel by the way. I'm learning a lot from it. Thank you. ❤️
@@GuitarversumSandraSherman , thank your for asking . Over the last 6 years I acquired approximately 100 electric and acoustic guitars . 39 of them were Fender Strat Pluses in a variety of different finishes and models . I am not a collector in the traditional sense of the word however my favorite guitars are my 1983 FenderElite Telecaster in gorgeous walnut that was my first Electric as a gift from my Grandmother, a 1964 Fender Jaguar in Olympic White, a 1965 Damone Blue Mustang , a 1966 Martin Hd-28, my Epiphone 1965 Elitist Casino Reissue that was Made in japan (Lennon model) , and a Fender Rosewood Telecaster 2017 RI like The one George Harrison played in the roof in Lwt it Be, and last but not least a somewhat rare (75 made) 1959 Gretsch 6120 with TV Jones filtertrons that had a very special “pillow” orange finish. What is your favorite guitar(s)?
I’ve been on the hunt for a hollowbody and tried several of these models including the Ibanez JB series but ended up getting the Eastman AR372CE. Around 1000 GBP so slightly more than 1000 USD but an excellent guitar! Very similar in tone and feel to the 175 I used to have, the only difference being the nut is 1/16 inch wider (45mm - like the Epiphone Joe Pass). To me it felt much better than the Ibanez models. Excellent guitar for the price and well worth trying.
Great tip! I had an Eastman once. Was the best acoustic sound, but unfortunately it had some dead spots, that even my experienced luthier couldn't get rid of.
@@GuitarversumSandraSherman That's interesting. I don't appear to have any dead spots, some resonant ones (to be expected). I did try the more expensive model but for me it had too much individual character, a finer build, lighter, beautiful finish, but it didn't have that 175 weight and tone I was looking for. Sorry to hear yours didn't work out.
I am an acoustic player looking to expand to play a little jazz, and because of my age I really needed something light, manageable and easy to play while getting into more bar-chording than I usually do as an acoustic player. I had my heart set on a particular guitar, but after watching your video I felt I should also check out the Ibanez GB EM. I was lucky to find a store with both guitars in stock to try out, and in doing so the Ibanez, for me, ended up being the very clear choice. I am grateful to have watched your video before the purchase as I almost bought the first guitar I was thinking about sight unseen. I love the Ibanez, it's light, easy to play and sounds great...thank you so much!
I bought a used 2012 AF95 the other day and am really digging it. Much better size for me than my diAngelico or Sheraton, and much "jazzier" than my Godin 5th Ave.
@@Grindstaff09 I had both shoulders reverse-replaced recently abd my left arm doesn't extend well out to the left. Reaching the tuning pegs is a challenge. Gettin my right arm over and around the body of the deAngelico was hard. And every extra ounce and square inch makes putting it on and off your lap that much more work.
I could listen to her for hours. So knowledgeable, Andy her voice is melodic. I bet she can rest sing. Ok, I left my comment. Now I’m going to watch again.
Sandra, I want to say thank you for this lesson and your recommendations. You helped me a lot to find the right semi-hollowbody guitar for me. Yesterday I got my Epiphone Sheraton II Pro Ebony. I come from a solid body background and you said that this guitar would be easy to play. And yes, I have to say, it’s so easy to play! I'm delighted. You said it’s a dream and I can only fully agree. The guitar neck feels great in the hand and the guitar has also a very creamy sound - as you said. Oh, I love it ! With the double cutaway I can now « fly » high. The price-performance ratio is also great. And the Ebony version is such a beauty and the guitar is very well made!. I would highly recommend this guitar. Thank you again for the great work you do with your videos 👍. Es liebs Grüessli, Birgit
I got my Ibanez AS80 back in the mid 90s for about $500. I still love it and have not felt the need to "upgrade" it after all these years even though I have played many possible upgrades through the years. I've just bonded with this one.
Thank you for this video. I'm so glad I watched it before my purchase. I have decided to get the Sheraton II Pro because I play other genres besides jazz, primarily pop. Thanks again Sandra!😊
Love your show! I was just (today) searching and researching guitar makes and models to give me the smoothest and most mellow tones when I found you! Next, I'll watch the show about jazz amps! Wow! You're discussing everything I've wanted! Plus, your presentation shows me more than others (e.g., specs in 3-D instead of just saying what they are). Thank you so much, I've found my next guitar - and hope to do the same w/the amp!
I went to get a 335 a few years ago but came home with an AS153 and have been super happy with it. The fretwork was actually much cleaner than Gibson they had at the store plus it was about 1/3 the price. I like the Super 58s a lot however the ones in the AS153 aren't the exact original models from the 80s, they are a cheaper version. I believe you have to get the Prestige level to get those pickups. The ones in it sound fantastic though. The case is also a very nice, not just a throwaway they included. Excellent run down of options!
It took me while to get my head around the fact that not all super 58’s are created equal and I’m not just talking vintage versus new if you look at the replacement cost of super 58’s on a budget jazz box to a high end you’ll see the price difference nothings for nothing 🤷♂️
I love the Casino but use a 7 band EQ with it to get a more HB type tone....I also have an Ibanez Custom 125 with a wooden saddle and flatwounds...it's also fully acoustic. I had a bone nut and setup done on my Casino that turned it into a better instrument ..mine isn't noisey at all but I don't play at loud, loud volumes and like to use the middle position and blend the pickups which is hum cancelling
I’ve just bought one you missed out - a Greg Bennett LaSalle JZ4 by Samick - outstanding jazz box at an unbelievable reasonable price of NZD 800 / USD 465 / € 466. My guitar etc dealer cannot believe the high quality specs for the low price. It was the last one in the country - New Zealand - and the next shipment will of course be somewhat higher price. It’s got a floating neck Seymour with Duncan Seymour designed humbucker pickup. It’s got a quilted maple on the reverse of the body
Great information and very helpful review! Sheraton II Pro owner here. Not sure about the "Buttery" sound - maybe if I mess with the amp equalizer more. Stock PUs are ok. Cheap selector switch. The dual split coil feature allows a lot of flexibility. Will need a setup out of the box - once done, the guitar plays incredibly well. Slim D neck fits me nicely. Pau Farro fretboard (no Rosewood on my version). Grover tuners are nice. Overall finish is ok with minor blemishes due to overpaint. Very good value IMO.
Pao Ferro is used these days. That's due to price, but also to the CETA law 10 years ago. In the meanwhile that is not applied to guitars anymore. So now it's just to save money for the companies, lol.
Love the reviews… I’m an Ibanez guy and love the Ibanez AM153 and AM93 with scaled down body width, approximately 14 inches I think. Just found your channel and I’m really enjoying it. Thanks
You have covered my top two guitars I have dreamt about lately. The Joe Pass and the George's. They sound very different, but - as a short guy - I think I like Bensons better. But I have to say, Joe passes sound just amazing.
I used to have an old Sheraton. I kick myself in the arse for EVER having to sell it! Beautiful playability and such woody sound! Mind you this was before the split coils. Still one of the richest sounding Jazz/Blues/R n R guitars I've ever owned!
Gddddddeetings. That's exactly how Rob Chapman opens his videos. Big Ibanez fan here. This type of guitar are the most beautiful of them all. They're all absolutely gorgeous. Thank you for the video:)
I would add the Jet JT300, an excellent guitar at a highly affordable price, with a lovely sound from the neck pickup and great playability (a really comfortable neck). Ed Bickert was a superb jazz player on Telecaster, as is Tim Lerch. And you don't need to turn the tone right down as Ed did, with more treble it even has an acoustic quality to the sound.
Thank you so much for this review! It was very informative. Respectfully, though, I must disagree with your analysis of the Epiphone Dot, so perhaps you received a bad one. I own a 2010 Epi Dot (prior to the “Gibson Inspired” series), and the only problem I’ve ever had with it was a tuning issue. So I upgraded the nut on it, and it’s served me very well over the years. The stock pickups still sound wonderful, and nothing has fallen off of it! 😊
I own an Ibanez AS 93FM a model slightly lower than the AS153. Mine has a maple veneer top which looks good. I love that guitar, not only does is sound great for jazz, it also sounds good for blues, rock and roll and sometimes R&B.
