Yes! Now I know someone else who watches radio airchecks on repeat. You like these, you should listen to the FM100 aircheck. ruclips.net/video/kQfnmnnptVE/видео.html
These Jingles Encapsulates my time growing up in '90s Thousand Oaks... They touch my soul with a ghostly haunt whenever I hear them...What an Era!!!....'90s BEST!!!
Except on the demo, the top of the hour is a illegal ID, but corrected for on the air use as you can hear. On the demo the station name "Coast 103" is sung between "K-O-S-Teeeeeee" and the city of license being Los Angeles.
Being a jingle fan Jam just hits the mark so much more than any other jingle producer. The KOST jingle packages are incredible. The harmonies they create makes the hairs on my neck stand on end. PS. I cant believe that KOST use Reelworld now???? Have they gone mad?!!!
No, JAM does is not compatible. I give them credit for what they have done with KBZN in Salt Lake City, but its too late to try to impress iheart and KOST. I would go with either Reelworld or TM Studios if I was doing AC.
For me, it really depends. If I was doing softer AC, I would go with JAM. If I was doing AC, I would go with TM Studios. I love the package that B98.7 in Salt Lake used from TM Century in the 00s. I believe these Coast jingles even inspired FM100 in Salt Lake to go the Soft AC route.
@@donmccullen1973 Well, that's your opinion. But JAM is the best on the planet at jingles, Reel World does well with some formats, but the AC jingles they did for KOST were awful. And I'm being kind. And remember, this is from 30 years ago.
@@jamessimmons8525 I disagree, the RW jingles for KOST work for their needs today. KOST is not as soft as they once were. Two and half decades of JAM jingles were great. Sadly the music of Gen X and beyond does not gel well with JAM jingles like the music of the boomers did. I get that JAM makes jingles an art form, but what good as an art if they clash your station's sound. Being Schmaltz and florid does not work for everyone. Now JAM fans might get that musical high, but if they can't appreciate or feel its not complementing your station...Schmaltz and Forid can kill your station. Jon was smart in offering jingles in various media forms. From new media, to moblie DJ cuts etc. If I could do a Classical Crossover internet station, I would look into the various cuts JAM did for KOST. Since Jon believes jingle music should be different from the main music, its vocal style would differentiate from a classical trained vocalist embracing a pop element...a great complement indeed. Those outlets that I discribed will keep JAM Creative going in the near future.
I wish radio still sound like this? Haven't been listening to one since the early 2000s. From where I'm from most fm stations are now hard news and commentaries. And they all suck.
Putting those great Jingles aside, just for a wee short moment and taking a very close look at the radio control room video footage: Yup, THAT'S what REAL Radio Broadcast Operations was really all about...when REAL "Disc Jockeys" fully & totally operated the mix console...you know...the way Brian Wilson "Played-The-Studio" to create Pet Sounds" and again the way 10cc "Played-The-Studio" to create "I'm Not In Love". Even though the "programming" here was tightly and creatively controlled by mastermind genius "Jhani Kaye", the 'execution' was human controlled & executed...and done so, flawlessly. TODAY...it's NOTHING but voice tracks that are "Store Forwarded" into a software controlled systems and spit out, just at the right time, but more so than not, NEVER have the real feel nor proper flow and worse yet, the vocal is NEVER balanced right, over the intro-duction or outro-duction of the recorded song. Indeed, here in Los Angeles, we still may have one...MAYBE two, local morning music programs that are still handled in a somewhat live fashion, but the basic mechanics are executed by software trails of unhuman sounding seques and generically-induced, interconnected flow-ways. Real music disc jockeys who sit down at a mix console for four hours a shift, are simply very expendable, too expensive and simply "not needed" anymore...when they can remotely...from their homes (and this is Pre-COVID-19 related) log into the software and "place" their talk-bit interlude right, smack dab into a song break...however the sound is just so synthetic, so mechanic and so very "not-real". Radio Programming Manager Jhani Khaye was the "Brain Wilson" of late 1970's, the 80's, the 90's and even a bit into the 2000's; a true mastermind of "REAL" Los Angeles Music Radio. There ain't no darn way around that. And that form of radio human musical mix console interaction...shall unfortunately, never return. "BolsaChicaRadio" ============== Anthony Ochoa KRHC, KWST, KTSJ, KYMS, KWVE, KUSC, KKLA & The Salem Radio Network --------------------------- On Air Staff, Audio & Commercial Recording & Production, Technical Engineering, Programming, Talk Show Technical Direction, Studio Project Design and Syndicated Music & Narrative Program Host ============== 1979-2019 (retired)
This is what professional radio sounds like! Downright mouthwatering (earwatering??) compared to what we get in my area...zoo-crew snark, right-wing gasbags, woofing jock-talk morons, and weekend polka parties. One AM robo-station here even gets by on broadcasting only one channel of a stereo signal...how about Beatles karaoke style?
