Don't fall for this.
HTML-код
- Опубликовано: 18 сен 2024
- Greed is rearing it's ugly head on the used amp market. Shop smart. Shop S-Mart. Don't fall for this crap.
Get in on the Prism Pre-Release here: spectredigital...
Don't forget to sign up for the Oldies But Baddies Competition!
Oldies But Baddies RULES: spectremedia.c...
Oldies But Baddies SIGN UP FORM: forms.gle/cMRG...
About Spectre Sound Studios:
I'm Glenn Fricker, engineer here at Spectre Sound Studios. I love making records, and after doing it for sixteen years, I want to pass on what I've learned. On my channel you can find tutorials on how to record guitar, bass, real drums and vocals. There's reviews and demos of tube amps, amp sims, drums, mics, preamps, outboard gear, Electric Guitar, Bass Guitar, and plugin effects.
We've covered Moon on the Water, played Bias FX, given you the absolute best in Stupid Musician Texts, ranted & raved about bass guitar, and this channel is where The Eagle has Landed.
Everything you've wanted to learn about recording Hard Rock & Heavy Metal can be found right here on this channel!
I also respond to your comments & questions: The best make it into the SMG Viewer's Comments series of videos. Loads of fun, lots of laughs.
Thanks for checking out my channel & please subscribe!
Year 10, glenn is still saying that speakers make more of a difference than amp heads with proof, and the guitarists still don’t believe him.
I never once said that musicians were intelligent.
@SpectreSoundStudios I had a debate with a guy the other night. He stated spending a mint on tubes made more of a difference than speaker replacements... I'm a guitar player and have learned a lot from your show. You've managed to de-program the industry propaganda I'd fallen for. Thanks from Boston!
We always upgraded speakers to sound better. All the way back to the 70's
@@SpectreSoundStudioslmao most are just insanely gullible as well as not so bright.
@@Yakomoe I think it's also just a matter of "most people say this, so it must be right", like with everything in life. Problem is, you keep getting those old search-results that have been planted on the internet since message-boards existed, and there's still "kids" that come up in the present day that ask about those old subjects to which the older heads must go "sigh" and explain what we've found since. - It has only started in recent years, with things like RUclips and perhaps the more reasonable parts of Reddit and such, that people can see things for what they are a bit more. I mean like, I don't blame those who are newer getting confused with so much information, but I do blame those who won't accept reality or want to keep believing outdated ideas. - Again, also a general problem with anything in the world.
With all of money Glenn has saved me, I should be able to afford a house in the year 2099.. maybe.
Central bank approves... 👍
I wish I had the money to fall for any marketing tricks.
Back in the day, we didn't have money. We were just irresponsible, lol. I actually know a few people who destroyed their credit for a Dual Rectifier half stack, lol.
@@travisspaulding2222 Yeah, I learned from my mistakes and buy all Asian-made knockoffs. That is, when I actually buy something, which is rare.
@@travisspaulding2222But it was worth it!
Maybe become a RUclipsr, just like Glenn.
Obviously he's giving us all a lot of advice how to become better at the very stuff that he also found not to be paying off enough for himself. It's a cynical world. Glenn at least makes it sound funny. 👍🏻👍🏻
GLEEEEEEEENNNNNN!!!! Scored a ValveKing 112 for $235 a couple weeks back. Old amp, so by default, I was soldering in new jacks. While in there, I did the switch delay fix and the 3 stage gain, JCM 800 mod. Man, this thing screams now! No OD pedal required.
With the VK I get my classic metal tones and my ENGL Fireball 25 has all the chug I'll ever need. So incredibly thankful I found you and your videos. As a 40 year old who's been out of the loop and getting back into playing, I would have easily spent triple the prices for the tones I have at my disposal if I never found you. Thanks and fuck you!
Wish I knew how to mod that shit myself. Hats off to you, my man.
@@Rokken2Dokken If you are going to try this, learn how to drain and test the filter capacitors of their stored power! They can and will kill you! Don't be a dumbass! The price of a multimeter and SnufferStick is worth your life! Plenty of great videos out there on how to drain filter caps from a tube amp and even how to build your own SnufferStick for a few bucks and some time, if you don't want to buy one. If you feel you still can't do it safely, show a tech the video and pay him/her to do this for you.
