As a bass player, and Hal's son-in-law, I really enjoyed this post, Lee. We still miss him every day, so it's always a gift to hear a new story (hard to find as you can imagine nearly 20 years of Hal stories seems to leave so few new ones!). Very cool that you're taking the time to document your stories and experiences - even though Denny caught some of that in the movie, we wish Hal might have embraced the 'tech' and spent time editorializing his discography on camera like you're doing here. It's a gift to all musicians and music lovers. Aloha~
one of my favorite songs to date. never gets old. with that being said neither does the beauty ageless Miss Ross. her angelic vocals are timeless and she still sounds and looks absolutely amazing. my queen of all divas ❤️
Wow, Lee, I didn't know you played on this song. It's always been one of my favorite bass parts, especially the high fret parts. Awesome job on this beautiful song.
What a beautiful movie and beautiful song. What a beautiful time to be alive. It’s amazing how the universe brings such creativity into this world for our enjoyment. What blows me away are the notes you don’t play. Your style gives the song room to Breathe. No overplaying. It makes the notes we hear that much more enjoyable.
Been listening to again Diana recently,one of the great singers .A whisper,a breath,a few spoken words and capable of belting out.Great playing on song so , unbearably light ,but devastatingly emtional-we let so many dreams...
I love Diana Ross! I won 1st prize singing Diana's "Theme Song from Mahogany," in my middle school's 8th grade Talent Singing Contest! This was in Spring of 1976 - I was 13 y/o!!!
I play "Theme from Mahogany" almost ever time I sit down behind the drums (along with "Ain't No Mountain High Enough" and "Touch Me In the Morning"). Hal Blaine (and Jim Gordon) are my favorite drummers of all time.. and I had no idea Hal and yourself were the rhythm section on it! Thank you for these great videos, songs, and stories - love the channel.
my God, what a beautiful song! ... brought back good memories from my childhood. this song was a big hit in the Philippines in the '70s. thanks for sharing it, Lee!
How lucky we are because you are making these videos. I don't have words to tell how happy and lucky i feel when watching and listening you. Thank you again Lee. Take care and stay safe
Mr.Sklar...my first band I was six years old, my best friend was the bass player in that band back in the mid sixties...we played together until his death ten years ago. After his loss I stopped playing drums...we knew each other so well no words needed to be spoken as a rhythm section when we did anything and we did everything after 48 years together. The reason I wrote this : listening to you reminds me of how we use to talk to each other, never about the notes or beats, but about the feel and life of the song, music...few folks ever speak about the heart and soul of the music....I swear to you, I want to play again because of you, I don't know if this means as much to you as I hope, but I am saying, your channel makes me feel so wanting to play again...I wonder if your an Angle with a beard...you are certainly a rare gem....thanks so much for your time here. Truly much respect. Hardhitterr
Leland, trust me...we all have brain facts too. I'm 67 and a retired radio/tv broadcast engineer. I remember playing all of your songs on college radio station in Portland, Oregon. GOSH, You brought back so many memories from my college days. You truly are a Music Treasure! Thank you for your talents. LOL, love your plaque! Warmest Regards, Kurt
This song reminds me of my teenage days in Vzla South America. But with your story telling it makes us relive the excitement of the music industry on those days. Plus Diana Ross is golden. Thank you.
Im 65 and African American. My guess is that most of the people watching this are young and know of your records but had no idea who you are. This is a great learning tool for all musicians regardless of instrument. Ive mentioned that I saw you back in the 70s. Mahogany is indeed a beautiful song and your playing is beautiful and tasteful. It sounds like the last notes you played was a root and 5th double stop or bass powerchord. Love your playing Leland!
I was two years old in 1975, and Do You Know Where You’re Going To is one of the first songs I ever remember hearing. It now has even more meaning knowing the phenomenal Leland Sklar, one of my favorite bassists ever, played on it.
Frankly, Lee, this video pretty much has it all: a great song, a wonderful behind-the-scenes story of its recording, and a Shecky Greene reference. I'm as satisfied as a fat guy at the conclusion of a 7-course Italian meal. Made my Sunday !!!
Such great stories. Whenever a notification comes in that you've uploaded a new video, whatever I'm doing, I stop, sit back, maybe top up my coffee, then hit play, and watch to the end. Your videos are one of my favourite corners of the Internet.
Leland over my coffee. There are many music videos on RUclips, but this is the only one I sit and enjoy what's new in your day or your past. It's like sitting with a friend over coffee!
You are a national treasure Lee. I had hoped to hear you speak about Hal Blaine and the other Wrecking Crew members so this was a joy for me. Thank you for such an outstanding channel.
That 2nd half of verse 1 ... WOW! ALL of it (the song), actually! WHY can't they write em like this now? I don't think the masses attention spans are capable these days. :( BEAUTIFUL song!!! BEAUTIFUL bass line!! Thank you for dusting off my memory of it. :)
This is so much better than a book! It's music history and a lesson on how the bass part was played on the original track. It's personal remembrances of some of the biggest names in music from a kind and talented soul. Growing up we read the liner notes of all our albums over and over and knew all the names. It's great to see them bought to life in your stories every day. Thanks for doing these, Leland. It's one of the highlights of my day.
