When Scarlatti competed against Handle...the consensus was that Scarlatti won on the Harpsichord...but Handle won the Organ which was considered the king of the instruments at the time...
@@Alix777. Is that so? It doesn't sound particularly like Scarlatti. Or anyone you've heard of really. Perhaps Boccherini could have come up with it, if he'd gone in for keyboard music and was feeling particularly Spanish.
I first heard Scarlatti on the harpsichord over 50 years ago, with the great Ralph Kirkpatrick playing his onw instrument. The music still fascinates all these years later. If the authorship of this piece is in question, you might check the works of the Padre Antonio Soler. They both represent a great achool of Spanish keyboard music.
The contrast between the Zen calm of the playing and the often thrilling wildness of the music is surely one the greatest aspects of this repertoire? Superb.
Fantastic! Your right hand dances on the keyboard with those octaves! Made me want to grab some castanets (sp?) and learn to dance the fandango. Thank you!
I don’t think it is. This is one of those spurious pieces that used his name on the title page so is attributed to him but may not be by him at all. We still never know but I have my doubts too
I appreciate you're conscious on harpsichord's technique it's totally different. A common mistake in new performancers is they think piano technique and harpsichord one is interchangeable!!! 🤯 even playing pipe organ. Terrible mistake. Results of that misconception is an incorrect sound. Keyboards could be look like similar, but each instrument (piano, harpsichord, pipe organ) are totally different organologically, so techniques too.
I don’t believe it has a K# as this piece is doubted it is actually by Scarlatti. Back in the day some people would put a famous composers name on the cover page to get their worked published. I have my doubts too.
Para su información: “El fandango flamenco es uno de los cantes con baile introducido más antiguos y su parentesco se legitima con las zambras arábigo-andaluzas y las jarchas mozárabes. Se dice que el fandango se difundió durante varios siglos por toda la geografía española, cobrando el aire de cada región. El fandango morisco antes de su fundición flamenca ya se había transformado en jotas, alboradas, muñeiras, boleros o malhaos. Gran parte de la música flamenca se forjó como una evolución de las músicas de baile que imperaban por los gustos de la gente en los siglos que preceden al siglo XIX. Las escuelas de boleros y de seguidilla están implantadas por todo el territorio español, con lo que el auge del flamenco se dio en todas las comarcas de Andalucía. Los fandangos no solo se conocen en Andalucía, ya que existen en diferentes lugares fuera de España. En el flamenco se le conoce como fandango aflamencado, siendo su origen una mezcla de las culturas árabes y portuguesas.”
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
Казково!!! Чарівно!!!🔥🔥🔥🙏🙏🙏❤️❤️❤️😘
When Scarlatti competed against Handle...the consensus was that Scarlatti won on the Harpsichord...but Handle won the Organ which was considered the king of the instruments at the time...
This work is by a pupil of Antonio Soler, not by Scarlatti.
King or queen? It would probably reflect the gender of the Italian noun for organ.
@@Alix777. Is that so? It doesn't sound particularly like Scarlatti. Or anyone you've heard of really. Perhaps Boccherini could have come up with it, if he'd gone in for keyboard music and was feeling particularly Spanish.
@@Alix777.I'm very familiar with Soler's Fandango, and this is not that piece.
Handel is a clown
I first heard Scarlatti on the harpsichord over 50 years ago, with the great Ralph Kirkpatrick playing his onw instrument. The music still fascinates all these years later. If the authorship of this piece is in question, you might check the works of the Padre Antonio Soler. They both represent a great achool of Spanish keyboard music.
Indeed 🧐
The contrast between the Zen calm of the playing and the often thrilling wildness of the music is surely one the greatest aspects of this repertoire? Superb.
good catch. took me a while to realize the video was in color, and somebody was playing a joke on me.
Just Spain.
Wow! I like the sound of this recording.
The melody is very similar to "La Concheperla" marinera norteña from the north coast of Peru. Beautiful performance, thank you.
こんなに素晴らしい曲、演奏があるなんて知りませんでした。毎日ループで聴いています。
Me too!
verdad
Great performance ❤
Apprezzo molto la nobiltà di questa canzone
Wow! Great technique! You have worked very effectively!
Благодарю за виртуозное исполнение! Волшебно! Сказочно!❤
L'attribuzione del brano a Scarlatti è tutt'altro che certa. Detto questo, l'esecuzione è lodevole.
Who's this piece from then?
Hypotheses non fingo. The piece sounds like too pedantic and variations are a bit clumsy to be a work of the Master.
Fantastic! Your right hand dances on the keyboard with those octaves! Made me want to grab some castanets (sp?) and learn to dance the fandango. Thank you!
GRAZZIAZZ!
That was thrilling. Superb playing. Never heard so many variations, and all are great fun. Fantastic insrtument.
Delightful
Awesome, loved this! Thanks for sharing it.