Wow I really appreciate your reply. And I'm really thinking about the Les Paul ..the Joe Pass might be too bulky for me if I can find one I'll check it out. But I agree with you something smaller .. I LIKE THE epiphone version like a 60s or 59 reissue. I did have a Sheraton 2 at one time. I was glad to sell it to a innocent up-and-coming young whose eyes opened widewhen he heard the tone. I'm using a spark 40 Pearl amplifier from positive grid. For practice right now. I use my Carvin which gives me a warm Jazz tone Allan Holdsworth designed those pickups man-o-man Good Golly Miss Molly what a player. my Telly needs to be modified like the one you have. my Strat has a 10 Way selector switch and it gives me some unique tones. and my sire 4 string bass through positive grid spark 40 Pearl amplifier nice little Gadget. I went back and checked out your latest video on the five best Jazz guitars for under $1,000 I really dig where you're coming from and you have opened my mind and ears even more. Goodness gracious you are bad to the bone with your knowledge and your playing. Please take care of you your family and loved ones be safe sincerely Walter the left-handed bloke
Hello it's been a while since I viewed your channel. I want to wish you your family friends and associates a happy healthy prosperous new year. I would love to have that George Benson model but unfortunately they don't make it in a left-handed version 😢. I wanted to know in your part of the world do they have copies of that George Benson model in the left-handed version or do they have a Gibson 137 copy in a left-handed version ❓❓🤔 If they do I would appreciate some feedback from you if you have the time. Because I was thinking of a body with like a Les Paul or maybe the 339 Gibson. I'm thinking definitely spending $800 to $1,000. Thank you I hope I hear from you please take care. Sincerely Walter the left-handed bloke
Hi Sandra. I own way too many instruments now but in my collection, I do have a couple Epiphone guitars and I think the world of both of them. They are both a bit older. One is a Joe Pass Emperor II which is sitting right this minute on a stand as we speak. I am taking a break from practicing and happened on this video. The Joe Pass is made in the Korea plant in 2012 and I have to say, it's pretty much flawless. Only thing I've done is put Elixir flat wound 12s on it and spent a LOT of time getting the floating bridge intonation perfect. These sound great amplified but they sound absolutely regal acoustically on this guitar. And once your fingers touch flatwounds on your jazz box, you'll never go back! The other is an old Epiphone Dot from 2009 which I have done virtually nothing to. This is a really great workhorse gig guitar that I can get any sound I need out of. After having guitars stolen from gigs, scratched up, anointed with beer, etc, it's really great to have something that isn't a holy relic up there that I don't have to worry that much about. Funny thing is, I have been playing it for years and this one has never even been knocked into! Anyway, moral of story? For those who believe that unless there's a G in the name, guitars can't possibly be any good, well, there's a lid for every kettle! I'll put my Epiphones up against almost anything else. I'm not an antique dealer, I'm a player! These guitars get it done.
Another excellent presentation you’re also very engaging. I play a Fender Squire Starcaster but I’m very interested in the Joe Pass and George Benson guitars.
waiting on my Samick Artist Series HF650 to arrive..never have heard a 650 from 1996 era that did not have a creamy lush tone..Peerless factory made I believe until 2001..really glad they are not considered a "collector's guitar" keeping their MSRP in 1996 dollars of $1,089.00 around 600 to 800 today
Sandra: thank you for your thoughtful reviews and videos. I love the sound of the Heritage guitars and might want to save up, but the Sheraton and maybe a modded Joe Pass might ended up being my first step. Thanks for being such a jewel in the jazz community. Cheers.
Thanks - great review, and I definitely appreciate a range of opinions - very informative, and glad you are willing to say that some of these instruments are just not that great - - really helps.
Nice video and very informative Sandra. I just subscribed to your channel. I just bought a Godin 5th Avenue Kingpin but the single pickup P90 model without the cutaway. As you stated it has that dry woody acoustic sound quality that I was looking for and it seems to be a very versatile guitar because different styles sound great on it. It retains that sound when plugged in as well. I already have an Ibanez AF95FM which I love but it is very different from the Godin as you know. You did a great job explaining the differences in these sub $1000 guitars. Thanks.
I just bought the Godin Kingpin 2 with the Cutaway and P-90s... Wondering if I should cancel the order and get the Humbucker version instead? I read where some reviewer stated that the Humbucker sounded too muddy as compared to P90.. How do you like the P90s after you've owned it awhile? Thank you.. : )
I've had a couple of these reviewed rigs and agree with your assessments. This price range can likely produce sample to sample variations/gratifications. Oddly, I've kept an old J-7 Washburn that I've had forever and a D'Angelico EXL-1 (the cheaper Prestige version) that was an impulse buy when MF had them on a one day promo. I'm very pleased with the EXL-1 as it hits way above its price point in fit/finish, sound and playability. Shopping after cocktail hour isn't always this successful!
I know. Those aren't bad pickups, actually a lot of people orefer the cruspuer sound. But generally, the humbuckers are on most jazz guitars these days.
One of my favorites semi hollows under 1,000 is Epiphone Riviera. It is like a Sheraton but with mini-humbuckers and and the Frequensator tailpiece. Only downside is with the frenquensator tailpiece it is possible to buy strings and the D-string is too short to reach the tuner. But I never had this happen with D’Addario. I have an old Korean Sheraton II I like a lot also. The red Riviera is stunning.
Interesting! I never held one in my hands and I usually only include gear in my reviews, that I tested myself. Will check it out, when I have the chance to.
Epiphone just reintroduced the Riviera around a year ago. I’ve only seen one. Since COVID it has been difficult getting guitar inventory into stores in the US.
I had been thinking about getting an archtop for a while and when the Godin 5th Avenue first came out I bought the first model they made; an acoustic with no cutaway to which I added a Kent Armstrong floating neck pickup. It's been a great guitar for me, but I'm beginning to see the need for more neck radius...I paid about $500 (Canadian) for it plus about $60 for the pickup. The price and the fact that it's Canadian made (I like to buy local!) were big selling points.
Godins have suoerb build quality and they are really affordable. I had a solid body for years, had the best build quality ever. But I had to sell it, bc of the chunky neck and flat fretboard. It was good for soloing, but so hard to play chords with, for my midget hands 😊
I have owned an Ybanez George Benson model, a round midnight, a fender Daqusito prototype and a Napolitana all were good....well the NNapolitana had a neck problem I am not THE Steve Morse just an enthusiast who plays his signature model. I have owned over 100 guitars over the years...my favorite are a custom shop Les Paul, two Collector's choices; Sandy and The Beast and a cloud nine, old classical made by a local luthier, a Martin D-18, a Lowden Jazz, a heavily relicked custom shop Telecaster and a Orca Nick Huber, a custom 22 PRS, a custom shop heavily relicked Strat 65 and a Godin Multiac electro-acoustic. If I had to choose one it would be my old classical which briefly floated on the sea in Thailand.
@@GuitarversumSandraSherman I was kayaking in some mangroves and it fell out only briefly say for about 15 seconds and floated. I dried it with my towel and it was ok. I suppose the varnish protected it. Later the guitar got totally flattened like in a cartoon when I was playing in a local bar in Thailand on an electric and the guy I had lent my classical to fell on it literally crushing it flat. Back in Switzerland where I live the luthier who made it restored it after almost having a heart attack seeing the state it was in and this is one of the reasons it is my favorite guitars....it has lived as is said in french meaning it had been through a lot. In retrospect I should have bought some cheap travel guitar.
'It's not about me, it's about you'. Before you said that, that's what struck me. So refreshing, compared with so many 'just look at how great I am'' RUclips presenters. And a good review too.
You really need to try the Godin Montreal Premiere. It's a semi-hollow with a centre cedar block that has a pass-through under it. The pass-through looks like a Roman Aqueduct and does a great job of blending the sound of the two chambers. You can find a lot of videos of it because it is wildly popular.
