Why Taylor's Versions Feel Different
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- Опубликовано: 21 сен 2021
- So basically Taylor's Versions are making me feel old and like I have a lot of feelings about why they sound and feel so different and I wanted to make a video about that so here it is. Yes, I am back by the way. #TaylorSwift #TaylorsVersion #VideoEssay
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Anyone else feel extremely old after hearing the first 1989 TV track?
Just pinning this: I’m NOT encouraging listening to the originals. Like if you wanna do that, please use the existing CDs and try not to stream them if a Taylor’s Version exists. I just wanted to share my thoughts about why I feel weird about the TV albums sometimes, I’ve seen a few comments misinterpreting my video or whatever. I’ll be supporting Taylor’s rights to own her art by buying and streaming these versions as they come out. But if I have the originals on CD and I miss them, I’ll listen to them there.
it'll be hard saying goodbye to the original version of reputation, that's probably my most listened to album of all time
Legit, I hope it sounds identical enough because I memorized the original 💀
Its gonna sound the same but yeah😭
you dont have to
i know me too but at least i have a cd :)
@@absayayayou do unless you’re a snake 🤢
I actually love Taylor's Versions and think they're way more interesting. I feel I can connect better to 31-year-old Taylor. She's deeper and more mature. But I totally understand why some fans would prefer the old versions. For me, they just sound naive and don't work anymore. I think it depends a lot on your own journey through life and what you're looking for in art.
Honestly same! Don’t get me wrong, I’ll always appreciate the originals but I find the Taylor’s Versions have a new level of reflection that comes with her age if that makes sense
It’s the same with me, maybe because I’m a newer fan. But speaking of time and reflection, the one I’m looking forward the most is definitely Reputation, because with all the other re-recordings, she will sing about relationships and stuff she probably moved on from, which may be why some people feel the emotion in the delivery is different. Buuut in Rep she will revisit the beginnings of a relationship that only grew deeper with time, and the 2016 stuff that probably still hurts, even a little
I’m Taylor’s age but I feel a lot more immature.
Anyone who's recorded vocals can tell you most everything can be fixed in mixing/mastering EXCEPT emotion in the delivery - you absolutely can hear a smile or a struggle and it IS a loss to no longer be able to share the versions that capture the moments in time these were written and recorded. I'm sure Taylor feels it too
Yeah I think this is definitely a feeling you share with a lot of swifties, don’t feel too guilty about wanting to listen to the old versions either :)
It’s such a weird feeling! Like I know the originals aren’t hers anymore and the Taylor’s Versions are like more “HD” or “perfect” but Speak Now’s original master is so beautiful bc you can really hear her like discover her voice on that record. Though Enchanted with her new vocals is gonna be iconic!
@@EljohnMacaranas yes I totally understand what you mean! I know every breath she takes in those songs, and it’s just not gonna be the same. That said, the quality of her voice and the production of this nee recording blew me out of the water. Sooo good! So I’m enjoying that, while simultaneously grieving a bit for the old ones. Great video, thanks!!
@@EljohnMacaranas if you already have the CD of the old version I don't think there's anything wrong with listening to that. It's not like you're making Scooter Braun any more money by listening to a CD that you already bought.
I understand what you mean. I also feel like the original versions hit different, but the reason why it does for me atleast is because in the original versions of these songs you can hear so much emotion in the songs as she sings them. Yes her vocals have improved, but you can tell that she has moved on from the era she's singing about. Whereas in the original the different emotions she was singing about in the songs were fresh and new and recent. So it sounded more raw and real. Fearless I didn't really care all that much about because it never really touched me except for love story and so I just thought all of that was an improvement. But speak now all the way to reputation are the albums that have meant so much to me. Somehow I always end up hearing folklore and evermore when I hear any of the rerecordings. The only joy I feel when thinking about the rerecordings are that I can listen to the songs on spotify without giving money to you-know-who and that she's putting out songs from the vault. Regardless though I want to support her and listen to her rerecordings.
Her style of singing has definitely changed. She sings notes differently than she used to, probably due to training, as these changes generally give more control and support, but you can hear the difference. It’s probably why it sounds like folklore/evermore.
I totally get what you mean about the emotion aspect of the originals. The emotion there feels more potent whereas now there's a sense of been there done that. All Too Well from the original Red and The Way I Loved You from Fearless in particular hit different ngl. Though there was more to gain overall from the rerecordings like vault tracks but yeah it came at a cost.
