Quincy Jones Conducts Killer Joe Live in Hollywood
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- Опубликовано: 6 сен 2017
- Quincy Jones: The A&M Years features Quincy himself conducting Christian McBride - musical director/bass, Dave Grusin - piano, Sean Jones - trumpet, Hubert Laws - flute, Lewis Nash - drums, Lee Ritenour - guitar, Valerie Simpson (of Ashford & Simpson) vocalist and the all-star big band orchestra. The renowned jazz artists perform Killer Joe from the Quincy Jones classic 1969 album Walking In Space. Quincy Jones: The A&M Years celebrates the famed jazz legend's peak creative time in his life at Hollywood concert in Los Angeles, CA on September 6, 2017.
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Quincy Jones on Aretha Franklin: 'She turned this country upside down' By Quincy Jones as told to Gerrick D. Kennedy Aug 22, 2018.
Quincy Jones looks back on his friend Aretha Franklin, a musician he says "ruled from day one." (Hassan)
More than a half-century ago, Quincy Jones heard Aretha Franklin’s voice for the first time. At the time, Franklin was a young, prodigious vocalist singing in gospel caravan tours across the country under the tutelage of her father, the Rev. C.L. Franklin. And Jones’ career as a jazz arranger and conductor was taking flight.
Throughout their illustrious careers, Franklin and Jones collaborated on myriad live productions, but the two only made one album together - 1973’s “Hey Now Hey (The Other Side of the Sky).”
Franklin was hot off a pair of masterful releases, “Young, Gifted and Black” and “Amazing Grace” - an album that transformed gospel music and remains Franklin’s bestselling work - when she teamed up with Jones in spring 1972.
“Hey Now Hey (The Other Side of the Sky)” remains a fond memory for Jones. After Franklin’s death last week at age 76, pop music writer Gerrick D. Kennedy asked Jones to look back on his relationship with Franklin and their adventurous collaboration.
I first heard her at church when she was 12 years old. Dinah Washington initially told me that Aretha was the “next one,” and her point was instantly proven upon hearing that little girl sing her heart out. She had chops like you’ve never heard before, and there was no doubt in any of our minds that she was special. Her voice carried an unbelievable amount of weight at such a young age, and she had the soul to back it up.
In 1972, Jerry Wexler asked me to produce an album with her and I had absolutely no reservations about accepting.
We had some of the best musicians on the planet in those sessions [Billy Preston, Joe Farrell, Spooner Oldham and Jimmy Johnson all played on the album]. Aretha was an absolute professional from the start. Leonard Bernstein and Stephen Sondheim’s “Somewhere” from “West Side Story” is my all-time favorite, and it truly exemplifies her versatility and personality.
Among many of the incredible musicians we had on the album, the combination of Ray Brown on bass, Phil Woods’ string section and Aretha on piano was the perfect blend. She was so comfortable behind those keys, and even still, she would practice her licks about 20 times over.
It wouldn’t matter if her last take was perfect, she knew she could do better and wouldn’t stop until she got there. Her little sister Carolyn wrote “Angel,” and being able to work with her more “jazzy” side - especially on “Moody’s Mood” - was an absolute dream.
That album, along with everything I do, is all about instinct, and we just went with it. We didn’t need to force any of the music because that’s when you lose the magic. Nothing surprised me about her, she was always No. 1.
Aretha turned this country upside down. Not only did her music set the bar for every musician who came after her, but her presence demanded respect and she gave permission to her fellow African American and female counterparts to do the same.
When you listen to her sing “Respect” or “(You Make Me Feel Like) A Natural Woman,” you can hear her passion for the messages behind the music. These songs became anthems for the black community and society at large. She had a sound like no other, and it wasn’t just her talent that placed her in a position to assume the title of “Queen of Soul.” It was her hard work, plain and simple.
She was an absolutely profound artist. She ruled from day one, and will continue to do so, until the end of time. It absolutely breaks my heart to have lost my baby sis, but it makes my soul smile to know that she will live on, through the memory of her music. Видеоклипы
"Q" and the Orchestra killed it! Beautifully Done!! Omg! I saw Christian McBride on Bass, Hubert Laws on Flute, Lee Ritenaur on guitar and Valerie Simpson singing out front.
I love Lee Ritinour as the side-man guitarist. So cool!
Just wonderful!
Phil Collins has a track on this album that was MINDBLOWING. I don’t know why Phil Collins didn’t continue to do nothing but jazz from then on. He is a natural singing jazz.
I never get tired of listening to this . One of my favorites
Genius level musicians!!!
Show stopper! Quincy Jones....the master
very cool and great to see Valerie doing the vocals
Walking in Space. I still have the LP.
Unmitigated joy! Check out Laws in his stingy brim...reminds me of Hawk, Prez and Cadillac slim wearing their fedoras in the recording studios. This stuff is timeless. There was a reason Quincy was chosen to do the music for Pawnbroker and Heat of the Night. Life can be so good at times...like on the occasion of this recording. My days are numbered, but this stuff sustains me.
Have Jook Joint CD with this track. Best CD EVER. Very eclectic.
Thanks for listening
@@CalVid Ty for uploading. Still watching and listening here 2023. This music 🎶 I swear is therapeutic.
There can be no more luxury, thanks master Q!
No doubt!
Timeless
Lynne Fiddmont is one of my favorite vocalists of all time. Her vocal abilities are absolutely amazing. I had the privilege of meeting her through a longtime friend and band mate Wayne Linsey. The CD “ Perfect Love “ is a classic!!!
Couldn't agree more!
@@CalVid could u pls upload the track he just mentioned? Perfect Love. I’ve never heard it.
The Prince of Swing!! Q!!
Beauty
Wow 2023 he’s 90 now.
👍🏿
Perve
From the North , SouthsideRastside Q is The Original Chicago Capitan Baby Kller Joe Cottage Grove 35@ 47
Camera man get your act together. Come on man!
PLEASE PLEASE GIVE YOUR CHILD OR ANY CHILD AN INSTRUMENT..... THIS IS THE REASON WHY!!!!!!
This was an AMAZING experience!! Hope we get to do it again!! Blessings!!!
I’m so delighted for you! A BOMB experience!!!!!
Love this. Quintessently Quincy! Enjoy other renditions, particularly The Manhattan Transfer's Vocalese interpretation. Swing on Quincy!
Alright now! The last mile..;-D Always a "Killer! ". Love ya! My Thanks for the share.. ;-) Timeless Quincy...
Route 66 move over Quincy's boppin through.
Q is the man!
Good lord, look at this line-up!!!
Great!!!!!!!!!!!!!!!!!!
Now I have to go get the Vocalese version from Manhattan Transfer...ahhh, Quincy!
Only one Quincy Jones the best arranger bar none. The standard that could have been wriiten for the great man.
Oh, man.
That hip flautist captures the 60s vibe so perfectly and the arranger ain't half bad either.
SHAKE THAT THANG QUINCY JI JI JI
Senator Mitch McConnel on Sax 5:00
We know who Valerie Simpson is?
is THAT a rhetorical question?? she sings the title cut to this lp in another vid.
I think he’s being funny🙂
www.rebuildlestudio.com
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Don't forget "genius"!
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Nelson Riddle on steroids.
So deliciously 60's.