Steven's "I'm not saying it's bad" comes up quite a lot, very diplomatic, he's a nice guy. I know what he means though, my wife is obsessed with linkin park and it's not bad but it's not in regular rotation for me.
15:00 -- As somebody who considers himself a "serious" music fan and heavy prog muso, I loved Linkin Park. Granted, I was not a fan of Hybrid Theory when I first heard the singles (at the time I was just slightly edging out of their demographic at age 20-21), but it was the left-field electronica of their 2004 single "Breaking The Habit" that stood me in my tracks and caused me to reassess everything that had come before. Once I gave closer listens to Hybrid Theory (which, although it was a late 2000 release, generally blew up bigger and is more of a "2001 album") and Meteora (2003), I realized that, yes, the band and producer Don Gilmore had perfectly captured and packaged that mix of NIN and nu-metal. But there is a core of a great album in there, if you can get past some of the screaming vocals and simplistic power-chords. Meteora is particularly a great evolution of the basic LP framework, and Minutes To Midnight (2007) and A Thousand Suns (2010) actually progressed further into new sounds and were even loosely thematic concept albums. Living Things (2012) was kind of a return to the original two album formula (mixed with a few new elements), The Hunting Party (2014) was an experiment in straight metal, and One More Light (2017) was their absolutely abysmal foray into sellout Milennial pop garbage and should be avoided at all costs. After Chester Bennington committed suicide in 2017, the band is more or less on ice and dormant. All in all, Linkin Park is generally a band that people love to lump in with other more generic nu-metal of the turn of the millennium (or mix them up with Limp Bizkit), when there is actually more to them than people realize. Also, Neil Peart was on record as being a fan, having written about them in his Traveling Music book.
@@miketrollnoda6029 I think it is pretty good. I think individual tracks are hit-and-miss, but there are a handful of genuine classics. I think the "My December" remix with Kelli Ali from Sneaker Pimps is a great slice of electronica.
@@starwarsunfiltered7848 Completely agree. Some tracks are bangers and others just dont work well enough as the others (Pts.of.Athrty comes to my mind as one of the tracks that didnt work). P5hng me 4*wy and My
One More Light is fantastic though. I get that people will trash it (coming up with all sorts of high-and-mighty reasons for doing so, when in reality they evidently just don't like the style of music to begin with). But the songs are beautiful pop songs, and there is a place for that in this world. Aside from A Thousand Suns, it's probably the album that I end up going back to the most frequently these days. Beautiful melodies, beautiful production, and far more richness for the ear to enjoy than people give it credit for. As a long-time fan, Living Things and The Hunting Party have ended up as much weaker records to me.
@@Iopia100 I lightly enjoy a few songs from One More Light, but try as I might after about a dozen listens, I just couldn't get into it. It was just vastly *too* pop, even if I appreciate bands experimenting with their sounds and even like a good amount of pop music. But that is one of the great things about LP...they kept pushing themselves to try new things. Not everything was a home run, but at least it was never boring and you could never pigeonhole them into just one category.
IMO Stories from the City is PJ Harvey's peak. It's just a perfect album (also probably her most accessible and commercial) - I think To Bring You My Love and Is This Desire were progressing up to this and Uh Huh Her and the later ones were always in its shadow afterwards. Maybe it just hit me at the perfect time in my life, I dunno, but I love it.
I think the thing with Eminem is that while it's white boy does black music he's never imitating black artists. He's rapping about his own life & experiences and it's kind of showing the overlap in growing up poor as shit in the US whether you're white trailer park trash or black from the hood. He's obviously rather obscene and over the top but I think that probably helped him get credit with the scene because nobody could accuse him of sanitising black music for white audiences, he got where he is because he's just really good at what he does.
Good to see Brave New World get a decent mention. It's an absolutely gorgeous album, great production, great song writing and great performances from all members.
Love the video format. Please, keep doing this. Maybe it's because english is not my mother tongue, but it felt much more enjoyable and engaging watching them discussing the albums than listening on the audio podcast format
Thank you for doing this. I really enjoy your knowledgeable and witty talk. Found some albums to discover as well. As you list may be a bit britcentric I‘d like to suggest some additions that would make my top of 2000 list. Phoenix - United Etienne de Crecy - Tempovision Honorable mentions Jill Scott - Who is Jill Scott Sigur Ros - Agaetis Byrjun Bohren un der Club of Gore - Sunset Mission Magnetic Field - 69 Love Songs
The the secret of Eminem's success was that for a short period of time he released good hooky singles. This, I think, illustrates the limitations of Album culture as a way of understanding pop culture. It forgets that the basic unit of popular music is the single or now download. It's an industry/artform built on pocket money and to an extent novelty. I love albums, but I remember my Mum asking me "Why would you buy an album by one band, doesn't it get a bit samey?".