I like to add my own exp to this as well: The Epiphone JP EM2 is and was always for jazz. It's had anumber of pickups in the past and the last generation models used the PROBUCKERS, but they aren't USA spec, but are a very good simulation of them made in Korea. Somewhat like a '57+ pickup. My only gripe with it is the QC: it can be dubious so look for models with a good cut nut, and a neck that is aligned well as a number of them from 2008-2013 had issues. The AF-95 is the base of the general jazz boxes and to me, is probably the most balanced. It has ceramic pups in it which can REALLY get nice and warm sounding, but can also feel VERY muddy and in some ways, too loud and not as articulate. That said the guitars are sound, but watch out for electronic issues in the 3-way switch and the pots. They are known to be...meh. The GB10EM is a very comfy guitar to play and it suites folks wanting a more focused sound. that said the pups are not the most articulate, and they often sound thinner to say similar pups. Also, the model shakes a LOT due to how the pups are mounted which can be noisey when acoustically played. The AG95 has a familiar setup, and usually better finish than most of the lower-priced stuff. Excellent neck and good pups. However same QC issues of nuts, and electronics. The GODIN KINGPIN in ANY form is very well made. The pickups are usually Seymour Duncans and you get LOTS of articulation. That said, don't buy the cheaper version of it as it will not sing as clearly, nor will th ebuild quality be as good. Also, they use a lot of cherry wood which has its own look to it, but may put some of you off. LAstly the neck width fo rme is too wide; as I grew up on epiphone necks and Gibson sized necks, this felt wide. Uncomfy. BUT it would suit anybody with larger hands. The Sheraton II is excellent in every budgetary respect, as it the CASINO. The Casino is a more sensitive hollow design but don't expect rich depth here. The P90s help but they can sound unbalanced due to manufacturing mistakes. The Sheraton however is very good, better even and will nail that ES-335 sound. Plus is looks a darling. ONE thing to add is the reissue Riviera is amazing, well made and had a focuse sound. ALSO ALSO...check out the new Broadway model, as it's basically an affordible laminated L5 CES. Same pups as the Joe Pass. The AS-153 I don't have experience with, but I do its AS95 model and it's very good, and on par with the Epi Sheraton II. Maybe even better. The Super 58s are the Chinese built ones and not the full blown Japanese built variants. Honourable mentions I've tried would again....the Broadway from Epiphone, a Used mid 90s Epi Emperor Regent [solid top!], Used DeArmond M70 and M75 and M75T due to the EXCELLENT pickups, the lovely GoldTone humbuckers [bell-like tones]. the Dynasonis on the 75T.
Thank you for your videos. I only discovered you today. My last Jazz gig, before I retired, was a duo with just myself and a drummer and we played a variety of music including a lot of Sinatra style standards. I am primarily a vocalist. I bougt a special guitar for this, an Ibanez AK87 jazz box which I had to wait for its arrival from Japan. Greates-ES-175 style instrument, only made for a few years and replaced by the AK95 which I did not care for. After a 60+ year career, I do NOT consider myself anywhere near your league. Much applause from myself. But then you may not be able to sing as well as I. LOL. I live in the USa BTW. Actually Byron Stafford, not Anna.
@@GuitarversumSandraSherman I don't understand what you are absolutely sure of there. I have spent most of my career playing without a rhythm section behind me. As a result I play almost nothing in single note progression. All of my work is built out of chord voicings and all built to reinforce my voice. I was once described as "Chet Atkins meets Wes Montgomery". One day my head will deflate from that but not anytime soon. LOL. Thank you Byron.
Very helpful video for beginners out there Sandra. Those John Scofield models are semi-hollow though. I have the JSM20 and it has a Maple support block running through the middle. It has great jazz sound though and it plays like a dream!
Great video! I discovered you while searching info on the Heritage Eagle and 575 guitars. You play beautifully. I did just happen to look into the Epiphone Joe Pass Pro but from what I understand for the last few years they no longer have the solid spruce top but rather just a laminated maple like the rest of the body. I want a jazz box I wont have to worry about too much if I take it to a party or sit around a camp fire so to speak. I am going to be visiting the Heritage factory in the near future and was thinking of possibly ordering an Eagle custom made with a the more rounded neck to pick up when I visit. After many years of playing the first thing I judge a guitar by to keep and play as my own is the neck. If the neck doesn't feel good to me there is usually no reason to look (and listen) any further unless I am purchasing the guitar as an investment to resell. I actually owned an Eagle about a decade or so back but sold it because the only thing I didn't like about it was the neck. I also owned a Gibson L5 but again I didn't like the neck. Then again, I may just buy a Heritage 535 or 150 vs. an Eagle because I can play and judge before I buy . . . and I LOVE my Eastman 810SE so I don't really need another dedicated jazz box.
I'm surprised Eastman got no mention. They have a few great options at this price point and the fit and finish of these instruments is spectacular. I particularly like the AR371CE (styled after the Gibson ES175)! These can be gotten substantially less then retail if bought second hand, also, around 6-8 hundred US.
Mine is the Ibanez hollow body. Yeah it could feed back but I don't use it at high volume. While its cheaper than epiphone its still going to set you back about $600. I use flat wound strings and play finger style.
@@GuitarversumSandraSherman Well, Ibanez is my family name, indeed, which is a Spanish surname. I never had an Ibanez guitar thoug. I play mainly 6 & 12 string acoustic guitar (apart from Pedal Steel Guitar and uke) and I have got a Hoffner, a Lakewood and an Alhambra. I have tried Martin, Taylor, Gibson, Lowden, Epiphone and Ibanez, in the past, though I personally didn't not like its acoustic sound. However, I'm intrigued now by the Ibanez AVC11CE-ANS (thermo-aged, as they say), by the numerous high reviews and its retro look. Who knows, some day I might be playing a guitar with my family name written on its headstock...;-)
I'm in the market for a semi-hollow body guitar. Last week I bought a Monoprice Broadway semi-hollow guitar in color Transparent Amber. Bought it on discounted sale of US $199. It was my first time playing a semi-hollow body guitar. The Monoprice Broadway looked nice and played nice for a US $199 guitar. Problem was that the neck humbucker was mounted 5mm off center from the fingerboard, resulting in the strings not hovering over their respective magnetic pole piece screws. I ended up returning the guitar. On top of my semi-hollow guitars list is the "Inspired by Gibson" Epiphone ES-335. After watching your video, Sandra, I'm now considering the Epiphone Sheraton II Pro. Thanks for your semi-hollow guitars video!
I think the quality of the very latests 335s got better. I should be mentioned that. The Epi 335s I had tested all kinda sucked, but I didn't get a chance to check out any of the new series "Inspured by Gibson", so I can't really say if they improved the build quality on that model.
Sandra I play on Epiphone Emperor 90's.I love Sheridan creme tone and Yamaha revstar tremolo gretch sound(solidbody) is very interesting.Saludos desde España,muy bueno tu canal.
I have an Ibanez AFC95 which is discontinued now....for some reason, maybe because of the many similarities with the GB10, except the body size, but the woods and the floating humbuckers has made this guitar an excellent companion for the past 3 or 4 years, I have to say though that feedback is gonna be some recurring issue with big jazz boxes like this, the low mid range can get really out of balance some times depending on where you're playing. Also I have to say that if you have 1K $ to spend, you might as well look for some local luthiers, like I did in Mexico. I got a handmade guitar built for my needs for the incredible price of 1.100$ aproximately. The builders are called Caro y Topete, look them up!
@@GuitarversumSandraSherman Yeah! They are a relatively small business and there's not a lot of info online, the only video they have on the archtop is not very good in terms of quality. They also struggle to get shipments from outside the country and they don't speak english very well from what I've heard. But they are very responsive and open for customization, if you can get the shipment part sorted out on your own I think it might be a very nice option.
But i think Afc95 is not that big..? It says less than 16" ... man, i wish they continued that model, i love the matte look, it must feel so smooth holding it..
I'm a rock and blues player - a solid-body girl. But I also play a Godin 5th Ave., a Sheraton, a di Angelico Exl1, and my newest purchase and new favorite - an Ibanez AF95 VLS 12-03, bought used for under $500. Learning jazz is keeping me young. (I'm 76 -- playing since 12!)
Yeah, you keep swinging, girl! ❤️
Долгих лет жизни!👍
Keep the faith, sister! I love my strats for blues, jazz and everything else... but I still dream of an arch-top.... I'm thinking a retirement prezzie from me-to-me might be in order....
@@rebeccaabraham8652 Go for it!
@@rebeccaabraham8652 well an Ibanez archtop will be a good one to invest on...
I got a Casino with flat wound 13s installed. I play it through an AER Compact 60. It has a dark, woody sound that is comparable to much more expensive jazz boxes, in part because of the P90's not in spite of them. I've played duets with another guitarist who was playing humbuckers and round wounds. Mine had more of the "jazzy" sound one would expect for classic jazz standards. It was my main gigging guitar for 3 years, BUT the hum, though it could be mitigated, was present. I eventually picked up a used Epiphone Es335 Pro which was my gigging guitar for the next 3 years. The 335 is cleaner but not as warm or woody as the Casino. I've got an Ibanez George Benson top of the line. It is worth every penny but it is so precious that I tend to guard it. It is the most robust jazz guitar I have ever played. It could fall off the back of the van and still keep its tune. I've got a Sheraton which I found to be ideal for Rock and Blues but never hit the spot for Jazz, just a but too much edge and bite. I have an Ibanez Artist JS200 which is as good as a modern jazz guitar can get and an Ibanez AS187 (from China) which is surprisingly close to the AS200 (from Japan) considering the price difference and country of origin. I also have a Gibson ES335 which is in pristine condition and I never take to gigs because again it is too precious. I got ALL of them used for much less than new price from musicians who were quitting the business or had fallen out of love with them or were leaving the country. Of them all, I think I would choose the Epiphone 335 because it sounds good, feels good and is replaceable if broken or stolen. The Casino is a close second. The big difference for ANY of these guitars is a good setup and the correct type and feel of string. If you like Scofield, go with Ibanez AS series. If you like Benson, go with Benson. For versatility go with any of the Epiphones. One more thing...i LOVE GODIN guitars. You can't go wrong. It's not the guitar you've been dreaming of, but its sure the one you'll fall in love with.
