Sony a7SII A6300 A6000 Slog2 vs Slog3 vs Cine 4

This is a Review of the Sony Picture Profile Sony a7Sii a6300 2 600 Slog2 vs Slog3 vs Cine 4
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Gear
Sony A7Sii bhpho.to/2aKBzos
Sony A6300 bhpho.to/2bxDXj5
Rode VideoMic Pro bhpho.to/2cXnBRl
Sennheiser ew G3 bhpho.to/2aKsrM6
Edelkrone Slider Small bhpho.to/2kpa9Jh
Zoom H1 bhpho.to/2jbtMzr
Tascam DR-40 bhpho.to/2e03G5m
Matchstick Lapel bhpho.to/2kqdgws
Manfrotto Pixi Tripode bhpho.to/2k0bLIV
Manfrotto 502HD Tripode bhpho.to/2kfxzO2
Manfrotto 535 Carbon Fiber Video Tripode bhpho.to/2koXl5E
Aputure AL-528w LED Light bhpho.to/2aRn42j
Sony 16-35mm F4 bhpho.to/2kpfqjT
Sony 55mm F1.8 bhpho.to/2ifBB70

[@ken1492207]

Good info. Play the vid back in 1.5x speed though.

[@HusseinMarey]

Kenneth Rodriguez true

[@HusseinMarey]

Kenneth Rodriguez what is drugs

[@OrenArieli]

SLog will introduce noise simply because the base ISO is high. Increasing it will make things worse. You do need to expose to the right, but if you don't have enough base light to begin with, you're compounding your noise problems and making for a worse image than Cinegamma/Rec709. The main use-case for Log profiles is when you have a high contrast and want to hold as much detail in the mids/highs at the expense of shadows. Don't bother shooting in a dark environment or low-contrast environment in LOG, it's not going to improve your shots.

[@DjCuttEntertainment]

I Wanna shoot slog for bright and sunny days but the ISO min is killing me. I feel slog should be left alone in the dark till I have an 10bit camera.

[@OrenArieli]

ND filters are your friend....and a must-have accessory for shooting LOG outside. I use the Sony FS5, which has the amazing built-in variable ND filter. Makes shooting LOG so much easier. For commercial shoots, I'll use the SmallHD's 702 monitor with built-in LUTs, which is another great tool to approximate the final look you want to achieve. Unfortunately, I only get 8 bit in 4K, the 10 bit internal recording is HD only. Sony giveth, and Sony taketh away.

[@MarcusRFilms]

Dj Cutt Entertainment ND filters are the answer. You will definitely have a better experience with s-log outdoors

[@pascaljean2333]

@@OrenArieli yes and no right? Mostly if you want to maintain shallow dof in daylight no?

[@AwesomeShotStudios]

@@pascaljean2333 That's the DP's choice, and also where ND filters come in handy (if you want a larger aperture). There is an excellent explanation by a Sony Pro here: www.xdcam-user.com/2017/06/why-do-i-always-shoot-at-800-ei-fs7-and-f5/

[@vastolya]

thankyou from siberian users !

[@elvysscotti2]

Tomsk!

[@raspas99]

sony a6000 doesnt have slog 2 or slog 3

[@carlomarcelino9184]

Thanks! Your comment just saved 11mins of my time.

[@FishandClips]

You Safe my life 💪 thanks!

[@sphexes]

Very good info. Thanks. I'm new to the s-log and cine profiles. I was getting quite a bit of noise in s-log3. I'll definitely experiment with your recommendations of raising or lowering the iso as needed.

[@DjCuttEntertainment]

Hey I got a light time test uploading today.!!!

[@karlmorris7805]

Great video. Very helpful. Off to try them out

[@DjCuttEntertainment]

Cine 2 for night time and Slog for day time I find works the best right now.

[@DjCuttEntertainment]

Slog 3 is good for bright sunny days where your subject is in the shade. At night I would use cine2 over cine4. Cine2 favorites the shadows.

[@hylabean1]

thanks great vid

[@nomareu]

how to put in slog2 on sony a6000?

[@TheOverman]

Great. Thanks for the Video. Super helpful.

[@lukaszentalis9989]

17 stops of DR on slog3??? A7S bottoms out on 14

[@AllThingsKen]

more like 12

[@brunovillela8903]

thats not true, if you raise the iso you loose dynamic range, there is a reason for the standard iso

[@DjCuttEntertainment]

To max the dynamic range slog wants you to ETTR.

[@ElemuntDesign]

expose to the right in other ways, aperture, shutter speed, ISO is essentially post processing, aperture and shutter speed actually soak in real light.

[@DjCuttEntertainment]

For the most part now I shoot in Cine 4 for outside. Cine2 for low light.

[@recipiend5711]

Dj Cutt Entertainment with my a6300 i prefere to shoot with slog2 outdoor and and cine4 indoor

[@DjCuttEntertainment]

I'm gonna start shooting SLog2 for outside work.

[@anthonyb9399]

I'm shooting a documentary about police right now. A lot of our field work is at night (if not all of it). Lots of low light, but the lights from the car really pack a punch. Would you recommend slog 2 or 3?

[@actionsmuzzzy8078]

Anthony B log 3

[@mdfilmsofficial]

@@actionsmuzzzy8078 cine 4

[@mdfilmsofficial]

Cine 4

[@lucasherrerablog]

Slog 2 is the Best in low light you need + 2 stops and a med low aperture lens. Sorry for my english

[@pascaljean2333]

did he just say 128000 is useable???

[@forzaitalia5111]

What software are you using to edit?

[@DjCuttEntertainment]

I now use Adobe CC

[@CharbelArana]

a6000 had slog?

[@worldakbar]

up

[@Urmagesty]

show us where these settings are in the menus please. watched this video three times, no instructions on how to get to these settings on the sony cameras. thumbs down.

[@DjCuttEntertainment]

Larry Wong ill make an updated video real soon

[@Urmagesty]

talks wayyyyyy too slow, yawn