I have old and middle-aged synthesizers from Korg, Yamaha, Kawai, Roland, Moog (Matriarch, Opus3 and the Moogs for the iPad) and some analog and digital effects devices from various manufacturers. And in the middle of it all, various mixers and compressors from Behringer from the 90s and 2000s and a few new Behringer synths. Fortunately, to date I have not broken a single Behringer product, even though all the pots wobble and the little Xenyx mixer cannot be used as an audio interface because of its loud chirping. Despite my advanced age, I am free of any Behringer trauma or complex. Yes, there is real junk there, but also equipment that has been working perfectly for thirty years. And, yes, I also know of defective equipment, but only from my musical circle of friends. Greetings from Germany!😉🇩🇪🤝
The Behringer Model D is wonderful. I've owned many Moogs and they have to be given credit, but the sound quality of the Behringer Model D is amazing and a small miracle given the price point. Don't let these gear snobs tell you otherwise. :)
Thanks for giving my this opportunity, to say how much I love my Behringer gear. Yes, I own some Moog gear too, but Behringer is a winner for making affordable gear available, to folks on a budget. Have had zero problems with Behringer quality. PS I am a lifelong musician, and at 62 years old, have lived through all the originals, and applaud Behringer for what they are doing. Happy trails to all 🎶🌎☮❤
Well said ..... this guy continually puts Behringer down, but they have done more to make electronic music ... hardware synthesis ..... available to the masses than any of the other major hardware supplies. If he can afford Moogs and the like, good luck to him, but many of us can't and Behringer offers some fanatics low budget alternatives!! Keep up the great work Behringer!!
Great synth. Sound exactly the same 98% of the time, despite what this sad idiot keeps banging on about. Nothing wrong with Behringer quality these days, certainly better than most Moog synths these days. Do not buy into this made in the USA bs.
I'm glad you found a good home for the Model D. One thing I do think about Behringer products is I don't believe they are going to retain much resale value. Afterall, they were built to a price point to make them affordable. As a result, corners had to be cut regarding quality in some form or fashion. By the way, that day you spoke of at the end has come for me. I'm considering purging most of my budget synths made by "B." To be honest, I hardly ever spent any time with them to grow any attachment to them. I've been too busy playing with my other higher-end instruments. The the "B" synth I did soend the most time with was the Poly-D and I no longer own that. I'm now shooting for an OB-X8 and/or a Minimoog to go with my Prophet synths. I only want QUALITY synths that sound good and will last me the rest of my life.
Old and being a snob is not a nice mix,you are a good example of how I do not want to grow old,and yes,I own a lot of Behringer gear,some people will never be able to buy expensive hardware synths like the ones you suggested,thank God there is a company like Behringer,and Ikea for that....
Ah poor fanboy can't take any criticism against Uli meister. Anyone can buy a Moog! Just safe up some cash and don't be a clown pretending you can't afford one straight away.
Nice to find someone who can use it. It's great for someone just starting out, I suppose. Having a real synth with a control panel is a necessity for sound design, in my opinion. But getting a first one is quite a leap. Having a physical synth is sort of an initiation. Having all those knobs to tweak makes using VSTs a bit easier moving forward. Because just knowing how they work opens the mind a bit. Once you know one subtractive synthesizer, you know all subtractive synthesizers. Wish I could say the same for FM.
Jesus man, the one thing I look up to elders is having wisdom to not getting swept up in ephemeral B.S. This thing with Behringer is going to swing the exact opposite way, if it hasn’t already. Great synths at great prices, but yeah let’s light our hair on fire and toss it out the window.
A few years ago I bought a Roland Super JX10 with controller for a very good price from an elderly gentleman who was giving up playing keyboards because of healths issues. He told me he'd just sold an Oberheim OB8 at a price I'd have snapped his hand off for. Apparently the buyer kept trying to find issues with it so that he could get the price down further. Had I been the seller it would've given me great satisfaction to have told this bloke in no uncertain terms that with an attitude like his, I'd rather smash the synth to pieces than to sell to him. I imagine it would've been a beautiful thing to have seen his face when he realised that his greed had just talked him out of acquiring an absolute bargain!
Behringer stuff is ideal if you’re young and new to hardware synths? I’m old and have owned hardware synths for longer than I’d care to admit. But I love what Behringer are doing. Been ripped off too many times by synth companies. Most of the clones sound close enough to the originals to be indistinguishable in a mix. And they could charge 50% more and still be cheap.