I had a Godin solid body. Best build quality ever! Had to sell it again after a few years, bc the neck was just too chunky for me.
I have a few questions. I heard that the Godin shows up and might not be playable right away. Is that true? The Sheraton is too rock? I thought so. How is the neck on the Benson?
@@joelgraham3 The neck on the Benson is on the round side (as opposed to it's flat "shredder" cousins) and I think it is also shorter scale, you can really move fast when changing fret positions and the overall outcome is nothing short of miraculous, it can take you where you want to go. It comes strung with 13's and I continue to use that gauge of string. It is a well balanced professional instrument. I think quality-wise it is almost beyond compare with any other guitar I've got, including the Gibson. It is not the most resonant guitar when played unplugged but acoustically or amped, it has a beautiful woody tone.
Yes the Sheraton really feels like a Blues Rock instrument. I've also played the Sheraton 60's reissue with mini humbuckers and it is more of everything. This Chinese made guitar is a better instrument overall than the Korean models of the 90's but the Sheraton Pro is also superior to it's predecessors. Epiphone has upped their game.
As for Godin, I only have a solid body BUT I would say any guitar needs to be set up to a player's preferences no matter what brand, no matter what vintage. For me that has usually been the main difference between a good guitar and a great guitar...but not always. But again, I really love the feel of the Godin I got. I've made thousands of dollars with it and only spent a few of hundred and probably the setup cost as much as the guitar.
Thank you for this comment. I am about to receive my epi es 335 tomorrow and I was super excited and then I watched this video, out of all the guitars, of course the es 335 epi is the one that is not recommended. But the thing is, it's the only decent semi-hollow that's for sale in my country. There is no sheraton pro even if I wanted to buy it. Nobody is selling Gibson also. I have to go to Singapore if I want to buy a higher-end epi or gibson. It just feels so good having read your comment. I am so excited to get my epi 335 tomorrow!
You mean I can get a casino instead of an as series s model solid top? Thanks
I love my Gretch 5655. It has a center block, so it doesn't have the feedback issue and it is thinner than most of the other hollow body guitars. The neck is extra long and has the cutout. It plays and sounds wonderful for an $800-900 guitar. I would have liked the blue version better than the gold, but that isn't a big deal. You can get amazing guitars today for sub $1000. 20 years ago I had to pay $1500 for my Martin. I do love my Martin though. 😀 If you have a guitar that feels good, sounds good and stays in tune, it doesn't matter if it is a cheaper guitar. You end up spending thousands more for a guitar that has arguably, slightly better sound and pretty inlays. In the end, it is the love you have for the music that you make with your guitar that truly matters. Play on and love it.
While living in Japan, I picked up a 1971 Yamaha SA50 for about $400 USD (converted ¥ to $).
It’s pretty nice. It has built in f hole baffles to cut down on feedback while playing live.
I looked them up online and people are selling them from 1000 to 1500.
Great deal! 👍
I just got the Ibanez GB EM and am delighted with it. I purchased it on line and based on your reivew. It was right on...I love the feel of the neck, the looks and the sound both amplified and acoustically....I was surprised as to the nice sweet sound of the guitar unplugged even. A keeper for sure and at the price hard to beat. Over my 60 years of playing I have owned may Gibsons, Epiphones and others and am as happy with this guitar as any of them. Thanks for your review !!
I'm a big fan of Ibanez guitars and I'm glad to see you have the brand so well represented here. One Ibanez I own is the AG85, which is very similar to the AG95. Biggest difference is the AG95 has gold plated hardware, whereas the AG85 has chrome plated hardware. I prefer chrome, actually, and the AG85, while not made anymore, can be found used for quite reasonable. My other Ibanez is a 2355M, a big ES-175 looking jazz box built back in the 70s. That guitar is a knockout, but at the top of your budget range. For folks who are really on a tight budget, the Ibanez AG75 (or something like that -- it'll be a something-75) is a very good bargain. Plays and sounds very nice. As for your choices, I think you've chosen very well. Cheers.
My preference for electric jazz tone is 17' wide, 2.5 inch deep, 2 set pickups, carved spruce top and completely hollow (or trestle bracing). These dimensions are not easy to find nor cheap. But they cost much less than the classic vintage Gibson and real John D'Angelico guitars or new Benedettos that are priced in the stratosphere. I'm still shopping and have been for a long time to buy just one guitar and not regret the money I will have spent.
Total respect for all your choices , value plus quality in this competitive range. Ibanez is fun to play more so sometimes than even a Gibson in this price .Thanks love your review
Absolutely. I recently bought a very high priced Heritage guitar and could have gotten two great guitars from other brands (like Ibanez), that, with some modding, would sound equality great. I think there's a price cap for when the guitar just doesn't get better, and you're just paying for a brand name. That price limit is around 3k.
The closest I get to Heritage is the Old Dog Tavern in Kalamazoo across the street from the 225 Parsons building. There was a workshop & concert there: Frank Vignola, Vinny Raniolo & a former student of Frank's, Glenn Tosto.
My first guitar was built in the Gibson factory there long before Gibson moved and Heritage transformed it.
The guitar DID have a 'dog-ear' P90 but the previous owner replaced it with a Patent-Issued HB, cutting a larger hole in the top! So there is a shadow or 'tan line' of the P90 but the hole is too large to ever put a P90 back. (P90 'problem' solved) ;@)
That also makes the guitar a 'keeper'...purists would be horrified.
I just discovered your channel last night. Great explanations I have not heard, like why certain chord shapes/positions are not practical.
Very interesting comment regarding price capping at 3k and after that you reckon you're starting to pay more for brand name over additional quality, incidentally, is that 3k US dollars or 3k euros? 🤔
I own a blonde Gibson HR Fusion - a wonderfully versatile guitar - the only Gibson I’ve never had a problem with in 19 years. Epiphones have been lacking and fall apart in my experience. Ibanez make great jazz guitars, especially the GB models, I own a GB100 and a LGB30, both beautifully constructed and sound fabulous!
There are BLONDE HR Fusion guitars? Wie, I didn't know that. I only saw my color and black.
@@GuitarversumSandraSherman
Awesome review. There was also a cherry HR Fusion 3.
the best jazz sound I've ever heard came from Grant Green and his legendary ES-330 (which is basically the same guitar as the Epiphone Casino). For me the Casino would be the first option to consider. I prefer P-90s over humbuckers and hollow body guitars over semi hollow.
I just noticed P90's on Grant Green's guitar on the cover of Feelin' the Spirit. I hadn't really thought about P90's & jazz, but GG tone is one of my favorites...I guess it depends who's playing...
Got an Epiphone ES-335 Figured about a year ago and it's one of the best guitars I've ever owned. Just looks and plays beautifully. The fit and finish are so nice you'd think it would cost a lot more.
335? Or a Casino? Old or newer? Anyway, a GREAT guitar you have
Rich Severson my no.2 jazz go-to guy (after you) cannot believe how Samick can produce such fine jazz box guitars so cheaply (when reviewing the LaSalle J2. Zooglot also is impressed with its jazz tones and uses the same description of the guitar including the quilted bubble maple back - gorgeous
I play a Samick semi-hollow and two Samick-made Epiphones. They are all well built instruments.
Epiphone crushes Gibson on price - and quality!
Samick has made guitars outsourced by the Big Boys for decades
I'm glad to see you cover the Epiphone Joe Pass. I'm 82 years old, started playing lounges 70 years ago, and have had many guitars too numerous to count in my hands, including three Joe Pass models. I got rid of each one of them after letting other guitarists play them and, understandably, fell in love with it and just had to have it. The first one I got a blonde Gibson 175 plus cash in trade. The second one I got a Gibson Barney Kessel plus cash in trade.
You owned some great guitars there.
I have the pre Joe Pass Emperor it’s been my main Jazz Archtop since years
I am 70 by the way …50 years playing guitar
I'm a blues 🎸🎵🎶, just stopping by to see . As you can see I'm a stratocaster player ... but now looking at a PRS SE Custom 24 🎸 to add to my playing
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Every time I learn one of your lessons, I do so on my Joe Pass, which I've had about two years now. It's never been plugged in, and it sounds fine acoustically.