I just have to say that your studio stories are just mesmerizing. I love listening to them and learning a wealth of first-hand information about you incredible experiences. :)
Thank you for another fantastic video. I’ve always loved the theme from Mahogany, but have a new appreciation for the song listening specifically to the magnificent job that you did with the bass. I completely understand your comment that a song has a life of its own and that it lives and breathes and am in awe of the life that you breathed into this particular piece of music. Stay safe and much love 🇿🇦
Oh my god, you did this too? Love those unusual pickup accents on the "and" of the verses. Someone like Beato could spend an hour picking apart the great arrangements of EACH of these classic songs you've done. Just magic. You're a magician.
Love the backstories. All the personal memories of the musical characters I’ve loved. What a wonderful walk through history. Music, music, and more music. I know musicians love musicians. I’m one. But I like warts and all. Keep up the history. I know it’s a lot of work to put it all together, but it’s very special for me. And I thank you sir. 🙏🙏
Leland you are a wonder...a musician magician. Thank you so much for posting all this musical education for all of us and future generations 🙋🏽♀️👍🏽💛I know this is said a lot...but these tracks are truly the soundtrack of my life.
Leland, you are amazing and I never realized you played on the mahogany soundtrack as many of the later Motown sessions James Jamerson was used initially but because he refused to upgrade from his old crusty flat-wound strings (he felt that was part of his secret sauce and mojo) they did not use his tracks and brought other session guys in to basically do everything over (sadly) it's interesting that this song is very similar to the beginning and feel (as far as the bass goes) to Ain't No Mountain High Enough by Diana Ross Premier solo album from 1970 which is a James Jamerson masterpiece bar none. So I wish you would have discussed his influence not only on this song but on your playing as well of course because basically everybody was influenced in one way or another by Jamerson as he was the father of the swinging groove in pop music and there was a lot of tragedy in his life and he never gets enough credit for his contributions but every swinging triplet on the bass clef somehow can be traced back primarily to Jamerson hook or groove. My favorite album of his freelance work is Shirley Bassey's "Nobody Does it like me" I think he play on just about the entire album please set aside some time to do a special tribute to Jamerson and show the people some of those Jamerson licks that you can probably play just as good as anybody on earth that would be a totally awesome thing if you can do that because you speak from the heart and I'm sure you have some great Jamerson stories your paths must have crossed in the 70s while he was doing all kind of freelance work with some of the same cats that you were working with like Gene paige who is probably one of the greatest Studio string arrangers in history and that would be great if you can mention him as well because he actually worked on Shirley's album with James in 1974 maybe you have some recollection of that if you were aware of it that would be great or any Jamerson story. Obviously I'm a huge Jamerson fan and he is my main influence as a young bassist but you are too... I just didn't know who you were lol and some of your work I actually thought was Jamerson (like mahogany). A funny thing is, for instance me, like what many drummers said about Hal Blaine when they said "it really sucked when I found out my 10 favorite drummers were one person" lol. When I started going through your videos and seeing things like doctor My Eyes by Jackson Browne and even more basic tunes like higher and higher with Rita Coolidge which your heartfelt grooves and runs up the neck turned it into a masterpiece and made it even more memorable then it would have been without you. I mean you covered all the bases. Laughter in the rain by Neil Sedaka always just floored me the bass work on that tune was almost symphonic in the way it was played and little did I know even that song was yours so I had that same moment as a bassist telling myself that several of my favorite bassists were really just one person lol. So this wonderful gift you have given us of your Channel I cannot thank you enough for and certainly want to hold you to your commitment as we are now becoming as addicted to your channel as our morning coffee. Just please when you tease us with videos like this one please take an extra day or two before posting it so you can actually play these songs for us remember this video will be here long after you're gone and future Generations will feel completely robbed and cheated if you don't play every one of these because this song in particular is probably even more important than you realize because you have done so many but what you might not know about this song is that it was one of the most used in high school graduations in history across this country and has an almost cult-like reverence to it besides being the soundtrack to a classic movie so it would be really great to have you follow up with an actual session with Frankenstein and also "laughter in the rain" I am so sorry but I just have to hold you to playing that that is like an ear orgasm to hear you in real time belt out those beautiful lines in person for us I mean I'm sure I am speaking for all of your fans not just a few of them I would rather wait an extra day for a video and actually have you playing that song then just discussing it but please don't get me wrong that's better than nothing but think about prosperity in the future you are very humble man but just think if we had what you're giving us from guys like Jamerson or another fella I haven't heard you talk about yet even though you probably have I have not watched every single video but Joe Osborn...my understanding is he had more hits than any bassist in the history of the world (even Jamerson!) and with tunes like Aquarius and most of the Carpenters hits as well as the Monkeys, ect. It would be great to hear your stories about him too. I'm just saying it would be nice for you to maybe pay homage to Joe who very sadly like Hal, is not with us. Maybe even show some of his technique to us because as a bassist anything I can learn even at 56 years old is gravy and you could probably emulate all of those guys so please help us out with this and we will treasure it forever. I know Jamerson kept the foam mutes in his P-bass and Osborn used a pic on all of his songs. Have you ever used foam mutes or a pic at all? Just one more thing if you can talk about key changes in different things like that and comment on the arrangements of the songs little more and time signatures as well because myself as well as many other bassists and drummers often get caught up and tripped up about time signatures especially with the more complicated numbers it would be great if you could discuss how you approach that and give examples in some of your works. I will cross my fingers that you read my comments and also that I didn't give you a headache with all these incredible demands. But you are one of the few guys left that still has all your wits about you and can actually crank these things out and explain them. It would be great if you had some guests bassist with you maybe do a collaborative effort with Carol Kaye and go back and forth each one playing different things and make an hour long video or a whole series there are so many awesome things you can do during the pandemic like that and it would be a great gift to get other Legends like yourself to participate in this if their egos can handle it. Can you imagine if you were able to sit in the same room trading fours with the bassist who has bragging rights of having played on the biggest selling Jazz album in the history of the world...of course I am talking about Dave Brubeck's bassist Eugene Wright who is almost 100 years old and still playing!!! Holy spacebass Batman!? of course I'm sure you can handle anything God bless, Bob M.
