je n'ai jamais entendu Scarlatti joué comme ça au piano, avec une telle liberté, une fraîcheur enivrante. Ça change de bien des pianistes dont le jeu n'a pas cette subtilité ni la recherche surprenante de nouvelles sonorités. On découvre des trésors très émouvants que cachait encore la musique de ce compositeur de génie qui a du à la fois être classique, romantique et moderne.
Je découvre ce pianiste. Je n'avais pas imaginé que l on pouvait jouer avec un tel toucher une telle précision, une telle musicalité. Un très très grand musicien avec une sensibilité personnelle forte. Son Schubert m a sidérée. A ne pas manquer.
In my less than humble opinion, what Lucas doesn't know... you could stick in your eye and not even blink. He truly is extraordinary. I just 'discovered' him about two days ago. And he has my highest Holy Cow.
I came here after listening to his recording, Scarlatti: 52 Sonatas. I did not know his work at all but had been enjoying Horowitz’s interpretations and wanted to hear more Scarlatti. Straight away I was drawn into listening closely to Debargue (I’m supposed to be working). Beautiful style and steady, smooth-touch command of the sonatas. Always great to make a new discovery.
Incroyable ! Je reste sans voix devant tant de talent ! Scarlatti est métamorphosé et devient enfin à notre portée, nous pauvres mortels du XXIe siècle.
Come to think of it - Scarlatti do not have to be played ratatatat way. In good hands like Debargue's mercurial polystructural nature of Scarlatt's oeuvre comes to the fore. It sounds modern, fresh, unpredictable and piercing. Impressive insights from still young man but fast maturing performer with independent approach and means to express it. Moving interpretation. Bravo.
My Heart Jumped when I heard the AM sonata . Only Maria Pires seems to know or play this work in public ! I was astonished that after 4 decades of listening I had never heard it till she was filmed playing it ! Debargue is so intelligent , so musical . He communicates like noone else - he has that strength of communicating like very few . Midori had it and LangLang has it with everything else . When you experience it you never forget the instrumentalist ! I hope to see him in concert . Please Monsieur Debargue do a recital in Miami NO orchestral concerti ! Ive seen a lot of concerts from LeGrange. Looks like a barn.Richter ,Sokolov everyone comes here !
Mr. Debargue, I enjoy very much your Scarlatti. I listen often to them and they are always like a fresh breeze to me. I quietly wish you would record some more. All the best with your future career. And thank you for the music.
Fantastic interpretation my dear Lucas, you are amazing and it's always a great pleasure to see you and your performances. Thank you so much for sharing 💖
La Sonate K24 est à pleurer surtout les notes de 5:01 à 5:35, de 6:38 à 7:12 et 7:41 à 8:10. L'impression de carillon en sourdine renforce le côté émouvant du morceau. Ces notes tranchent avec le côté enjoué et gai de l'ensemble.
The timestamp for the first sonata should be 0:10. It's played so wonderfully. Perhaps a little Romantic in style, but with amazing inflections and pacing.
Scarlatti's sonatas were first sorted you by one Longo (hence you read L.followed by numbers) but this work was soon outdated when harpsichord player and musicologist Ralph Kirkpatrick sorted out the 555 sonatas on historical basis, hence we now have L. followed by numbers. The k for Mozart' work stands for Keuchel. Voilà dear Shri Buyanjargal.
It was apparent back then that here was an exceptional talent, but he was still very young and the performance is marred by excessive fireworks, and the links between the sections in K208 are frankly cheesy. In the past four years he has grown up a lot and his performances are as brilliant as ever but considerably more mature. I have his 4-CD set of 52 Scarlatti sonatas and it's wonderful. (This is irrelevant to the music, but the Harry Potter look of 2019 suited him much better than his current hyacinth hairstyle and dinky beardette. But that's his choice and maybe it's mean to criticise.)
Domenico Scarlatti (1685 - 1757) > . . . et écrit pour le clavecin ! Tout ce que j'ai appris sur la musique n'a plus aucune valeur . . . Chopin/Scarlatti/Bach/Pérotin/Berg . . . - même chose !
@@teapot2186 I was talking about the INTERPRETATION ! Not the instrument ! What I ment is he plays Scarlatti like Chopin ! Even Schumann and Rachmaninov ! It's to much romantic . . . 1685-1750 ! ÉPOQUE BAROQUE . . . A musician MUST respect the score of the composer ! Like if you try to put some colors on a Michelangelo's painting !
