Fun fact, the main composer for the battle network series (Akari Kaida( also composed Breath of Fire III. Thanks for showing everyone how talented she really is!
Such an underrated composer! Akari Kaida was also one of the composers for Mega Man and Bass (Rock Man and Forte.) They have such a distinct style, you can totally tell which tracks they worked on.
I just looked it up, and Akari Kaida didn't work on this game, she worked on BN5. Yoshino Aoki made the BN6 soundtrack, but both of them worked on Breath of Fire III
@@MechanicalRabbits Just to add to this, Akari Kaida did BN1 and BN5. Yoshino Aoki did BN2, BN3 and BN6. BN4 was done by Toshihiko Horiyama (Mega Man X4)
1:19 "Surge of Power takes advantage of the fact that no human ever has play this music on a real instrument" I guess you haven't heard GaMetal's take on this beastly tune!
A while back I went looking for childhood games that hold up for me today, I ended up settling on the Battle Network series and SSX 3. Then I learned they're remastering MMBN, now there's even this video that made me double take, awesome! Currently on the 4th game in the series, absolutely blasted through the first three before I also remembered SSX 3.
Seen Capcom sponsoring this unique content fills me with joy. Let the people know how much effort and creativity is poured into videogames through music besides graphics and gameplay. Also the launch of MMBN Legacy Collection brings me great memories of when I used to play the first two games during the time I was practicing Weber and Stamitz repertoire for clarinet. One more thing... This channel rocks! ❤
I think it's also important to note, from a technical standpoint, the music technicians had no way of using chords (they lacked enough audio channels). The arpeggios and syncopated notes avoiding an overlap was a intentional, clever, and creative way to maximize musical ideas and minimizing musical limitations from the Gameboy's small number of channels. This was more than musical mastery. This piece is engineering genius.
Well actually 🤓 if you listen closely to the exerpts in this video you can actually hear that chords are being used. The Gameboy Advance was capable of using a system similar to MIDI, but more like DOS modules like xm, it, mod, etc.. to play sequences of audio samples, like the N64 and SNES for example. Most GBA titles used this exclusively. The thing that makes this a unique Gameboy Advance soundtrack is that along with using the audio sampling capabilities of the system with as many channels as you'd like, it also utilized the 8bit soundchip from the original Gameboy that was embedded in the GBA for backwards compatibility with older gameboy and gameboy color games. The 2 pulse channels for leads and counter melodies, the wavetable synth channel for bass, and the noise channel for percussion, combined with drum and melodic instrument samples to fill out the sound with chords, riffs, and more fleshed out percussion. It really emphasizes the dualistic nature of the real world + the cyberspace internet world by using the 2 different sound systems in tandem
you’re so right, and i’m getting shovel knight vibes because of it since shovel knight tries to stay within the technical limitations of a nintendo console from that era
The guitar is so exactly overstepped by the bass that I swear to all that's holy I would have never known it existed, were it not for you isolating it.
It’s quite surprising, considering how usually in music it’s the other way around, with the bass usually being the hard to notice supporting role while the guitar being what people normally notice. I guess the low range that the guitar plays is a decently large chunk of the reason for that, basically acting like a second bass?
@@pokeperson1000 I suppose that does play a part. If my estimations are correct, the guitar hovers around an F2 note at around 90Hz. Although a bass guitar starts as low as 40, human ears aren't well tuned to make a lot of difference between lower frequencies. Still though, it sounds to me like a guitar and not a bass ; but it simply can't be heard in the original arrangement which, personally, I find just too muddy for its own sake, _especially_ considering the GBA's poor hardware.
@@blara2401 yes, I agree that it definitely sounded like a guitar. What I meant was that it was playing a role similar to that of what normally would be the role of a bass in other music, supporting the other parts and sinking into the obscured background as a result. The muddiness doesn't help either, and I can only hear smatterings of it after straining my ears while trying to ignore the rest of the music.
One of the Best songs in the franchise so far, not only this song but the entire OST of 6 could be summed up by EMOTION, it has a lot of emotions going all the way around and that is why I love this game so much.