The neck seem a bit wide though, and it slows down my playing a bit, but that's okay. My wife has a Yamaha "super-strat" that has a thinner neck, and it's easier to play, so my next guitar will have a thineer neck.
Thanks for a great review of these gutiars, I'd like to own a few of them, but somehow, with me, it's about what is done with the instrument, I'm not that much of a gear-head.
The Joe Pass is a great guitar. A bit chunky, but that great acozstic sound needs to come from somewhere 😊
I agree with Sandra that the Joe Pass is a bit "chunky." The neck has a bit of a baseball bat feel to it, which at first I thought I wouldn't like, cuz I prefer the Gibson "Slim 60s" profile. But after playing it a bit, I came to the conclusion that it was ultimately very easy to play and the extra girth didn't bother me. But you refer specifically to the neck width. Far as I know, the Joe Pass has the standard Gibson nut width of 1-11/`16" (43mm). I'm pretty sure it isn't any wider than that.
Still the best entry level jazz guitar review on RUclips!
Thank you so much! ❤️
Thanks to your guide. I found my perfect arch top. GB10EM. I tried many Epiphone semi-hollow body guitars but they made my hand cramp up. My go-to guitar is a Strat copy. When I put my hands on the neck of the GB10EM, it felt perfect. Thanks for digging up this gem. Cheers.
The Ibanez have very slim necks, that's probably why you feel so good with it, coming from a slim Strat neck.
@@GuitarversumSandraSherman thank you, you're the best. I have another question. The guitar comes with 11 gage strings. if I put 9's in them, like my Strat, would that soften the sound? It is too "ping-y" or "acoustic like".
I have an Epiphone Emperor Regent that I play through a Fender Princeton Chorus amp. The sound is amazing!
Great information, presented in a very professional manner. Thank you Sandra!
Maybe one for you there? Or are you gonna stick to acoustic guitars?
I would probably lean towards the Epiphone Joe Pass Emperor-II Pro, or the Ibanez GB 10EM. I have a question for you Sandra, I currently do not have a computer because the one I had was hacked. If I buy the “Everything bundle: Guitar Pro + PDF tabs”, would I be able to access any of the material with my phone?
Epiphone casino coupe has been my main gigging guitar for a year now The coupe is its own animal with 339 body style. I use a gretsch streamliner as my back up wish I bought hollow body decade's ago.
Cool guitars. I like the 339 size.
I have a Sub Zero New Orleans hollow body jazz guitar I paid £70 for it from Gear4Music's 'B' list. Took it apart and thinned down the top, Changed the neck pickup for a Gabojo PAF '57 scatter wound pick up and uprated all the controls, set the action at 1mm on the treble side and 1.5 an the bass side. I now have one of the sweetest jazz guitars going total cost £150.00p. I love your channel by the way. I'm learning a lot from it. Thank you. ❤️
Wow, great deal if you paid so little money and upped it to your liking.
The Ibanez Broadway suited me fine, two years in ,no complaints, lovely warm jazz sound.
I am not a jazz guitarist but collect guitars--was intrigued by the video title and was not disappointed! Subbed
What are your best pieces? 😊🎸
@@GuitarversumSandraSherman , thank your for asking . Over the last 6 years I acquired approximately 100 electric and acoustic guitars . 39 of them were Fender Strat Pluses in a variety of different finishes and models . I am not a collector in the traditional sense of the word however my favorite guitars are my 1983 FenderElite Telecaster in gorgeous walnut that was my first Electric as a gift from my Grandmother, a 1964 Fender Jaguar in Olympic White, a 1965 Damone Blue Mustang , a 1966 Martin Hd-28, my Epiphone 1965 Elitist Casino Reissue that was Made in japan (Lennon model) , and a Fender Rosewood Telecaster 2017 RI like The one George Harrison played in the roof in Lwt it Be, and last but not least a somewhat rare (75 made) 1959 Gretsch 6120 with TV Jones filtertrons that had a very special “pillow” orange finish.
What is your favorite guitar(s)?
still my favorite Austrian jazz guitarist. I've 'gone to school' on you several times now, so thank you.
Glad I made yoj happy and ylu find my tutorials helpful 😊
I’ve been on the hunt for a hollowbody and tried several of these models including the Ibanez JB series but ended up getting the Eastman AR372CE. Around 1000 GBP so slightly more than 1000 USD but an excellent guitar! Very similar in tone and feel to the 175 I used to have, the only difference being the nut is 1/16 inch wider (45mm - like the Epiphone Joe Pass). To me it felt much better than the Ibanez models. Excellent guitar for the price and well worth trying.
Great tip! I had an Eastman once. Was the best acoustic sound, but unfortunately it had some dead spots, that even my experienced luthier couldn't get rid of.
@@GuitarversumSandraSherman That's interesting. I don't appear to have any dead spots, some resonant ones (to be expected). I did try the more expensive model but for me it had too much individual character, a finer build, lighter, beautiful finish, but it didn't have that 175 weight and tone I was looking for. Sorry to hear yours didn't work out.
I am an acoustic player looking to expand to play a little jazz, and because of my age I really needed something light, manageable and easy to play while getting into more bar-chording than I usually do as an acoustic player. I had my heart set on a particular guitar, but after watching your video I felt I should also check out the Ibanez GB EM. I was lucky to find a store with both guitars in stock to try out, and in doing so the Ibanez, for me, ended up being the very clear choice. I am grateful to have watched your video before the purchase as I almost bought the first guitar I was thinking about sight unseen. I love the Ibanez, it's light, easy to play and sounds great...thank you so much!
Glad you found your dream guitar and the tutorial was helpful.
Yes, you mentioned the Ibanez AG95, a true hollow body with fantastic alnico humbucker pickups! It's everything I could ever ask for in a jazz guitar.
Very cool! That's a great guitar. Interesting you mention the pickups. I found the neck puckup a bit lifeless.
I bought a used 2012 AF95 the other day and am really digging it. Much better size for me than my diAngelico or Sheraton, and much "jazzier" than my Godin 5th Ave.
@@paulafranceschi Is the size working for you still? What about the depth and size suits you better?
@@Grindstaff09 I had both shoulders reverse-replaced recently abd my left arm doesn't extend well out to the left. Reaching the tuning pegs is a challenge. Gettin my right arm over and around the body of the deAngelico was hard. And every extra ounce and square inch makes putting it on and off your lap that much more work.
I could listen to her for hours. So knowledgeable, Andy her voice is melodic. I bet she can rest sing. Ok, I left my comment. Now I’m going to watch again.
Oh, thanks so much ❤️ My singing is very mediocre, though 😊
That George Benson is calling my name. It's the guitar that I never knew i wanted, until now.
Sandra, I want to say thank you for this lesson and your recommendations.
You helped me a lot to find the right semi-hollowbody guitar for me. Yesterday I got my Epiphone Sheraton II Pro Ebony. I come from a solid body background and you said that this guitar would be easy to play.
And yes, I have to say, it’s so easy to play! I'm delighted. You said it’s a dream and I can only fully agree. The guitar neck feels great in the hand and the guitar has also a very creamy sound - as you said. Oh, I love it ! With the double cutaway I can now « fly » high. The price-performance ratio is also great.
And the Ebony version is such a beauty and the guitar is very well made!. I would highly recommend this guitar.
Thank you again for the great work you do with your videos 👍.
Es liebs Grüessli,
Birgit
Hey, das freut mich total, dass dir die Sheraton gefällt. Die ist wirklich der Hammer, vA für den Preis. Viel Dass dir und keep swingin 🎶 🎸
Archtop Guitar
ruclips.net/video/xO1D27pGNlY/видео.html
I got my Ibanez AS80 back in the mid 90s for about $500. I still love it and have not felt the need to "upgrade" it after all these years even though I have played many possible upgrades through the years. I've just bonded with this one.
We play best using the instrument we love most and are used to, no matter their price tag. They're invaluable to us.
Hi….yes, neck definitely 43mm…using calipers,
actual nut is 42mm.I think the guitar is very good.
I love your channel….great tutorials.
Thank you for this very informative and helpful video!
Super easy to understand. Great practical advice and insight. Attention to detail and explanations are perfect.
Thank you! I'm glad it helps 😊
Wow. Thanks for such an awesome analysis! Helped me reconsider the Ibanez GB and Epiphone Emperor models.
Thank you for this video. I'm so glad I watched it before my purchase. I have decided to get the Sheraton II Pro because I play other genres besides jazz, primarily pop. Thanks again Sandra!😊
You're very welcome! Enjoy your new guitar 🎸 ♥
Love your show! I was just (today) searching and researching guitar makes and models to give me the smoothest and most mellow tones when I found you! Next, I'll watch the show about jazz amps! Wow! You're discussing everything I've wanted! Plus, your presentation shows me more than others (e.g., specs in 3-D instead of just saying what they are). Thank you so much, I've found my next guitar - and hope to do the same w/the amp!