Aaah, that "B- word"... Uli's company has stirred some really nasty rap recently- and perhaps rightfully so. I bought my DeepMind 12 few years ago, in need of a quality analog polysynth that wouldn't break the bank- and I still love it very much! Today I also have the Prophet 6 and Prophet 5 (rev4) which are my main dream machines, but I would never part with the DeepMind. Would I ever buy another Behringer instrument? Hard to say...
Why is this post titled "I can't even give this thing away!"? And what is this whining all about? If you didn't buy the thing in a store where you could try that "B" Model D, to see if it is to your liking, then all online stores are forced by law to have a trial period at home and send it back with a money back guarantee.
Back when I was a young kid in the 70s my friend David and I loved playing with GI Joes. He had a shit ton of this Montgomery Ward GI Joe clone type stuff… dolls, vehicles, all that…. All made to the same specs so that it was compatible with genuine GI Joe stuff. Although we played with the Montgomery Ward versions we never really felt like it was the real deal, and it really was a cheaper version overall. A lot of Behringer stuff reminds me of the Montgomery Ward line of GI Joe wannabe products… it’s cool in its own way, but just doesn’t quite feel legit. 😅
I can´t honestly understand this anti-Behringer rant. The Minimoog was one of the most influential synths ever and is still a highly desirable synth. Good luck in finding a classic unit, and the new reissue is obscenely expensive. With a good controller and the Behringer model D you get acces to the same sound and expressive resources. To have access to clones of so many classic synths for such low price is nothing short of a miracle. In my opinion Behringer is the best thing that has happened to music technology since Steinberg decided to make the VST protocol public domain.
So, you COULD give it away. Good to hear, I hate the notion of wanton destruction, regardless of lineage. I wound up with a D in trade for some work, and a used RD8 for $59. I'm no fanboy, but their presence becomes far more tolerable having not thrown money directly at "b".
I can't afford Moog, or many other big name mfg's , as much as I'd like them. Behringer is a god send for people like me, yes they make clones, they also make original stuff, but if it offends you.. leave it, for the rest of us, glad they are around.
Part of that choice is Behringer. I have that B model D and it works, sounds good and plays fine with my other gear. I just find this argument irrational and myopic.
I guess, I’m just pointing out that I have a choice about what lives in my studio, and my choice is clear. Other people can make these choices for themselves.
Electronics expert with PHD has compared the base PCB’s and like you say are mostly identical. Certainly not made in the USA, do not buy into that B.S.
Good for you for giving the synth to someone who could use. In the end it's just electronics mashed with some silly brand nonsense as a side serving. It is what it is.
So buy a very expensive original that can break down any second, has no MIDI or even CV/Gate inputs, and to make music where these days you get paid FVCK ALL for your hard work. Considering these points it makes sense to buy a D from Behringer. Even original analogue synths are not fetching crazy prices at the moment, the whole bubble has finally burst and greedy people who pushed up the prices are causing pain to those who paid way too much on their 'investments' now.
When Uli buys InMusic will you sell your Moogs? You have to keep that energy and stay consistent. Im gonna hold you to it 😉 Respect your opinion brother great video. Behringer not for everyone only the rebels and warriors of the Behringer Army. We are everywhere. 🏴☠️ just having some fun 😉
Not all Behringer gear is junk. What viable alternatives are there to the VC-340 , 2600 or Solina at a comparable price point? The only thing on the market for good TR-909 alternatives that is better than the RD-9 drum machine is the Dinsync RE-909, which one has to build one'self as well as source the rare components (the kit, PCB etc is not complete!).It is however, virtually a replica of a TR-909 including replicating the micro-timing behaviour of the Roland classic sequencer (it's not just about replicating the analogue circuitry for the sounds). I do not like vst's. ACB version of SH-2 is crap. (nothing compares to the original).The Roland Boutique version (VS-330) is inferior. The original VP-330 being vintage,(maintenance issues), rare & quite expensive. Most creative musicians/producers care not for aesthetics, trends or brand name, rather sonic qualities, character uniqueness & overall usability. As long as the gear gets used well that's what really matters i.m.h.o.
Love even. I have quite a few other synths besides Behringer. If a trade mark runs out and the product is no longer in production so what if he brings it back. If a product isn’t trademarked then anyone can copy or clone it. Behringer isn’t the first company to clone or imitate other manufacturers products. This whole hating on Behringer is just bloody stupid. I’m not going to buy a ten to thirty year old synth with its myriad problems . As I said if a copy/trademark has run out then it’s fair game. I may be a bit harsh but I’m sick of seeing this shite. Nobody forces you to buy Behringer products. If you want to spend a fortune on gear that frankly you aren’t even using professionally is just stupid.
