Stanton Moore "Groove Alchemy" Clinic, part 1
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- Опубликовано: 9 фев 2025
- Vic Firth artist Stanton Moore appears at the Percussive Arts Society International Convention (PASIC) in Indianapolis, 2010. Stanton's clinic is entitled "Groove Alchemy".
For more great videos from Stanton, check out his Vic Firth artist page here:
www.vicfirth.co...
The thing I love about Stanton is that his grooves aren't too technically challenging, while some of them require a deal of coordination, it's all about groovin' which is something a lot of drummers have lost these days!
Never seen any of Stanton's playing before. Absolutely exceptional, such passion, just love this guy, a new fan. Thanks for posting 🥁
His CD's are fantastic and watching him play with such exuberance is even better.
This is one happy cat behind a kit
I was front row center for this Clinic, awesome clinic. Managed to get in for the Sound Check too, got to see them just jamming beforehand. Such an awesome groove.
Cant believe it's been 10 Years!
I was here man, this dude changed my thoughts about drumming.
Man, you makin’ ‘em sing so nice !
Watch the big bass drum @ 10:55!
Natural sound and play, back to the basics of music.....great musicians.yeah!
I love stantons groove, awesome player....and that great gretsch sound, love that kit..superb.
Bought his Groove Alchemy kit. Worth it.
My God, that's a Nice Looking Set!
I confess, I am obsessed with this man...
Stanton is a BEAST.
His drumming is an extension of his actual body movements..his feel is superb !
The buzz roles are so smooth and fluid...
amazing!
The stick flip at 7:45 is awesome!
Thanks a lot for your comment Steve (i asked him in his channel to check this video to see if he could figure the damn thing)....after all the answers i guess that Stanton is not just doing any tipical rudimental thing that you could find in any book, right? he is putting all his experience, knowledge to create something else. The "secret", for me, to understand why it sounds so much like a polyrythm seem to be this "he tricky part is he doesn't start on the downbeat". A lot of great feedback!!
I agree with a few drummers here that his skills aren't exceptional. Countless other drummers could pull these grooves off...but the dude has passion, he has found a niche and is exploiting it , is displaying for all to see that drums are so much more than a 4 on the floor, and he has a nice drum kit
That kit sounds unbelievable. I may be a Gretsch man after watching this.
thanks a lot, i did some research about swiss army rudiment, and i think that if he is not doing that, is close. Anyway i'll go and practice the swiss triplet since looks cool to play. Thanks again.
Sick grooving as usual by stanton
But, I'm still learning! Stanton is one of the few guys that I know of (not in a jazz context) that mics his non-ported Bass drum head live. I wonder what he does to eliminate bleed from ambient/stage noise and cymbal bleed. Hmm
One of today's greatest propononents of New Orleans funk! Shades of Zigaboo and Palmer
the mic is here.... on 0:45.... All mic´s are on the batter side...
2:40 so dirty
It's LP Pandeiro. Stanton's got he's own model now, I think.
You're probably right, although I'd have to disagree with you there (about the 'no way to get that full of a sound' part) In my experience, the beefiest, most fat and huge bass drum sound I've gotten have been on drums that were
1. Not ported (mic-hole)
2. Mic-ed from the outside.
The only advantage to mic-ing the inside of any drum is to isolate the signal from cymbal bleed etc into the mic and for more attack. I personally think the best results are achieved with both techniques implemented.
Stanton has a tremendous feel and great command of what he plays. It's like Bill Stewart but with actual power.
The phrase at 2:40 sounds to my ear like he's not playing the double stroke after the flam so I'm not hearing it as a blushda.
It sounds like left-handed flam that's real open and sloppy with the right hand on the cowbell and left-hand either on the snare or tom - followed by a single left on the snare. Flam- tap flam-tap - but the tricky part is he doesn't start on the downbeat,
nice thaks a lot! i checked the blushda thing...it seems that there are both ternary and binary version right?...being the ternary the original, and the binary a variation. Anyhow....i think i hear, from almost 2:42 to the crash ending, 3 groups of 4...at least i can count...1,2,3,4 three times during that passage wich seem to fit the accents more than counting 4 times grous of 3. I recognize my ignorance, i'm just sharing my thoughts here and willing to learn from those who knows more than my.
what cymbal is he crashing in the beginning
what is that to his left that looks kinda like a roto tom but sounds like floor tom
I cant´put a video. If you put on youtube stanton moore tamtam drumfest. Video I. You can see the mic position.
Does guy wear anything other than black tshirts or shirts? lo,l great drummer.
What kind of crash is that? Great playing as usual.
To his left is the Bosphorus Groove Trash Crash 20", to his right Bosphorus Groove Pang Thang.
He then moved to Crescent cymbals, same set though. Now his signature cymbals are made by Sabian, since they bought Crescent.
From 2:41 to 2:44...? i guess is a polirythm, anyone can explain it?thanks.
bad ass
Why two bass drums?
They're probably internal mic'd I was thinking the same thing. I doesn't look like that batter heads are mic'd and even if they were there'd be no way to get that full of a sound. So IMO it's probably internal.
I think it's just non-alternating swiss army triplets played as dotted-eighths with the flams spaced really really wide.
im 51 all you had to choose from in the olden days ... wait where am i... oh yeah here i am, sorry, all we had was zildgen. they were ok but now the cybals are varried and have different sounds. love meinls and bosphorus and soultone all great cymbals. cheers
How are the bass drums mic'd?
I have had lessons with him, and he showed me that they are custom internal mics.
ya know thats funny because i wear the same thing. black tees and its cause it looks good and is still just a tee and if you wanna class it up wear a button down over it. were guys, how much time you think goes on in our minds over what to wear? hmmm black tee and jeans orrr... yeah black tee and jeans it is! cheers man
He's a really great player, obviously skilled in that nola syncopation funk. His playing is infectiously joyful. But I do find him hammy at times. I'm also not crazy about his tuning.
If you dig Moore, dig deeper and find Shannon Powell...and Johnny Vidacovich.
+googlefuckedupyoutube What do you mean by "hammy"? How would you change his tuning?
+Caleb Pashia I think he means all the moving around and showmanship stuff he does. Personally I dig it. Gadd used to do a lot of stuff like that.
Johnny V trained Moore in most of what he knows
.... " not crazy about his tuning " !!!??? --- what is wrong with you ? this is a REAL drum sound !
Monster player...quite a clinic. Just wish he'd hit his cymbals a bit harder. :)
Look at the edges of his crash and pang, they're all bended!
unf. dat kit.
He's playing rLLR rLLR rLLR, is he not?
The metronome was jealous
there is always 1 touch hole on youtube
That's not the sticking he's using.
#Potlicker
Few years ago here in Asheville Stanton's band came thru. I enjoyed the show, fantastic. But afterwards, he was meeting "fans" and proceeded to literally grope a young woman. He was off to the side of things and maybe thought he was out of site. I was waiting to meet him. He was pulling her in close and his hands were all aggressive on her ass and it was just totally cringe & creepy! She pulled away. It was obvious what he was trying to do. Dude was even wearing his wedding ring. I don't listen to his stuff anymore.