Troyanos was a simply marvellous singer. She had a quiet intensity that enlarged the qualities of her voice, which was essentially 'soft-grained' as she called it, very different from the Italianate mezzo sound of the 50s and 60s. She remarked this was the only Verdi role she enjoyed 🤭
@@sharonrenzulli9941 I am always so envious of those who got to see these great singers live! We have the recordings forever but the moments only briefly.
@@jmiller05 Lucky to live in that age-1964-onward- Price & Bumbry in Aida, Tebaldi, Nilsson -ah, Corelli, Kraus- Caballe’s Met debut as Leonora in Trovatore. Met Callas at a Tebaldi performance. Fumbled to take her pic. No, she said, I’ll wait till you can get the photo. Gobsmacked. Crazy for Jane Eagles in any Wagnerian role.
@@sharonrenzulli9941 oh you have had an amazing life having seen all these greats! To actually be told by the great Maria callas that she would wait so you could get the picture right. What a generous lady! Good for you! Bless you too!
I saw Ms Troyanos in LA with NYCO as Octavian .I was 18 yrs old and an adoring fan. After her performance she went for a bite to eat in Music Center restaurant all alone at the counter in a full length leopard coat over her shoulders. I approached her and told her how much her performance meant to me. She was very sweet and thanked me. I remember this like it was yesterday.
Love love love this - to think she had such a troubled youth, having been in a kids foster care home and then died tragically so early of cancer, makes me even more thankful that so much of her artistry has been captured for us all to enjoy.... Brava. And bravo to you, Lohengrin O for sharing....
Molto Bene. I love Troyanos. I had the good fortune of hearing her live once, at Lincoln Center. The voice had an amplitude and warmth that these recordings can't capture. Huge voice, with a golden shine.
I remember her Adalgisa in San Francisco. I was in standing room behind the upper balcony, and I remember the reverberation of a particularly beautiful note, not loud, making its way up there.
My very first Cleopatra (I forgot which production), Cherubino (c. Böhm) and Eboli (the same production) And I remember my deep sadness as I knew she has gone, few months after dear Arleen. RIP Thanks a lot dear Lohengrin 💐
I was lucky enough to have hear Troyanos in Boston a few times in the mid '70's including her gorgeous ROMEO in I Cappuletti with Sarah Caldwell at an old movie theater where that company performed.
As a history buff. I always liked her eyepatch in this production. To say nothing of her excellent singing and characterization throughout the performance.
Yes! Didn't the real Eboli lose her eye in a duel as a child? Ha. I also love the attention to detail by the stage director- ie, the ladies all curtsy to Eboli. In the context of this opera at least, she is second in rank only to the queen at court and is owed due deference.
Tatiana Troyanos, such an amazing voice and artist! I simply adore her! Yet, I would certainly add Markella Hatziano to the list of the great Greek opera female singers.
The great, almost sui generis Tatiana, who could do seemingly anything - - or be anyone--with her chameleonic voice and commanding presence. It was astonishing to read of her stage fright, because she was such a magnificent stage creature, whose characters were drawn with such immense care and detail. She was certainly one of the greatest artists I ever saw, and I was very lucky to see her often, in a variety of roles. Never equaled, greatly missed.
Ma che bello !!!! La Troyanos fu forse il Mezzosoprano( insieme a la Berganza ) più fantastica del 20mo secolo. La sua presenza in palco scenico è come bere un Chianti sulle Cascine ...tarde pomeriggio nel mese di luglio: Cioè il Cielo !!!!!
I saw Don Carlo at the Met in 1980. Troyanos was scheduled to sing Eboli but cancelled, so I never got to hear her live. I have a book on the history of Broadway musicals which has a colour photo of the wedding scene from the original Sound of Music production. Troyanos is visible as the tallest of the nuns. :)
I can only imagine what it would be like to dress up and go to theater to see Troyanos, Simionato, Dominguez, Stignani... I am sure I will never have this experience in my lifetime
Johanna Fiedler, in Molto Agitato, writes of Troyanos' severe stage fright (once almost walked out of a Parsifal, another time driven to tears by Battle-who else, ha ha-feuding with Pinnock). You'd never know from the consistently high quality of her live performances. (Incidentally, she is also my favourite studio Carmen.)