The 8 year old in me is so validated that you’re able to explain why I liked this track so much. I have no musical talent so having it laid out like this helps so dang much
N1 grand prix makes bn3 my favorite in the series I love tournament arcs and the fact that you build up to the tournament over the course of half the game made it so hype when you take the stage and all the battlers in your block are introduced
The music composer for the MegaMan Battle Network series is truly incredible. It takes a real magician to make such incredible and timeless music through the limited GBA soundfonts and low track number. There are _so many_ great songs throughout the series that still sound just as iconic and distinctive and great even today. Composers for other games often lament how they're "limited" by the hardware, or just try to imitate real life music, and never think outside the box like Akari Kaida and Yoshino Aoki did. Video games aren't real life, so you're not limited to what kinds of music real life performers can physically play. MMBN's Akari Kaida and Yoshino Aoki (and also FFXIV's Nobuo Uematsu and Masayoshi Soken) realized that they can make incredible music making full use of the facts that they don't have to be constrained by the limits of real life performances or genres and can make _anything they could imagine without limit._
yeah my composer teacher said that "If it sounds nice, why complaining?" It is true some people wants to limit to real life limitation. But as long as the music is enjoyable, i dont care if i need 7 arms to play a music
so... the more I considered things while listening to your video here, the more I started to realize that this track is essentially a musical representation of a player's journey through a boss fight. The dissonance at the start is when you're first learning the patterns, not confident and often caught off guard by the incoming attacks but eventually you learn that pattern and become confident until phase two where the boss switches it up with a mid fight special. After this this pain in your neck decides to change the pattern, even if ever so slightly so while it's familiar there are things that may still throw you off until you get your confidence back. Even the fact that the track loops is significant as this process repeats itself every time you fight a new boss. not sure if this was intentional, or even meant to happen but your musical analysis made me come to this realization. I don't think I've heard many songs that can portray this journey as well as this one does, perfect boss song in my book.
YES!!!! I absolutely love Mega Man Battle Network and would totally welcome any more coverage from this gem of a series. My personal favorite track is "A Total War," from Battle Network 5, but honestly all of the Final Computer Comp tracks are excellent from, BN3's "Final Transmission, to BN6's "Two of Braves."
Also cover You're Not Alone, and all the other "hero themes"! MMBN5 was my absolute fav of the series, so You're Not Alone (specifically the GBA version) holds a special place in my heart with the sheer feels it induces.
@@FCEngine Its true that Mega Man 10 used the more common quick arpeggio sound of chiptune, but arpeggios as an overall concept have been used since Mega Man 1 all over the place
The funny thing about the GBA’s sound chip is that it doesn’t exist. They had to dedicate part of the CPU to music and only had 4 channels to work with. They were given dirt and pebbles and cooked up a Michelin Star worthy meal.
I think the best part about surge of power is that either in the player's hands or in the enemy's. For example, if you are so used to fighting Blastman you'll feel the power and control go to you as if you are there to cause the chaos. BUT if for instance you run into Bass or Colonel unprepared it takes that power and chucks it into their court. It's like the ultimate battle song for two powerful forces clashing in a tug of war. lol
I know you're doing this because you were sponsored to, but from the vibes of final fantasy 9 to the phoenix wright to Battle Network, I'm glad you keep covering music from my favorite childhood titles
This has gotta be the first time I've ever popped off for a RUclips sponsor before. Glad to see you're getting recognized + paid for some of the best content on RUclips
Amazing to see such a chaotic, excellent piece of music cut apart and explained! Now to inject Surge of Power hype directly into my veins when my Legacy Collection arrives!
yooo! as a MMBN fan, I love the breakdown of the score and playing each individual part and showing how it all came together. This was amazingly detailed, and I loved it! Immediately subbed! Please do more
I appreciate the shot of Hiromi at the end, because she so wonderfully embodies both sides of what you were discussing - there are definitely times where she starts at a lower intensity than the ultimate goal, to provide room to grow, but there are also definitely other times where she just goes absolutely all out from the very first notes right up till the end, and it's all so wonderfully satisfying. Another great video, thank you for posting!
Battle Network was also downright prescient with "smart" appliances. I honestly thought no one would be so stupid as to attach an oven to the internet... now we have stories of people's smart ovens refusing to turn off (fortunately, cutting the power still works.)