I know what you mean. In the OG Fifteen there's a lyric she sings and there's a split second (VERY subtle) where it sounds like she's about to burst into laughter. Like she realizes how much she's accomplished at her age of 18. It's not in TV.
YES! I missed that in the TV and it’s little stuff like that I’ll miss, though I’m sure there’ll be little things like that in the later album rerecords (like I can imagine some laughs during the rep rerecords since those will be the last.)
Been a Swiftie since debut and I feel you here. Red is the album that got me through the worst year of my life so it will be hard but also exciting to hear the vault and 10 minutes ATW. I grew up with all the originals but I’ll love the TV ones. I know I feel sad about old albums but I want to support her work now. She and I are six months apart from each other and are from similar towns. Don’t feel bad.
Thanks Heidi! It’s so bittersweet letting go of the versions that took us through rough times, I’m gonna be both devastated and happy when Reputation’s TV comes out just bc that album saved my life the way Red did yours!
TV versions are awesome cause to me its like she's reading old journals and viewing them under a new light, the emotions may be not like the OG but there are new ones and new little quirks that makes the song feel new and fresh, its about two different time period her young self and her grown one. "Never grow up" its going to make us cry hard.
Oh Speak Now is the TV I actually want the most, her vocals on that album were not up to par with the songs themselves. Like she sounded fine but definitely pushed herself on a few songs. Now that she has a better vocal range and better insight into her life, that album’s gonna really be the best TV imho.
@@EljohnMacaranas i think so too, tracks like Enchanted, Innocent, Last Kiss or Haunted are going to be amazing now that she master her low tone and the way she gained control over her vocals, i have the chills just to think about it hahaha
Taylor's Version versions
I think someday she'll own her originals and it'll be ok to listen to them again!
Someone had a theory she had managed to acquire them back somehow but that was back when she sold Speak Now and 1989 merch on her store.
I absolutely understand what you're saying. I've been a hardcore fan for about 2-3 years but I've known her music since Red as that's when she really had worldwide reach (not that she doesn't now). I'm one of those people that I'm so excited for the re-recorded versions and I just want to ditch the old versions because the new ones will sound so much better. But again, that's just how I feel about the re-recordings. For instance, I don't even want to listen to the original Fearless - I tried and I didn't like it as much as Fearless (Taylor's Version). Wildest Dreams (Taylor's Version) is even more impressive. I'll always love the original versions but I'm ready to let them go as it's for the better. But one thing is for sure - Taylor has to do that no matter how swifties feel about it.
Also you can download some good old MP3 files of her songs. You aren't supporting anyone when listening to them or, as you said, use the CD if you have it.
Like we as fans love the first versions of her music so much and is hard for us to let go fully and I did understand, emphasize and support Taylor about her re-recordings but this is the first time I am finding it hard and am sad over it and now MUCH worse than what I am feeling right now, Taylor would have felt.
But she still navigated her way through all of it and more. I am so proud of her. Truly.
I honestly can’t imagine how sad it was when she realized that Scott (and later Scooter) would never give her a fair chance to buy her masters. Big Machine Records offered her a deal where she’s trade a new album (so Lover and onwards) for one of the old masters back which tbh was evil of them to do.
i liked how you compared that final belt!!!
That final belt sent me into a spiral like it made me realize she really didn’t peak in 2014 vocally which was great but also omg the original was 2014 like 7 years ago 🧓🏼
FINALLY WELCOME BACK! PLEASE CONTINUE MAKING VIDEOS!
Lmao Thanks! I will!
I dont know why I feel something lack on taylors new version but I dont hate it.
when i saw the title of this vid and watched it i was like ' why? they feel the same to me?' so i decided to listen the tv and queued the stolen version after and i absolutely adore the tv, don't get me wrong, but when i heard the stolen version my heart ached a little. the stolen version will always remind me of sitting in the back corner of the classroom with my bestfriend in 7th grade and singing this along to the beats of the cup song lmao. like when i was making my middle school nostalgia playlist, i SOMEHOW didn't add wildest dreams and my bsf texted me saying ' you didn't put wildest dreams it's literally our friendship anthem' lol.
so although i only became a proper swiftie last year miss taylor alison swift still made her way into my childhood and i have an emotional attachment to some of the stolen versions of her songs ( basically all the ones that were hits worldwide), but also in a way i'm glad we're getting these versions that sound a tiny bit different because in a pandemic where time feels a little blurry, we're constantly looking back to those times when all these restrictions didn't exist, but having these 'newer' versions (WHICH ARE ALSO OWNED BY HER), gives us something to look forward to the future with, and like you said, make new memories with
Oh your english is actually pretty spot-on. Yeah I totally get what you mean about the stolen versions just being so tied to specific memories. It is a bit hard to like wire your memories (new and old) to the TV versions but we have to to really support Taylor! Thanks for sharing your thoughts! Love reading people’s stories about their relationship with music.