I remember listening to this as a child and just being moved. I’ve listened to this many many times since and it’s a beautiful song. Thanks for sharing
Your bass playing is so exquisite, it's like you're a conduit through which music can freely flow from the collected emotions of our universal consciousness.
I get the feeling that Lee could save a lot of time by just telling us who he "didn't" work with or on. I knew of Mr. Sklar's fame but I had absolutely no idea that he played on so many sessions. An incredible player but mainly an incredible "musician" (there's a difference to me). Putting the song ahead of anything is what separates the great ones. So much to learn from this man. Thanks so much Lee for letting us into your world in such a humble and friendly way. Long may you live.
Another gorgeous tune! How great to know you were on it. That extra pop Hal throws in at the end of the bar is great, and the bridge really carries the listener. Diana is amazing. Also loved that early 70s tune of hers, "Last Time I Saw Him," and the classic "Touch Me in the Morning" (did you play on that?). All those songs were so well-crafted. Really enjoy re-experiencing them. Thank you!
My daily pandemic viewing must see’s are.. Mayor DiBlasio 9:30 AM EST Governor Cuomo 11:30AM EST Evening News 6:00PM - 7:00 PM EST Leland Sklar 9:00PM EST It’s a great daily lineup 😊👍
What a beautifully simple arrangement can do to a great song!... love the stories as much...specially studio stories..and most certainly Tedesco stories...puts a smile in my heart.
Don't ever stop doing this, Lee. Can't tell you what it means to me. Armin Steiner... what a legend... and apparently still at it! Keep 'em comin', Lee.
You never cease to amaze me with all your amazing and fun stories you have and all the influential musicians you have met along your various musical journeys. Love you Lee!!
You are just an incredible wealth of information on the most classic recordings and all the awesome musicians (including yourself) who played on them. Thank you so much for sharing all of this great stuff with us, Lee. It is totally fascinating, and it definitely makes my day! Thank you so much for taking the time out of your days to make your videos! :)
Mr. Sklar, amazing! Every time I am amazed of how you are part of such music history! It would be amazing to sit down and talk with you for hours! Thank you for sharing your amazing talent and the memories of behind-the-scenes historical anecdotes!
Just great to hear the story behind the song and glad you mentioned the importance of registers . I have always felt that finding that right register is so critical to the journey of the song .Cheers, your way, Lee .BASS ON, BASS BROTHER 🙌🏽
Awe, this album was the first one my older sister bought that I was so emotionally connected it... I was 7 when I heard it! Thanks Lee for bringing up beautiful memories for me.. The reason I too started playing music, years later of course!! Enjoy your day!!
Now that you've told us about many people you've ever met now I see the world you have lived in. I use to do stage production until a bone disease took my strength away and gave me 24 screws in my neck and lower spine. The stories I have of the road are treasured memories just as yours are. Keep being you and be safe. Peace.
What a treasure trove of music history you’re creating here on RUclips. I’ve told my friends that even if they aren’t a bass guitar geek, they need to check out your stories. Stay home...stay safe...save lives!
It's such a joy hearing you and your stories of people who I may only read about on a record album. Michael Masser did write such beautiful music. Sadly he has passed. I remember Shecky Greene, and I am sure you have many other listeners do too. Hal Blaine was a giant. Thank you.
Another *#1* song where your bass is the guide for the vocals to rest alongside?! It's a bass conspiracy! Every song that grabs ahold of you is all based around where you're playing these notes. Your input on these guys taking about where you choose to play these parts is true and if you removed the vocals, the song isn't gone because your bass is still sitting right there naturally guiding it along. I think I've already learned a great deal by listening to your music and how bass guitar can and *should* be used. I always used to see the instrument as a rhythm section instrument... You're filling in the lower end of the vocals, crazy stuff! You are the man. Have a great morning from a waterlogged gulf coast!