I just finished all 6 games in the legacy collection and I literally teared up from nostalgia overflow + just a banger of a game series No joke, the level of detail connecting every game together is insane and I still havent found any games with this level of collection
That was definitely accurate about the whole inscrutable guitar thing. Whenever I listened to this in an attempt to transcribe by ear, I tended to hear the longer notes as a synth instrument of some sort while the shorter strumming as part of the percussion like a record scratch when combined with the high-hat/maraca sound in the actual drums.
i want to give you a hug for selflessly dissecting and uncovering all the incredible value of this game’s music. thank you so much!!! i’ve been obsessed with this music since launch and it feels good to not be alone!
The sickest 5 years on the gba I still replay them once every 3/4 years especially for travel or vacation they can be beat so quick and the progression is great alongside insane OST I like this song but the main menu themes are super iconic too. No idea how they did this on gba soundfont all these are sick
I only played the first three games, but I still recognize this as the most iconic of the boss themes. It's just that powerful. And how often do you see the sixth game in a series blowing it away like this!?
@@varenoftatooine2393 Final Fantasy and similar titles don't count so much imo as they don't follow the same continuity and setting, which gives them much more freedom and basically makes sequels be sequels in name and theme only.
The way you broke down the instruments in this video was fascinating. I love the music in the Battle Network series and I feel like it needs the praise it deserves. Kudos to you man!
The music in this game was great. The title screen is my favorite. The first time I heard that song I knew that this was going to be the series finale.
MMBN is a title I played a lot as a kid and in college I did an arrangement on this piece :’) Love to see this video and that you got the CAPCOM sponsor!!
I can't believe my crummy old mod of the game still sees use even as B-roll in 2023. Still, good content and analysis of the piece. I don't understand it all, but I can definitely appreciate it more now on a different level.
Not gonna lie, one of the best youtube videos I've watched in a while. Congrats for the sponsorship and the high quality work. Subscribing even if not knowing a single thing about music theory.
Ah yes, the magnum opus of the MMBN series music (imo anyway). The music throughout the series is consistently great but this just goes so hard when it really doesn't need to. I remember hearing it for the first time and being blown away that this was a song on the GBA, it's such a standout in a game series already full of gems
I'm not enough of a music buff to understand the specifics, but this video still explains to everyone what those specifics actually mean. Excellent analysis!
I've loved this theme from the second I heard it, it's amazing. ❤ That section where you layered 3 parts over eachother one by one was lovely, I never noticed the little guitar-like sound going along with the bass, that's really cool. Man I love video game music. 🙏🏻
Awesome analysis! Soon as I heard the track I had a huge nostalgic grin. Only thing missing is discussion about how this track is remixed for the final boss battle music alongside motifs from the rest of the game
Always loved how this soundtrack combines the backwards compatible classic 8bit Gameboy soundchip along with the Advanced system's audio sampling capabilities
That was actually the intended way to play back music on the GBA, as purely sampled music would either be crusty or present a significant load on processing
Surge of Power is great, for an interesting contrast though, take a look at the track that plays when you battle the Cybeast, if you listen to it carefully you'll notice its got a LOT in common with Surge of Power, and while there's definitely supposed to be a thematics thing going on, tying the intensity and ferocity of normal boss fights while wielding your Cybeast empowered Megaman to the climax of fighting the source of that power, I find it feels unsatisfying for a final boss track, it doesn't climax right because its pretty much just Surge of Power set to 11
I really like how u explained this. Its crazy to think of how much goes into music composition. I dont think i got the feeling of "threat" from the music. But the idea of fighting an opponent u dont have to hold back against. U can let the "beast out" as the hunger for battle takes over and increases as the fight rages on.
I love CAPCON even more for sponsoring this channel. I love this channel. It's what I wanted growing up as a musician and RPG video game nerd in the 90s. Feels good to knowbI wasnt the only one passionate about RPGs and music thory and answers a lot of the questions had. Even simple ones like ... what scale is the saga frontier opepening theme in. I didnt have the tools or education.