A féliciter.
Merci. Interprétation bien réfléchie.
Absolutely delightful, thank you greatly.
Super!
Fun interpretation of the piece. Thank you.
C'est incroyable !
Wow. Megasuper ❤
Extremely beautiful.
Awesome speed.
This is by and far the best rendition of it
I love this 😍
Bravo!
😍😍🥰🥰
AMAZING 🙀😦
Muito bom!
Redovno slušam to virtuozno sviranje
Now I get the changes in Soler's Fandango. These two sound like the same composer. Very similar.
Yes, similar in many ways with the ground bass and variations above. My guess is this piece is by a student of Soler’s
Lembra o Nicolau de Figueiredo tocando 👏👏
I know only the Fandango of Soler.
Very nice. Who is the performer? Thank you for sharing.
Chris Gantner
fantastic! what a song
I didn't hear any singing.
ganz stark
Who is this A+ harpsichord player?
Very well played. Thanks for sharing it. How old is this beautiful instrument?
Built in 1999, I believe.
This instrument looks very expensive 😎😄
gratia musicæ gaudium noctis est😌
Bravo. Is it referenced in the Kirkpatrick catalogue? What number?
I don’t think it is. This is one of those spurious pieces that used his name on the title page so is attributed to him but may not be by him at all. We still never know but I have my doubts too
Yes doesn't seem as inspired as a scarlatti piece... or the maestro was à little tired. Nice nevertheless, maybe à gifted pupil.
This sounds a little like the Fandango Quintet by Luigi Boccherini.
No Kirkpatrick number. It is only known as his because of a manuscript of the work titled "Fandango del Sigr. Scarlate".
Wow, this is super fast
¡Olé! (This is not a stupid comment. I´ve heard this piece many times.)
¿Quelle la raison de jouer le clavecin avec un touche pianistique? 😦
I am a pianist who is working on the harpsichord touch…
I appreciate you're conscious on harpsichord's technique it's totally different. A common mistake in new performancers is they think piano technique and harpsichord one is interchangeable!!! 🤯 even playing pipe organ. Terrible mistake. Results of that misconception is an incorrect sound. Keyboards could be look like similar, but each instrument (piano, harpsichord, pipe organ) are totally different organologically, so techniques too.
@@Ari-je3zu I agree very much. I’m learning.
Which k.# is it?
I don’t believe it has a K# as this piece is doubted it is actually by Scarlatti. Back in the day some people would put a famous composers name on the cover page to get their worked published. I have my doubts too.
@@alurachambermusic7597 jammer dat . Ik heb van k.1-99 in een volume
BOMB ASS SHIT MANNNN GOD DDD DAAMMNNN 🔥🔥🔥 BLASTING THIS ON MY 198HP LO-PRO VW GOLF MK2 WITH THE BOYSSS Y'ALREADY KNOWWWW
You can infact do the Fandango
It's not by Scarlatti. It's by a pupil of Soler.
So it finishes on the dominant? How odd. But beautiful flawless playing and a wonderful instrument.
Yea, that’s the same thing I thought after I heard it!
esta mejor el de Bocherini
Pero donde esta el sentimiento espanol de esta pieza? Vd. aporrea y aporrea, pero no es asi. Mon Dieu.
Too fast
@@PabloMelendez1969 ha. Agreed.
Beautiful but too fast...
Yea. I was thinking the same thing.
Too fast!!!
I was just thinking the same thing a few days ago.
ruclips.net/video/bpKMEyFNiJA/видео.htmlsi=jLl8cXCHSs-myz_T
@@daulablove this!
Far away from the depth of Bach
Sometimes it’s good to have dessert with the meat and potatoes. It’s not as good for you, but it makes you smile.
@@alurachambermusic7597Smiling is also good for you ;-)
Para su información: “El fandango flamenco es uno de los cantes con baile introducido más antiguos y su parentesco se legitima con las zambras arábigo-andaluzas y las jarchas mozárabes. Se dice que el fandango se difundió durante varios siglos por toda la geografía española, cobrando el aire de cada región. El fandango morisco antes de su fundición flamenca ya se había transformado en jotas, alboradas, muñeiras, boleros o malhaos.
Gran parte de la música flamenca se forjó como una evolución de las músicas de baile que imperaban por los gustos de la gente en los siglos que preceden al siglo XIX. Las escuelas de boleros y de seguidilla están implantadas por todo el territorio español, con lo que el auge del flamenco se dio en todas las comarcas de Andalucía.
Los fandangos no solo se conocen en Andalucía, ya que existen en diferentes lugares fuera de España. En el flamenco se le conoce como fandango aflamencado, siendo su origen una mezcla de las culturas árabes y portuguesas.”
wow
Io sono un estimatore di Scarlatti. Lei interpreta benissimo.
I’m sono un estimatrice di Scarlatti. 🇮🇹🇺🇸