It's just like listening to stories of my granddad I never knew…. What a stories and you are a treasure for the music industry. You are a true hero of mine. What comes thru in your stories is that sometimes you made the songs what they are, and not only played on it. I just finished the book of Steve Lukather and there it also shows that you guys sometimes came into the studio and there was just an idea. You session players gave it your twist and now they are classics. So thank you for making the soundtrack of our lives.
Heck Leland (or can I be forward and say Lee) we all look forward to your daily video and the great stories you have to tell. It’s so impressive to hear all the fabulous artists that you’ve played with. They obviously know quality bass playing. Wishing you well and good health.
I can't believe you do this every day. I just lost my mom. So you really help me feel better. Thank you. I am old enough to sing all the songs you have played on. You're comforting.
This was the first song I wanted to sing that was different from anything in the house I grew up in, and was also I believe the first song I ever used to audition with, which was terrifying in general but worked out well. I had no other way to do it but a cappella, at that time. I think I was 14, and it hadn't been out long. I just loved the song. I love Waddy too. He was very sweet to me one morning at the DFW airport when I was just really sick and about to melt down. I noticed his arm wraps and we talked about different ways he manages to keep playing and I remember at some point he said, "It's a poor craftsman who blames his tools." It continues to bring me joy as I use everything that I have to make into something that satisfies me. I think I'm catching up with this video as it is now your birthday Mr Sklar. Happy birthday 🎂 and birthday alignment with your other friend, 😊🥳
Lee, I look forward to every video. I feel my playing improve just by being in your virtual presence..... well maybe more so the wisdom and experience that you are so kind to share with us. Getting to see you play your part is a amazing . I’ve watched some over and over. Although, I was pleasantly surprised , when you didn’t play, how much you still got across to us even without a bass in you hand. Also you sensed your fans would want to know what bass was on the track. Can’t thank you enough for all you share.
Enjoying everything you’re posting. Realise that it takes up a lot of your time to do them each day. They are much appreciated, even down here in Oz. Cheers
This is another one Lee, that sent chills up my back when my sister played it years back! Ease On Down The Road from The Wiz too was another I remember. Again, as a youngster being exposed to this music surely made pick up a Fender Precision some years later. I’m very happy to learn now that the choice fell on you to play on this incredible track. Your choice to commence the song in the upper register was instantly noticed by me (even as a kid years back) and has forever changed my outlook/approach of bass playing. It was like a light bulb turning on. The decision to open in the upper register sets the mood for it perfectly. This song means a lot to me- always has. I prided myself to learn that opening part and I did it, all by ear. I was proud of myself for nailing it. The string arrangements made me cry they’re so beautiful. This song taught me to be a better bassist.
Yes, sir. Great song. This was our Sr song in 1982. So glad to hear you were on it!!
As a bass player, and Hal's son-in-law, I really enjoyed this post, Lee. We still miss him every day, so it's always a gift to hear a new story (hard to find as you can imagine nearly 20 years of Hal stories seems to leave so few new ones!). Very cool that you're taking the time to document your stories and experiences - even though Denny caught some of that in the movie, we wish Hal might have embraced the 'tech' and spent time editorializing his discography on camera like you're doing here. It's a gift to all musicians and music lovers. Aloha~
one of my favorite songs to date. never gets old. with that being said neither does the beauty ageless Miss Ross. her angelic vocals are timeless and she still sounds and looks absolutely amazing. my queen of all divas ❤️
Wow, Lee, I didn't know you played on this song. It's always been one of my favorite bass parts, especially the high fret parts. Awesome job on this beautiful song.
What a beautiful movie and beautiful song. What a beautiful time to be alive. It’s amazing how the universe brings such creativity into this world for our enjoyment. What blows me away are the notes you don’t play. Your style gives the song room to Breathe. No overplaying. It makes the notes we hear that much more enjoyable.
Been listening to again Diana recently,one of the great singers .A whisper,a breath,a few spoken words and capable of belting out.Great playing on song so , unbearably light ,but devastatingly emtional-we let so many dreams...
I love Diana Ross! I won 1st prize singing Diana's "Theme Song from Mahogany," in my middle school's 8th grade Talent Singing Contest! This was in Spring of 1976 - I was 13 y/o!!!
Please write a book! You were so blessed to be around when real studios and musicians reigned supreme. I could listen to your studio stories all day.
Definitely !
I think we all agree with that.
A book and a film too! Call both "A Fly On The Wall".
I agree. He needs to write a book.
I play "Theme from Mahogany" almost ever time I sit down behind the drums (along with "Ain't No Mountain High Enough" and "Touch Me In the Morning"). Hal Blaine (and Jim Gordon) are my favorite drummers of all time.. and I had no idea Hal and yourself were the rhythm section on it! Thank you for these great videos, songs, and stories - love the channel.
I'm like a bunch of others here. Your stories and abilities makes me appreciate the music I grew up to and still enjoy knowing you were part of it !!!
my God, what a beautiful song! ... brought back good memories from my childhood. this song was a big hit in the Philippines in the '70s. thanks for sharing it, Lee!