One of my favorite tracks from my favorite Battle Network game. A lot of the songs in that game are sooooo good. I'm so happy to play it again now that my gba is too small for comfort for my hands.
Pretty great video,i t made me appreciate this song a lot more and i discovered knew things about the composition that i couldnt hear before but now im aware of,hope to see more megamanBN tunes in the future!!
I really appreciate this vid, not only as a 2nd semester music major currently taking theory, but as a die hard megaman fan, finally watching BN’s hardest track get its flowers and get explained. Could you do an analysis of “battle pressure” from the 4th game?
I remember fighting Blazeman for the first time as a kid. The music start to play and a sudden rush of fear and adrenalin rushes to my little head. I was feeling very hyped after the fight was over
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
Fun fact, the main composer for the battle network series (Akari Kaida( also composed Breath of Fire III. Thanks for showing everyone how talented she really is!
Such an underrated composer! Akari Kaida was also one of the composers for Mega Man and Bass (Rock Man and Forte.) They have such a distinct style, you can totally tell which tracks they worked on.
And what do ya know: I grew up loving both games as a kid! :D
I just looked it up, and Akari Kaida didn't work on this game, she worked on BN5. Yoshino Aoki made the BN6 soundtrack, but both of them worked on Breath of Fire III
@@SeeleSO02 iirc Kaida only did the intro stage
@@MechanicalRabbits Just to add to this, Akari Kaida did BN1 and BN5. Yoshino Aoki did BN2, BN3 and BN6. BN4 was done by Toshihiko Horiyama (Mega Man X4)
Ayeeee, get that sponsorship bread
Ayeeee
Just in time for the collection to drop !
Ayyeeeeeeee
Thisistheway.gif
Nice
1:19 "Surge of Power takes advantage of the fact that no human ever has play this music on a real instrument"
I guess you haven't heard GaMetal's take on this beastly tune!
Or ToxicxEternity's!! And *I* was the one that paid him to make it!
@@VoiceofMidnightStormty for your service 🫡
Thanks for that.
Or insaneintherainmusic's, bro killed that shit
HELL YEAH!! Perfect Sponsor!
I'm glad to see Battle Network again
A while back I went looking for childhood games that hold up for me today, I ended up settling on the Battle Network series and SSX 3.
Then I learned they're remastering MMBN, now there's even this video that made me double take, awesome!
Currently on the 4th game in the series, absolutely blasted through the first three before I also remembered SSX 3.
@@Gnurklesquimp2THEY'RE SO GREAT, I'VE EVEN GOT MY SIBLINGS ON THEM NOW; 😍😍😍
@@nosajsamaniego4512 Awesome
damn capcom recognizing your work congrats!
Seen Capcom sponsoring this unique content fills me with joy. Let the people know how much effort and creativity is poured into videogames through music besides graphics and gameplay.
Also the launch of MMBN Legacy Collection brings me great memories of when I used to play the first two games during the time I was practicing Weber and Stamitz repertoire for clarinet.
One more thing... This channel rocks! ❤
I think it's also important to note, from a technical standpoint, the music technicians had no way of using chords (they lacked enough audio channels). The arpeggios and syncopated notes avoiding an overlap was a intentional, clever, and creative way to maximize musical ideas and minimizing musical limitations from the Gameboy's small number of channels. This was more than musical mastery. This piece is engineering genius.
Well actually 🤓 if you listen closely to the exerpts in this video you can actually hear that chords are being used. The Gameboy Advance was capable of using a system similar to MIDI, but more like DOS modules like xm, it, mod, etc.. to play sequences of audio samples, like the N64 and SNES for example. Most GBA titles used this exclusively. The thing that makes this a unique Gameboy Advance soundtrack is that along with using the audio sampling capabilities of the system with as many channels as you'd like, it also utilized the 8bit soundchip from the original Gameboy that was embedded in the GBA for backwards compatibility with older gameboy and gameboy color games. The 2 pulse channels for leads and counter melodies, the wavetable synth channel for bass, and the noise channel for percussion, combined with drum and melodic instrument samples to fill out the sound with chords, riffs, and more fleshed out percussion. It really emphasizes the dualistic nature of the real world + the cyberspace internet world by using the 2 different sound systems in tandem
That's more a limitation of the original Gameboy and the color. The advance actually does a lot of sample playback instead
you’re so right, and i’m getting shovel knight vibes because of it since shovel knight tries to stay within the technical limitations of a nintendo console from that era
The guitar is so exactly overstepped by the bass that I swear to all that's holy I would have never known it existed, were it not for you isolating it.