@@allkeyspro6606 my sincerest apologies,oops ,sorry for being so rude. Yes if you’re doing it in a professional capacity going on stage ,being paid then that’s different ,the expense can probably be justified . But what professionals giving critique miss is that these are made for mainly bedroom producers. A whole separate market. He isn’t stealing any of that market. But as I said cloning,copying in the music industry has been going on from time in memorial. Heck,Arturia’s vst’s ,although not physical being vsts are doing the same thing.
I bought a Neutron recently, and have a CAT and also the TD-3-MO. They all sound great, especially the Neutron! I have no regrets in purchasing these, and realise they may have a more limited shelf life than premium gear, but it’s suited my budget, which is limited. I don’t like the fact Behringer are ripping off existing current gear, I do think that it’s fraudulent behaviour, and morally reprehensible, but the vintage gear clones I don’t have an issue with in the slightest. This is Capitalism, the laws are allowing Uli to do this, nature abhors a vacuum, and he’s filling it. Change the laws, remove that vacuum. As for the sound, take a look at the comparison videos of the B-“D” and the Mini Moog, like Starsky Carr’s vid, they may not be identical, but they are very very very close.
Please, drink some water before doing these. Listening to you swallow and swallow saliva over and over with the mic so close in as ASMR way is very annoying and distracting. I don't know if you have a condition or something but please have your mic a little further away and use a strong noise gate or something. I say all of this with the best of intentions for you betterment. Cheers!
Well, sir, not the response I was expecting from an adult after giving some constructive criticism that came from a place of caring. I hope you do improve and become more professional. When you have a booger on your nose, the people who care will point it out to you, when those who don't care won't. I hope you understand.
If you are a seasoned pro or a musician, for god's sake don't ruin you image which at the end of the day is worth more these days than your art you are producing. I would get Moog which for many is an luxury item, imho. Many starting artist are poor to begin with. Vsti has lost its charm for me a long time ago so hardware is it for me. Hypocrites will say that B have questionable practices while they line up for latest Apple products which are manufactured in a similar way and with questionable practices that are conveniently covered (cleaned up) up by legions of lawyers!
Видеоклипы
Sell it for $20 and buy a pop filter.
:D
😂
HeeHeeeeee 🤣
“Old Man Yells at Cloud”
Older man gives his fair opinion. Great good for him having morals.
Who cares what Uli fanboys care about. They would sell out for anything. 😉
If you ever have another synth you can't give away, shoot it my way.
Madness. *there is no discernible difference between a mini moog and a Behringer model D* none. Zero. Nothing. Nada.
One was not made by the makers of the Kirn Corksniffer.
Keep on believing brother, drink the Uli cool aid 😎
@@allkeyspro6606 There is the difference but is not 5000$ worth of difference and in the context of the song u cant differentiate anyway...
I have old and middle-aged synthesizers from Korg, Yamaha, Kawai, Roland, Moog (Matriarch, Opus3 and the Moogs for the iPad) and some analog and digital effects devices from various manufacturers. And in the middle of it all, various mixers and compressors from Behringer from the 90s and 2000s and a few new Behringer synths. Fortunately, to date I have not broken a single Behringer product, even though all the pots wobble and the little Xenyx mixer cannot be used as an audio interface because of its loud chirping. Despite my advanced age, I am free of any Behringer trauma or complex. Yes, there is real junk there, but also equipment that has been working perfectly for thirty years. And, yes, I also know of defective equipment, but only from my musical circle of friends. Greetings from Germany!😉🇩🇪🤝
The Behringer Model D is wonderful. I've owned many Moogs and they have to be given credit, but the sound quality of the Behringer Model D is amazing and a small miracle given the price point. Don't let these gear snobs tell you otherwise. :)
Thanks for giving my this opportunity, to say how much I love my Behringer gear.
Yes, I own some Moog gear too, but Behringer is a winner for making affordable gear available, to folks on a budget.
Have had zero problems with Behringer quality.
PS I am a lifelong musician, and at 62 years old, have lived through all the originals, and applaud Behringer for what they are doing.
Happy trails to all 🎶🌎☮❤
I only can speak for the Model D, and I like it. Good product I wished I had 30 years ago.
