That Pedal Show FT. Pedal Pawn Texan Twang
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- Опубликовано: 26 мар 2022
- The #pedalpawn Texan Twang 🤠 was just featured throughout the ‘Because Everyone Needs A Treble Booster’ TPS episode. Thanks a lot for the support Dan and Mick!! #thatpedalshow is the best!
You can watch the full episode here: @ThatPedalShow
• Because Everyone Needs...
#texantwang available WORLDWIDE in limited quantities here:
pedalpawn.com/shop-1/ols/prod...
Thank you all so much for the support! This was a real honour indeed 🎛🎸
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/ pedalpawn
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pedalpawn.com/shop-1
Trade your unwanted effects:
pedalpawn.com/trades 
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Its an amazing pedal my favourite by a country mile the quality and sound is outstanding plus the guys at pedal pawn are fantastic so so helpful 😎😎😎😎😎
Thank you so much for that mate, really means the world 🤠🤗🎸
I've been using Trebleboosters with my Strat into normal channel of my AC30 TBX since the mid 90's
The cleanup on the GuitarsVolume pot is where the Rangemaster and Texas Twang shine...
The Diaz/Pedal Pawn Rangemaster is tweaked for the Strat Pickups and the 3 position Input Cap determines how much Bass cut there is into the Circuit....
The High setting is very much like the Hornby Skewes Treble booster that Blackmore and Martin Barre used early 70's
To the guys at Pedal Pawn , when you get these to tone Legends saying what a great pedal it is (you’ve cracked it !) keep it up , im saving u for mine now as we speak 👍
Ha ha, thanks so much mate. Look forward to serving you soon 🤠🤗
Love that pedal! Truly is The Bollox!
🤣🙌❤️❤️
that tone knocks my socks off
Came for the pedal pawn, left with a nobels.
Wow I managed to watch that one ‘till the end 😉
I have one and it’s great. You should try it into a blackface amp and play with guitar vol back off while experimenting to find sweet spots of amp and pedal gain levels. Can really get that elusive SRV broken glass attack thing doing that. Break out the Super and drop the bass in the 0-1.5 range with treble up. Sounds like a bad recipe but it can be amazing.
this.
Hell Yes!
its made to run with treble bleed and strat vol turned down to 6-7. its godlike srv there.
I'm not familiar with treble bleed. Could you explain it?
@@thelegend2645 easier to google my man
@@thelegend2645 It basically stops your getting sounding dark when turning the volume down!
i don`t have treble bleed, i run mine with a silktone fuzz sounds really good.
Treble bleed is a capacitor on the volume switch that keeps the tone through out the entire sweep. Its an easy do it yourself mod. Look it up on any Strat modification site for point to point instructions. I have them on all my strats. Its a must if you primarily use the volume switch rather than amp or pedal volume.
You guys missed the absolutely GLORIOUS clean tone by rollin the volume off a bit. I have a treble bleed circuit on my strat and this pedal is amazing!!
100% agree
Since it's a treble booster, does it have to come first before any of my other pedals or can I put a tuner before it and it will still run normal?
I have other treble boosters and they have to be before any other effect for the booster to work.
Guys need a DI box for that ground loop problem
Ha ha haaaah... have they done the BluesPrint yet?
Love mine
This has been my fav pedal for a while now. I sold it about a month ago and bought a clone which wasn't anywhere close so just bought another. Absolutely love it. Only thing, it is sooooooo noisy! Anyone know a way around this?
Hi Ryan,
Thanks a lot for the order! Sorry to see that you are encountering these noise issues but please rest assured we will help you troubleshoot / get you sorted out one way or another!
Pedals of this kind can be noisy by nature, though there are a few things to check in order to minimise the velocity of this.
Often the power supply really plays an integral role as to whether or not a pedal of this nature is quiet or not.
If you have this option, running the pedal on a battery is the cleanest form of power and this check will help eliminate most potential
power supply issues.
Cables can also really dictate noise issues and pedals like this will enhance any discrepancies massively.
Also, are there any dimmer switches / Fluorescent lights etc in close proximity? These can have a big impact on noise.