I suggest you read Paul Badura-Skoda's Interpreting Bach at the keyboard, before you publish your opinion. If you just listen to the impeccable clarity of Debargue's trills and his restrain in the use of the pedal, you would notice that there is nothing "romantic" in his interpretation.
Слышать, как Вы играете СКАРЛАТТИ - счастье!!!
je n'ai jamais entendu Scarlatti joué comme ça au piano, avec une telle liberté, une fraîcheur enivrante. Ça change de bien des pianistes dont le jeu n'a pas cette subtilité ni la recherche surprenante de nouvelles sonorités. On découvre des trésors très émouvants que cachait encore la musique de ce compositeur de génie qui a du à la fois être classique, romantique et moderne.
Великолепная оценка редкой красоты игры и гения компопозитора, спасибо, буду помнить. Долго, всегда.
Je découvre ce pianiste. Je n'avais pas imaginé que l on pouvait jouer avec un tel toucher une telle précision, une telle musicalité.
Un très très grand musicien avec une sensibilité personnelle forte.
Son Schubert m a sidérée. A ne pas manquer.
In my less than humble opinion, what Lucas doesn't know... you could stick in your eye and not even blink. He truly is extraordinary. I just 'discovered' him about two days ago. And he has my highest Holy Cow.
Never heard this particular sonata played with such feeling and expression!
I came here after listening to his recording, Scarlatti: 52 Sonatas. I did not know his work at all but had been enjoying Horowitz’s interpretations and wanted to hear more Scarlatti. Straight away I was drawn into listening closely to Debargue (I’m supposed to be working). Beautiful style and steady, smooth-touch command of the sonatas. Always great to make a new discovery.
Toujours un délice immense écouter Lucas Débarque …
Il y a comme ça des interpretations comme celles-ci qui sont des evidences. Merci M. Debargues
Ce musicien est la fierté nationale de la France !!
Бог мой! А как его любит Россия! На каждом миллиметре земли Русской...
It's amazing how he plays every single note and frase without any mistakes and does this good sound intense.
La K208 est d'une beauté ! Tension maximale de la phrase, sens du théâtre, intériorité, tout y est.
Voir la version de Maria Joao Pires. Magnifique.
Incroyable ! Je reste sans voix devant tant de talent ! Scarlatti est métamorphosé et devient enfin à notre portée, nous pauvres mortels du XXIe siècle.
Come to think of it - Scarlatti do not have to be played ratatatat way. In good hands like Debargue's mercurial polystructural nature of Scarlatt's oeuvre comes to the fore. It sounds modern, fresh, unpredictable and piercing. Impressive insights from still young man but fast maturing performer with independent approach and means to express it. Moving interpretation. Bravo.
Haha glad you finally woke up.
My Heart Jumped when I heard the AM sonata . Only Maria Pires seems to know or play this work in public ! I was astonished that after 4 decades of listening I had never heard it till she was filmed playing it ! Debargue is so intelligent , so musical . He communicates like noone else - he has that strength of communicating like very few . Midori had it and LangLang has it with everything else . When you experience it you never forget the instrumentalist ! I hope to see him in concert . Please Monsieur Debargue do a recital in Miami NO orchestral concerti ! Ive seen a lot of concerts from LeGrange. Looks like a barn.Richter ,Sokolov everyone comes here !
Mr. Debargue, I enjoy very much your Scarlatti. I listen often to them and they are always like a fresh breeze to me. I quietly wish you would record some more. All the best with your future career. And thank you for the music.
Lukas Debargue muy buen pianista.
clamoroso stupendo romanticamente rigoroso esplosivamente anarchico autarchico e moderno senza tempo come il soggetto che viene suonato scarlatti d
Fabulous playing
Bravo! Very sensitive!
Superbe. Découverte recentissime. Et la K132....
Fantastic interpretation my dear Lucas, you are amazing and it's always a great pleasure to see you and your performances. Thank you so much for sharing 💖
Thank you for amazing performance
magnifique
Beautiful! Utter indulgence! Thank you for sharing, Maestro Debargue.
Quelle magnifique sélection et interprétation! Bravo.
Thoughtful, delicately well done performance. Thank you and looking forward to more Scarlatti and more.
amazing interpretation!
Wonderful
ruclips.net/video/zsjOu44VNck/видео.html
Ты большой молодец и невероятный талант!
K24 totale genio specie parte lenta..... pianista unico al mondo
Oui, ce pianiste est unique au monde !