"Though I'm not the first king of controversy I am the worst thing since Elvis Presley To do Black music so selfishly And use it to get myself wealthy"
As a 90s kid that grew up on Linkin Park and Eminem and then discovered Porcupine Tree in the late 2000s, this is golden. Never thought I'd hear Steven and Tim discussing those artists 💯
@@nectarinedreams7208 I can't speak for the American culture because I am not American, and it seems like they were always viewed like a guilty pleasure in the US. But, you just can't deny the MASSIVE impact LP had on a global level, not to forget they did this when internet and technology was still in the process of penetrating the masses. There are millions of kids, including me, who would've never picked up music or an instrument if it wasn't for LP. I also would never have discovered bands like Porcupine Tree and Opeth either. That's what Linkin Park did, which makes them very important culturally.
Agree with you in that the extra length (79 minutes) on CDs sadly resulted in too many bands / performers filling in the time with lesser or detracting tracks than would have been on a 40-44 minute vinyl album. There was quite the art / skill to shaping vinyl albums as cohesive flowing wholes.
If they thought the Goldfrapp album was full of songs like Bond themes then I wonder what they'll make of Rob Dougan's "Furious Angels"? (I guess I'll have to hope they cover the year 2002 for that though)
Glad Lightbulb sun got a mention. Definitely one of my favourites from 2000. Didn't know about it at the time though. Some of the albums that are still in my collection from this year include Kid A, White Pony by the Deftones, Coldplay Parachutes, APC Mer De Noms, Nicola Conte Jet Sounds, St Germain Tourist, Bonobo Animal Magic, Bent Programmed to Love, Placebo Black Market Music, Belle and Sebastien Fold your hands, RATM Renegades, Smashing Pumpkins Machina, Nine Inch Nails Things Falling Apart,
A lot of unfortunate comments when it comes to the Marshall Mathers LP, but otherwise, a good episode. That album broke a lot of ground in and of itself for being a self-aware album about the toxicities of gangster rap culture, being tongue-in-cheek about the nature of the extremities of the culture, while also wholeheartedly embracing the tropes to commentate not just on Eminem's upbringing, but also on the comments that moral guardians were making on Eminem's image, as well as how they refused to take care of their own to prevent tragedies like the Columbine and Westside Middle School shootings. The album does have a veneer of self-indulgence to it, but done in such an over-the-top manner that it really did do things differently lyrically and thematically. I will admit, as you guys have: it wouldn't have sold as well if it were done by a black artist, due to the overall racist conceptions of the American pop-culture zeitgeist, but it really should be acknowledged as a smarter album than a general footnote of its ubiquity and...unfortunate imaging as Eminem simply selling well for being white. Cheers, guys.
Wow, Goldfrapp and Stewart Lee on same podcast by two people, one of whom I know only because I once was surprised by concept of "one man prog rock band"
Tim and Steven, in regards to your “marmite” voice comment, you should check out the art-rock band Wild Beasts. They have since disbanded, however they have a singer that fits that description perfectly. They were influenced heavily by Kate Bush and Peter Gabriel so I think you both should check them out. Cheers!
I love that PJ Harvey album. It's hard to put my finger on why except the songs just stand out to me. The melodies are very strong and catchy, and I ike the overrall ambience of the record. At the end of the day though a song will either stand out to you or it won't and there isn't always logical reason why.
A few other albums that deserve a mention I think are Bohren und Der Club of Gore - Sunset Mission, Deftones - White Pony and At the Drive-In - Relationship of Command.
Funny, I feel the same way about PJ Harvey, she’s good, but something about her I never connected to and I don’t find her albums very interesting and they don’t really do anything for me, but yeah, she’s always up for awards.
@@Tabazan I like a few of her individual songs, but I’ve never managed to like a full albums worth from her, I generally become disinterested halfway through. I can understand the draw to her, but I agree with you, she’s mostly meh.