I seriously cannot believe how many of the greatest songs that you have played on!!
So thankful to hear your stories. please continue.
How lucky we are because you are making these videos. I don't have words to tell how happy and lucky i feel when watching and listening you. Thank you again Lee. Take care and stay safe
Mr.Sklar...my first band I was six years old, my best friend was the bass player in that band back in the mid sixties...we played together until his death ten years ago. After his loss I stopped playing drums...we knew each other so well no words needed to be spoken as a rhythm section when we did anything and we did everything after 48 years together. The reason I wrote this : listening to you reminds me of how we use to talk to each other, never about the notes or beats, but about the feel and life of the song, music...few folks ever speak about the heart and soul of the music....I swear to you, I want to play again because of you, I don't know if this means as much to you as I hope, but I am saying, your channel makes me feel so wanting to play again...I wonder if your an Angle with a beard...you are certainly a rare gem....thanks so much for your time here. Truly much respect. Hardhitterr
Thank you very much, dear Lee Sklar, for this wonderful and very informative stories! Please keep posting!
Leland, trust me...we all have brain facts too. I'm 67 and a retired radio/tv broadcast engineer.
I remember playing all of your songs on college radio station in Portland, Oregon.
GOSH, You brought back so many memories from my college days.
You truly are a Music Treasure!
Thank you for your talents. LOL, love your plaque!
Warmest Regards,
Kurt
Thanks Lee. Your recollections are pure gold.
This song reminds me of my teenage days in Vzla South America. But with your story telling it makes us relive the excitement of the music industry on those days. Plus Diana Ross is golden. Thank you.
Im 65 and African American. My guess is that most of the people watching this are young and know of your records but had no idea who you are. This is a great learning tool for all musicians regardless of instrument. Ive mentioned that I saw you back in the 70s. Mahogany is indeed a beautiful song and your playing is beautiful and tasteful. It sounds like the last notes you played was a root and 5th double stop or bass powerchord. Love your playing Leland!
Last chord was a full rake...
I could listen to these stories all day long. Another great video
I was two years old in 1975, and Do You Know Where You’re Going To is one of the first songs I ever remember hearing. It now has even more meaning knowing the phenomenal Leland Sklar, one of my favorite bassists ever, played on it.
I have enjoyed your videos more than I can say. These offerings into your life as a musician are priceless.
This tune immediately brings me back to my childhood. The melodies are so strong and what an arrangement
Lee, your an absolute joy to listen to and I'm sure everyone is delighted to here your staying here for a long time. Bravo Sir 🙌
Frankly, Lee, this video pretty much has it all: a great song, a wonderful behind-the-scenes story of its recording, and a Shecky Greene reference. I'm as satisfied as a fat guy at the conclusion of a 7-course Italian meal. Made my Sunday !!!
Such great stories. Whenever a notification comes in that you've uploaded a new video, whatever I'm doing, I stop, sit back, maybe top up my coffee, then hit play, and watch to the end. Your videos are one of my favourite corners of the Internet.
Totally agree, Pat. 😊
Me too!!!
Leland over my coffee. There are many music videos on RUclips, but this is the only one I sit and enjoy what's new in your day or your past. It's like sitting with a friend over coffee!
The Best ....
You are a national treasure Lee. I had hoped to hear you speak about Hal Blaine and the other Wrecking Crew members so this was a joy for me. Thank you for such an outstanding channel.
That 2nd half of verse 1 ... WOW! ALL of it (the song), actually! WHY can't they write em like this now? I don't think the masses attention spans are capable these days. :( BEAUTIFUL song!!! BEAUTIFUL bass line!! Thank you for dusting off my memory of it. :)
Just loving it Lee. Thanks. Keep them stories a rollin’. Can’t get enough.
Hanging and listening to great records, "in the same room" with Mr Sklar. Priceless.
Love the stories as much as the playing!!! Just awesome and amazing!
This song brings back so many memories, thanks so much!!
This is so much better than a book! It's music history and a lesson on how the bass part was played on the original track. It's personal remembrances of some of the biggest names in music from a kind and talented soul. Growing up we read the liner notes of all our albums over and over and knew all the names. It's great to see them bought to life in your stories every day. Thanks for doing these, Leland. It's one of the highlights of my day.
I just have to say that your studio stories are just mesmerizing. I love listening to them and learning a wealth of first-hand information about you incredible experiences. :)
Beautiful song, I've always enjoyed Diana Ross.
Thank you for another fantastic video. I’ve always loved the theme from Mahogany, but have a new appreciation for the song listening specifically to the magnificent job that you did with the bass. I completely understand your comment that a song has a life of its own and that it lives and breathes and am in awe of the life that you breathed into this particular piece of music. Stay safe and much love 🇿🇦
Oh my god, you did this too? Love those unusual pickup accents on the "and" of the verses. Someone like Beato could spend an hour picking apart the great arrangements of EACH of these classic songs you've done. Just magic. You're a magician.
Most beautiful song ever written and sung. ❤️💕
I look forward to your daily videos. Thank you for sharing your gifts and stories with us Leland!