Well said ..... this guy continually puts Behringer down, but they have done more to make electronic music ... hardware synthesis ..... available to the masses than any of the other major hardware supplies. If he can afford Moogs and the like, good luck to him, but many of us can't and Behringer offers some fanatics low budget alternatives!! Keep up the great work Behringer!!
Omg, so many cry babies online nowadays, make music and enjoy life, stop politicizing everything. 🙄
Clicks and views, views and clicks. Engagement. Subscribers.
@@Claude_van slaves to the algorithm!
I love my Behringer Model D. I was considering selling my car to buy the Moog Model D but I figured what the heck why not give this Behringer a try.
Great synth. Sound exactly the same 98% of the time, despite what this sad idiot keeps banging on about. Nothing wrong with Behringer quality these days, certainly better than most Moog synths these days. Do not buy into this made in the USA bs.
I'm glad you found a good home for the Model D. One thing I do think about Behringer products is I don't believe they are going to retain much resale value. Afterall, they were built to a price point to make them affordable. As a result, corners had to be cut regarding quality in some form or fashion.
By the way, that day you spoke of at the end has come for me. I'm considering purging most of my budget synths made by "B." To be honest, I hardly ever spent any time with them to grow any attachment to them. I've been too busy playing with my other higher-end instruments. The the "B" synth I did soend the most time with was the Poly-D and I no longer own that. I'm now shooting for an OB-X8 and/or a Minimoog to go with my Prophet synths.
I only want QUALITY synths that sound good and will last me the rest of my life.
Any news on Moog? I heard they fired lots of people and plan to produce on Taiwan. Are the engineers still there? Is Moog still there?
It was an alright synth. Guitar center was really happy to buy it from me.
I'll be happy like this guy who got a gift without giving money to a brand that he didn't feel good about.
Old and being a snob is not a nice mix,you are a good example of how I do not want to grow old,and yes,I own a lot of Behringer gear,some people will never be able to buy expensive hardware synths like the ones you suggested,thank God there is a company like Behringer,and Ikea for that....
Ah poor fanboy can't take any criticism against Uli meister. Anyone can buy a Moog! Just safe up some cash and don't be a clown pretending you can't afford one straight away.
Disparaging Behringer how original super glad you’re waay above the rest of us who dig all the cool clones
not a synth but the early 1990s Behringer Edison EX-1 Stereo Imager is still considered
1, a classic
2, a secret weapon in the studio
Nice to find someone who can use it. It's great for someone just starting out, I suppose. Having a real synth with a control panel is a necessity for sound design, in my opinion. But getting a first one is quite a leap. Having a physical synth is sort of an initiation. Having all those knobs to tweak makes using VSTs a bit easier moving forward. Because just knowing how they work opens the mind a bit. Once you know one subtractive synthesizer, you know all subtractive synthesizers. Wish I could say the same for FM.
Wow! ...you're so virtuous! :D
Jesus man, the one thing I look up to elders is having wisdom to not getting swept up in ephemeral B.S.
This thing with Behringer is going to swing the exact opposite way, if it hasn’t already. Great synths at great prices, but yeah let’s light our hair on fire and toss it out the window.
I actually gifted it to someone who really likes it!
A few years ago I bought a Roland Super JX10 with controller for a very good price from an elderly gentleman who was giving up playing keyboards because of healths issues. He told me he'd just sold an Oberheim OB8 at a price I'd have snapped his hand off for. Apparently the buyer kept trying to find issues with it so that he could get the price down further. Had I been the seller it would've given me great satisfaction to have told this bloke in no uncertain terms that with an attitude like his, I'd rather smash the synth to pieces than to sell to him. I imagine it would've been a beautiful thing to have seen his face when he realised that his greed had just talked him out of acquiring an absolute bargain!
Behringer stuff is ideal if you’re young and new to hardware synths?
I’m old and have owned hardware synths for longer than I’d care to admit. But I love what Behringer are doing.
Been ripped off too many times by synth companies.
Most of the clones sound close enough to the originals to be indistinguishable in a mix. And they could charge 50% more and still be cheap.
Well said bro✌️
Aaah, that "B- word"... Uli's company has stirred some really nasty rap recently- and perhaps rightfully so. I bought my DeepMind 12 few years ago, in need of a quality analog polysynth that wouldn't break the bank- and I still love it very much! Today I also have the Prophet 6 and Prophet 5 (rev4) which are my main dream machines, but I would never part with the DeepMind. Would I ever buy another Behringer instrument? Hard to say...