Omg I agree with most of what you said. I want to support the new recordings but it feels like I have to somehow grow up and let go of the past too. I definitely feel/hear the 'uncertainty' in her old recordings, but I really connect with it. Her songs are about the feelings of someone who doubts herself so the insecurity of her voice makes it more real. The recordings sound like someone who knows they're a success and they're just showing off their voice, like a kids talent show maybe. The old one is like more real. I guess it's because she was closer in time to the emotional events that inspired the old songs. That said, she did say she is still making new songs so hopefully it will sound more authentic to how she's feeling/how it's meant to feel.
You can still watch the mvs, they're credited as TVs.
Wait, did she buy back/legally win back the music videos?! That’s great!!! Aaaah! Thanks for the update!
I get you - The most meaningful TS album for me is Rep and when it comes out re-recorded I’m gonna be heartbroken.
I’m so scared for that one. The vocals are probably going to be just about the same or better but Elvira and Taylor’s production team have a hard task of recreating the Max Martin tracks like Delicate or Ready For It? or Gorgeous 😭 and lest us not forget the We Are Never Ever Getting Back Together “whees”
Something i like to do is listen to these songs on RUclips videos that have both versions playing at the same time
The one’s with the left ear being one version and the other ear the new one 💙
Honestly, I see Taylor's versions as a form of revisit to her old catalog, while bringing them forward into the future. That's why I tend to appreciate them more.
I feel something similar. You're not alone.
Taylor Swift has been carrying me as well throughout her whole career.
i feel so seen by this video. i saw fearless live 14 years ago and you out my feelings into words so well.
There’s something a bit irreplaceable when it comes to older vocals. I hope she eventually does get back the original masters one day so we can have her complete collection and so she can own those records fully.
I've been listening to both of them. I can't not listen to the originals but of course I'll listen to Taylor's versions.
The originals I listen to on CD to deny 🛴 money lmao
Nah you can listen to and share the old versions. This isn’t about her money, its just a point she’s making. Scooter and Scott have received their karma, if you like the older recordings go for it. Especially if you have older physical media (cds) that doesn’t generate revenue at all if you rip the mp3s or pop it in your car. These rich people do not care about you, you owe them nothing even Ms Swift
Honestly! Good take! I’ve ripped all my old CDs but if I’m ever streaming I’m avoiding Scooter’s Versions hahaha!
I just feel like i didn’t get enough time with the og versions since im a newer swiftie whereas other people have nostalgia tied to them in a way that i dont even though i did hear the old versions of the main hit songs
I think it’s really a mix of nostalgia and being so accustomed to even the tiniest flaws or ticks in the songs that makes me slightly worried about Taylor’s Versions. Most of them really are improvements but some of them sorta miss the mark. Like the roller coaster “Whee” in We Are Never Ever Getting Back Together
Hi! Nice to meet you. I’ve seen a few other Taylor videos from you but thought I would comment. This video definitely describes how a lot I enjoy Taylor’s versions and I’m so happy we’re getting the vault tracks!!! I have to say though they’re definitely not the same as the originals. You can definitely notice little differences in the earlier recordings and the new ones just aren’t the same. I have CDs so I can listen to older versions and stream new ones 2:33 . I also have the new versions on the CDs.of us feel. I’ve been a Swifty since 2006 since her debut.
Aaah! I’ll always keep my CDs from years past to enjoy the older version. I try my best to avoid listening them on streaming out of principle.
@@EljohnMacaranas keep the great Taylor videos coming. hope all is well.
This!! I've been saying this!!
It felt so bittersweet to me, listening to the re-recorded versions and realizing just how used I was to the tiny details! Like her little voice cracks, her shrieks and all those things that came naturally out of raw emotion... Now they're just an imitation of that.
Don't get me wrong, I LOVE the fact that you can hear her massive improvement as a singer, but it still sounds kind of foreign. It's insane just how well I knew the stolen versions! Every lyric, note, breath... "That what 12 years of experience gets you" lol.
Production-wise, my pet peeves continue to be IKYWT, 22 and Wildest Dreams. I know it's nearly impossible because they work with the best equipment and have a metronome lol, but at times either the syllables (Wildest Dreams) or the beat itself (IKYWT, 22) feel like they come in just a fraction of a second earlier than they should, and it pisses me off because I can't unhear it.