Glad to be of help 😊. Which guitar and amp did you go for?
I went to get a 335 a few years ago but came home with an AS153 and have been super happy with it. The fretwork was actually much cleaner than Gibson they had at the store plus it was about 1/3 the price. I like the Super 58s a lot however the ones in the AS153 aren't the exact original models from the 80s, they are a cheaper version. I believe you have to get the Prestige level to get those pickups. The ones in it sound fantastic though. The case is also a very nice, not just a throwaway they included. Excellent run down of options!
Ibanez really had a great value for the bucks.
It took me while to get my head around the fact that not all super 58’s are created equal and I’m not just talking vintage versus new if you look at the replacement cost of super 58’s on a budget jazz box to a high end you’ll see the price difference nothings for nothing 🤷♂️
I have Epiphone ES-335 from Like A Gibson line up of 2020. It's my first guitar and feels great. Around 570usd.
I like playing fingerstyle on my acoustic and starting to consider getting an electric, this video is very helpful to get started, thanks!
I love the Casino but use a 7 band EQ with it to get a more HB type tone....I also have an Ibanez Custom 125 with a wooden saddle and flatwounds...it's also fully acoustic. I had a bone nut and setup done on my Casino that turned it into a better instrument ..mine isn't noisey at all but I don't play at loud, loud volumes and like to use the middle position and blend the pickups which is hum cancelling
I found that some tweaks can make all the difference. Seems you found your perfect guitar.
I’ve just bought one you missed out - a Greg Bennett LaSalle JZ4 by Samick - outstanding jazz box at an unbelievable reasonable price of NZD 800 / USD 465 / € 466. My guitar etc dealer cannot believe the high quality specs for the low price. It was the last one in the country - New Zealand - and the next shipment will of course be somewhat higher price. It’s got a floating neck Seymour with Duncan Seymour designed
humbucker pickup. It’s got a
quilted maple on the
reverse of the body
@@philodonoghue3062 are you still hot on the Jz4?
I used to own an Ibanez 2616 way back in the late 70s/early 80s. It was a bit of a beast in size, but wonderful to play. Thanks very much.
Great information and very helpful review!
Sheraton II Pro owner here. Not sure about the "Buttery" sound - maybe if I mess with the amp equalizer more. Stock PUs are ok. Cheap selector switch. The dual split coil feature allows a lot of flexibility. Will need a setup out of the box - once done, the guitar plays incredibly well. Slim D neck fits me nicely. Pau Farro fretboard (no Rosewood on my version). Grover tuners are nice. Overall finish is ok with minor blemishes due to overpaint. Very good value IMO.
Pao Ferro is used these days. That's due to price, but also to the CETA law 10 years ago. In the meanwhile that is not applied to guitars anymore. So now it's just to save money for the companies, lol.
Love the reviews… I’m an Ibanez guy and love the Ibanez AM153 and AM93 with scaled down body width, approximately 14 inches I think. Just found your channel and I’m really enjoying it. Thanks
AS 153 , WEIGHING IN AT 8 1/2LBS ..........great axe
You have covered my top two guitars I have dreamt about lately. The Joe Pass and the George's. They sound very different, but - as a short guy - I think I like Bensons better. But I have to say, Joe passes sound just amazing.
I used to have an old Sheraton. I kick myself in the arse for EVER having to sell it! Beautiful playability and such woody sound! Mind you this was before the split coils. Still one of the richest sounding Jazz/Blues/R n R guitars I've ever owned!
The one that got away. Been there, done that 🤦
Great overview Sandra! Thank you. Love the Godin, the majority of the wood is from Canada
I owned a Gidin sid body once. Best build quality ever. The neck was too fat for me though, so I had to sell it.
@@GuitarversumSandraSherman great guitars indeed and a cool channel from you Sandra 👍🏻👍🏻
Slava Ukraine 🇺🇦
Gddddddeetings. That's exactly how Rob Chapman opens his videos.
Big Ibanez fan here. This type of guitar are the most beautiful of them all. They're all absolutely gorgeous. Thank you for the video:)
Great minds think alike 😊.
I would add the Jet JT300, an excellent guitar at a highly affordable price, with a lovely sound from the neck pickup and great playability (a really comfortable neck). Ed Bickert was a superb jazz player on Telecaster, as is Tim Lerch. And you don't need to turn the tone right down as Ed did, with more treble it even has an acoustic quality to the sound.
Thank you for the info. I decided to buy the Ibanez GB 10 EM. A few days ago I received it and really like the Ibanez. It plays and sounds very nice.
Very cool instrument, congrats! 👏
Thank you so much for this review! It was very informative. Respectfully, though, I must disagree with your analysis of the Epiphone Dot, so perhaps you received a bad one. I own a 2010 Epi Dot (prior to the “Gibson Inspired” series), and the only problem I’ve ever had with it was a tuning issue. So I upgraded the nut on it, and it’s served me very well over the years. The stock pickups still sound wonderful, and nothing has fallen off of it! 😊
I own an Ibanez AS 93FM a model slightly lower than the AS153. Mine has a maple veneer top which looks good. I love that guitar, not only does is sound great for jazz, it also sounds good for blues, rock and roll and sometimes R&B.
Can't go wrong with an Ibenez.
@@GuitarversumSandraSherman agree, when it comes to value for money, Ibanez can't be beat!
Wow I really appreciate your reply.
And I'm really thinking about the Les Paul ..the Joe Pass might be too bulky for me if I can find one I'll check it out.
But I agree with you something smaller ..
I LIKE THE epiphone version like a 60s or 59 reissue.
I did have a Sheraton 2 at one time. I was glad to sell it to a innocent up-and-coming young whose eyes opened widewhen he heard the tone.
I'm using a spark 40 Pearl amplifier from positive grid. For practice right now. I use my Carvin which gives me a warm Jazz tone Allan Holdsworth designed those pickups man-o-man Good Golly Miss Molly what a player.
my Telly needs to be modified like the one you have.
my Strat has a 10 Way selector switch and it gives me some unique tones.
and my sire 4 string bass through positive grid spark 40 Pearl amplifier nice little Gadget.
I went back and checked out your latest video on the five best Jazz guitars for under $1,000 I really dig where you're coming from and you have opened my mind and ears even more. Goodness gracious you are bad to the bone with your knowledge and your playing.
Please take care of you your family and loved ones be safe sincerely Walter the left-handed bloke
Hello it's been a while since I viewed your channel. I want to wish you your family friends and associates a happy healthy prosperous new year.
I would love to have that George Benson model but unfortunately they don't make it in a left-handed version 😢. I wanted to know in your part of the world do they have copies of that George Benson model in the left-handed version or do they have a Gibson 137 copy in a left-handed version ❓❓🤔
If they do I would appreciate some feedback from you if you have the time. Because I was thinking of a body with like a Les Paul or maybe the 339 Gibson. I'm thinking definitely spending $800 to $1,000. Thank you I hope I hear from you please take care.
Sincerely Walter the left-handed bloke
The epiphone broadway is great. Yea also like the Ibanez akjv95 dal.
Hi Sandra. I own way too many instruments now but in my collection, I do have a couple Epiphone guitars and I think the world of both of them. They are both a bit older. One is a Joe Pass Emperor II which is sitting right this minute on a stand as we speak. I am taking a break from practicing and happened on this video. The Joe Pass is made in the Korea plant in 2012 and I have to say, it's pretty much flawless. Only thing I've done is put Elixir flat wound 12s on it and spent a LOT of time getting the floating bridge intonation perfect. These sound great amplified but they sound absolutely regal acoustically on this guitar. And once your fingers touch flatwounds on your jazz box, you'll never go back! The other is an old Epiphone Dot from 2009 which I have done virtually nothing to. This is a really great workhorse gig guitar that I can get any sound I need out of. After having guitars stolen from gigs, scratched up, anointed with beer, etc, it's really great to have something that isn't a holy relic up there that I don't have to worry that much about. Funny thing is, I have been playing it for years and this one has never even been knocked into! Anyway, moral of story? For those who believe that unless there's a G in the name, guitars can't possibly be any good, well, there's a lid for every kettle! I'll put my Epiphones up against almost anything else. I'm not an antique dealer, I'm a player! These guitars get it done.
Well said!
Where are you and how much do you want for the Joe pass?thanks
Another excellent presentation you’re also very engaging. I play a Fender Squire Starcaster but I’m very interested in the Joe Pass and George Benson guitars.