It’s quite surprising, considering how usually in music it’s the other way around, with the bass usually being the hard to notice supporting role while the guitar being what people normally notice. I guess the low range that the guitar plays is a decently large chunk of the reason for that, basically acting like a second bass?
@@pokeperson1000 I suppose that does play a part. If my estimations are correct, the guitar hovers around an F2 note at around 90Hz. Although a bass guitar starts as low as 40, human ears aren't well tuned to make a lot of difference between lower frequencies. Still though, it sounds to me like a guitar and not a bass ; but it simply can't be heard in the original arrangement which, personally, I find just too muddy for its own sake, _especially_ considering the GBA's poor hardware.
@@blara2401 yes, I agree that it definitely sounded like a guitar. What I meant was that it was playing a role similar to that of what normally would be the role of a bass in other music, supporting the other parts and sinking into the obscured background as a result. The muddiness doesn't help either, and I can only hear smatterings of it after straining my ears while trying to ignore the rest of the music.
One of the Best songs in the franchise so far, not only this song but the entire OST of 6 could be summed up by EMOTION, it has a lot of emotions going all the way around and that is why I love this game so much.
Agreed!! Probably my favorite OST in the series 🙏🏿
🔥
The 8 year old in me is so validated that you’re able to explain why I liked this track so much. I have no musical talent so having it laid out like this helps so dang much
MMBN is full of battle music bangers, MMBN3 grand prix song is another one I love.
yep, was thinking of that one too :)
Great Battlers is so hype, you have keen taste my friend.
Capcom was really on top of it in this era. The Zero/ZX series came out at around the same times, and those soundtracks were absolutely amazing too.
N1 grand prix makes bn3 my favorite in the series I love tournament arcs and the fact that you build up to the tournament over the course of half the game made it so hype when you take the stage and all the battlers in your block are introduced
The battle themes in BN3 are absolute bops
The music composer for the MegaMan Battle Network series is truly incredible. It takes a real magician to make such incredible and timeless music through the limited GBA soundfonts and low track number. There are _so many_ great songs throughout the series that still sound just as iconic and distinctive and great even today.
Composers for other games often lament how they're "limited" by the hardware, or just try to imitate real life music, and never think outside the box like Akari Kaida and Yoshino Aoki did.
Video games aren't real life, so you're not limited to what kinds of music real life performers can physically play. MMBN's Akari Kaida and Yoshino Aoki (and also FFXIV's Nobuo Uematsu and Masayoshi Soken) realized that they can make incredible music making full use of the facts that they don't have to be constrained by the limits of real life performances or genres and can make _anything they could imagine without limit._
yeah my composer teacher said that "If it sounds nice, why complaining?" It is true some people wants to limit to real life limitation. But as long as the music is enjoyable, i dont care if i need 7 arms to play a music
Ayo, Soken getting praise on a completely unrelated video. Love to see it.
Remember: the gba doesnt have a dedicated sound chip, all music on there had to be hard coded by scratch
so... the more I considered things while listening to your video here, the more I started to realize that this track is essentially a musical representation of a player's journey through a boss fight. The dissonance at the start is when you're first learning the patterns, not confident and often caught off guard by the incoming attacks but eventually you learn that pattern and become confident until phase two where the boss switches it up with a mid fight special. After this this pain in your neck decides to change the pattern, even if ever so slightly so while it's familiar there are things that may still throw you off until you get your confidence back. Even the fact that the track loops is significant as this process repeats itself every time you fight a new boss.
not sure if this was intentional, or even meant to happen but your musical analysis made me come to this realization. I don't think I've heard many songs that can portray this journey as well as this one does, perfect boss song in my book.
Almost definitely intentional - great observations
I love me a good analysis. Thank you for this read.
To this day, this track is still my favorite boss track in the series. It's just a straight banger.