And I'm gonna get obnoxiously picky on this but there's a synth that plays a plain note halfway through Wildest Dreams that I swore wasn't there on the old version, and the last chorus has a shit-ton of other synths and background vocals that feel new as well. The beat right before the "Ahhh, ahhh-ooh" part in Trouble always sounds a liiittle bit off tempo to me and I don't know why 😭😭, and the background vocals for the 22 hook ("Idk 'bout you, but I'm feeling twenty-TWO-OH") are much louder than the old version, AND there's a TEEEEENY tiny bit on the second chorus ("If you keep me next to YOU", 1:56 on the lyric video) that LEGIT sounds like a scrapped adlib they just forgot to cut off entirely lmao. I know these are extremely specific but I swear they lowkey haunt me every time I play the re-recorded versions
Hey I know I'm a year late for this comment but came here to say I feel this and feel so validated to know its not just me, its like TV just doesn't itch my brain the same way that made me listen to certain songs on repeat growing up and still now. They don't have the same "scream at the top of your lungs" vibe and don't quite hit the same, even if it is just subtle differences you can't put your finger on, or a change of raw emotion in a lyric,(for me "the story of us" stands out to me the most with this) but mad respect to taylor she has grown so much and I will listen to anything she puts out there at this point
I actually feel the same way
I listened to the two tracks for like a hundred times just so I can compare why I love the old one better
Thank you for clearing my mind
I just remember the old versions as they were, who I was when I first heard them was younger & naive like Taylor’s voice sounds. Especially in fearless & speak now I really love the whining and crying way she sings you can hear the emotion of a young girl. In the newer versions it feels like she’s mature and looking back on these songs and stories and isn’t as engulfed in it. They definitely sound amazing because vocals are a lot more separated from the instrumental parts sounds really good. These songs mean so much to me and I love the original versions but I’m glad she owns her own music.
I'm sorry y'all but This Love TV ATE the original one up, it isn't an opinion it's a fact.
To be fair the original version WAS imho the weakest deep cut off 1989 lmao like
@@EljohnMacaranas 💀😭
This is a beautiful take. And I am now worried about how I’m gonna feel when she drops the re-record of her debut album…
I like to think of the debut rerecording as her reading an old diary. You never quite say or think the same words you stuffed away a decade ago but you remember the feelings and maybe put a new spin on them along the way. I feel like 1989 and Rep will probably sound more or less the same (especially Rep other than some tricky instrumental recreations). But Speak Now and Debut are getting a glow-up in the vocals department.
Never Grow Up (tv) is gon' to hit different
Legit going to destroy me
U can listen to the stolen version by watching the mv on RUclips cause it’s under tv on the music trademark
YESSSSS! I just love the drums at the very end so much!
I mean I think that if you have the cds I dont think youre hurting her by listening to them she'll still get a lot of streams on the new versions bc a lot of people like new version better (myself incluted)
at least with the cds you already bought it so you're not actively paying anymore
Not the horse movie 😭😭😭😭
It’s for queen Skinny… I will never forget when she said the horse was hot during the illegal grammys twitch stream dhjsksksks
I missed your videos!! Pls post more❤️❤️
I will post more don’t worry lmao I’m finalizing a quick “why i think montero might win a grammy” video
Hello Elijohn, its Carson (I changed my acct name again), I just wanted to say that i love this video and i think the detail put into it, it makes me nostalgic to my younger days, when i was in elementary school
Lmao thanks omfg I love your edits and omfg you were that young during 1989? Aaaah! I’m elderly bdjsksksk haha!
@@EljohnMacaranas ur not elderly lol, and thank u sm, i miss ur streams they were so fun
the return of the king
I vastly prefer the stolen version of wildest dreams. I feel the same about WANEGBT and Sparks Fly, and these are some of my favorites in her discography. I want to stream the Taylor’s versions so bad (like I do for every other old track) but these 3 songs just make me so sad to listen to, so I still stream stolen version. I hope she somehow acquires the stolen versions again some day
There's a particular version of Wildest Dreams (the music video/radio version) I still have a copy of that I religiously listen to. So yeah, I very much understand you streaming a few of her stolen versions (Better than Revenge OG in particular for me too.) I do think she will reacquire the originals one day though.
