im thankful that i saw your video, no one has clearly shown the output result of an anamorphic video file @2:35 you certainly explained what most of us wanted to see from the naked eye... thanks
Dude I've been watching you for like 2 years now back when you did like a million ZV-1 videos and I just wanted to show some love. You've been showing up and killing it. No wonder you got so many subs now. All your reviews are so thorough and answer any question I'm starting to form in my mind while I watch. Keep up the amazing work brother!
Gary, you made my evening. Thank you so much for the love man. I really appreciate the motivation. Also I’m happy your still with me after all those ZV-1 videos haha
Insanely beautiful lens!!! I wish that one day we have anamorphic lens with autofocus... I do love manual focus, but, for a budget filmmaker who live in a country that lens are so expensive, a lens that fit in most scenarios it's more affordable... But if I don't need autofocus for almost nothing, certainly I would get some of these sirui anamorphic lens, BEAUTIFUL!!!
Hey Lury, I agree that would be amazing. I heard about a DJI product that turns manual into auto focus. That may be the only work around as of yet, but again that just means spending more money.
I totally agree. They are fantastic lenses, but they are just, way too expensive. I could buy a couple cars at that price:). If you ever win a lottery someday, you can try them out for us, and tell us what you think.
It's a fantastic lens for this Prize!!!!!!! But I wouldn't go with the Sirui Anamorphic 35mm f1.8, because I use a Gimbal and I defenitely need a auto focus. Great video, keep it up :)))
Sony should really implement some common cinema camera features like the anamorphic mode, open gate, waveform, false color throughout their so-called "Cinema FX Line".
Great review, thank you. I've been using this with my Panasonic S5, so I can actually monitor in camera, and also I find this lens so easy to manually focus. And I agree with you, there's just something that you can't describe that just looked so different. Honestly, I have been struggling with going back to any aspherical lens because they just don't look anything like this lens. I'm shooting a feature right now, and I might very well shoot the entire film on this 35 mm lens. :-) I might use an ultra-wide spherical lens just to get some establishing shots, but then again, this 35 mm is really kind of like a 22 or 23mm wide equivalent, so I might be able to keep this on my camera for the entire film. It just looks absolutely beautiful. Also, when you look at your footage through different aspect ratios, it changes even more. Although that can be a problem, because then you have way too many choices. LOL Thanks so much for sharing.
@@thefilmalliance videography side of things . I recently got the sirui 35mm and was looking for some reviews then found your video and instantly loved it.
@@thefilmalliance still hoping for a way to make my backdrop better. I have a nice desk but a huge empty wall 😔 I live in florida come film a make over with me. I can show you my 5 zv1 cams 🥳
@@DutchUltra Alright will def look into it. Thanks so much. And also, I'll come down to Fl and see your cams. Flight ticket is on you:) That's awesome that you have 5.
First of all.., do you own a ford Maverick? I know I saw Maverick headlights…lol Second; wait until you have a chance to shoot a concert with this lens! The light streaks! I shot one last week with this same camera/lens combo and am blown away!!!
First, yes, I did pick up a Ford Maverick. Do you have it? I only got it because someone else canceled their order. I love it a lot. Nice catch:) Secondly, you are so right about the streaks. They are amazing. It blows me away every time. That's awesome that you shot a concert. How did it go?
Wondered if you can record via the ninja too? I have a ninja with lots of hard drives for it and shoot everything ProRes. I know you can shoot Raw on the FX30 via the Ninja but wondered if can also shoot standard ProRes 422 too? I have all the sirui lenses. They are lovely. So much character!
Hi, to use it on SONY ZVE10, would I need to use the adapter provied inside to mount it on that APSC camera? Because this 35mm is built for micro4/3 originally? However, a 4/3 sensor is smaller in size WRT APSC (Sony) sensor. So, would that play or introduce some kind if unforseen compromise to the quality? Please answer, I got ZVE10 inspired by your good recommendation.
Unfortunately it is false. This lens is f 1.8. This is determined by the aperture ratio of the focal length to the aperture. The "T" values do not indicate the mathematical ratio but the real light throughput of the lens. If you compare "F" values based on the amount of light that falls on the sensor, they can be different. This is due to the losses within the lens system. In the field of cinama lenses, however, the amount of light on the sensor is decisive. Therefore, these lenses are specified with the real, the "T" value. This then accounts for all light losses within the lens. Current full frame Sirui lenses have "T" values, this one has "F" values. However, the difference is usually not very large in terms of light throughput.
@@OrtwinSchneider Yes, this is true, because it is an ABS-C lens, as it is symbolized by f, and I did not notice that. Thank you for the clarification, and we apologize to the owner of the video
Have you ever used an anamorphic lens? If you would like to see more videos like this one like and subscribe!
im thankful that i saw your video, no one has clearly shown the output result of an anamorphic video file @2:35 you certainly explained what most of us wanted to see from the naked eye... thanks
Thanks, glad that I could help.