Certain singers I listen to that are just MUSIC ITSELF POURED THROUGH THEM... One of them is Troyanos. another was Verrett. A vocal presence and musicality that always shone through.
Gone too early and suddenly--her death was a blow to the operatic world, particularly the MET-- with many songs waiting to be sung. A video of "O' Don Fatale" will compliment this performance. She attacks the aria with a searing determination, yet contrite and full of remorse and resolve to save Carlo, regardless of her own predicament. Her Eboli (Freni, I believe) steals the show.
1:31 EBOLI Nel giardin del bello saracin ostello, All'olezzo, al rezzo degli allòr, dei fior, Una bella almèa, tutta chiusa in vel, Contemplar parea una stella in ciel. Mohammed, re moro, al giardin sen va; Dice a lei: “T'adoro, oh gentil beltà! Vien', a sé t'invita per regnar il re; La regina ambita non è più da me”. CORO Tessete i veli, vaghe donzelle, Mentr'è nei cieli l'astro maggior. E sono i veli, al brillar delle stelle, più cari all'amor. EBOLI “Ma discerno appena, chiaro il ciel non è, I capelli belli, la man breve, il piè. Deh! Solleva il velo che t'asconde a me; Esser come il cielo senza vel tu de'!". Se il tuo cor vorrai a me dar in don, Il mio trono avrai, ché sovrano io son. Tu lo vuoi? T'inchina, appagar ti vo'. Allah! la regina!” Mohammed 'sclamò. CORO Tessete i veli, vaghe donzelle, Mentr'è nei cieli l'astro maggior. E sono i veli, al brillar delle stelle, più cari all'amor.
Да, Татьяна - прекрасная Эболи. А какая она восхитительная и страстная Юдит в "Замке Герцога Синяя Борода", драматичная Дидона в "Троянцах" или абсолютно стильный моцартовский Секст в "Милосердии Тита". Великая певица.
Oh why wasn’t the 1954 Don Carlo of Callas recorded?! :( As of the video recording in discussion, lol this was the famous one you mentioned in the video of Caballe, i gather? 😎😉 she is indeed spectacular! Reminds me of Simionato
Прекрасная женщина. Как хорошо она изобразила строгую завистницу. У нее сильный голос. Она правда зажимает, но при этом головной звук есть. И там где она зажимает у нее есть ещё много места, бывает такое, что она не контролирует
Trying to recall the Met's late 70s/early 80s "Don Carlo casts." Eboli: Troyanos and Marilyn Horne Carlo: Domingo and Vasile Moldoveanu (am probably misspelling his name; sorry) Rodrigo: Milnes and Louis Quilico Fillippo: Ghiaurov and Plishka Grand Inquisitor: Hines Soprano lead (I forget the character's name): Leontyne Price and Renata Scotto
🌹fantastic, thank you! I always loved her “weeping” timbre (Santuzza!!!😢🙏), and here with this light bitter, nearly masculine sound down and the juggle up there - wow! Who is the sweet Tebaldo? Sounds a little bit like Reri Grist😂❤️
EBOLI Nel giardin del Bello, saracin ostello, all’olezzo, al rezzo degli allòr, dei fior una bella almèa tutta chiusa in vel, contemplar parea una stella in ciel. Mohammed, re moro, al giardin sen va; dice a lei: «T’adoro, O gentil beltà! Vien’, a sé t’invita per regnar il re. La regina ambita non è più da me.» Coro: Tessete i veli, vaghe donzelle, mentr’è nei cieli l’astro maggior. Sono i veli, al brillar delle stelle, sono i veli più cari all’amor! EBOLI «Ma discerno appena, (chiaro il ciel non è) i capelli - belli, la man breve, il piè. Deh! Solleva il velo che t’asconde a me; esser come il cielo senza vel tu de’!» Se il tuo cor vorrai a me dar in don, il mio trono avrai, ché sovran io son! Tu lo vuoi? T’inchina, appagar ti vo’: «Allah! La regina!» Mohammed sclamò. Coro: Tessete i veli, vaghe donzelle, mentr’è nei cieli l'astro maggior. Sono i veli, al brillar delle stelle, sono i veli più cari all’amor!
