Robert Schumann, String Quartet Op.41 No.2 - GoYa Quartet
HTML-код
- Опубликовано: 26 авг 2024
- The GoYa Quartet performs Schumann's String Quartet Op.41 No.2
First violin: Sylvia Huang
Second violin: Mirelys Morgan Verdecia
Viola: Martina Forni
Cello: Honorine Schaeffer
00:10 1-Allegro vivace
06:16 2-Andante quasi variazioni
14:30 3-Scherzo: Presto
17:55 4-Finale: Allegro molto vivace
Live recording at the Keizersgrachtkerk in Amsterdam, 29th September 2017.
Sound technician: Guido Tichelman
Video: Lucas van Eck
www.goyaquartet...
/ goyaquartetamsterdam
This a very fine performance by a very accomplished quartet. Many thanks to RUclips for making this available to the music-loving public.
John Shroyer
Thank you Mr. Shroyer for watching and for taking the time to leave a nice comment ! We wish you all the best
Bravo ! This Shumann' work is finer and more delicate than his others. You all had a very high quality performance ! I enjoyed it very much.
Thanks a lot for taking the time to share your impressions, we're really glad and grateful to read ! We wish you all the very best, and thanks again for sharing with us
Beautiful playing; not enough views, though. People are missing out!
:) Thanks Mr. Jared for your support ! it's not the quantity that matters, but the quality... if already a few people are touched by this music, we feel already blessed and grateful. Thanks you for watching and writting !
Just got here...so glad I did!🎸🎸🎸
Thank you.
And to You, thanks !☺️🙏🎶
Спасибо, Крассавицы.
Спасибо вам😇
Just a matter of curiosity: can we know where the surname "GoYa" (with its surprising spelling) come from? 🌹🌹🌹
Thanks for your question and sorry for my late reply !! The poetic term "GoYa," rooted in Urdu (a Indian dialect), encapsulates the suspension of disbelief that occurs through captivating storytelling : GoYa is a realm of fantasy, a gateway to dream worlds, where sounds seamlessly transform into narratives. For us musicians, each piece we interpret is a unique story in itself, and GoYa is that fleeting instance when time momentarily ceases to exist, when we take the listener's hand, guiding them into the unfurling of the musical narrative.
To be honest, the architecture of this string quartet is not fully convincing when one attempts to catch it, considering that Schumann obviously makes use of "standard" forms. . Schumann was not "at home" with the discipline of sonata form. But his inspiration turned him either towards fragmented contrasting expressions or long lyric achievements. The mysterious alchemy of these trends makes this quartet dully convincing in its original and romantic expression. Impossible not to love it -especially when rendered by the GoYa quartet, who was so wide to "resurrect" the three quartets of Schumann ... among others!!! ❤❤❤🧡🧡💛💛💚🤎💚💛💛🧡🧡❤❤❤
Thank you so much for your insight and such interesting sharing!! It was great to read your rich comment, and we're sincerely grateful that you took the time to write us. Thanks for your support, we wish you all the very best ! Take care!