Dude I've been watching you for like 2 years now back when you did like a million ZV-1 videos and I just wanted to show some love. You've been showing up and killing it. No wonder you got so many subs now. All your reviews are so thorough and answer any question I'm starting to form in my mind while I watch. Keep up the amazing work brother!
Gary, you made my evening. Thank you so much for the love man. I really appreciate the motivation. Also I’m happy your still with me after all those ZV-1 videos haha
Insanely beautiful lens!!! I wish that one day we have anamorphic lens with autofocus... I do love manual focus, but, for a budget filmmaker who live in a country that lens are so expensive, a lens that fit in most scenarios it's more affordable... But if I don't need autofocus for almost nothing, certainly I would get some of these sirui anamorphic lens, BEAUTIFUL!!!
Hey Lury, I agree that would be amazing. I heard about a DJI product that turns manual into auto focus. That may be the only work around as of yet, but again that just means spending more money.
Really wish i could capture my gold prospecting adventures in such an amazing way.
Thanks, that’s very kind of you. If you put your mind to it, you can def do it.
I know this sounds crazy, but I'd love to see how that lens works on the Sony ZV-E10.
🤔 💡 not a bad idea 👍
Me too ! Big time !
+1
Not crazy at all and I will have to put that in the video queue. Thanks for the video idea
Done it it’s amazing
Looks good, I seen some amazing Anamorphic lenses that will autofocus but the price is around $30,000.00 + but they are fantastic lenses.
I totally agree. They are fantastic lenses, but they are just, way too expensive. I could buy a couple cars at that price:). If you ever win a lottery someday, you can try them out for us, and tell us what you think.
@@thefilmalliance I have tried them out i used the mall the time i just rent them, they are unreal..
Newby here - would autofocus typically not work with anamorphic lenses?
Dolph about to kick some film making butt! 👍 😝 ✌️🤙
Haha you knew that was coming. Thanks for always making me laugh
It's a fantastic lens for this Prize!!!!!!!
But I wouldn't go with the Sirui Anamorphic 35mm f1.8, because I use a Gimbal and I defenitely need a auto focus.
Great video, keep it up :)))
Thanks so much Balthasar. I agree with you. It is a fantastic lens for this price. I wish that it had autofocus, but maybe sometime in the future.
If I'm buying the E mount for my FX30 why do I need the adapter ?
Can you make a video about what should be the first lens to buy for the fx30 ❤
I will have to do that very soon. Thanks for the great video idea
Sony should really implement some common cinema camera features like the anamorphic mode, open gate, waveform, false color throughout their so-called "Cinema FX Line".
That is so true. I definitely agree with that. Thank you for this comment.
Great review, thank you. I've been using this with my Panasonic S5, so I can actually monitor in camera, and also I find this lens so easy to manually focus. And I agree with you, there's just something that you can't describe that just looked so different. Honestly, I have been struggling with going back to any aspherical lens because they just don't look anything like this lens. I'm shooting a feature right now, and I might very well shoot the entire film on this 35 mm lens. :-) I might use an ultra-wide spherical lens just to get some establishing shots, but then again, this 35 mm is really kind of like a 22 or 23mm wide equivalent, so I might be able to keep this on my camera for the entire film. It just looks absolutely beautiful. Also, when you look at your footage through different aspect ratios, it changes even more. Although that can be a problem, because then you have way too many choices. LOL Thanks so much for sharing.
New firmware allows you to de-squeeze right on the camera, no need to post edit it.
Hey have you compared this lens to their nightwalker series ?
Great review!!!Buddy love this anamorphic one and the price is 🔥Keep it up the good work!!
Hi Jaimie, Yes I agree. I was pretty stoked about this setup as you can tell. Its an awesome setup for the price. Thanks for the comment
@@thefilmalliance You're welcome buddy!😀
Just found your channel and am loving it. Waiting to get new content
Awesome man, thank you so much for this comment. It is really encouraging. Are you more into photography or videography?
@@thefilmalliance videography side of things . I recently got the sirui 35mm and was looking for some reviews then found your video and instantly loved it.
Excellent video!
your vids keep getting better over time, pretty slick well done :)
Wow, thanks man. That is so nice. Glad that they are getting better. Do you have any vid suggestions for me?
@@thefilmalliance still hoping for a way to make my backdrop better. I have a nice desk but a huge empty wall 😔
I live in florida come film a make over with me. I can show you my 5 zv1 cams 🥳
@@DutchUltra Alright will def look into it. Thanks so much. And also, I'll come down to Fl and see your cams. Flight ticket is on you:) That's awesome that you have 5.