Because the real princess Eboli, Anna de Mendoza y la Cerda, actually had one blind eye. Btw it was the other one, but anyway... fr.wikipedia.org/wiki/Ana_de_Mendoza_de_la_Cerda#/media/Fichier:La_princesa_de_%C3%89boli.jpg
Troyanos was a simply marvellous singer. She had a quiet intensity that enlarged the qualities of her voice, which was essentially 'soft-grained' as she called it, very different from the Italianate mezzo sound of the 50s and 60s. She remarked this was the only Verdi role she enjoyed 🤭
I heard her at the Met as Eboli. Magnificent
@@sharonrenzulli9941 I am always so envious of those who got to see these great singers live! We have the recordings forever but the moments only briefly.
@@jmiller05 Lucky to live in that age-1964-onward- Price & Bumbry in Aida, Tebaldi, Nilsson -ah, Corelli, Kraus- Caballe’s Met debut as Leonora in Trovatore. Met Callas at a Tebaldi performance. Fumbled to take her pic. No, she said, I’ll wait till you can get the photo. Gobsmacked. Crazy for Jane Eagles in any Wagnerian role.
@@sharonrenzulli9941 oh you have had an amazing life having seen all these greats! To actually be told by the great Maria callas that she would wait so you could get the picture right. What a generous lady! Good for you! Bless you too!
@@debbiejohnson2789 : I know . It was spectacular. Bless you too.
I saw Ms Troyanos in LA with NYCO as Octavian .I was 18 yrs old and an adoring fan. After her performance she went for a bite to eat in Music Center restaurant all alone at the counter in a full length leopard coat over her shoulders. I approached her and told her how much her performance meant to me. She was very sweet and thanked me. I remember this like it was yesterday.
Troyanos... truly one of the underrated stars of all opera. Such a wonderful, intelligent woman who died too soon.
She was my very first Eboli, and to this day the favourite! Gorgeous singer and a heavenly beautiful woman.
What a wonderful and generous singer.
Heavenly voice.
Beautifull depth. As high and clear as a bird.
Love love love this - to think she had such a troubled youth, having been in a kids foster care home and then died tragically so early of cancer, makes me even more thankful that so much of her artistry has been captured for us all to enjoy.... Brava. And bravo to you, Lohengrin O for sharing....
Amazing lady, truly!
Troyanos was the jewel in the crown. Amazing artist. Troyanos and Varrett were the greatest Eboli’s ever.
Was fortunate enough to see her at the MET many times as Eboli, Venus and Octavian. She was simply magnificent!
Always wonderful. Such an elegant and intelligent singer.
Molto Bene. I love Troyanos. I had the good fortune of hearing her live once, at Lincoln Center. The voice had an amplitude and warmth that these recordings can't capture. Huge voice, with a golden shine.
I remember her Adalgisa in San Francisco. I was in standing room behind the upper balcony, and I remember the reverberation of a particularly beautiful note, not loud, making its way up there.
Понравилось Ваше воспоминание.
I saw her Clairon in the 1993 San Francisco "Capriccio", a few months before she died. Lucia Popp also died in the same month. What a double tragedy!
Arlene Auger also passed on, around that time.
So sad
What a talent that left the opera world too soon.. Brava!
My very first Cleopatra (I forgot which production), Cherubino (c. Böhm) and Eboli (the same production)
And I remember my deep sadness as I knew she has gone, few months after dear Arleen.
RIP
Thanks a lot dear Lohengrin 💐
Great Eboli. Great actress and magnificent singer. Truly princely: like her very few. Thank you.