Love the backstories. All the personal memories of the musical characters I’ve loved. What a wonderful walk through history. Music, music, and more music. I know musicians love musicians. I’m one. But I like warts and all. Keep up the history. I know it’s a lot of work to put it all together, but it’s very special for me. And I thank you sir. 🙏🙏
Leland you are a wonder...a musician magician. Thank you so much for posting all this musical education for all of us and future generations 🙋🏽♀️👍🏽💛I know this is said a lot...but these tracks are truly the soundtrack of my life.
Its 6.15am here in the UK and im binge-watching you again ! Many thanks !
Leland, you are amazing and I never realized you played on the mahogany soundtrack as many of the later Motown sessions James Jamerson was used initially but because he refused to upgrade from his old crusty flat-wound strings (he felt that was part of his secret sauce and mojo) they did not use his tracks and brought other session guys in to basically do everything over (sadly) it's interesting that this song is very similar to the beginning and feel (as far as the bass goes) to Ain't No Mountain High Enough by Diana Ross Premier solo album from 1970 which is a James Jamerson masterpiece bar none. So I wish you would have discussed his influence not only on this song but on your playing as well of course because basically everybody was influenced in one way or another by Jamerson as he was the father of the swinging groove in pop music and there was a lot of tragedy in his life and he never gets enough credit for his contributions but every swinging triplet on the bass clef somehow can be traced back primarily to Jamerson hook or groove.
My favorite album of his freelance work is Shirley Bassey's "Nobody Does it like me" I think he play on just about the entire album please set aside some time to do a special tribute to Jamerson and show the people some of those Jamerson licks that you can probably play just as good as anybody on earth that would be a totally awesome thing if you can do that because you speak from the heart and I'm sure you have some great Jamerson stories your paths must have crossed in the 70s while he was doing all kind of freelance work with some of the same cats that you were working with like Gene paige who is probably one of the greatest Studio string arrangers in history and that would be great if you can mention him as well because he actually worked on Shirley's album with James in 1974 maybe you have some recollection of that if you were aware of it that would be great or any Jamerson story.
Obviously I'm a huge Jamerson fan and he is my main influence as a young bassist but you are too... I just didn't know who you were lol and some of your work I actually thought was Jamerson (like mahogany). A funny thing is, for instance me, like what many drummers said about Hal Blaine when they said "it really sucked when I found out my 10 favorite drummers were one person" lol. When I started going through your videos and seeing things like doctor My Eyes by Jackson Browne and even more basic tunes like higher and higher with Rita Coolidge which your heartfelt grooves and runs up the neck turned it into a masterpiece and made it even more memorable then it would have been without you. I mean you covered all the bases. Laughter in the rain by Neil Sedaka always just floored me the bass work on that tune was almost symphonic in the way it was played and little did I know even that song was yours so I had that same moment as a bassist telling myself that several of my favorite bassists were really just one person lol. So this wonderful gift you have given us of your Channel I cannot thank you enough for and certainly want to hold you to your commitment as we are now becoming as addicted to your channel as our morning coffee.
Just please when you tease us with videos like this one please take an extra day or two before posting it so you can actually play these songs for us remember this video will be here long after you're gone and future Generations will feel completely robbed and cheated if you don't play every one of these because this song in particular is probably even more important than you realize because you have done so many but what you might not know about this song is that it was one of the most used in high school graduations in history across this country and has an almost cult-like reverence to it besides being the soundtrack to a classic movie so it would be really great to have you follow up with an actual session with Frankenstein and also "laughter in the rain" I am so sorry but I just have to hold you to playing that that is like an ear orgasm to hear you in real time belt out those beautiful lines in person for us I mean I'm sure I am speaking for all of your fans not just a few of them I would rather wait an extra day for a video and actually have you playing that song then just discussing it but please don't get me wrong that's better than nothing but think about prosperity in the future you are very humble man but just think if we had what you're giving us from guys like Jamerson or another fella I haven't heard you talk about yet even though you probably have I have not watched every single video but Joe Osborn...my understanding is he had more hits than any bassist in the history of the world (even Jamerson!) and with tunes like Aquarius and most of the Carpenters hits as well as the Monkeys, ect. It would be great to hear your stories about him too.
I'm just saying it would be nice for you to maybe pay homage to Joe who very sadly like Hal, is not with us. Maybe even show some of his technique to us because as a bassist anything I can learn even at 56 years old is gravy and you could probably emulate all of those guys so please help us out with this and we will treasure it forever. I know Jamerson kept the foam mutes in his P-bass and Osborn used a pic on all of his songs. Have you ever used foam mutes or a pic at all?
Just one more thing if you can talk about key changes in different things like that and comment on the arrangements of the songs little more and time signatures as well because myself as well as many other bassists and drummers often get caught up and tripped up about time signatures especially with the more complicated numbers it would be great if you could discuss how you approach that and give examples in some of your works.
