@@IcEdUp856 thanks so much! It may happen down the road for sure. Right now I’m working on a different channel @the_cigarbar ! Thanks for the kind words!
Image quality alone? The FX9 can't be touched. But, there are on-set workflow considerations and each person's use-case to bear in mind. For me, it's beautifully cinematic and makes the perfect A-Cam for me.
Maaaaaatttt! Crushing it, man! Truly fascinating and I have zero background in the field! Thanks for capturing my attention and for your awesome creativity!
Absolutely! They may need to be used as a "Creative Look" in Premiere in some instances so you can dial back the intensity, and some were initially developed in S-LOG2.
Cant get your luts to load in my camera? any idea why? Ive followed the correct procedure, theyre in the correct folder and im not trying to import the fake file
Just found this video , hoping you come back
@@IcEdUp856 thanks so much! It may happen down the road for sure. Right now I’m working on a different channel @the_cigarbar ! Thanks for the kind words!
KEEP EM COMING! Love your vids and any opinion if the fx9 is any good for value compared to fx6 still or it is over for the fx9 😵
Image quality alone? The FX9 can't be touched. But, there are on-set workflow considerations and each person's use-case to bear in mind. For me, it's beautifully cinematic and makes the perfect A-Cam for me.
Maaaaaatttt! Crushing it, man! Truly fascinating and I have zero background in the field! Thanks for capturing my attention and for your awesome creativity!
Thanks Jay!!! I appreciate the kind words, sir!!!
sir can this luts can use in final cut pro and atomos tnk u
Yes, I use them in my Atomos Ninja V and Shogun Connect. I’m sure they’ll work just fine in FCP as well.
great job, is it possible to use these LUT with slog2
Absolutely! They may need to be used as a "Creative Look" in Premiere in some instances so you can dial back the intensity, and some were initially developed in S-LOG2.
Do I expose 1.7 - 2 stops over either the paramount lut?
I typically do, yes.
Ok this will sound strange but will they work with the Venice 2 6k ?
Purchased ;-) Do you always use S-LOG3 including in dark situation ?
Thanks so much! And yes, I almost always use LOG when shooting unless I need a quick turnaround and I'll use S-CINETONE on the a7SIII.
@@MattJackson_RUclips Perfect thanks for your reply
@@Focalice You got it!
Thanks for this video. I suppose this LUT are also fine for my A7RIII if I record on S-LOG3 ?
They work well with the a7III, which I believe is the same color space in S-LOG3, so they should work just fine!
Purchased!!
Awesome! Thanks! Let me know how well they work for you!
will it work on sony a6400 with HLG 2 PP ??
Cant get your luts to load in my camera? any idea why? Ive followed the correct procedure, theyre in the correct folder and im not trying to import the fake file
What kind of camera are you using?
Where can I find luts if I shoot in s cinetone
S-Cinetone really would only require exposure/saturation/contrast adjustments rather than full-on LUTS. Or at least that’s how I use it.
Why is there so much grain at minute 3:15 on the green area (eye level) on your right-hand side? ... in generall the green area has a lot of grain.