On the mod, Here's a great video on how to do it:
ruclips.net/video/D2R3dwYUc7Q/видео.html
I went a bit further than the tutorial video and completely removed r107 (680K ohm, 1/4 watt, 5% tol), since the board was already flipped over during jack change. I replaced r107 with a new resistor, fluxed and soldered the long resistor lead to the switch wire and capped off the exposed parts with heatshrink tubing. Then I fluxed and soldered the other wire from the switch and resistor end at the bottom of the board in it's proper solder joint.
I wanted to do it properly and didn't want to risk the possibility of a weak solder joint by just snipping the resistor end and soldering there. It still works if you do it that way. But, I if I ever haul this amp around and it got bumped too many times, causing the joint to snap, I'd be back in there fixing it, all over again. Fuck that. I'd rather do it right and not have to worry about it.
Good luck!
People trying to gouge the 1960 is just silly. They were the least desirable amp bugera makes/made. The whole point of bugera is that they're cheap. Once you hit $500 the used market opens up massively. At $1400? Who would even be looking at bugera if thats their budget?
In Europe at least you can usually get Laney GH50/100L and VH100R amps for very cheap prices, and they're basically modded JCM800s. Like, straight up 2203 JCM800 preamp plus an optional additional gain stage (classic JCM800 hot rod), plus powerful fx loop (switchable serial/parallel/bypass), and bias switch EL34/6L6. You can get those for 300 bucks if you're lucky, although 400 is more common. Great amps if you're looking for a budget JCM800 that can also deliver some serious amount of gain. The VH100R is basically the larger brother of the GH100L with two full preamps so you can get an actual clean tone with it. Main difference to a real 2203 is that the low input doesn't bypass a gain stage (it's just a pad resistor), and some values in the tone stack are different. Great amps, heavy af. Both in tone and weight.
We need a Mr Rodgers Glen Video, coming into the studio switching your shoes like he did, saying "I'm Really Proud of You, I really am"🤣
does he crank one out while on the phone with 12 yr olds like mr rodgers did to us as kids? 😮🍻
@@niteshades_promise I missed that episode 🤣
Nuno recently said it best. You can be a rockstar, a youtuber, tiktokker, or just a dude in his apartment, when you pick up that guitar, you’re the superhero. You’re amazing! Everyone who takes the time to learn guitar, and play deserves respect. Not gatekeeping.
Nuno also said he doesn't like the sound of painted electric guitars.
Regarding amp... I moved over to preamp pedals and external power amps, and haven't looked back. There are PLENTY of obscenely good pedals based on both original and well-known preamps out there and they absolutely do the job.
I got my 6505 combo for 300 usd. I wanted it after your demo. I changed the speaker to a WGS invader 50. Killer amp! Keep up the good work. 🤘
Glenn is the metal Sam Kinison, for f**ks sake.
Yesss😂
When you said: "For example on that go watch...", I KNEW you would mention "The Hobbit". When I watched it in cinema, I was "Yeah, that's a mask and that's a costume" all the time! 🤣
"WANKER buaahaha" was my immediate reaction
10 years in and Glenn is still saying Bu-jera. Which are great amps if found for $300 to $600.
Everyone saying “Glen is increasing prices” … just give it a minute. The Bad Monkey spiked after the JHS video (for no reason it was always a decent OD and nothing more), but it eventually calmed down
when they realized you could simulate a $4000 Klon Centaur with the Bad Monkey it spiked, also the BM itself is a novel item with a silly name from a brand which put out a lot of garbage so it deserved the clout.
@@nunninkav you can emulate a Klon with dozens of $100 Ods not just the bad monkey. It was guitarists being silly.
The ironic thing about Hotone is that it's just rebranded hardware. However, it doesn't advertise amp captures, only simulations. The Harely Benton DNAfx Git is the exact same pedal, but for a lot less money, even with shipping to the USA. You can even get it from the USA Reverb store for $165. If you don't like that, there's MOOER, Flamma, Sonicake, Valetone and more that use the same chip and firmware.