I have never heard Steven talk about Ulver, does he not know about them or just think they are trash? This year they released Perdition City which should be in any top album list
Haha…I just basically said the same thing. Perdition City is a god tier album. I’ve been listening to that album since it came out and it never gets old. The vocals that come in halfway through Porn Piece or the Scars of Cold Kisses are the best vocals ever recorded in my opinion.
I remember listening to OVO to death. It was my big introduction to some cool world music. Back in those days I loved the last track, Make Tomorrow and I still do. Paul Buchanan and Elizabeth Fraser vocals are just from beyond this world. Yes it's a bit long work but it still flows smoothly and quickly. I wouldn't say Father Son is the best track on the album, it's just one of its highlights if you ask me. And it's been 23 years and it still remains a gem to me.
It varies. Many of the albums we're familiar with and we'd have listened to many times over and subsequently refreshed our knowledge of them pre-podcast. However, some we'll have only listened to in passing and then 'revised' for the podcast.
PJ Harvey!? How dare you! Her output is a bit varied, Stories From The City... Is pretty good but Let England Shake is one of the most beautiful and profound records ever made. Fully deserving of all the accolades.
Blimin' ekk Tim, so few interruptions, did you pop something in his tea?! Next time.....whoopee cushion, keep him on his toes, yeah! Yes, P.J. exactly, just not particularly interesting. Mrs Mills defined popular music decades before the Beatles.....just after Bach.
Steven is my idol, and I greatly admire him for his music, experimentation, musical orientation, and open-mindedness. However, when it comes to Eminem's "The Marshall Mathers LP" album, I have to offer a different perspective. I haven't been a fan of Eminem for the last 20 years because it seems like he's been trying to move away from his original sound, character and cater more to the mainstream rap scene. In "The Marshall Mathers LP," apart from the typical street attitude, emotions, and extroversion, I struggle to find much depth. While songs like "Kim" showcase intense anger and agony, I feel that his self-deprecating humour and portrayal of sinful activities lack substance, especially since he no longer practices them today, all of these stuff are pretty great for a rap record I guess. Although his lyrical expressions and rhyming are impressive, they don't resonate with me on the same profound level as those of other rappers. Overall, I believe Eminem's earlier work, up until "The Eminem Show" album, truly showcased his greatness in the industry.
Steven, darling, if you think The Marshall Mathers LP is "Gangsta Rap" you're out of your mind. Also, his lyricism is at it's peak here. Are you just focusing on curse words? There is so much more depth to that LP, STAN alone is a fucking masterpiece, so much so, Elton John wanted to perform it with him live at the MTV awards, it's the perfect example of "The Art of Storytelling" coined by Britains own Slick Rick. Em's talent and wordplay are second to none on this LP. Is it meant to push buttons? Be outrageous? Be over the top? Yes, of course. That's why so many people loved it because it was so far removed from the norm it kinda swept people off their feet. Keeping in mind his prior effort, The Slim Shady LP went Triple Platinum. This is no enigma by any stretch. Even Rolling Stone magazine in the year 2000, which still had a rock music slant to it stated, "With the lyrical complexity and detailed narratives of Biggie, the hilarious, is-he-kidding-or-not button-pushing of Howard Stern, the disaffected angry-white-boy-ness of Fight Club and the fearless, kill-me-if-you-can energy of Tupac. He has a macabre imagination to rival Satan’s and an incredible ability to create new rhyme patterns. He has a frightening proclivity to spit venom one moment and humor the next, and a never-ending slew of jaw-dropping punch lines". You're right Steven, you are 5 years older than me but as you say "I feel like I'm 300 years old", yea, spot on mate.
I don't get PJ Harvey either. One of those artists that do absolutely nothing for me. I don't think i ever listened to the Antony & The Johnsons debut, just because of the album cover. Hybrid Theory is pure aimless juvenile anger. Some parts (the bridge of In The End) sound like demos that still need work. The songwriting and sound definitely improved on Meteora. That was the biggest disservice to the Marshall Mathers LP. It's got more rock than hip-hop to it, so i don't know why it would be " not for you".
![Porcupine Tree - Deadwing [Documentary]](http://i.ytimg.com/vi/UaC1ZvhtoYo/mqdefault.jpg)
Send us your album reviews and questions for inclusion on future episodes of The Album Years, we'd love to hear from you! fanlist.com/thealbumyears
I love how Tim laughs when Wilson brings up Porcupine Tree.
when?
@@xbriskx When SW mentioned "Lightbulb Sun." He laughs.