Omg I am so scared for Speak Now and Rep tv I really hope they are just as amazing 😭
Speak Now tbh will sound pretty close if not better with her mature vocals and because Christopher Rowe did a p good job recreating the Fearless TV.
Rep TV is gonna be a little harder. The Antonoff tracks are gonna be pretty identical if not a little clearer. But the Martin tracks (End Game, Gorgeous, RFI?, etc.) are tough. I know Shellback who did a few will probably help though. But yeah, I do get the concern.
WELCOME BACK QUEEN!
Lmao, I AM! I’m committing to posting at least once every two or three weeks. I got burnt out from last year but I did miss talking about music 😭
I listen to both versions still
Fair!
amazing videoo!
Thank you!!
Is the chromatica video still happening the remix is out now too
Yes, I’m fusing both videos together to do a comprehensive era video like the other Gaga videos (history of, short overview of, remix, and its legacy as a pandemic record)
so (tangent incoming!) a lot of my favourite shows and movies are Disney owned products, and most used to cycle between streaming services that I pay for, depending on who had the rights. and, while I can see the utility of Disney creating its own service and consolidating it’s products under its own banner, I did not want to pay money to a company whose ethics I take issue with, so instead of getting Disney+ I upgraded my DVD player and bought a bunch of DVD’s second hand. I kind of feel the same about the TV albums… I see them as a mostly commercial venture, to a) devalue the old records and b) be able to use her songs commercially as she likes. Taylor said this in an interview back before rerecords started. In a commercial setting, it doesn’t really matter is the emotions is the same etc., that only matters to the fans. I think Taylor has been doing a decent job of keeping rereleases interesting for us- adding vault tracks, remixes etc and I think she’ll need to keep upping the ante in that regard because the Scooter drama is far enough away that we’re not as motivated by rage towards him anymore as we were way back when. I don’t want to give him any of my money but the TV albums just lack that emotional connection for me, so I’d say I’ll be purchasing some second hand CD’s of Taylor’s old work.
I agree with you, I enjoy the old ones very much but I feel bad listening.
I think she’s gonna get them back eventually but for now I don’t mind putting on my old CDs
Vocally it’s better, red the original version is like a woman bring heart broken. The newer version sounds like growth and her over it and reminisce
That’s true! Every track on Red TV feels more confident but wistful. The Vault Tracks make me sad that Big Machine Records probably requested some be left off or changed to fit their needs. Like had Red had Better Man or even Babe and Nothing New, it would have been a bigger smash but I’m glad we got the all the tracks we could have.
3:09 i came here to see if i was the only one who felt weird with the instrumentals on Red TV and now i'm sad
The Red TV instrumentals especially for the songs done by Max Martin are just odd. Both WANEGBT and IKYWT have clear variations. I’m a little concerned for some of the 1989 rerecordings because of that. Rep’s probably easier considering Jack did a chunk of those.
Still waiting on that Gaga’s Star is Born era video 👀
The subtle (and not-so-subtle) differences in a lot of red make it so I’m honestly not willing to switch to taylor’s version as I thought I was going to. There’s a lack of emotion to some of it, in comparison to the originals, which is to be expected as it’s like 10 years after they were made, but still. I still think they’re very well done, and someone who is listening for the first time should definitely consume those versions instead, but as someone who already knows every little intricacy of the originals, it’s a little too difficult to transition.
Now, I must add that I’m not streaming these. The files I listen to are ones I illegally downloaded from The Pirate Bay a decade ago. So no one is getting money or any other numbers from me listening to these either way. I’m already in possession of all of her first 6 albums in this way as well as on vinyl.
I agree so hard with everything you said. I think some of the intonations and shakier younger vocals are so ingrained in my memories… it’s hard to quite let go. I think that opinion will definitely be held when rerecordings for Speak Now drop in the near future.
Tbh how you listen to the Stolen Versions are more or less how I do it. I ripped my old CD copies and uploaded them to my Spotify/Apple with special tags to denote they’re from the older versions. That way Ithica Holdings/whoever owns those versions now are denied payment.
@@EljohnMacaranas yeah. We also should note that Taylor and all the original writers still make money either way we listen. It may be a bigger dividend from the re-recordings (tho there’s a good chance there’s not, considering republic doesn’t own these, and know they probably won’t be making money off of them forever, so wouldn’t want such a lax contract), but it’s not like she and the other writers don’t make money off them.
Who..who is Scooter BROWN?!
Lmao he don’t deserve his name pronounced correct 😂
(But if you were serious, he’s the manager of Ari, Demi and Justin, a pretty smart businessman with some pretty shady ethics.)