Why is this post titled "I can't even give this thing away!"? And what is this whining all about? If you didn't buy the thing in a store where you could try that "B" Model D, to see if it is to your liking, then all online stores are forced by law to have a trial period at home and send it back with a money back guarantee.
Did you buy the Moog mini D, you know the real one? 👈🏻🤣
He's got a Rhodes. I wonder if he's getting it overhauled?
Back when I was a young kid in the 70s my friend David and I loved playing with GI Joes. He had a shit ton of this Montgomery Ward GI Joe clone type stuff… dolls, vehicles, all that…. All made to the same specs so that it was compatible with genuine GI Joe stuff. Although we played with the Montgomery Ward versions we never really felt like it was the real deal, and it really was a cheaper version overall. A lot of Behringer stuff reminds me of the Montgomery Ward line of GI Joe wannabe products… it’s cool in its own way, but just doesn’t quite feel legit. 😅
I can´t honestly understand this anti-Behringer rant. The Minimoog was one of the most influential synths ever and is still a highly desirable synth. Good luck in finding a classic unit, and the new reissue is obscenely expensive. With a good controller and the Behringer model D you get acces to the same sound and expressive resources. To have access to clones of so many classic synths for such low price is nothing short of a miracle. In my opinion Behringer is the best thing that has happened to music technology since Steinberg decided to make the VST protocol public domain.
So, you COULD give it away. Good to hear, I hate the notion of wanton destruction, regardless of lineage. I wound up with a D in trade for some work, and a used RD8 for $59. I'm no fanboy, but their presence becomes far more tolerable having not thrown money directly at "b".
I can't afford Moog, or many other big name mfg's , as much as I'd like them. Behringer is a god send for people like me, yes they make clones, they also make original stuff, but if it offends you.. leave it, for the rest of us, glad they are around.
Sorry, random question... but how does the Schure mic work without being plugged in via the XLR?
Btw, feel the same way you do about Behringer
That is a Shure MV7. It works with USB!
I’ll buy it
Part of that choice is Behringer. I have that B model D and it works, sounds good and plays fine with my other gear. I just find this argument irrational and myopic.
I guess, I’m just pointing out that I have a choice about what lives in my studio, and my choice is clear. Other people can make these choices for themselves.
If you have a model d for sale let me know!
Moog quality is likely about to take a massive nosedive. Buy one soon while you still can!
Moog quality has not been great for forty years.
It’s all the same SMD boards with the same parts from the same factory in China. Call it Moog, Oberheim, Sequential, Behringer.
Electronics expert with PHD has compared the base PCB’s and like you say are mostly identical. Certainly not made in the USA, do not buy into that B.S.
Good for you for giving the synth to someone who could use. In the end it's just electronics mashed with some silly brand nonsense as a side serving. It is what it is.
People that get offended over words are so stupid. Why care? If a word hurts you then you have no real problems.
The Dallas Arbiter Fuzz Face is a clone of the Tonebender MK1.5. Jimi Hendrix was a sell out and was probably too poor to buy the REAL pedal.
I'll have it and so would a lot of others 😂 and Behringer gear is GREAT
So buy a very expensive original that can break down any second, has no MIDI or even CV/Gate inputs, and to make music where these days you get paid FVCK ALL for your hard work. Considering these points it makes sense to buy a D from Behringer. Even original analogue synths are not fetching crazy prices at the moment, the whole bubble has finally burst and greedy people who pushed up the prices are causing pain to those who paid way too much on their 'investments' now.
as far as I know Moog is now dead wich kinda vanishes my dream of having one, collector prices are going sky rocket i guess
Maybe still time to grab one, while the US made synths are still available for retail prices!
Made in the USA lol. You do realise that most parts are MADE abroad. Assembled in the US more like.
When Uli buys InMusic will you sell your Moogs? You have to keep that energy and stay consistent. Im gonna hold you to it 😉
Respect your opinion brother great video.
Behringer not for everyone only the rebels and warriors of the Behringer Army. We are everywhere. 🏴☠️ just having some fun 😉
if b buys moog will you give your moods away?
@@michaelpierce3264 Nope, Moog already has my money!
According to behringer Moog offered to sell and behringer declined. That's one side of the story anyway.