YES!!!! I absolutely love Mega Man Battle Network and would totally welcome any more coverage from this gem of a series. My personal favorite track is "A Total War," from Battle Network 5, but honestly all of the Final Computer Comp tracks are excellent from, BN3's "Final Transmission, to BN6's "Two of Braves."
My favorite is probably "You Can't Go Back" from BN2.
Great Battlers is my favorite. Maybe tied with Light in the dark.
If you wanna cover more MMBN please do Proof of Courage!
YES
yes please!
Also cover You're Not Alone, and all the other "hero themes"!
MMBN5 was my absolute fav of the series, so You're Not Alone (specifically the GBA version) holds a special place in my heart with the sheer feels it induces.
@@LadyTsunade777 Imagine the DS version. That slaps.
PLEASE YES!
0:51 the grass seed landing to the beat drop
1:16 Arpeggios are a trademark of Megaman music in general, aren't they?
In classic and battle network it really comes about from the limitations of the hardware. It's an interesting case of "limitations breed creativity"
Only Megaman 10 used arps
@@FCEngine Its true that Mega Man 10 used the more common quick arpeggio sound of chiptune, but arpeggios as an overall concept have been used since Mega Man 1 all over the place
2:15 **casually triggers my PTSD**
I'm glad lots of us decided to time videos with the release of this collection! Great video!
Thanks man! Love your stuff!
@@8bitMusicTheory Ahw shucks, thanks!
All I needed to see was "Surge of Power" and I _KNEW_ I had to watch this
The funny thing about the GBA’s sound chip is that it doesn’t exist. They had to dedicate part of the CPU to music and only had 4 channels to work with. They were given dirt and pebbles and cooked up a Michelin Star worthy meal.
TWO MEGAMAN BATTLE NETWORK VIDEOS IN ONE DAY AND ITS ABOUT MY FAVORITE ASPECTS OF THE GAMES. BLESS YPUR VIDEO, MY DUDE
nice sponsor, congrats!
wow, those illogical bass and guitar tracks smushed together is insane but works so damn well
I think the best part about surge of power is that either in the player's hands or in the enemy's. For example, if you are so used to fighting Blastman you'll feel the power and control go to you as if you are there to cause the chaos. BUT if for instance you run into Bass or Colonel unprepared it takes that power and chucks it into their court. It's like the ultimate battle song for two powerful forces clashing in a tug of war. lol
I know you're doing this because you were sponsored to, but from the vibes of final fantasy 9 to the phoenix wright to Battle Network, I'm glad you keep covering music from my favorite childhood titles
I'm actually crying remembering this soundtrack lol. Great vid man thanks for the feels
God this boss theme still hits just as hard as it did when I first played the game
This has gotta be the first time I've ever popped off for a RUclips sponsor before. Glad to see you're getting recognized + paid for some of the best content on RUclips
2:17 Those dread notes, alone, represent MM fighting a boss... who ends up doing the yoinky sploinky
NO WAY i was listening to it all week and watching your videos for an assignment, this is just what i needed
Amazing to see such a chaotic, excellent piece of music cut apart and explained! Now to inject Surge of Power hype directly into my veins when my Legacy Collection arrives!
Forgot about these games I played on the GBA 20 years ago. Great video
Great choice of music, Surge of Power is such a sick track!
Gotta be one of the funnest tracks I've remixed from the series so far! 💎
It's almost like you can hear the Cybeast seething, waiting, and then you hear the dissonance between them, Mega Man, and Lan.
yooo! as a MMBN fan, I love the breakdown of the score and playing each individual part and showing how it all came together. This was amazingly detailed, and I loved it! Immediately subbed! Please do more
I appreciate the shot of Hiromi at the end, because she so wonderfully embodies both sides of what you were discussing - there are definitely times where she starts at a lower intensity than the ultimate goal, to provide room to grow, but there are also definitely other times where she just goes absolutely all out from the very first notes right up till the end, and it's all so wonderfully satisfying. Another great video, thank you for posting!
Battle Network was also downright prescient with "smart" appliances. I honestly thought no one would be so stupid as to attach an oven to the internet... now we have stories of people's smart ovens refusing to turn off (fortunately, cutting the power still works.)