I know there’s thousands of people thinking she already owns the old masters now, but personally I don’t believe this. We know Taylor’s an extremely smart businesswoman, she’s not trying to replace the old songs, she’s trying to DEVALUE them, which is exactly what the re-recordings are doing! Taylor knows that she could’ve spent $300 million (guessing) on the originals or she can do this, make a shit ton of money from it too, devalue the originals to the point that they’re practically worthless to anybody but her and then in my opinion, at the end she’ll swoop in and buy them up when they’re worth less to anybody but her.
No but like this is the most nuanced take I’ve read on her wanting the old masters back. Agreed all the way!
You should change the title to “Hit Different” to reference one of her new songs.
I'M GOING TO DO THAT HAHA!
The Taylors Version was great for me who doesn't have nostalgic vibes on those songs and I listen to her old versions and I didn't like it. 😂
It feels like it works the other way around.
I also love her "From the Vault" tracks especially on Red TV.
Honestly I think TV is great for the fans that came in late on the Taylor train, they get to hear the songs with the mature vocals she didn't really develop until around the 1989 era.
TV albums/songs are better in every way except the emotional delivery is sort of lost.
Love the name! But yeah I agree, I think there’s something about being in the mindset of when the songs were written that you can’t really ever replace. Speak Now TV is gonna sound amazing and better in every way but if it’s like Fearless TV it’s going to sound wistful and reminiscent rather than the OG intention?
It's sad in a sentimental way.
For real… it’s borderline tragic in a way. But then again, I still have my old CDs.
The entire Scooter Braun mess is going to wind up dividing the Swift listeners into two separate camps; those who will accept Taylor’s versions with open arms, and those who will insist on authenticity in their collections, meaning they will want the ORIGINAL RECORDINGS. Also, one crucial point that has really hurt her legacy is that she can never really have a true “Greatest Hits” or “Best of” collection, because that segment of the audience that insists on the real recordings will dismiss a collection with just her post-Reputation recordings in them. Discogs even has such a collection listed, but it’s from Russia and clearly a bootleg.
I do believe if she were to ever get her catalog back years down the line, a lot of curious listeners and nostalgic folk will take up the older versions. It’s kinda like for lack of better direct metaphor a tougher version of the Special Edition Star Wars OT films [except some of Taylor’s versions are objectively better than the G tracks (at least in vocal voicing and like mixing) oh and the fact you can still legally obtain the originals]
@@EljohnMacaranas I still feel we will continue to see ugliness in the whole situation going forward. Take for example the extra bonus tracks given to Target over the years for their “exclusive edition” series. What’s to stop Scooter’s people from assembling those into a separate release, even Minus Taylor’s blessing? Does she have the power to veto anything new Scooter might try to plop out there from the Big Machine catalog? Strangely enough, it would seem to me Taylor would just encourage fans to copy the first 6 albums for anyone that wants them, free and clear. Just to keep Scooter from accessing more of her sweat. Do you think she would go for such a move, being what this case is?
How did you manage to repeat the same sentence for 8 minutes
imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again. imma do it again.
Still awaiting those chromatica videos
It’s nearly done! I’m hoping for Sunday morning drop, it’s a mega episode (at least 30 mins of recapping and song analysis!)
A lot of the original tracks sound better though. The original of Holy Ground is far better than Taylor's Version. Scooter Braun is a clown.
Stream the old versions. Nobody cares. Taylor is rich either way
If Rep doesn’t sound the same, I will be streaming the OG
@@EljohnMacaranas There are two reasons why I prefer to stream or listen to the original versions of songs. Firstly, I don't like the edited versions that are played on TV, such as "We Are Never Ever Getting Back Together" where I dislike the "we" part. Secondly, I listen to the original versions when I want to experience the raw emotion of a song. For instance, in "Last Kiss," you can hear the hurt and sadness in her voice, which is absent in the edited versions played on TV. This is because the pain and emotions conveyed in the original version cannot be replicated in the TV version as it doesn't hurt like it once did. I believe that everyone should listen to whichever version makes them happy.
lately I've been growing to dislike Taylor's version
I can see why you feel that way, though they are technically pretty close to the original masters, if you really do love the originals you’ll notice missing/new things that could ruin the song for you.
idk man. the originals are way overproduced imo.
That happens to me when I listen to Speak Now 🥲 I feel weird cuz I feel I’m not supporting her listening to the stolen versions.. idk
I’n crazy so I just ripped my CD and put into my Apple Music using iTunes lmao