20:20 precisely
@@xbriskx
yes
20th century ... not a great century for humanity except obviously Steven Wilson were born
Lightbulb sun is definitely my favourite of the ones mentioned today. Short and sweet episode.
I totally agree
Steven's "I'm not saying it's bad" comes up quite a lot, very diplomatic, he's a nice guy.
I know what he means though, my wife is obsessed with linkin park and it's not bad but it's not in regular rotation for me.
Mer de Noms from A Perfect Circle also came out in 2000. Pretty cool stuff
15:00 -- As somebody who considers himself a "serious" music fan and heavy prog muso, I loved Linkin Park. Granted, I was not a fan of Hybrid Theory when I first heard the singles (at the time I was just slightly edging out of their demographic at age 20-21), but it was the left-field electronica of their 2004 single "Breaking The Habit" that stood me in my tracks and caused me to reassess everything that had come before. Once I gave closer listens to Hybrid Theory (which, although it was a late 2000 release, generally blew up bigger and is more of a "2001 album") and Meteora (2003), I realized that, yes, the band and producer Don Gilmore had perfectly captured and packaged that mix of NIN and nu-metal. But there is a core of a great album in there, if you can get past some of the screaming vocals and simplistic power-chords.
Meteora is particularly a great evolution of the basic LP framework, and Minutes To Midnight (2007) and A Thousand Suns (2010) actually progressed further into new sounds and were even loosely thematic concept albums. Living Things (2012) was kind of a return to the original two album formula (mixed with a few new elements), The Hunting Party (2014) was an experiment in straight metal, and One More Light (2017) was their absolutely abysmal foray into sellout Milennial pop garbage and should be avoided at all costs. After Chester Bennington committed suicide in 2017, the band is more or less on ice and dormant.
All in all, Linkin Park is generally a band that people love to lump in with other more generic nu-metal of the turn of the millennium (or mix them up with Limp Bizkit), when there is actually more to them than people realize. Also, Neil Peart was on record as being a fan, having written about them in his Traveling Music book.
Whats ur opinion on Reanimation? Although its not part of their main catalogue, I think it can be considered as such
@@miketrollnoda6029 I think it is pretty good. I think individual tracks are hit-and-miss, but there are a handful of genuine classics. I think the "My December" remix with Kelli Ali from Sneaker Pimps is a great slice of electronica.
@@starwarsunfiltered7848 Completely agree. Some tracks are bangers and others just dont work well enough as the others (Pts.of.Athrty comes to my mind as one of the tracks that didnt work). P5hng me 4*wy and My
One More Light is fantastic though. I get that people will trash it (coming up with all sorts of high-and-mighty reasons for doing so, when in reality they evidently just don't like the style of music to begin with). But the songs are beautiful pop songs, and there is a place for that in this world. Aside from A Thousand Suns, it's probably the album that I end up going back to the most frequently these days. Beautiful melodies, beautiful production, and far more richness for the ear to enjoy than people give it credit for. As a long-time fan, Living Things and The Hunting Party have ended up as much weaker records to me.
@@Iopia100 I lightly enjoy a few songs from One More Light, but try as I might after about a dozen listens, I just couldn't get into it. It was just vastly *too* pop, even if I appreciate bands experimenting with their sounds and even like a good amount of pop music.
But that is one of the great things about LP...they kept pushing themselves to try new things. Not everything was a home run, but at least it was never boring and you could never pigeonhole them into just one category.
You guys are breaking my heart with your PJ Harvey takes.
Same here! Let England Shake, at the very least, is a masterpiece, surely.
I'm sad.
Not me, I’m glad they said it, I think this all the time about her music.
IMO Stories from the City is PJ Harvey's peak. It's just a perfect album (also probably her most accessible and commercial) - I think To Bring You My Love and Is This Desire were progressing up to this and Uh Huh Her and the later ones were always in its shadow afterwards. Maybe it just hit me at the perfect time in my life, I dunno, but I love it.
@@evildrganymede I'm partial to "To Bring You My Love", but she really did have a string of great albums around this time.
I think the thing with Eminem is that while it's white boy does black music he's never imitating black artists. He's rapping about his own life & experiences and it's kind of showing the overlap in growing up poor as shit in the US whether you're white trailer park trash or black from the hood. He's obviously rather obscene and over the top but I think that probably helped him get credit with the scene because nobody could accuse him of sanitising black music for white audiences, he got where he is because he's just really good at what he does.
