Opening Concert: Schumann, Piano Quintet op. 44 - Belcea Quartet & V. Vassilenko - 30.09.21
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- Опубликовано: 24 авг 2024
- Belcea Quartet
Corina Belcea, violin
Axel Schacher, violin
Krzysztof Chorzelski, viola
Antoine Lederlin, cello
Victoria Vassilenko, piano
R. Schumann: Piano Quintet, in E-flat major, op. 44
I. Allegro brillante
II. In Modo d'una Marcia. Un poco largamente.
III. Scherzo. Molto vivace - Trio I - Trio II
IV. Allegro ma non troppo
Live-streamed on September 30, 2021 at the Music Chapel
MuCH Digital Concerts 2021
MuCH Music Season 2021-2022
More info: www.musicchapel.org
We would like to thank:
Our structural sponsors - ING, Proximus and Ginion Group.
Our institutional partners - the « Loterie Nationale / Nationale Loterij » and the « Banque Nationale de Belgique / Nationale Bank van België ».
The Foundations - Baillet Latour Fund, Foundation Futur21, King Baudouin Foundation, Foundation Engie, Guttman collection -, the corporate partners, all the Maecenas and those who prefer to remain anonymous.
Thank you also to our public support - the « Fédération Wallonie-Bruxelles », Belspo, the « Province du Brabant Wallon », the « Commune de Waterloo ».
Beautiful & passionate performance!!!
merci robert .
Das ist für mich die schönste Interpretation des Schumann Klavierquintetts, sensibel gespielt und spannungsreich.
This, along with the Brahms Horn Trio, is my favorite piece of chamber music. I performed the Schumann on my senior piano recital in the fall of 1984 (almost exactly on this date now I think about it). We didn't play it nearly at this level, but it still was a wonderful experience.
Wow - wonderful piece and performance in a nice intimate setting.
I. Allegro brillante 2:03
II. In Modo d'una Marcia 11:16
III. Scherzo: Molto vivace 20:41
IV. Allegro ma non troppo 25:32
Very fine performance, very sensitive. Right there at the top, in my opinion. Bravo and Congrats!
Love this performance. Captivating and sublime. The legatos I heard were the best I’ve ever heard out of any musical recording.
2:03 Anfang.
Fine playing by all musicians! Felt, however, that the piano could have meshed better with the strings -- a softer-hammered Boesendorfer (pre-1950, maybe) would have been nice here.