I am interested in the Canon c400, for corporate work. What I want to know is if Canon Rawlite is on the same level or better then Braw. I own an Ursa 12k, and I am looking forwarding in purchasing the new Ursa Cine 12k, for my high-end creative projects.
Side note: The Pyxis has neither the height nor the width to accommodate an ND system. The “pro” version will have to be the next generation Ursa. And because we don’t have that camera yet, I will be picking up the C400. I shoot with a couple of BMCC full frame cameras at the moment and had a Pyxis on order to have a more pro body design in my kit, but the slow sensor is far less than ideal and I would rather take the leap with Canon. If BM blows me away with a lighter weight, standard model, Ursa (not the dual screen cine) real soon, then I might skip the Canon, but I’m not holding my breath and it’s time to upgrade my kit.
I am interested in the Canon c400, for corporate work. What I want to know is if Canon Rawlite is on the same level or better then Braw. I own an Ursa 12k, and I am looking forwarding in purchasing the new Ursa Cine 12k, for my high-end creative projects.
How is it fire or phenomenal when no one has used it yet?
Side note: The Pyxis has neither the height nor the width to accommodate an ND system. The “pro” version will have to be the next generation Ursa. And because we don’t have that camera yet, I will be picking up the C400. I shoot with a couple of BMCC full frame cameras at the moment and had a Pyxis on order to have a more pro body design in my kit, but the slow sensor is far less than ideal and I would rather take the leap with Canon. If BM blows me away with a lighter weight, standard model, Ursa (not the dual screen cine) real soon, then I might skip the Canon, but I’m not holding my breath and it’s time to upgrade my kit.
I hate saying this but go with the Canon c400. I'll be doing a video reply to this comment tomorrow