Lilya Zilberstein hörte ich zum ersten Mal 1993 in Stuttgart als sie für die erkrankte Martha Argerich einsprang. Seitdem bin ich von Ihrem Klavierspiel und ihrer Kunst begeistert! Niemand spielte diese Moments musicaux so tief!
Rachmaninoff gehört nicht zu meinen Lieblingen und ich startete dieses Video mit der Absicht, nur einmal kurz hineinzuhören. Aber diese Interpretation fesselte mich und so hörte ich mit Spannung und Vergnügen zu vom Anfang bis zum Ende. Frau Zilberstein spielt nicht nur virtuous, das ist wohl die erste Voraussetzung bei Rachmaninoff, sondern auch ungewöhnlich lyrisch. Selbst in den virtuosesten Stücken entstehen Klanggebilde, die den Zuhörer in eine starke poetische Atmosphäre einhüllen. Wunderbare Interpretation - vielleicht werde ich dann doch noch Rachmaninoffist - dank Frau Zilberstein. DANKE für diese genussreiche halbe Stunde! Ein Dank geht auch an das Konzerthaus, dass in diesen Zeiten mit dieser Serie wohltuende Farben in den Alltag bringt.
A VERY ENGAGING AND METICULOUS PERFORMANCE. I OFTEN WATCH HER VIDEO OF RACHMANINOFF'S FIRST PIANO CONCERTO. I FIRST DISCOVERED THIS "LIVING LEGEND" MANY YEARS AGO THROUGH HER RECORDING OF THE GRIEG PIANO CONCERTO, WHICH I HEARD ON MY CAR RADIO ONE NIGHT IN DALLAS, TEXAS, WHERE I WAS BORN AND RAISED. (FROM A 78 YEAR OLD ADMIRER, NOW RESIDING IN LAS, VEGAS, NEVADA.😊) 💎🎶💎🎶💎🎶💎
Agreed. I've played the Prelude in C# minor for over 60 years and can still play it but I'm afraid it's too late to play this . Still this one is the one I'd like to go out with of all the pieces I've ever played. Such relentless energy and emotion coming out of this piece, with such a physical workout going in to it.
An interpretation which is technically precise and professional but which, to my taste, lacks emotions and depth of understanding. The lack of understanding culminated in the last moment which is not only played much faster as intended by Rachmaninov (therefore, the character "maestoso" lacks terribly) but it is also played without any detailed sense of phrasing, real contrasts in colors or just any feeling that the performer is trying to have a spiritual experience rather than mere technical display. Here, I just heard an etude in the worst sense of the word. A big disappointment.
Only a hare-brained,jerkweed troll would write such a an utterly awful critique as this. There is not a shadow of a hint of a scintilla of truth or reason in this cruel diatribe.😬🙈😫🥶🙉😖
@@miltonmoore8369- that is not what he is saying. I am not a lisitsa fan, but I prefer her recording of these works if only because she is more present with them, and more obviously in love. Silberstein's is a much colder and patrician reading of these works. That is the wrong approach, to my taste.
Lilya Zilberstein hörte ich zum ersten Mal 1993 in Stuttgart als sie für die erkrankte Martha Argerich einsprang. Seitdem bin ich von Ihrem Klavierspiel und ihrer Kunst begeistert! Niemand spielte diese Moments musicaux so tief!
Rachmaninoff gehört nicht zu meinen Lieblingen und ich startete dieses Video mit der Absicht, nur einmal kurz hineinzuhören. Aber diese Interpretation fesselte mich und so hörte ich mit Spannung und Vergnügen zu vom Anfang bis zum Ende. Frau Zilberstein spielt nicht nur virtuous, das ist wohl die erste Voraussetzung bei Rachmaninoff, sondern auch ungewöhnlich lyrisch. Selbst in den virtuosesten Stücken entstehen Klanggebilde, die den Zuhörer in eine starke poetische Atmosphäre einhüllen. Wunderbare Interpretation - vielleicht werde ich dann doch noch Rachmaninoffist - dank Frau Zilberstein. DANKE für diese genussreiche halbe Stunde! Ein Dank geht auch an das Konzerthaus, dass in diesen Zeiten mit dieser Serie wohltuende Farben in den Alltag bringt.
It has been many decades since my discovery of Ms Zilberstein. She remains a magnificent pianist.
Piano Queen!
Beautiful Moments Musicaux - Lilya & Sergej are one!
Eine ganz große Pianistin, Weltklasse.......
A VERY ENGAGING AND METICULOUS PERFORMANCE.
I OFTEN WATCH HER VIDEO OF RACHMANINOFF'S
FIRST PIANO CONCERTO. I FIRST DISCOVERED THIS "LIVING LEGEND" MANY YEARS AGO THROUGH HER RECORDING OF THE GRIEG PIANO CONCERTO, WHICH I HEARD ON MY CAR RADIO ONE NIGHT IN DALLAS, TEXAS, WHERE I WAS BORN AND RAISED.
(FROM A 78 YEAR OLD ADMIRER, NOW RESIDING IN LAS, VEGAS, NEVADA.😊)
💎🎶💎🎶💎🎶💎
Замечательное исполнение!!! Огромное спасибо!!!💐
Great artist Zilberstein, and totally professional. Her Rachmaninov is always deep. I love her Liszt too!
Great artist and sweet person 😊⚘️
Wonderful!
OMG! Great Great Musician!
Wonderful performance as always from LZ. Always loved her playing. Deep and meaningful.
Legendary ❤️
CORRECT THIS TO
"A LIVING LEGEND."
A LEGEND IS A DECEASED PERSON OF FAME AND DISTINCTION.
RESPECTFULLY
Nice
Sei splendida by Massimo
❤
Excellent. No signs of arthritis in her hands yet ❤
There may never be
Это концерт Лили в Вене
Beautiful playing...but the piano sounds a bit dull
Welcome to Vienna
1:13
1. 01:13
15:40
Agreed. I've played the Prelude in C# minor for over 60 years and can still play it but I'm afraid it's too late to play this . Still this one is the one I'd like to go out with of all the pieces I've ever played. Such relentless energy and emotion coming out of this piece, with such a physical workout going in to it.
22:35
Luganski gives this Moment an incredible depth of understanding and emotion.
gg but moment 4 is not so good
I must agree
An interpretation which is technically precise and professional but which, to my taste, lacks emotions and depth of understanding. The lack of understanding culminated in the last moment which is not only played much faster as intended by Rachmaninov (therefore, the character "maestoso" lacks terribly) but it is also played without any detailed sense of phrasing, real contrasts in colors or just any feeling that the performer is trying to have a spiritual experience rather than mere technical display. Here, I just heard an etude in the worst sense of the word. A big disappointment.
montesano
Only a hare-brained,jerkweed troll would write such a an utterly awful critique as this.
There is not a shadow of a hint of a scintilla of truth or reason in this cruel diatribe.😬🙈😫🥶🙉😖
To aver that this highly esteemed pianist has no depth of understanding of this work is first class unadulterated stupidity.👎
@@miltonmoore8369- that is not what he is saying. I am not a lisitsa fan, but I prefer her recording of these works if only because she is more present with them, and more obviously in love. Silberstein's is a much colder and patrician reading of these works. That is the wrong approach, to my taste.