How to Mix Keyboards & Synths | In the Studio | Doctor Mix | Thomann
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- Опубликовано: 18 сен 2024
- There are a few instruments that you can't miss when making a nice recording! One of these are for sure keyboards and synths! But how do you record and mix them properly? @Doctormix shows you how to do it. Which other music production topics would you like to learn more about?
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This is one of the first explanations of mixing that I have seen that takes a really artist, creative approach and makes me SO much more excited about something that I considered to be a chore before. Thank you!
We are not quite on the same page, but I am very happy with this info!
I worked for a radio broadcaster and then you had to take everything into account, that if someone sat at one loudspeaker, they could still hear everything. Someone with 2 speakers had to have a stereo experience! I did use some of the stuff you covered!
If you don't have a stereo enhancer, you can easily widen a track by putting a ping-pong delay on it, with zero feedback and a very short delay (< 15ms). This plays the sound in on channel and a few milliseconds later, plays it in the other channel, which makes the sound extremely wide, and gets it out of the way of the center. Extremely effective on backup vocals.
I also use autopan on well-quantized runs, to move alternating notes to opposite channels when the synth wasn't recorded that way originally.
Thanks mister doctor mix! Again, after so many times I learned something new!
what a nice video
This is brilliant! Please do a full Track 🙏
That autopanner and stereo enhancher gives a pretty nice effect.
That cubase autopan sounds very nice!
Oh yes Claudio, extremely useful. Would you check then mono output to see if all these effects would make the synth vanish because of phase interactions?
I have not seen so bad music playing. U are the top chimp I mean.
It sounds amazing. Only question is can you play so complex music live?
I'm not experienced enough but could you also do an episode or give advice about color and flavour to get even more distance from the different sounds in a mix? I don't have 100 different machines to achieve that so is their a solution that you can do in the mix or recording? Different compressors or other things?
Interessting so recording "real" is often Audio (instead of MIDI)?
You need to record audio if the instrument is phisical. Midi is only good for virtual instrument.
midi with a physical instrument would be unshareable because every playback you need to configure the instrument to generate sound on the fly
I too like a well behaved reverb.