I was lucky enough to have hear Troyanos in Boston a few times in the mid '70's including her gorgeous ROMEO in I Cappuletti with Sarah Caldwell at an old movie theater where that company performed.
Great!!! I can't stop singing this melody now! Her voice is running in my mind as a magic poison!
As a history buff. I always liked her eyepatch in this production. To say nothing of her excellent singing and characterization throughout the performance.
Yes! Didn't the real Eboli lose her eye in a duel as a child? Ha. I also love the attention to detail by the stage director- ie, the ladies all curtsy to Eboli. In the context of this opera at least, she is second in rank only to the queen at court and is owed due deference.
@@jmiller05 noooooooo... Niki Minaj scratched it out
Ana de Mendoza y de la Cerda was a genius to wear her eyepatch at court, adding an air of dangerously mysterious sensuality to her demeanor
@@LohengrinOAnd Evonne Goolagong ate it 😋
Gorgeous Tatiana!! One of the four Greek Goddesses of Opera. (La Callas, La Troyanos, La Balza, La Stratas)
Shirley Verrett
Tatiana Troyanos, such an amazing voice and artist! I simply adore her!
Yet, I would certainly add Markella Hatziano to the list of the great Greek opera female singers.
Troyanos wasn't Greek. She was born and bred in NYC.
So was Callas. And Stratas is Canadian. I think she's referring to Greek in heritage, in which case I'd add souliotis to the list :)
@@nathandavis3002 Oh, but then she should've said half Greek half German. OK, I think I'm getting OCD. :)
One of the best interpreters of Eboli - probably the best of them all. Bravissima Troyanos!!!
The great, almost sui generis Tatiana, who could do seemingly anything - - or be anyone--with her chameleonic voice and commanding presence. It was astonishing to read of her stage fright, because she was such a magnificent stage creature, whose characters were drawn with such immense care and detail. She was certainly one of the greatest artists I ever saw, and I was very lucky to see her often, in a variety of roles. Never equaled, greatly missed.
Única. Sin palabras.
Love this!! I was in Tannhauser at the Met when she sang venus.
Phénoménal, superbe, merveilleux et inspiré. Quelle splendeur !
Una delle migliori Eboli in assoluto
Seamless “column” of voice registers, unbelievable!
And you won't find a more musical singer, she was phenomenal. Musicality off the charts.
I had the pleasure of seeing her essay this role in this production. Spectacular.
Eterna saudades...
Incomparável Tatiana 🎻💕
Fantastic voice, perfectly good conducted. Marvelous sung. Thank you for posting this wonderful masterpiece of arts.
She is quite a presence with her height towering on stage
Thank you, and goodnight. 👍❤️
Ma che bello !!!! La Troyanos fu forse il Mezzosoprano( insieme a la Berganza ) più fantastica del 20mo secolo. La sua presenza in palco scenico è come bere un Chianti sulle Cascine ...tarde pomeriggio nel mese di luglio: Cioè il Cielo !!!!!
I saw Don Carlo at the Met in 1980. Troyanos was scheduled to sing Eboli but cancelled, so I never got to hear her live. I have a book on the history of Broadway musicals which has a colour photo of the wedding scene from the original Sound of Music production. Troyanos is visible as the tallest of the nuns. :)
I can only imagine what it would be like to dress up and go to theater to see Troyanos, Simionato, Dominguez, Stignani... I am sure I will never have this experience in my lifetime
Johanna Fiedler, in Molto Agitato, writes of Troyanos' severe stage fright (once almost walked out of a Parsifal, another time driven to tears by Battle-who else, ha ha-feuding with Pinnock). You'd never know from the consistently high quality of her live performances. (Incidentally, she is also my favourite studio Carmen.)
Gorgeous, masterful velvety power. Brava!!! 🎼
Τελειότητα! Και το πιο αγαπημένο μου κομμάτι για μέτζο, ευχαριστώ!😍😍😍😍
Mine is Niki's Anakonda
@@LohengrinO χαχαχαχαχα 😂😂😂
@@LohengrinO With Jalo 🤔
Notable, brava!!!! 👏👏👏👏👏
Very sad, that she was recalled so early.