The Ibanez JSM guitars are all semi-hollow. You see it from the bridge and tailpiece. They are mounted into the center block.
waiting on my Samick Artist Series HF650 to arrive..never have heard a 650 from 1996 era that did not have a creamy lush tone..Peerless factory made I believe until 2001..really glad they are not considered a "collector's guitar" keeping their MSRP in 1996 dollars of $1,089.00 around 600 to 800 today
Sandra: thank you for your thoughtful reviews and videos. I love the sound of the Heritage guitars and might want to save up, but the Sheraton and maybe a modded Joe Pass might ended up being my first step. Thanks for being such a jewel in the jazz community. Cheers.
The Joe Pass is not being produced anymore. Maybe get it used somewhere.
Yes I saw one on reverb. Thank you.
As I got late to watch you live, I just started the video again (ok, I also have to watch several times to get it 😉); thank you, Sandra
Thanks - great review, and I definitely appreciate a range of opinions - very informative, and glad you are willing to say that some of these instruments are just not that great - - really helps.
You answered a bunch of my questions. Thanks!
Hey, that's cool. Thanks for watching! ❤️
Nice video and very informative Sandra. I just subscribed to your channel. I just bought a Godin 5th Avenue Kingpin but the single pickup P90 model without the cutaway. As you stated it has that dry woody acoustic sound quality that I was looking for and it seems to be a very versatile guitar because different styles sound great on it. It retains that sound when plugged in as well. I already have an Ibanez AF95FM which I love but it is very different from the Godin as you know. You did a great job explaining the differences in these sub $1000 guitars. Thanks.
Good buy! Have a swinging new year 🎶 🎸
I just bought the Godin Kingpin 2 with the Cutaway and P-90s... Wondering if I should cancel the order and get the Humbucker version instead? I read where some reviewer stated that the Humbucker sounded too muddy as compared to P90.. How do you like the P90s after you've owned it awhile? Thank you.. : )
I really love the video Keep up the good work lots of useful information
Du, Sandra, dankeschön. I'm new to the whole jazz guitar thing so I found this really useful.
Enjoy the jazz ride on my channel 😊
Did you decide to buy one of the featured jazz guitars.
I've had a couple of these reviewed rigs and agree with your assessments. This price range can likely produce sample to sample variations/gratifications. Oddly, I've kept an old J-7 Washburn that I've had forever and a D'Angelico EXL-1 (the cheaper Prestige version) that was an impulse buy when MF had them on a one day promo. I'm very pleased with the EXL-1 as it hits way above its price point in fit/finish, sound and playability. Shopping after cocktail hour isn't always this successful!
Hehe, impulsive buys. We're only human 😁. Keep swingin 🎶 🎸
I have a D'Angelico Premier DC that I bought off the internet as a floor model. Arrived without a scratch on it and I love it.
Many jazz recordings before 1955 feature P90s. Check Jim Hall, Kenny Burrell, Grant Green and many others.
I know. Those aren't bad pickups, actually a lot of people orefer the cruspuer sound. But generally, the humbuckers are on most jazz guitars these days.
Some used Charlie Christian pus
Great given information,very clear and detailed,and your voice sounds so soft and sweet,like some of these guitars.Thanks.
Aaeh, thanks for your lovely words ❤️.
I have the Amber Ibanez GB10EM. It plays like butter and has a beautiful sound.
Awesome, congrats! 👏
Beautiful guitars,,,every guitarist should have one in their arsenal
One of my favorites semi hollows under 1,000 is Epiphone Riviera. It is like a Sheraton but with mini-humbuckers and and the Frequensator tailpiece. Only downside is with the frenquensator tailpiece it is possible to buy strings and the D-string is too short to reach the tuner. But I never had this happen with D’Addario. I have an old Korean Sheraton II I like a lot also. The red Riviera is stunning.
Interesting! I never held one in my hands and I usually only include gear in my reviews, that I tested myself. Will check it out, when I have the chance to.
Epiphone just reintroduced the Riviera around a year ago. I’ve only seen one. Since COVID it has been difficult getting guitar inventory into stores in the US.
The epiphone broadway has a frequencator also and is like the Gibson L5.
Just came up my feed again, so I rewatched it. Great video, Sandra!
Thanks!
Thanks Sandra you’ve been a great help over the years
Happy to help! ❤️
My michel kelly duece classica, ranks right up there with any of these guitars and is arguably the most attractive.
Merry Christmas, Sandra. Glad your post came up to my view.
I had been thinking about getting an archtop for a while and when the Godin 5th Avenue first came out I bought the first model they made; an acoustic with no cutaway to which I added a Kent Armstrong floating neck pickup. It's been a great guitar for me, but I'm beginning to see the need for more neck radius...I paid about $500 (Canadian) for it plus about $60 for the pickup. The price and the fact that it's Canadian made (I like to buy local!) were big selling points.
When you say ‘more’ radius do you mean flatter or more curved?
As in you want more towards a 15 inch radius and higher or more down to a 7.25 ?
@@lomoholga I mean more as on rounder, just bought a Gibson acoustic with a 12" radius neck, Like it better than the 16"
I think he means more towards 12" (lower neck radius, but MORE curved)
Godins have suoerb build quality and they are really affordable. I had a solid body for years, had the best build quality ever. But I had to sell it, bc of the chunky neck and flat fretboard. It was good for soloing, but so hard to play chords with, for my midget hands 😊
I loved your video!!…..Great knowledge and passion!!
Thank you, Eric! Keep swingin'! ❤🎵🎸
Thanks for the review, I have a Epiphone Riviera, sounds really good.
I have owned an Ybanez George Benson model, a round midnight, a fender Daqusito prototype and a Napolitana all were good....well the NNapolitana had a neck problem I am not THE Steve Morse just an enthusiast who plays his signature model. I have owned over 100 guitars over the years...my favorite are a custom shop Les Paul, two Collector's choices; Sandy and The Beast and a cloud nine, old classical made by a local luthier, a Martin D-18, a Lowden Jazz, a heavily relicked custom shop Telecaster and a Orca Nick Huber, a custom 22 PRS, a custom shop heavily relicked Strat 65 and a Godin Multiac electro-acoustic. If I had to choose one it would be my old classical which briefly floated on the sea in Thailand.
It floated on the sea? Didn't the wood swell up?
@@GuitarversumSandraSherman I was kayaking in some mangroves and it fell out only briefly say for about 15 seconds and floated. I dried it with my towel and it was ok. I suppose the varnish protected it. Later the guitar got totally flattened like in a cartoon when I was playing in a local bar in Thailand on an electric and the guy I had lent my classical to fell on it literally crushing it flat. Back in Switzerland where I live the luthier who made it restored it after almost having a heart attack seeing the state it was in and this is one of the reasons it is my favorite guitars....it has lived as is said in french meaning it had been through a lot. In retrospect I should have bought some cheap travel guitar.
'It's not about me, it's about you'. Before you said that, that's what struck me. So refreshing, compared with so many 'just look at how great I am'' RUclips presenters. And a good review too.
Thank you, Jonathan! ❤️
Hagstrom hj600 is a beauty and should not be left out
You really need to try the Godin Montreal Premiere. It's a semi-hollow with a centre cedar block that has a pass-through under it. The pass-through looks like a Roman Aqueduct and does a great job of blending the sound of the two chambers. You can find a lot of videos of it because it is wildly popular.
I know that guitar very well, bc one of my students has it. Great guitar. It's similar to my Gibson HRF.
I like to add my own exp to this as well:
The Epiphone JP EM2 is and was always for jazz. It's had anumber of pickups in the past and the last generation models used the PROBUCKERS, but they aren't USA spec, but are a very good simulation of them made in Korea. Somewhat like a '57+ pickup. My only gripe with it is the QC: it can be dubious so look for models with a good cut nut, and a neck that is aligned well as a number of them from 2008-2013 had issues.
The AF-95 is the base of the general jazz boxes and to me, is probably the most balanced. It has ceramic pups in it which can REALLY get nice and warm sounding, but can also feel VERY muddy and in some ways, too loud and not as articulate. That said the guitars are sound, but watch out for electronic issues in the 3-way switch and the pots. They are known to be...meh.
The GB10EM is a very comfy guitar to play and it suites folks wanting a more focused sound. that said the pups are not the most articulate, and they often sound thinner to say similar pups. Also, the model shakes a LOT due to how the pups are mounted which can be noisey when acoustically played.
The AG95 has a familiar setup, and usually better finish than most of the lower-priced stuff. Excellent neck and good pups. However same QC issues of nuts, and electronics.