I love these jingles too, but arent u afraid to be too uniform? A run of a mill jingle that sounds the same cross stations is hardly unique. If station A sounds the same as station B with their jingles, then the purpose of audio identity is gone - or?
@@ApartmentKing66 "Supposed to sound" according to Jhani, the Program Director. His one-note approach was very creepy. A plastic and insincere delivery is no way to connect with the listener. If you want to hear a delivery that would have worked much better on KOST (yes, I know KOST was successful in the ratings, but I'd bet you that relatable people on the air would have increased their numbers), listen to the on-air talent of KNX-FM. They sound like people.
If its suitable for the kids, then the adults will also listen. It was designed to be light, inoffensive, just like the music policy. It was absolutely right.
Thank you for the many years of golden age radio
Never have I heard such fine jingles, a guilty pleasure of mine is watching this video on repeat, just to hear the JAMs jingles!
Yes! Now I know someone else who watches radio airchecks on repeat. You like these, you should listen to the FM100 aircheck.
ruclips.net/video/kQfnmnnptVE/видео.html
Reminds me of the days of being in love 🥰
JAM jingles are an artform in their own right, and why many jingle fans gravate to that company.
These Jingles Encapsulates my time growing up in '90s Thousand Oaks... They touch my soul with a ghostly haunt whenever I hear them...What an Era!!!....'90s BEST!!!
Jam Jingles are Classics.
I love their jingles!
But tm century jingles are classics
I miss the 90's.
Those jingles are beautiful.
The first jingle was amazing. Los Angeles. ...
Jam Jingles... Head and shoulders above all the rest!
The top of the hour cut is Cut 11 from Jam Creative's "Coastlines" package.
Except on the demo, the top of the hour is a illegal ID, but corrected for on the air use as you can hear. On the demo the station name "Coast 103" is sung between "K-O-S-Teeeeeee" and the city of license being Los Angeles.
Love the jingles
@andrewduong77 - The song is "Coming Around Again" by Carly Simon (from 1987)
JAMcreative I love your jingles!
Always.
I love the jingles by Jam.
They are my #1 choice and I hope their your #1 choice too.
Being a jingle fan Jam just hits the mark so much more than any other jingle producer. The KOST jingle packages are incredible. The harmonies they create makes the hairs on my neck stand on end. PS. I cant believe that KOST use Reelworld now???? Have they gone mad?!!!
No, JAM does is not compatible. I give them credit for what they have done with KBZN in Salt Lake City, but its too late to try to impress iheart and KOST. I would go with either Reelworld or TM Studios if I was doing AC.
For me, it really depends. If I was doing softer AC, I would go with JAM. If I was doing AC, I would go with TM Studios. I love the package that B98.7 in Salt Lake used from TM Century in the 00s. I believe these Coast jingles even inspired FM100 in Salt Lake to go the Soft AC route.
My old friend and co-worker Lance Ballance had just been hired for weekends at KOST when this was shot.
Woah this is crazy I always thought it was a robot
This is the station i listen to when driving to OC
@broadcastermike2011, you said it! couldn't agree more! good to have jam back where they belong! it just works that way.
@radiodarkers, lol lol lol lol lol! you made my day!
Cheeeeeeeeezy 103!
Excelente video los felicito , un abrazo desde Oldie's Radio Costa Rica @t
@t
@djjas79, we've got a new custom from jam on the way! well... it's airing now.
What’s the song at the very end
The Classiest jingles ever heard on KOST 103.5 , i dont like the new ones =(
They fit the format of AC anymore. They are great if your a Softer AC station.
I prefer the Reelworld jingles KOST is using right now.
What song is that they started playing after the station jingle at 1:36?
Coming Around Again by Carly Simon
The blonde DJ is hot. :)😎
[0:25, 1:27] BBC Radio 2 FM
The person who dislikes this probably works for Reelworld
I don't work for Reelworld, but harps, horns and strings don't work anymore. JAM did not adapt fast enough.
@@donmccullen1973 Well, that's your opinion. But JAM is the best on the planet at jingles, Reel World does well with some formats, but the AC jingles they did for KOST were awful. And I'm being kind. And remember, this is from 30 years ago.