Keeping the pedals away from your amp should also help in minimising any excess sound
Really hope that helps a bit
Many thanks
Chris - Pedal Pawn
@@PedalPawn hey Chris, I spoke to you via email last month or so about the other one I had, I bought another and it's just as noisy so at least I know I didn't have a faulty pedal. I'm running on a battery, have replaced all patch cables and no dimmers or neon lights et c
@@PedalPawn I've also now been picking up radio signals with it today which is a massive pain, when turning volume off it becomes an even louder antenna for some radio station. I've ordered a noise surpressor and praying this helps as I really don't want to loose the Texan twang
@@Livelaughlimpbizkit I’ve been picking up radio frequencies on pedals for years. Tube Screamers, modulation pedals, Octavia’s…all types of pedals…but sometimes they are quiet. But, when I noticed a change immediately was when I was plugged into a recording console or even a Scarlett mic preamp you buy for home use with your computer for like $100 and it seems to focus all the sound directly through the signal path and get rid of excess noise. Any Noise Suppressor pedals like Boss or MXR I’ve added to the signal chain have always fixed the problem immediately. Lots of pros use all types of pedals new and old that are noisy and their techs find ways of making them dead quiet regarding excess noise. Good cable’s definitely help and sometimes an old school curly cable helped me. Palm muting band left hand muting are key as well as turning down the guitars volume or starting with the volume on 0 and then slowly building up and if you find it’s too low you can always go to the amp to increase volume but the signal coming from the guitar won’t be as loud which is one of the reason you see pros constantly riding the volume control throughout the entire performance. Every player is constantly switching pickups and turning the volume up and down when they play and do it so often it’s like second nature to them.
A noise suppression pedal will usually do the trick but don’t forget…if you ever heard these RUclips videos and didn’t hear the playing through the expensive microphone they are using in front of the amp into their
D/I and then into Pro Tools…it would sound very noisy and have lots of echo. It’s like recording with your phone…all that excess noise you get. You’ll never t hear on a professional channel because they are using microphones and Pro Tools which clean up the sound and focus it.
I'm curious about how this would sound in front of my Gladio SC!
How does this compare to the Beano boost.
Lots of single coils and fender going on here. How does it sound with Humbuckers and a Marshall.
I'm not sure you could get an SRV tone with that....
The Texas Squarepants
didn’t sound. SRV ?
G’day mate!
Are you still doing these (as in) buy them off of you?
Cheers
Shane
👍🇦🇺
Hi Shane, yes indeed, we still make these 🤠🤗
@@PedalPawn
🤔how much would one pay for this masterpiece in AUD$ Chris?
👍
@@shanebrbich5698 www.deluxeguitars.com.au/search?type=product&q=pedal%20pawn* Here is a link to one of our Australian dealers mate! We also ship directly at Pedal Pawn for roughly the same 🤠🤗
@@PedalPawn
Thank you sir!
Ah almost was the first comment Cheers fellows
😅🤠❤️
How come so many of the reviews of the Texas Twang that come up at the top of the results are from British reviewers? The pedal is all about Stevie Ray and Texas blues. I'm not down on guitarists from the UK. I love them. But it feels like this pedal should demo'd by some guitarists on this side of the Atlantic, in my opinion.
Probably because Pedal Pawn is a UK pedal-maker, helmed by British guitarist Chris King Robinson. So the British guitar vloggers are close at hand.
yes, we all know that only USA air breeds guitarists who truly enjoy and understand SRV, who breathed that same good air.
one of the more fucking stupid comments I've ever read, for a number of reasons, but consider both that Dan is Australian (not British - moved over about 20 years ago) and SRV toured both Britain and Australia.
@@DaveDexterMusic Wow. I disagree. Your comment is one of the dumbest I've seen. The guy literally said he's NOT down on UK guitarists. He also ended it with "in my opinion", and you got all defensive. Not sure what was going on months ago when you posted that, and got all bent out of shape, but I hope things are better now lol
Brian May. A rangemaster into a Vox is his, and one of *the* single most all around, legendary guitar tone
Is this pedal another rangemaster clone?
It doesn’t sound like it should at all with you guys. Sounds very thin & no body. Try another amp.
It amazes me that, for all the experience these two have, they seemingly fail to recognise the obvious: play this pedal into a Blackface that is breaking up, not into a clean Vox. This is not the way to have this pedal shine. Even towards the end they resort to interjecting a Nobels, instead of cranking the Blackface, with or without the help of an attenuator. Missed opportunity...
This.
Sounds great into a blackface, but running a treble booster/rangemaster into a Vox/AC30 is literally one of the most classic pedal/amp combos of all time. It's the staple of Brian May's signature tone
@@n.s.3812as a fellow BM gear owner, user etc including impulse responses of his blue and g12h anniversary speakers in his knight audio technologies built ac30s(NOT made by vox they just have permission to use the logo and stitching) brian uses the red 18kat treble booster custom made for him. I use the kat plush treble booster by them and it's modelled on the live aid tone and late 90s. The kat plush and the red 18 use the same transitor btw. I use basically same stuff Brian uses and I am not joking. My amps are digital but they are ac30 normal channel only. Sounds great!
Can we here what it sounds like shut up and play... Thanks .....!
I know how old he is it was a joke lighten up