Never heard Scarlatti interpreted in this way before. Very thoughtful performance.
Agree with you totally! Never heard Scarlatti played like this!! Such feeling...such sensitivity...such force... such tenderness!!!
La Sonate K24 est à pleurer surtout les notes de 5:01 à 5:35, de 6:38 à 7:12 et 7:41 à 8:10. L'impression de carillon en sourdine renforce le côté émouvant du morceau. Ces notes tranchent avec le côté enjoué et gai de l'ensemble.
Это прекрасно.
solyaris to you
Magnifique !
BRAVO!!!
у меня просто нет слов...
Браво!
Eccellente!
astonishing....
Лука, я слушала тебя в Иркутске, ты играл сонату Метнера!
The timestamp for the first sonata should be 0:10. It's played so wonderfully. Perhaps a little Romantic in style, but with amazing inflections and pacing.
for me scarlatti d is however romantic a lot when i was a teen i was shocked discovering that
Bravo to Lucas and his Russian piano teacher!👍
La Sonate K24 est aussi très belle, notamment avec ce refrain " larghetto" si émouvant ...
Le dernier mouvement est assez extraordinaire avec cette manière jouer très véloce.
Top ❤
never heard k208. amazing
I learned K208 Is beautiful
Cool
Et la K105 svp ? ....
😍👍🏻👍🏻✨
Debargue Scarlatti faits pour se rencontrer...
Le dernier mouvement est éblouissant.
Дебарг раскрывает Скарлатти с новой стороны.
en 15:52 dans la salle : "Naaan!" xD effectivement c'est joli mais le morceau est pleins de silences décevants!
Scarlatti is Scarlatti, not Chopin...
Scarlatti has k numbers before his works like Mozart. I wonder if the same person annotated their works.
Scarlatti's sonatas were first sorted you by one Longo (hence you read L.followed by numbers) but this work was soon outdated when harpsichord player and musicologist Ralph Kirkpatrick sorted out the 555 sonatas on historical basis, hence we now have L. followed by numbers. The k for Mozart' work stands for Keuchel.
Voilà dear Shri Buyanjargal.
K, sometimes Kk, is for Kirkpatrick numbers and indicates the numbering system made by Ralph Kirkpatrick in the '50. Nonthing to do with Mozart.
That K.24 is a happy drowned man/sentenced to death hymn.
Beautiful. And such a wonderful venue. Could you please tell me where is it? The acoustics must be quite good. Thanks for sharing!
It is "la Grange de Meslay" in France (www.touraineloirevalley.com/patrimoine-culturel/grange-de-meslay-parcay-meslay/).
@@mijoree Wasn't that where Richter played a lot?
0:10
Reminiscent of Grigory Sokolov
Exactly my thoughts!
Chaque note est habitée
It was apparent back then that here was an exceptional talent, but he was still very young and the performance is marred by excessive fireworks, and the links between the sections in K208 are frankly cheesy. In the past four years he has grown up a lot and his performances are as brilliant as ever but considerably more mature. I have his 4-CD set of 52 Scarlatti sonatas and it's wonderful.
(This is irrelevant to the music, but the Harry Potter look of 2019 suited him much better than his current hyacinth hairstyle and dinky beardette. But that's his choice and maybe it's mean to criticise.)
Domenico Scarlatti (1685 - 1757)
> . . . et écrit pour le clavecin !
Tout ce que j'ai appris sur la musique n'a plus aucune valeur . . .
Chopin/Scarlatti/Bach/Pérotin/Berg . . . - même chose !
La musique se joue sur n'importe quel instrument, sinon on serait bien limité s'il fallait joué Scarlatti sur un clavecin espagnol d"époque...
@@AeCouperin
Je parlais de l'INTERPRÉTATION !
Et non de l'instrument . . .
>
@@teapot2186
I was talking about the INTERPRETATION !
Not the instrument !
What I ment is he plays Scarlatti like Chopin !
Even Schumann and Rachmaninov !
It's to much romantic . . .
1685-1750 ! ÉPOQUE BAROQUE . . .
A musician MUST respect the score of the composer !
Like if you try to put some colors on a Michelangelo's painting !
I suggest you read Paul Badura-Skoda's Interpreting Bach at the keyboard, before you publish your opinion. If you just listen to the impeccable clarity of Debargue's trills and his restrain in the use of the pedal, you would notice that there is nothing "romantic" in his interpretation.
@@vongurt -
Wonderful
Magnifique!
Magnifique!