Certain singers I listen to that are just MUSIC ITSELF POURED THROUGH THEM... One of them is Troyanos. another was Verrett. A vocal presence and musicality that always shone through.
.... Delicious and beautiful... Thank you dear Lohengrin0 👏🇮🇹👏🇮🇹👏🇮🇹Elsa
Gone too early and suddenly--her death was a blow to the operatic world, particularly the MET-- with many songs waiting to be sung. A video of "O' Don Fatale" will compliment this performance. She attacks the aria with a searing determination, yet contrite and full of remorse and resolve to save Carlo, regardless of her own predicament. Her Eboli (Freni, I believe) steals the show.
AMAZING, simply amazing.
I was lucky enough to see her perform as Eboli and Octovian.
Espectacular!!!!!!!!!!👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Sotto ai folti... Nei giardin del bello
Tatiana Troyanos as Princess Eboli in Verdi's Don Carlo
Conducted by James Levine
Metropolitan Opera 1980
non serviam. Thank you so much!
That is about as perfectly as anyone could sing the Veil Song
Gorgeous!
STUNNING!!!
yes perfection
1:31
EBOLI
Nel giardin del bello saracin ostello,
All'olezzo, al rezzo degli allòr, dei fior,
Una bella almèa, tutta chiusa in vel,
Contemplar parea una stella in ciel.
Mohammed, re moro, al giardin sen va;
Dice a lei: “T'adoro, oh gentil beltà!
Vien', a sé t'invita per regnar il re;
La regina ambita non è più da me”.
CORO
Tessete i veli, vaghe donzelle,
Mentr'è nei cieli l'astro maggior.
E sono i veli, al brillar delle stelle,
più cari all'amor.
EBOLI
“Ma discerno appena, chiaro il ciel non è,
I capelli belli, la man breve, il piè.
Deh! Solleva il velo che t'asconde a me;
Esser come il cielo senza vel tu de'!".
Se il tuo cor vorrai a me dar in don,
Il mio trono avrai, ché sovrano io son.
Tu lo vuoi? T'inchina, appagar ti vo'.
Allah! la regina!” Mohammed 'sclamò.
CORO
Tessete i veli, vaghe donzelle,
Mentr'è nei cieli l'astro maggior.
E sono i veli, al brillar delle stelle,
più cari all'amor.
I loved this thank you. I'm embarrassed to say I did not know her voice
why embarrassed? lack of knowledge is never a thing to be embarrassed of, the lack of crisis is
Please !!! the parch was supposes to be on the right eye,,,,( to whom may concern it )
Браво! Лучшая и моя любимая Эболи, так гармонично и выдержано никто больше не споёт
Да, Татьяна - прекрасная Эболи. А какая она восхитительная и страстная Юдит в "Замке Герцога Синяя Борода", драматичная Дидона в "Троянцах" или абсолютно стильный моцартовский Секст в "Милосердии Тита". Великая певица.
The cadenza is amazing.
WHAT A BRILLIANT PERFORMANCE!
She isn't a Princess but a Queen looks this attitude
Somptueuse interprétation !!!
Tatiana Troyanos murió de cáncer de mama a la edad de 54 años 1993, a la misma edad y el mismo año queLucia Popp y Arleen Augér también de cáncer.😢😢😢
Fantástica!
Oh why wasn’t the 1954 Don Carlo of Callas recorded?! :(
As of the video recording in discussion, lol this was the famous one you mentioned in the video of Caballe, i gather? 😎😉 she is indeed spectacular! Reminds me of Simionato
Magnificent.
Прекрасная женщина. Как хорошо она изобразила строгую завистницу. У нее сильный голос. Она правда зажимает, но при этом головной звук есть. И там где она зажимает у нее есть ещё много места, бывает такое, что она не контролирует
Brava!!!!