@@charlesbronson2806 behringer gonna buy Inmusic later. Easier paperwork wise. Plys they will get all the other companies under the umbrella ☂️
Pretty petty video
Give it to me! I'll pay you 50 bucks
Not all Behringer gear is junk. What viable alternatives are there to the VC-340 , 2600 or Solina at a comparable price point? The only thing on the market for good TR-909 alternatives that is better than the RD-9 drum machine is the Dinsync RE-909, which one has to build one'self as well as source the rare components (the kit, PCB etc is not complete!).It is however, virtually a replica of a TR-909 including replicating the micro-timing behaviour of the Roland classic sequencer (it's not just about replicating the analogue circuitry for the sounds). I do not like vst's. ACB version of SH-2 is crap. (nothing compares to the original).The Roland Boutique version (VS-330) is inferior. The original VP-330 being vintage,(maintenance issues), rare & quite expensive. Most creative musicians/producers care not for aesthetics, trends or brand name, rather sonic qualities, character uniqueness & overall usability. As long as the gear gets used well that's what really matters i.m.h.o.
I don’t give too hoots what an old codger thinks. I lover Behringer products and will continue to buy
You lover Behringer? LOLOL
Love even. I have quite a few other synths besides Behringer. If a trade mark runs out and the product is no longer in production so what if he brings it back. If a product isn’t trademarked then anyone can copy or clone it. Behringer isn’t the first company to clone or imitate other manufacturers products. This whole hating on Behringer is just bloody stupid. I’m not going to buy a ten to thirty year old synth with its myriad problems . As I said if a copy/trademark has run out then it’s fair game. I may be a bit harsh but I’m sick of seeing this shite. Nobody forces you to buy Behringer products. If you want to spend a fortune on gear that frankly you aren’t even using professionally is just stupid.
@@PeresD you are totally missing the point! I AM a professional! Professionals don’t settle for Uli Behringer
@@allkeyspro6606 my sincerest apologies,oops ,sorry for being so rude. Yes if you’re doing it in a professional capacity going on stage ,being paid then that’s different ,the expense can probably be justified . But what professionals giving critique miss is that these are made for mainly bedroom producers. A whole separate market. He isn’t stealing any of that market. But as I said cloning,copying in the music industry has been going on from time in memorial. Heck,Arturia’s vst’s ,although not physical being vsts are doing the same thing.
I bought a Neutron recently, and have a CAT and also the TD-3-MO. They all sound great, especially the Neutron! I have no regrets in purchasing these, and realise they may have a more limited shelf life than premium gear, but it’s suited my budget, which is limited.
I don’t like the fact Behringer are ripping off existing current gear, I do think that it’s fraudulent behaviour, and morally reprehensible, but the vintage gear clones I don’t have an issue with in the slightest.
This is Capitalism, the laws are allowing Uli to do this, nature abhors a vacuum, and he’s filling it. Change the laws, remove that vacuum.
As for the sound, take a look at the comparison videos of the B-“D” and the Mini Moog, like Starsky Carr’s vid, they may not be identical, but they are very very very close.
Not everyone has the money for the Prophet. That's why Behringer are deservingly doing very well. Also stop tutting into your shite mike
Yes sir! Right away sir!
I have and enjoy my Behringer Model D... so much better than my real Moog Micromoog!
Are you making music or politics?
What's wrong with all those people looking for something to be upset about?
Happily making lots of music, no Behringer in sight! 😎
at your age one expect some humbleness and less judgement,..sorry for your narrow thinking =)
Please, drink some water before doing these. Listening to you swallow and swallow saliva over and over with the mic so close in as ASMR way is very annoying and distracting. I don't know if you have a condition or something but please have your mic a little further away and use a strong noise gate or something. I say all of this with the best of intentions for you betterment. Cheers!
Don’t watch me then
Well, sir, not the response I was expecting from an adult after giving some constructive criticism that came from a place of caring. I hope you do improve and become more professional. When you have a booger on your nose, the people who care will point it out to you, when those who don't care won't. I hope you understand.
If you are a seasoned pro or a musician, for god's sake don't ruin you image which at the end of the day is worth more these days than your art you are producing. I would get Moog which for many is an luxury item, imho. Many starting artist are poor to begin with.
Vsti has lost its charm for me a long time ago so hardware is it for me.
Hypocrites will say that B have questionable practices while they line up for latest Apple products which are manufactured in a similar way and with questionable practices that are conveniently covered (cleaned up) up by legions of lawyers!
Damn dude what’s with all the mouth noises? Ffs.
Try again, poor content.. no value