7:38 if Maggie Faultless says it's "actually quite hard to do", mere mortals don't stand a chance 😂 in all seriousness though, great video, comprehensive yet very accessible. Thank you very much for this.
Very interesting: the screw pulling the hair rather than the frog was totally new to me! I am sure you know, but someone else in the audience, may not: the bow in the painting with the paper/parchment inserted to tend the hair was not a violin bow but a viola da gamba bow. One may assume the practice was general, though. Thanks !!!
wow! I imagine that the hair hold even allows a greater dynamic loudness, although with enough perfect bow-hair clearance, such may be negligible. Anyway, I love that this is a beautiful example of the progress of bows
The lady lives up to her surname perfectly. Excellent video.
Even faultless, I would say.
Fascinating and accessible, thank you!
Great information and amazing channel! So educational!
She's so good!
She's actually faultless...
@@whatever4065 🤣😇
That's the first I have ever heard of a bow that adjusted the hair tension without moving the frog.
Interesting video clip. Lovely bows.
Excellent presentation! I wish I had a teacher like you!
Wonderful! Thank you!
Such a dynamic and interesting presenter!
This was incredibly well done and informative. Loved it.
I love this series more than you can imagine
Thank you for this informative and interesting video!!!
Finally! These videos are coming back
7:38 if Maggie Faultless says it's "actually quite hard to do", mere mortals don't stand a chance 😂 in all seriousness though, great video, comprehensive yet very accessible. Thank you very much for this.
Very interesting: the screw pulling the hair rather than the frog was totally new to me!
I am sure you know, but someone else in the audience, may not: the bow in the painting with the paper/parchment inserted to tend the hair was not a violin bow but a viola da gamba bow. One may assume the practice was general, though. Thanks !!!
wow! I imagine that the hair hold even allows a greater dynamic loudness, although with enough perfect bow-hair clearance, such may be negligible. Anyway, I love that this is a beautiful example of the progress of bows
More please!
I'd love to know more about the mechanism that moves the hair instead of the frog to adjust tension!
The speed at which I click on these videos as soon as they pop up
thanks, I really enjoyed this
No hair/string contact sound audible. Is that a bow property or the usual excellent skills of an OAE musician?
Or the work of an excellent audio technician :)
@@Zavendea Baroque sound engineer? Oh the shame!
Fabulous, thank you! :)
6:50 B-but... the flames make it go faster...
I would like to try different baroque bows, but it is moderately difficult.
Thanks a lot for great presentation dear Margaret Faultless ❤️🎻. May I ask please who made the last bow? 10:35
From Maggie: "The last bow was made by Luis Emilio Rodriguez Carrington - it's remarkable!"
✌
It's made of larchwood. Number one: The! Larch!
Aye mate! 😂
The Larch, the larch
NOBODY EXPECTS THE SPANISH INQUISITION!!!!!
And now… number three… The Larch.
What is the book from which you extracted quotations from Mersenne and Bremner?
Hi @ensemblecytharis9778 the book is The Pursuit of Musick: Musical Life in Original Writings & Art : C1200-1770 by Andrew Parrott
What was the book that she was quoting from? I'd love to find a copy. Thank you!
can anyone supply the title of the book?
Hi @derekgreen2252, the book is The Pursuit of Musick: Musical Life in Original Writings & Art : C1200-1770 by Andrew Parrott
"promo sm" 👏
#8_yes🇺🇸✡️✝️
It seems strange that so much attention is paid to period bows alongside an incongruous reliance on chinrests, which were invented in 1820.