I think someone took the line "no human was ever meant to perform these arpeggios" as a challenge, because someone did it on a saxophone.
I freaking love this song so much. Thank you for this breakdown.
I just finished all 6 games in the legacy collection and I literally teared up from nostalgia overflow + just a banger of a game series
No joke, the level of detail connecting every game together is insane and I still havent found any games with this level of collection
*Level of Connection
I love this battle theme and its peak boss battle no theme comes close to the fighting spirit this theme pushes out
Congrats on the sponsorship! Love Surge of Power and your breakdown! I forgot how good that track was.
I am so excited this collection is out!
The drum line seems like a really important part of the song to bring up as well
Up
That was definitely accurate about the whole inscrutable guitar thing. Whenever I listened to this in an attempt to transcribe by ear, I tended to hear the longer notes as a synth instrument of some sort while the shorter strumming as part of the percussion like a record scratch when combined with the high-hat/maraca sound in the actual drums.
i want to give you a hug for selflessly dissecting and uncovering all the incredible value of this game’s music. thank you so much!!! i’ve been obsessed with this music since launch and it feels good to not be alone!
Interesting how it contrasts different types of intensity instead of different levels. Always interested to learn from your analysis of these songs!
Got damn. This guy goes over music notes like a quick football play and i dont know jack about either and im pulled in
The sickest 5 years on the gba I still replay them once every 3/4 years especially for travel or vacation they can be beat so quick and the progression is great alongside insane OST
I like this song but the main menu themes are super iconic too. No idea how they did this on gba soundfont all these are sick
This video made me appreciate Surge of Power so much more than I already did.
And I loved this song to death before
I only played the first three games, but I still recognize this as the most iconic of the boss themes. It's just that powerful. And how often do you see the sixth game in a series blowing it away like this!?
The sixth game really felt like Capcom trying to go out on a high in many ways. I really recommend giving it a try.
*laughs in Final Fantasy VI*
@@varenoftatooine2393 This is like the only other notable one tho
@@varenoftatooine2393 Definitely one of the most iconic boss themes under Capcom, man. Square Enix's VGM OST is whole different level to talk about.
@@varenoftatooine2393 Final Fantasy and similar titles don't count so much imo as they don't follow the same continuity and setting, which gives them much more freedom and basically makes sequels be sequels in name and theme only.
Now I want a MegaMan Network Transmission analysis video!!
This series has very good music and this piece brings back a lot of memories. Thanks for covering it!
The way you broke down the instruments in this video was fascinating. I love the music in the Battle Network series and I feel like it needs the praise it deserves. Kudos to you man!
Finally getting the real music theory I needed 😌 dope sponsor btw
I had never even heard the guitar and bass part at the beginning until this vid. So awesome
The song had strong vibes in terms of the fight for survival, and it wasn't your fight to survive, it was theirs.
I only just discovered your content, but I'm so glad you're growing and becoming successful on RUclips!
Impeccable video, as always! And congrats on the sponsorship!
The music in this game was great. The title screen is my favorite. The first time I heard that song I knew that this was going to be the series finale.
MMBN is a title I played a lot as a kid and in college I did an arrangement on this piece :’) Love to see this video and that you got the CAPCOM sponsor!!
I can't believe my crummy old mod of the game still sees use even as B-roll in 2023.
Still, good content and analysis of the piece. I don't understand it all, but I can definitely appreciate it more now on a different level.
Whoaaaa Capcom sponsor for 8BMT?!?! That's awesome!
An all time great song. Glad you made this
I LOVE arpeggios!
Not gonna lie, one of the best youtube videos I've watched in a while. Congrats for the sponsorship and the high quality work. Subscribing even if not knowing a single thing about music theory.
Best game series of all time! Glad to see this covered!
Ah yes, the magnum opus of the MMBN series music (imo anyway). The music throughout the series is consistently great but this just goes so hard when it really doesn't need to. I remember hearing it for the first time and being blown away that this was a song on the GBA, it's such a standout in a game series already full of gems
I'm not enough of a music buff to understand the specifics, but this video still explains to everyone what those specifics actually mean. Excellent analysis!
