Out of countless recordings I've heard, Podger's is the most plain and sublime. You feel as if you are flying in heaven while listening to this recording
Severely underestimated this piece as a whole. It is sublime. Bach's sense of melody and harmony is so deep, so beyond our understanding. His six solos for violin are incredible.
Yet another splendid musician I had never heard of. My fault. The violin sound is warm, precise and brilliant. The technic is impeccable. The complexities of Bach sonatas are mastered with aplomb and the result is nothing less than majestic. My deeply felt congratulations Ms Podger. Thanks for sharing this beautiful musical experience.
Wow, I scoured the internet, looking for Heifetz, Hilary Hahn, Henryk Szeryng's recording, while they're great, no one treats those polyphonies like Podger!! My fav interpretation so far
At first, I uploaded all this music out of fear of losing it from my computer, back when Spotify wasn’t yet widespread. I wanted to preserve my music and share my tastes. Today, I want to connect with people to talk about music and share my work as a violinist and teacher.
I like the Fugue...not fan of baroque players searching for authenticity that none can be assured is genuine: Italians like Geminiani advocated the constant use of vibrato. It was very Italian. In Germany, a different story... except for Amadeus Mozart, who contradicted Leopold his father, on the particular matter. Singers used vibrato, why not string players. Anyways, none can pretend to know how they really played during baroque and early classical period, because even in the choice of words,tremolo and vibrato was often confused...
I think today, every musician teaches interpretation based on what they learned from their teacher. Some go further and investigate the text on their own, but no one has the final word. Only the composer does, and even their intentions can sometimes be open to interpretation. On the other hand, many performers agree on certain musical ideas.
Rachel Podger quoted from Strings Magazine: "I use a mixture of La Folia, Toro, and Pirastro. I’ve experimented a fair bit with different gauges and types of strings, and actually still do! Every string sounds quite different when first strung up, and takes awhile to settle in and resonate with the whole body of the instrument."
@@yaziji I saw a comment on another of her videos, but I can't find it again. I think it said toro E, Gamut A and D, and something more mainstream for the G, (maybe Oliv? or Eudoxa?)
@@randomoneforstuff3696 I saw your discussion with S.L. about Sato's interpretation of this piece. After listening to this, do you agree more with S.L. who said Sato lacks structure and overuses rubatos?
Her simplicity leads to a perfection. Definitelly the best interpretation of Bach on violin.
Out of countless recordings I've heard, Podger's is the most plain and sublime. You feel as if you are flying in heaven while listening to this recording
Severely underestimated this piece as a whole. It is sublime. Bach's sense of melody and harmony is so deep, so beyond our understanding. His six solos for violin are incredible.
You are absolutely right. I'm 21 and I'm just beginning to understand how little I understand his music.
A tip : you can watch series at flixzone. I've been using them for watching all kinds of movies lately.
@Fisher Alaric yup, have been watching on flixzone} for years myself :D
Yet another splendid musician I had never heard of. My fault. The violin sound is warm, precise and brilliant. The technic is impeccable. The complexities of Bach sonatas are mastered with aplomb and the result is nothing less than majestic. My deeply felt congratulations Ms Podger. Thanks for sharing this beautiful musical experience.
Definitely best version by far. Patient, elegant, and masterful.
Wow, I scoured the internet, looking for Heifetz, Hilary Hahn, Henryk Szeryng's recording, while they're great, no one treats those polyphonies like Podger!! My fav interpretation so far
Have you heard the Netherlands Bach Society?
ruclips.net/video/MRKy3kX8XUM/видео.html
To me, she's the Glenn Gould of violin.
she's the best, and I love old masters
I have eight performances of these pieces and this set is my favorite.
말할필요도없이 최고중의 최고!!
존경스러운 연주,해석❤
Heard one 10 second clip of this, it was enough to get the album
Great playing , I was listening to Irish player Genevieve Keane, 15 year old and her brother Martin Keane playing , wow, great players
Like sculpture in sound.
Bravissima! !!!
Thank you for sharing.
At first, I uploaded all this music out of fear of losing it from my computer, back when Spotify wasn’t yet widespread. I wanted to preserve my music and share my tastes.
Today, I want to connect with people to talk about music and share my work as a violinist and teacher.
Îmi place.
hypnotizing
Preciosismo!!
De las mejores versiones a mi gusto, espero algún día acercarme a ese nivel.
9:22 9:22
9:22 9:22
全名K歌让我在此一游，感谢🙏
9:31
9:31
4:24 4:28 4:31 4:34 4:38 4:41 4:43 4:47 4:50 4:54 4:57
???
What a timbre! this strings shall made of animal, because this sound is not NORMAL! kkkk congratulation!
Comes at a heavy price, though. Gut strings go out of tune easily, and the whole violin is easily affected by changes in temperature.
What a waste of life that using their guts to make strings.
Absalon ecofascist
Bathtub Barracuda ok .
Am I the first one here after the 2set violin comparison of Bach interpretations?
No, no you are not.
I like the Fugue...not fan of baroque players searching for authenticity that none can be assured is genuine: Italians like Geminiani advocated the constant use of vibrato. It was very Italian. In Germany, a different story... except for Amadeus Mozart, who contradicted Leopold his father, on the particular matter. Singers used vibrato, why not string players. Anyways, none can pretend to know how they really played during baroque and early classical period, because even in the choice of words,tremolo and vibrato was often confused...
I think today, every musician teaches interpretation based on what they learned from their teacher. Some go further and investigate the text on their own, but no one has the final word. Only the composer does, and even their intentions can sometimes be open to interpretation.
On the other hand, many performers agree on certain musical ideas.
9:22
What's that hiss sound whenever there's a brief silent moment? Is that her breathing?
yeah! I think it is
What strings does she use?? Someone please tell me!!!
I think that it just sheep gut string, not even a human gut string or bird gut string oooor cow gut string.
Rachel Podger quoted from Strings Magazine: "I use a mixture of La Folia, Toro, and Pirastro. I’ve experimented a fair bit with different gauges and types of strings, and actually still do! Every string sounds quite different when first strung up, and takes awhile to settle in and resonate with the whole body of the instrument."
@@yaziji I saw a comment on another of her videos, but I can't find it again. I think it said toro E, Gamut A and D, and something more mainstream for the G, (maybe Oliv? or Eudoxa?)
Who is Rachel podger
ray chen 😂
Good question 🤔
a Baroque violinist
@@randomoneforstuff3696 r/whoooosh
@@randomoneforstuff3696 I saw your discussion with S.L. about Sato's interpretation of this piece. After listening to this, do you agree more with S.L. who said Sato lacks structure and overuses rubatos?
Human gut strings when?!?!?
Of the Pope. Because of the infailibility.
:o
Grumiaux and Podger I think have the best recordings of these gems.
I can recommend Perlman and Beyer too