18:49 steven saying hoes and bitches is so funny to me
Poppin caps
Your musical knowledge never ceases to amaze me. Lovely to finally see the show on RUclips.
Good to see Brave New World get a decent mention. It's an absolutely gorgeous album, great production, great song writing and great performances from all members.
Glad to hear you discuss Goldfrapp. I just got into them this past year. May purchase FELT MOUNTAIN on vinyl. Beautiful and hypnotic.
Lightbulb Sun is one of my fave PT albums.
Love the video format. Please, keep doing this.
Maybe it's because english is not my mother tongue, but it felt much more enjoyable and engaging watching them discussing the albums than listening on the audio podcast format
Feel the same love for Goldfrapp, but, really, I think P J Harvey is a genius songwriter.
You are discussing Eminem and Linkin Park but not White Pony by Deftones?! How?!
And Chocolate Starfish!
The best nu-metal album followed by Mudvayne's LD50.
Because they can
Because they can
Because they can
Baby Colin Robinson!! Best analogy ever!
'Kevin Gilbert - The Shaming of the True' deserves a mention
Dunno about Tim, but Steven isn't cool enough to know KG.
To be fair Figure 8 by Elliot Smith was the best album of 2000, alongside Kid A, fantastic Maiden album though.
Didn't he say he could not understand that F8 was not Album of the year instead of Ryan Adams ? Not sure.
@@ectoplasma5 I’m not sure either. I hope Tim is not bashing Eliott Smith :s
Loved Stevens one sentence review of Hybrid Theory hahaha. Cant argue with it, really.
Thank you for doing this. I really enjoy your knowledgeable and witty talk. Found some albums to discover as well. As you list may be a bit britcentric I‘d like to suggest some additions that would make my top of 2000 list.
Phoenix - United
Etienne de Crecy - Tempovision
Honorable mentions
Jill Scott - Who is Jill Scott
Sigur Ros - Agaetis Byrjun
Bohren un der Club of Gore - Sunset Mission
Magnetic Field - 69 Love Songs
The the secret of Eminem's success was that for a short period of time he released good hooky singles. This, I think, illustrates the limitations of Album culture as a way of understanding pop culture. It forgets that the basic unit of popular music is the single or now download. It's an industry/artform built on pocket money and to an extent novelty. I love albums, but I remember my Mum asking me "Why would you buy an album by one band, doesn't it get a bit samey?".
Ulver - Perdition City. Best album of 2000 if not one of the best of all time.
You've seen them rappers... down by the multi-storey near the Corn Exchange.
They slide _down_ the railings
the rap singers?
Eminem, the Elvis of rap
lol. Brilliant
"Though I'm not the first king of controversy
I am the worst thing since Elvis Presley
To do Black music so selfishly
And use it to get myself wealthy"
As a 90s kid that grew up on Linkin Park and Eminem and then discovered Porcupine Tree in the late 2000s, this is golden. Never thought I'd hear Steven and Tim discussing those artists 💯
That Lightbulb Sun album is pretty great.
Love watching this arguing couple that has been "married" for about 37 years now. 😂😅
Linkin Park and Eminem...well, that was unexpected😅
Very expected. Both huge albums and culturally important.
@@1985indeed I meant I didn't expect Steven to talk about LP. But I'm glad he did 😃
What did Linkin Park do for culture? @@1985indeed
@@nectarinedreams7208 I can't speak for the American culture because I am not American, and it seems like they were always viewed like a guilty pleasure in the US. But, you just can't deny the MASSIVE impact LP had on a global level, not to forget they did this when internet and technology was still in the process of penetrating the masses. There are millions of kids, including me, who would've never picked up music or an instrument if it wasn't for LP. I also would never have discovered bands like Porcupine Tree and Opeth either.
That's what Linkin Park did, which makes them very important culturally.
"You can't say you're a US rapper these days, if you do they'll throw you in prison".
Just give it to me straight, like a pear cider that’s made from 100% pears
Agree with you in that the extra length (79 minutes) on CDs sadly resulted in too many bands / performers filling in the time with lesser or detracting tracks than would have been on a 40-44 minute vinyl album. There was quite the art / skill to shaping vinyl albums as cohesive flowing wholes.
Like Tool. Although I really like Tool, the filler tracks on Aenima and 10,000 Days are unnecessary.