I will cross my fingers that you read my comments and also that I didn't give you a headache with all these incredible demands. But you are one of the few guys left that still has all your wits about you and can actually crank these things out and explain them. It would be great if you had some guests bassist with you maybe do a collaborative effort with Carol Kaye and go back and forth each one playing different things and make an hour long video or a whole series there are so many awesome things you can do during the pandemic like that and it would be a great gift to get other Legends like yourself to participate in this if their egos can handle it. Can you imagine if you were able to sit in the same room trading fours with the bassist who has bragging rights of having played on the biggest selling Jazz album in the history of the world...of course I am talking about Dave Brubeck's bassist Eugene Wright who is almost 100 years old and still playing!!! Holy spacebass Batman!? of course I'm sure you can handle anything God bless, Bob M.
I remember listening to this as a child and just being moved. I’ve listened to this many many times since and it’s a beautiful song. Thanks for sharing
Life is so much better because of you Lee. You put a humble and gracious face to musical genius.
Your bass playing is so exquisite, it's like you're a conduit through which music can freely flow from the collected emotions of our universal consciousness.
That tune transports me to a place and time with my Mom and Dad in 74'. Wow, great music playing there. Thank you for sharing Leland.
I get the feeling that Lee could save a lot of time by just telling us who he "didn't" work with or on. I knew of Mr. Sklar's fame but I had absolutely no idea that he played on so many sessions. An incredible player but mainly an incredible "musician" (there's a difference to me). Putting the song ahead of anything is what separates the great ones.
So much to learn from this man. Thanks so much Lee for letting us into your world in such a humble and friendly way. Long may you live.
Another gorgeous tune! How great to know you were on it. That extra pop Hal throws in at the end of the bar is great, and the bridge really carries the listener. Diana is amazing. Also loved that early 70s tune of hers, "Last Time I Saw Him," and the classic "Touch Me in the Morning" (did you play on that?). All those songs were so well-crafted. Really enjoy re-experiencing them. Thank you!
I can't wait to hear more studio stories! Thank you for holding up your plaque! 😂 I've got a couple new wallpapers now!!! Stay safe and healthy!
Beautiful Beautiful Beautiful song played and sung superbly.
A true treasure and honor to hear of your experiences. I'm all ears as you share, it's just like hanging out, thank you so much.
It was a beautiful day in Canada today. Thank you for the video. I love Diana Ross.
I remember you telling me this story about “Mahogany” once. I love this song and I was thrilled to know you were a part of making this gorgeous song.
My daily pandemic viewing must see’s are..
Mayor DiBlasio 9:30 AM EST
Governor Cuomo 11:30AM EST
Evening News 6:00PM - 7:00 PM EST
Leland Sklar 9:00PM EST
It’s a great daily lineup 😊👍
What a beautifully simple arrangement can do to a great song!... love the stories as much...specially studio stories..and most certainly Tedesco stories...puts a smile in my heart.
Thank you Lee for the kind words about Veronique Sanson. I particularly love the job you did on her records. Cheers from France.
Thanks as always, Lee. You know, I love watching your face as you listen back to the work you've done, almost as much as your stories.
Don't ever stop doing this, Lee. Can't tell you what it means to me. Armin Steiner... what a legend... and apparently still at it! Keep 'em comin', Lee.
You never cease to amaze me with all your amazing and fun stories you have and all the influential musicians you have met along your various musical journeys. Love you Lee!!
I’ve had one of the best times in RUclips just now with you Lee. What a song! Thank you for this great moment! 🙏❤️🎼🎶❤️
You are just an incredible wealth of information on the most classic recordings and all the awesome musicians (including yourself) who played on them. Thank you so much for sharing all of this great stuff with us, Lee. It is totally fascinating, and it definitely makes my day! Thank you so much for taking the time out of your days to make your videos! :)
Mr. Sklar, amazing! Every time I am amazed of how you are part of such music history! It would be amazing to sit down and talk with you for hours! Thank you for sharing your amazing talent and the memories of behind-the-scenes historical anecdotes!
Just great to hear the story behind the song and glad you mentioned the importance of registers . I have always felt that finding that right register is so critical to the journey of the song .Cheers, your way, Lee .BASS ON, BASS BROTHER 🙌🏽
I was a little boy when my dad got me this 45, still love it
Awe, this album was the first one my older sister bought that I was so emotionally connected it... I was 7 when I heard it! Thanks Lee for bringing up beautiful memories for me.. The reason I too started playing music, years later of course!! Enjoy your day!!
Such a BEAUTIFUL song. Beautiful Job, Leland. I wish you would have played your bass along with it as our tutorial!
So absolutely thankful for your generosity to the world.
Now that you've told us about many people you've ever met now I see the world you have lived in. I use to do stage production until a bone disease took my strength away and gave me 24 screws in my neck and lower spine. The stories I have of the road are treasured memories just as yours are. Keep being you and be safe. Peace.
Keep this going Leland, love the studio stories.
Shecky Green! The Catskills! This one had it all. Pure GOLD, Lee. GOLD I tells ya!!
Leland, you certainly brought a new life to this song from what the other rhythm sections' must have had...so delicate, smooth and beautiful!
What a treasure trove of music history you’re creating here on RUclips. I’ve told my friends that even if they aren’t a bass guitar geek, they need to check out your stories. Stay home...stay safe...save lives!