I love these video titles 😁
me too
She is just wonderful in this role. We are very lucky for having had great Ebolies such as Troianos, Bumbry, and Balsa among others.
there is a recording where Baltsa sings her Eboli along with Gruberova as Tebaldo (or whatever his name)
@@LohengrinO Indeed. The cast is first class, with Freni, Carreras, Capuccilli and Ghiaurov. Karajan conducts.
I agree. It was my first hearing of this dark opera. Thereafter it was Solti and Abaddo..
It has been said that Shirley Verrett "owned" Eboli. SHE STILL DOES...
That agility tho!
My Totsie ❤️
Trying to recall the Met's late 70s/early 80s "Don Carlo casts."
Eboli: Troyanos and Marilyn Horne
Carlo: Domingo and Vasile Moldoveanu (am probably misspelling his name; sorry)
Rodrigo: Milnes and Louis Quilico
Fillippo: Ghiaurov and Plishka
Grand Inquisitor: Hines
Soprano lead (I forget the character's name): Leontyne Price and Renata Scotto
@Steve VanDien: and Freni ☝️
And Frenis husband Ghiaurov as King Phillip and (a young) Furlanetto as the Grand Inquisitor. Scotto also sang Elisabeth and Bumbry sang Eboli,
You're probably thinking of Margaret Price who sang Elisabetta at the Met in 1989 (with Shicoff, Bernd Weikl and Ruggero Raimondi also in the cast).
Tebaldi? Canaletto. Bergonzi
🌹fantastic, thank you!
I always loved her “weeping” timbre (Santuzza!!!😢🙏), and here with this light bitter, nearly masculine sound down and the juggle up there - wow!
Who is the sweet Tebaldo?
Sounds a little bit like Reri Grist😂❤️
Is it Betsy Norden?
Bravissimo
Statuesque for eons. Slay.
EBOLI
Nel giardin del Bello,
saracin ostello,
all’olezzo, al rezzo
degli allòr, dei fior
una bella almèa
tutta chiusa in vel,
contemplar parea
una stella in ciel.
Mohammed, re moro,
al giardin sen va;
dice a lei: «T’adoro,
O gentil beltà!
Vien’, a sé t’invita
per regnar il re.
La regina ambita
non è più da me.»
Coro:
Tessete i veli,
vaghe donzelle,
mentr’è nei cieli
l’astro maggior.
Sono i veli, al brillar delle stelle,
sono i veli più cari all’amor!
EBOLI
«Ma discerno appena,
(chiaro il ciel non è)
i capelli - belli,
la man breve, il piè.
Deh! Solleva il velo
che t’asconde a me;
esser come il cielo
senza vel tu de’!»
Se il tuo cor vorrai
a me dar in don,
il mio trono avrai,
ché sovran io son!
Tu lo vuoi? T’inchina,
appagar ti vo’:
«Allah! La regina!»
Mohammed sclamò.
Coro:
Tessete i veli,
vaghe donzelle,
mentr’è nei cieli
l'astro maggior.
Sono i veli, al brillar delle stelle,
sono i veli più cari all’amor!
Only LOVE ❤️
BTW is that Betsy Norden I see as Tebaldo?
The golden age of mezzos is no more, alas.
Gràcies, Lohengrin 0.
Who is the soprano on the lute singing with her?
Betsy Norton, I think.
Sorry, she is soprano Betsy Norden.
How tall are troyanos and sutherland?
just like Niki Minaj
Già da come sorridevano si capisce che era in forma!
A godess
Brava
Why this Eboli has one blind eye?
Niki Minaj scratched her other one
@@LohengrinO ROLF!!!
Because the real princess Eboli, Anna de Mendoza y la Cerda, actually had one blind eye. Btw it was the other one, but anyway... fr.wikipedia.org/wiki/Ana_de_Mendoza_de_la_Cerda#/media/Fichier:La_princesa_de_%C3%89boli.jpg
@@LohengrinO Who is Niki Minaj?
Люблю.
Gorgeous!