If they thought the Goldfrapp album was full of songs like Bond themes then I wonder what they'll make of Rob Dougan's "Furious Angels"? (I guess I'll have to hope they cover the year 2002 for that though)
The Bird and the Bee--another fantastic Nerd and the Bird combo!
Glad Lightbulb sun got a mention. Definitely one of my favourites from 2000. Didn't know about it at the time though. Some of the albums that are still in my collection from this year include Kid A, White Pony by the Deftones, Coldplay Parachutes, APC Mer De Noms, Nicola Conte Jet Sounds, St Germain Tourist, Bonobo Animal Magic, Bent Programmed to Love, Placebo Black Market Music, Belle and Sebastien Fold your hands, RATM Renegades, Smashing Pumpkins Machina, Nine Inch Nails Things Falling Apart,
A lot of unfortunate comments when it comes to the Marshall Mathers LP, but otherwise, a good episode.
That album broke a lot of ground in and of itself for being a self-aware album about the toxicities of gangster rap culture, being tongue-in-cheek about the nature of the extremities of the culture, while also wholeheartedly embracing the tropes to commentate not just on Eminem's upbringing, but also on the comments that moral guardians were making on Eminem's image, as well as how they refused to take care of their own to prevent tragedies like the Columbine and Westside Middle School shootings.
The album does have a veneer of self-indulgence to it, but done in such an over-the-top manner that it really did do things differently lyrically and thematically. I will admit, as you guys have: it wouldn't have sold as well if it were done by a black artist, due to the overall racist conceptions of the American pop-culture zeitgeist, but it really should be acknowledged as a smarter album than a general footnote of its ubiquity and...unfortunate imaging as Eminem simply selling well for being white.
Cheers, guys.
Wow, Goldfrapp and Stewart Lee on same podcast by two people, one of whom I know only because I once was surprised by concept of "one man prog rock band"
there is nothing quite like british humor. brilliant.
I've seen them rap singers, they have them on the Top of the Pops, don't they?
did not expect a "What we do in the shadows" reference here!!!
I love love loooooove OVO. It's one of my favorite PG albums.
Tim and Steven, in regards to your “marmite” voice comment, you should check out the art-rock band Wild Beasts. They have since disbanded, however they have a singer that fits that description perfectly. They were influenced heavily by Kate Bush and Peter Gabriel so I think you both should check them out. Cheers!
I love that PJ Harvey album. It's hard to put my finger on why except the songs just stand out to me. The melodies are very strong and catchy, and I ike the overrall ambience of the record. At the end of the day though a song will either stand out to you or it won't and there isn't always logical reason why.
A few other albums that deserve a mention I think are Bohren und Der Club of Gore - Sunset Mission, Deftones - White Pony and At the Drive-In - Relationship of Command.
Funny, I feel the same way about PJ Harvey, she’s good, but something about her I never connected to and I don’t find her albums very interesting and they don’t really do anything for me, but yeah, she’s always up for awards.
I liked Dry and loved Albini's production on Rid of Me . . after that, it's all a bit meh
@@Tabazan I like a few of her individual songs, but I’ve never managed to like a full albums worth from her, I generally become disinterested halfway through. I can understand the draw to her, but I agree with you, she’s mostly meh.
You forgot Sigur Ros agaetis byrjun.
That’s from 1999, not 2000.
@@Godbluffer The international Fat Cat release is from 2000
I have never heard Steven talk about Ulver, does he not know about them or just think they are trash? This year they released Perdition City which should be in any top album list
Haha…I just basically said the same thing. Perdition City is a god tier album. I’ve been listening to that album since it came out and it never gets old. The vocals that come in halfway through Porn Piece or the Scars of Cold Kisses are the best vocals ever recorded in my opinion.
Agree, favorite track in that album
Marshall Mathers LP is one of the greatest records ever.
Linkin Park’s Hybrid theory, available at all good………and bad charity shops everywhere
I remember listening to OVO to death. It was my big introduction to some cool world music. Back in those days I loved the last track, Make Tomorrow and I still do. Paul Buchanan and Elizabeth Fraser vocals are just from beyond this world. Yes it's a bit long work but it still flows smoothly and quickly. I wouldn't say Father Son is the best track on the album, it's just one of its highlights if you ask me. And it's been 23 years and it still remains a gem to me.
How many times do you guys listen to a record before formulating a verdict?