The GODIN KINGPIN in ANY form is very well made. The pickups are usually Seymour Duncans and you get LOTS of articulation. That said, don't buy the cheaper version of it as it will not sing as clearly, nor will th ebuild quality be as good. Also, they use a lot of cherry wood which has its own look to it, but may put some of you off. LAstly the neck width fo rme is too wide; as I grew up on epiphone necks and Gibson sized necks, this felt wide. Uncomfy. BUT it would suit anybody with larger hands.
The Sheraton II is excellent in every budgetary respect, as it the CASINO. The Casino is a more sensitive hollow design but don't expect rich depth here. The P90s help but they can sound unbalanced due to manufacturing mistakes. The Sheraton however is very good, better even and will nail that ES-335 sound. Plus is looks a darling. ONE thing to add is the reissue Riviera is amazing, well made and had a focuse sound. ALSO ALSO...check out the new Broadway model, as it's basically an affordible laminated L5 CES. Same pups as the Joe Pass.
The AS-153 I don't have experience with, but I do its AS95 model and it's very good, and on par with the Epi Sheraton II. Maybe even better. The Super 58s are the Chinese built ones and not the full blown Japanese built variants.
Honourable mentions I've tried would again....the Broadway from Epiphone, a Used mid 90s Epi Emperor Regent [solid top!], Used DeArmond M70 and M75 and M75T due to the EXCELLENT pickups, the lovely GoldTone humbuckers [bell-like tones]. the Dynasonis on the 75T.
Thank out for your profound input! The Broadway is a really good guitar.
I feel like you’re a really nice person . Idk why. Thank you
I don't know either 😁. Thanks for watching, Nicolos. Keep swinging 🎶 🎸
Thank you for your videos. I only discovered you today. My last Jazz gig, before I retired, was a duo with just myself and a drummer and we played a variety of music including a lot of Sinatra style standards. I am primarily a vocalist. I bougt a special guitar for this, an Ibanez AK87 jazz box which I had to wait for its arrival from Japan. Greates-ES-175 style instrument, only made for a few years and replaced by the AK95 which I did not care for. After a 60+ year career, I do NOT consider myself anywhere near your league. Much applause from myself. But then you may not be able to sing as well as I. LOL. I live in the USa BTW. Actually Byron Stafford, not Anna.
Welcome to the jazz ride, Baron! Glad you like the tutorials 😊. I'm absolutely sure you don't a lot better than me 😊.
@@GuitarversumSandraSherman I don't understand what you are absolutely sure of there. I have spent most of my career playing without a rhythm section behind me. As a result I play almost nothing in single note progression. All of my work is built out of chord voicings and all built to reinforce my voice. I was once described as "Chet Atkins meets Wes Montgomery". One day my head will deflate from that but not anytime soon. LOL. Thank you Byron.
Very helpful video for beginners out there Sandra. Those John Scofield models are semi-hollow though. I have the JSM20 and it has a Maple support block running through the middle. It has great jazz sound though and it plays like a dream!
I have so many student playing the Scofield models. They're old very good.
Great video! I discovered you while searching info on the Heritage Eagle and 575 guitars. You play beautifully.
I did just happen to look into the Epiphone Joe Pass Pro but from what I understand for the last few years they no longer have the solid spruce top but rather just a laminated maple like the rest of the body. I want a jazz box I wont have to worry about too much if I take it to a party or sit around a camp fire so to speak.
I am going to be visiting the Heritage factory in the near future and was thinking of possibly ordering an Eagle custom made with a the more rounded neck to pick up when I visit. After many years of playing the first thing I judge a guitar by to keep and play as my own is the neck. If the neck doesn't feel good to me there is usually no reason to look (and listen) any further unless I am purchasing the guitar as an investment to resell. I actually owned an Eagle about a decade or so back but sold it because the only thing I didn't like about it was the neck. I also owned a Gibson L5 but again I didn't like the neck.
Then again, I may just buy a Heritage 535 or 150 vs. an Eagle because I can play and judge before I buy . . . and I LOVE my Eastman 810SE so I don't really need another dedicated jazz box.
Sandra (new subscriber here) your English is impeccable, absolutely perfect...
Thank you, Andrew! I really appreciate your kind words ❤️. Enjiy the jazz ride on my channel 😊
I'm surprised Eastman got no mention. They have a few great options at this price point and the fit and finish of these instruments is spectacular. I particularly like the AR371CE (styled after the Gibson ES175)! These can be gotten substantially less then retail if bought second hand, also, around 6-8 hundred US.
But we're talking new price, not used guitars. 😉
@@GuitarversumSandraSherman Not to split hairs, but they retail less then 1000. They can be had even cheaper if used, I mean.
Love the channel!
BEcause they aren't under 1000$
Mine is the Ibanez hollow body. Yeah it could feed back but I don't use it at high volume. While its cheaper than epiphone its still going to set you back about $600. I use flat wound strings and play finger style.
That's such a helpful and great review. Thanks so much! ❤❤❤
Glad it was helpful!
I recently discovered your channel and I just love it!!! I can't get enough of you! Thank you, thank you! Cheers from California!
Hey Jerry, welcome to the jazz ride 😊 🎶 🎸.
Lovely presentation; so detailed and well explained. Good job.
Thanks for sharing.
Thank you, Daniel! And from your username I can already guess, which ones were your favorite
@@GuitarversumSandraSherman Well, Ibanez is my family name, indeed, which is a Spanish surname. I never had an Ibanez guitar thoug.
I play mainly 6 & 12 string acoustic guitar (apart from Pedal Steel Guitar and uke) and I have got a Hoffner, a Lakewood and an Alhambra.
I have tried Martin, Taylor, Gibson, Lowden, Epiphone and Ibanez, in the past, though I personally didn't not like its acoustic sound.
However, I'm intrigued now by the Ibanez AVC11CE-ANS (thermo-aged, as they say), by the numerous high reviews and its retro look. Who knows, some day I might be playing a guitar with my family name written on its headstock...;-)
It’s me again. I decided to trade my martin for a jazz guitar! And i come to ur video again!!! Tysm. ❤
Hope you'll find the love of your life. But sometimes it needs a little try and error to find the perfect match 😊.
@@GuitarversumSandraSherman thank you Sandra, i am grateful for your advices!
I'm in the market for a semi-hollow body guitar. Last week I bought a Monoprice Broadway semi-hollow guitar in color Transparent Amber. Bought it on discounted sale of US $199. It was my first time playing a semi-hollow body guitar. The Monoprice Broadway looked nice and played nice for a US $199 guitar. Problem was that the neck humbucker was mounted 5mm off center from the fingerboard, resulting in the strings not hovering over their respective magnetic pole piece screws. I ended up returning the guitar. On top of my semi-hollow guitars list is the "Inspired by Gibson" Epiphone ES-335. After watching your video, Sandra, I'm now considering the Epiphone Sheraton II Pro. Thanks for your semi-hollow guitars video!
I think the quality of the very latests 335s got better. I should be mentioned that. The Epi 335s I had tested all kinda sucked, but I didn't get a chance to check out any of the new series "Inspured by Gibson", so I can't really say if they improved the build quality on that model.
@@GuitarversumSandraSherman Thanks for mentioning that your Epiphone ES-335 comments don't apply to Epiphone's new "Inspired by Gibson" ES-335.
Sandra I play on Epiphone Emperor 90's.I love Sheridan creme tone and Yamaha revstar tremolo gretch sound(solidbody) is very interesting.Saludos desde España,muy bueno tu canal.
Excellent. In depth knowledge and professional advice. I’ve subscribed immediately, and nice clear voice
Welcone to the channel, Phil! Enjoy the jazz ride and have a great new year 🎶 🎸
I have an Ibanez AFC95 which is discontinued now....for some reason, maybe because of the many similarities with the GB10, except the body size, but the woods and the floating humbuckers has made this guitar an excellent companion for the past 3 or 4 years, I have to say though that feedback is gonna be some recurring issue with big jazz boxes like this, the low mid range can get really out of balance some times depending on where you're playing.
Also I have to say that if you have 1K $ to spend, you might as well look for some local luthiers, like I did in Mexico. I got a handmade guitar built for my needs for the incredible price of 1.100$ aproximately. The builders are called Caro y Topete, look them up!
Wow, you got a jazz box hand made for 1k? They start from around 4k here.
@@GuitarversumSandraSherman Yeah! They are a relatively small business and there's not a lot of info online, the only video they have on the archtop is not very good in terms of quality. They also struggle to get shipments from outside the country and they don't speak english very well from what I've heard. But they are very responsive and open for customization, if you can get the shipment part sorted out on your own I think it might be a very nice option.
But i think Afc95 is not that big..? It says less than 16" ... man, i wish they continued that model, i love the matte look, it must feel so smooth holding it..