First of all.., do you own a ford Maverick? I know I saw Maverick headlights…lol Second; wait until you have a chance to shoot a concert with this lens! The light streaks! I shot one last week with this same camera/lens combo and am blown away!!!
First, yes, I did pick up a Ford Maverick. Do you have it? I only got it because someone else canceled their order. I love it a lot. Nice catch:) Secondly, you are so right about the streaks. They are amazing. It blows me away every time. That's awesome that you shot a concert. How did it go?
Wondered if you can record via the ninja too? I have a ninja with lots of hard drives for it and shoot everything ProRes. I know you can shoot Raw on the FX30 via the Ninja but wondered if can also shoot standard ProRes 422 too? I have all the sirui lenses. They are lovely. So much character!
Is there such thing as auto focus for this type of lenses?
I friggin love these lenses. Used the FF 50 and 75 on the FX3. Now with the 3.0 update we can see the 1.33 desqueeze!
Hahaha, yes I love them too. Do you have any?
What would be the total cost including the external monitor n the rig you built??
Not too expensive for an anamorphic lens!
Hey there, no not bad at all. I bet you could make some cool wide shots
Nice win coach! I am unfamiliar with those type of lenses, but I see it goes very wide
Hey Tone, yes, I was like you until I started editing the footage. Then I was blown away. Its pretty awesome
yes, will get 33% wider in horizontal to get a cinematic look :)
Thanks for the video, did you turn IBIS off on the camera?
3840X1630 EPIC!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Do you know if it can be rotated? Can it do vertical anamorphic on the FX30?
Hi, to use it on SONY ZVE10, would I need to use the adapter provied inside to mount it on that APSC camera? Because this 35mm is built for micro4/3 originally?
However, a 4/3 sensor is smaller in size WRT APSC (Sony) sensor. So, would that play or introduce some kind if unforseen compromise to the quality?
Please answer, I got ZVE10 inspired by your good recommendation.
If you put 50mm Sirui APSC lens to a Sony Fx30, it stays 50mm or does it crop to 75mm ?
It would crop to 75 mm
why there is so much noise in shadows?
De-squeeze option is available now on sony fx30, right?
Yes
Greetings! Did you set your focal length to 50 or 35 on the FX30?
Does this come in an EMount? or do you need to adapt it?
Wow ❤️❤️❤️ love it bro 💐💐💐 waiting for next video 💐💐💐
Thank you, I appreciate that
@@thefilmalliance your video is so beautiful. 💐💐💐
How much desqueezing do you have to do
love shots but i feel like need some dramatic colorgraing.
Glad that it helped you. I also appreciate you taking the time to comment and let me know. I have to up my color grading game.
@@thefilmalliance i can do some colorgrading for you if you will just mention me.
How did you remove the black cinema bars from your anamorphic footage?
It’s pretty funny. Nobody else gets it though.
I explain how to do it in FCPX in this video
@@JeffBourke I asked the question while watching the video, and realized you demonstrate removing the black bars. Thanks.
@@thefilmalliance I asked the question while watching the video, and realized you demonstrate removing the black bars. Thanks.
Where did you fine tour smoke machine ?
Vosenteck, it’s awesome
What is the yellow fogger you used!?
Does it have any vignette being M43 lens?
How do the squeeze for monitoring ?
I think fx30 has desqueeze now
IBIS works well with this lens?
I didn't notice to many jitters or rolling shutter in the tree shots. Everything was handheld so you can see if its something you like
amen
Thank you
Sorry:
Not 35mm F1/8 it's T1/8 because it Anamorphic lens!
Thanks for the heads up. Can you explain the difference?
Unfortunately it is false. This lens is f 1.8. This is determined by the aperture ratio of the focal length to the aperture.
The "T" values do not indicate the mathematical ratio but the real light throughput of the lens.
If you compare "F" values based on the amount of light that falls on the sensor, they can be different. This is due to the losses within the lens system.
In the field of cinama lenses, however, the amount of light on the sensor is decisive. Therefore, these lenses are specified with the real, the "T" value.
This then accounts for all light losses within the lens.
Current full frame Sirui lenses have "T" values, this one has "F" values. However, the difference is usually not very large in terms of light throughput.
@@OrtwinSchneider Thank you Ortwin, for explaining. Very thorough and perfectly laid out.
@@OrtwinSchneider
Yes, this is true, because it is an ABS-C lens, as it is symbolized by f, and I did not notice that. Thank you for the clarification, and we apologize to the owner of the video
Maybe too dramatic?
i need one bro sigh i am in jamaica
The fx30 will not do IN CAMERA RAW. So the sony fx30 cannot even match a 11 year old BMPCC og. Pathetic Sony.