It varies. Many of the albums we're familiar with and we'd have listened to many times over and subsequently refreshed our knowledge of them pre-podcast. However, some we'll have only listened to in passing and then 'revised' for the podcast.
LMAO at the Eminem section ))))))))
I can't get into PJ Harvey (or Springsteen or Dylan, much agree with Steven there).
PJ Harvey!? How dare you!
Her output is a bit varied, Stories From The City... Is pretty good but Let England Shake is one of the most beautiful and profound records ever made. Fully deserving of all the accolades.
I think Ray Wilson must go back to genesis now, amazing voice
Not one word uttered about The Fall's album of this year? Perhaps that's why it was titled 'The Unutterable'.
Episode 40? Part 3?
After all these years it's definitely weird hearing a musician admire repeatedly say my home town's name. Even though it's a band... Lol
Have you heard them rappers?
Oh wow. Did Steven Wilson actually say a PT album was progressive rock for once?😂
Blimin' ekk Tim, so few interruptions, did you pop something in his tea?! Next time.....whoopee cushion, keep him on his toes, yeah!
Yes, P.J. exactly, just not particularly interesting. Mrs Mills defined popular music decades before the Beatles.....just after Bach.
Steven is my idol, and I greatly admire him for his music, experimentation, musical orientation, and open-mindedness. However, when it comes to Eminem's "The Marshall Mathers LP" album, I have to offer a different perspective.
I haven't been a fan of Eminem for the last 20 years because it seems like he's been trying to move away from his original sound, character and cater more to the mainstream rap scene. In "The Marshall Mathers LP," apart from the typical street attitude, emotions, and extroversion, I struggle to find much depth. While songs like "Kim" showcase intense anger and agony, I feel that his self-deprecating humour and portrayal of sinful activities lack substance, especially since he no longer practices them today, all of these stuff are pretty great for a rap record I guess. Although his lyrical expressions and rhyming are impressive, they don't resonate with me on the same profound level as those of other rappers.
Overall, I believe Eminem's earlier work, up until "The Eminem Show" album, truly showcased his greatness in the industry.
Have a listen to Ebony Buckles Disco Lasers. ❤
it's pronounced Sunn not Sunn Oh
18:48
I think Bobby D is a bit overrated too,i saw him to many times at number 1 of every album ever.
Steven, darling, if you think The Marshall Mathers LP is "Gangsta Rap" you're out of your mind. Also, his lyricism is at it's peak here. Are you just focusing on curse words? There is so much more depth to that LP, STAN alone is a fucking masterpiece, so much so, Elton John wanted to perform it with him live at the MTV awards, it's the perfect example of "The Art of Storytelling" coined by Britains own Slick Rick. Em's talent and wordplay are second to none on this LP. Is it meant to push buttons? Be outrageous? Be over the top? Yes, of course. That's why so many people loved it because it was so far removed from the norm it kinda swept people off their feet. Keeping in mind his prior effort, The Slim Shady LP went Triple Platinum. This is no enigma by any stretch. Even Rolling Stone magazine in the year 2000, which still had a rock music slant to it stated, "With the lyrical complexity and detailed narratives of Biggie, the hilarious, is-he-kidding-or-not button-pushing of Howard Stern, the disaffected angry-white-boy-ness of Fight Club and the fearless, kill-me-if-you-can energy of Tupac. He has a macabre imagination to rival Satan’s and an incredible ability to create new rhyme patterns. He has a frightening proclivity to spit venom one moment and humor the next, and a never-ending slew of jaw-dropping punch lines". You're right Steven, you are 5 years older than me but as you say "I feel like I'm 300 years old", yea, spot on mate.
I don't get PJ Harvey either. One of those artists that do absolutely nothing for me.
I don't think i ever listened to the Antony & The Johnsons debut, just because of the album cover.
Hybrid Theory is pure aimless juvenile anger. Some parts (the bridge of In The End) sound like demos that still need work. The songwriting and sound definitely improved on Meteora.
That was the biggest disservice to the Marshall Mathers LP. It's got more rock than hip-hop to it, so i don't know why it would be " not for you".
I like Steven Wilson, but I wish he would quit repeating "Yorkie boy".
I love the pod lads but you're way off on the PJ Harvey take
love them episodes where the guys sift through garbage.
i know these guys know their shit and steve has made great music but i get a pretentious vibe lol
Eminem sold 25 gazzilion records😂😂😂😂