BN3's main web theme (not sure what it's called) has such an amazing bounce to it. My favorite track in the whole series.
Mine, too!
BN3 was my childhood, honestly. 🥰
I've loved this theme from the second I heard it, it's amazing. ❤ That section where you layered 3 parts over eachother one by one was lovely, I never noticed the little guitar-like sound going along with the bass, that's really cool. Man I love video game music. 🙏🏻
no way you made a video on this song, seriously feel like the only person who ever knows about battle network
Awesome analysis! Soon as I heard the track I had a huge nostalgic grin. Only thing missing is discussion about how this track is remixed for the final boss battle music alongside motifs from the rest of the game
Battle Network 6 is an all time favorite of mine, amazing game
Always loved how this soundtrack combines the backwards compatible classic 8bit Gameboy soundchip along with the Advanced system's audio sampling capabilities
That was actually the intended way to play back music on the GBA, as purely sampled music would either be crusty or present a significant load on processing
Quickly clicked because I thought this was a Surge of Power remix, but stayed for the cool analysis. Awesome breakdown, fav Battle Network music!
Surge of Power is great, for an interesting contrast though, take a look at the track that plays when you battle the Cybeast, if you listen to it carefully you'll notice its got a LOT in common with Surge of Power, and while there's definitely supposed to be a thematics thing going on, tying the intensity and ferocity of normal boss fights while wielding your Cybeast empowered Megaman to the climax of fighting the source of that power, I find it feels unsatisfying for a final boss track, it doesn't climax right because its pretty much just Surge of Power set to 11
I really like how u explained this.
Its crazy to think of how much goes into music composition.
I dont think i got the feeling of "threat" from the music. But the idea of fighting an opponent u dont have to hold back against. U can let the "beast out" as the hunger for battle takes over and increases as the fight rages on.
Waouw, what a nice sponsor you got ! Congratulations, it is well deserved, your channel offers great content !
I love CAPCON even more for sponsoring this channel. I love this channel. It's what I wanted growing up as a musician and RPG video game nerd in the 90s. Feels good to knowbI wasnt the only one passionate about RPGs and music thory and answers a lot of the questions had. Even simple ones like ... what scale is the saga frontier opepening theme in. I didnt have the tools or education.
2:20 🐆 That #Cheetahmen remix goes hard! 🐆
One of my favorite tracks from my favorite Battle Network game. A lot of the songs in that game are sooooo good. I'm so happy to play it again now that my gba is too small for comfort for my hands.
You were right about the being hype as fuck
i played this game when i was younger and it inspired be to become a software developer
video game composers are so underrated
I am so happy that you're getting sponsors from game publishers! You deserve it, dude. Keep up your wonderful craft.
I'm amazed this is a thing. Surge of Power is the sickest metal track on the GBA soundchip lol
I love when the song's names represent the feeling they create when played.
Pretty great video,i t made me appreciate this song a lot more and i discovered knew things about the composition that i couldnt hear before but now im aware of,hope to see more megamanBN tunes in the future!!
we NEED to see these kind of videos about battle network a lot more, the whole series ost absolutely slaps ! i love the undernet theme from mmbn5
Congrats on the sponsoring. Hyped for the megaman nt rerelease
I don't understand hardly any of the words you used in this video, but the music is hype for sure.
Oh, exquisite. What a masterful analysis of a grand song!
I really appreciate this vid, not only as a 2nd semester music major currently taking theory, but as a die hard megaman fan, finally watching BN’s hardest track get its flowers and get explained. Could you do an analysis of “battle pressure” from the 4th game?
I remember fighting Blazeman for the first time as a kid. The music start to play and a sudden rush of fear and adrenalin rushes to my little head. I was feeling very hyped after the fight was over
Video Game Animation Study just posted about this series' animation a few hours ago! Happy to see the love for the series and it coming to Switch
This was so cool. Good sponsorship!
I played every MMBN except 6, so I'm looking forward to this hype finalé when I play it on the Switch! 🙏🏽 =)
yoooo i never expected a video on my favorite Battle Network game!!!
Eyyy this is the video that pushed me over the edge. I'm getting the game