Blown away........beautiful.
I use to love Shecky Greene... and I've come to really enjoy all your stories as each is a time capsule of our lifes.
Thank you Leland for telling this story. You are part of our history and it is very generous of you to share your time with us every day.
I've always loved this tune and amazing bass line by Lee!
wish I had a life like yours...massive respect! Ive always loved the bass in that song and never knew it was you. GENIUS
This track is amazing. I feel special every time I hear it. Tremendous and touching bass line. Hello from Montreal mister S!☀️
All these years later and I still know every word to this song.
It's such a joy hearing you and your stories of people who I may only read about on a record album. Michael Masser did write such beautiful music. Sadly he has passed. I remember Shecky Greene, and I am sure you have many other listeners do too. Hal Blaine was a giant. Thank you.
Thank you as always. Happy Birthday Waddy!
See you tomorrow Captain Sklar.
Another *#1* song where your bass is the guide for the vocals to rest alongside?!
It's a bass conspiracy! Every song that grabs ahold of you is all based around where you're playing these notes. Your input on these guys taking about where you choose to play these parts is true and if you removed the vocals, the song isn't gone because your bass is still sitting right there naturally guiding it along.
I think I've already learned a great deal by listening to your music and how bass guitar can and *should* be used. I always used to see the instrument as a rhythm section instrument... You're filling in the lower end of the vocals, crazy stuff!
You are the man. Have a great morning from a waterlogged gulf coast!
It's just like listening to stories of my granddad I never knew…. What a stories and you are a treasure for the music industry. You are a true hero of mine. What comes thru in your stories is that sometimes you made the songs what they are, and not only played on it. I just finished the book of Steve Lukather and there it also shows that you guys sometimes came into the studio and there was just an idea. You session players gave it your twist and now they are classics. So thank you for making the soundtrack of our lives.
Heck Leland (or can I be forward and say Lee) we all look forward to your daily video and the great stories you have to tell. It’s so impressive to hear all the fabulous artists that you’ve played with. They obviously know quality bass playing. Wishing you well and good health.
I can't believe you do this every day. I just lost my mom. So you really help me feel better. Thank you. I am old enough to sing all the songs you have played on. You're comforting.
My heart is with you. It’s tough ❤️
Beautiful song and it is a great pleasure for me to know that you are the bass player in that song along with your Frankenstein bass, Bravissimo.
I hope you are here another 70 years! I never get toted of hearing your stories or listening to your playing or wisdom. I wish you were my neighbor
Diana Ross is great!!! Also the Bassplayer ;)
Hi Lee, Thanks again for the story telling and another perfect set of bass lines 🙏🏻
...88.2 subs in 2 months - why are we not surprised! 😉👍🏻
This was the first song I wanted to sing that was different from anything in the house I grew up in, and was also I believe the first song I ever used to audition with, which was terrifying in general but worked out well. I had no other way to do it but a cappella, at that time. I think I was 14, and it hadn't been out long. I just loved the song.
I love Waddy too. He was very sweet to me one morning at the DFW airport when I was just really sick and about to melt down. I noticed his arm wraps and we talked about different ways he manages to keep playing and I remember at some point he said, "It's a poor craftsman who blames his tools." It continues to bring me joy as I use everything that I have to make into something that satisfies me.
I think I'm catching up with this video as it is now your birthday Mr Sklar. Happy birthday 🎂 and birthday alignment with your other friend, 😊🥳
I really like the way you listen to the music, I see you appreciate it so much. Nancy, Denmark
I am so glad Rick Beato turned me on to your channel. You are a delight every day. Thank you.
More studio stories please! Mahogany: another one of my favourite songs (what a great recording and melody) that I didn’t know you played on..
Lee, I look forward to every video. I feel my playing improve just by being in your virtual presence..... well maybe more so the wisdom and experience that you are so kind to share with us. Getting to see you play your part is a amazing . I’ve watched some over and over. Although, I was pleasantly surprised
, when you didn’t play, how much you still got across to us even without a bass in you hand. Also you sensed your fans would want to know what bass was on the track. Can’t thank you enough for all you share.
Enjoying everything you’re posting. Realise that it takes up a lot of your time to do them each day. They are much appreciated, even down here in Oz. Cheers
I love this song.
You ARE in charge and we like it that way. Thank you sincerely.
This is another one Lee, that sent chills up my back when my sister played it years back! Ease On Down The Road from The Wiz too was another I remember. Again, as a youngster being exposed to this music surely made pick up a Fender Precision some years later. I’m very happy to learn now that the choice fell on you to play on this incredible track. Your choice to commence the song in the upper register was instantly noticed by me (even as a kid years back) and has forever changed my outlook/approach of bass playing. It was like a light bulb turning on. The decision to open in the upper register sets the mood for it perfectly. This song means a lot to me- always has. I prided myself to learn that opening part and I did it, all by ear. I was proud of myself for nailing it. The string arrangements made me cry they’re so beautiful. This song taught me to be a better bassist.
I just wish there would be more people like you on this planet