@@jamessimmons8525 Their is Wise Buddah in the UK.
@@jamessimmons8525 I disagree, the RW jingles for KOST work for their needs today. KOST is not as soft as they once were. Two and half decades of JAM jingles were great. Sadly the music of Gen X and beyond does not gel well with JAM jingles like the music of the boomers did.
I get that JAM makes jingles an art form, but what good as an art if they clash your station's sound.
Being Schmaltz and florid does not work for everyone. Now JAM fans might get that musical high, but if they can't appreciate or feel its not complementing your station...Schmaltz and Forid can kill your station.
Jon was smart in offering jingles in various media forms. From new media, to moblie DJ cuts etc. If I could do a Classical Crossover internet station, I would look into the various cuts JAM did for KOST. Since Jon believes jingle music should be different from the main music, its vocal style would differentiate from a classical trained vocalist embracing a pop element...a great complement indeed.
Those outlets that I discribed will keep JAM Creative going in the near future.
@@donmccullen1973 but jam still ok
I wish radio still sound like this? Haven't been listening to one since the early 2000s. From where I'm from most fm stations are now hard news and commentaries. And they all suck.
Putting those great Jingles aside, just for a wee short moment and taking a very close look at the radio control room video footage: Yup, THAT'S what REAL Radio Broadcast Operations was really all about...when REAL "Disc Jockeys" fully & totally operated the mix console...you know...the way Brian Wilson "Played-The-Studio" to create Pet Sounds" and again the way 10cc "Played-The-Studio" to create "I'm Not In Love". Even though the "programming" here was tightly and creatively controlled by mastermind genius "Jhani Kaye", the 'execution' was human controlled & executed...and done so, flawlessly. TODAY...it's NOTHING but voice tracks that are "Store Forwarded" into a software controlled systems and spit out, just at the right time, but more so than not, NEVER have the real feel nor proper flow and worse yet, the vocal is NEVER balanced right, over the intro-duction or outro-duction of the recorded song. Indeed, here in Los Angeles, we still may have one...MAYBE two, local morning music programs that are still handled in a somewhat live fashion, but the basic mechanics are executed by software trails of unhuman sounding seques and generically-induced, interconnected flow-ways. Real music disc jockeys who sit down at a mix console for four hours a shift, are simply very expendable, too expensive and simply "not needed" anymore...when they can remotely...from their homes (and this is Pre-COVID-19 related) log into the software and "place" their talk-bit interlude right, smack dab into a song break...however the sound is just so synthetic, so mechanic and so very "not-real". Radio Programming Manager Jhani Khaye was the "Brain Wilson" of late 1970's, the 80's, the 90's and even a bit into the 2000's; a true mastermind of "REAL" Los Angeles Music Radio. There ain't no darn way around that. And that form of radio human musical mix console interaction...shall unfortunately, never return.
"BolsaChicaRadio"
==============
Anthony Ochoa
KRHC, KWST, KTSJ, KYMS, KWVE, KUSC, KKLA & The Salem Radio Network
---------------------------
On Air Staff, Audio & Commercial Recording & Production, Technical Engineering, Programming, Talk Show Technical Direction, Studio Project Design and Syndicated Music & Narrative Program Host
==============
1979-2019 (retired)
This is what professional radio sounds like! Downright mouthwatering (earwatering??) compared to what we get in my area...zoo-crew snark, right-wing gasbags, woofing jock-talk morons, and weekend polka parties. One AM robo-station here even gets by on broadcasting only one channel of a stereo signal...how about Beatles karaoke style?
I love these jingles too, but arent u afraid to be too uniform? A run of a mill jingle that sounds the same cross stations is hardly unique. If station A sounds the same as station B with their jingles, then the purpose of audio identity is gone - or?
In 1985 JAM was no different.
Well, that's where a thing called "market exclusivity" comes in.
They sound like they're talking to children. Creepy.
That's how they were supposed to sound.
@@ApartmentKing66 "Supposed to sound" according to Jhani, the Program Director. His one-note approach was very creepy. A plastic and insincere delivery is no way to connect with the listener. If you want to hear a delivery that would have worked much better on KOST (yes, I know KOST was successful in the ratings, but I'd bet you that relatable people on the air would have increased their numbers), listen to the on-air talent of KNX-FM. They sound like people.
If its suitable for the kids, then the adults will also listen. It was designed to be light, inoffensive, just like the music policy. It was absolutely right.
Reelworld is not creepy