I just bought the Harley benton git core. Fun pedal for 89 euros. It's dangerous living 8km from Thomann.🤑🤑🤑🤑🤑
congrats on 10 years glenn, love the channel.
KK downing freaking lighting up the fingerboard like a glass chard in a California forest hit by the sun! Smokin'!
I had the honor of standing in as guitar tech stage left for KKs Priest at Area 53 in Austria before my day job with Avantasia..... they were awesome, sounded great and all from powered Kempers. Had to set up fast due to weather but total pros, great show
I don't know why, but I found it satisfying that your younger pic around the 10 minute area demonstrated an early version of the expression we all know and love. Your mom is hiding the pics of you doing that at 5 years, but we all know you did it!
Congrats on the 10 years! I am very thankful for your great advices and lessons, I can't say that I know the stuff I know without your help!
I feel like dolphins are sentient and just don't want to deal with our shit. LOL
24fps in cinemas was completely different to how we screen 24fps content at home!
In the cinema each of the 24 frames were screened twice through a double shutter, the first banked the film pull down, the second blanked the same frame again. In actual fact the same frame was shown twice, this helps motion, at home we don't have this without FI. The cinema at 24 was screening the same frame twice, the 24 frames x 2 = 48 times played.
There a video showing this effect titled CINEMATIC SHUTTER SPEED for Video: Who Cares?
You and Uwe Lulis must go to the same hairdresser
I laughed as you first said pounds and then dollars at 7:06. I like your humor.
Jet city 20 watt combo was my first tube amp, it needs new tubes but it's 10 years old. Same as your show.
My next was a 6505 combo, main difference was the gritty punch over the whoofy mids. One amp is really a classic british brown that matches to a strat or an SG with incredible results. And the other will cut through any mix with a trashy bassist and no musical knowledge.
So glad I found your channel back in my highschool years when I had a real obsession with electric guitar, I'm hoping to have time to pick up the strings again soon. Recording with a single sm57 and shure inline adapter isn't ideal but you showed me that it should be enough with the right skills. Starting with some acoustic covers to build muscle, then some 6 string covers, 7 string covers and finally get my 8 string muscle memory developed again. I took a huge break after college in 2016 but I haven't had an issue picking up any random number of strings and noodling out a lick.
That fps thing about new avatar is that parts of the movie (mostly action/slow motion) were in 60fps while the res was in 24 or 30 and apparently if You know the difference in look the difference was pretty jarring from scene to scene
About shooting guitar videos i'd think it depends, technique videos, playthroughs and live recording are way better to learn from if at 60fps; guitar reviews, music videos etc are 100% fine at 24fps (especially if You want that cinematic blur)
I told a guy selling a bugera 1960 on reverb to fuck off for asking so much. Reverb banned my account for harassment. 😶
10 Years? Shit I only found you're channel a year ago. Even in that time your channel has changed a great deal.
"Windsor, Ontario, where nothing interesting happens"
*cries in Saskatoon*
It’s great to see KK still shredding!
Now we need some demented puppets to close the Mr Rogers loop.
Your studio has become super sick over the past ten years. Smart
yes, looking forward to seeing/hearing you run a Jet City through its paces here!
Glen! I loved the Tonex One video, and your comment in that video recommending the Seymour Duncan Powerstage and your comment in this video about the Tonex being good with third party IRs makes me want to see a video on using the Powerstage to make your own IR in Reaper and then comparing the Tonex amp + cab capture vs. just an amp capture with your own IR. I know the convolution reverb plugin that comes with Reaper will generate a sine sweep and also do the deconvolution to make an IR, but it would be cool to see all the pieces in one video (the Reaper part plus dialing in the Powerstage's EQ to get the signal to the speaker to get a good IR, etc) Thanks for all the help you give in your videos!
I've been using my Zoom 505II for years now. Set it and forget it. They're programmable to get your perfect mix of effects. I currently am hooked on distortion with a touch of chorus and a touch of digital delay. Just the zoom and a wah pedal for fun. Shred on, folks. :)
Thing about pitching down a guitar (at least to try and emulate a bass-guitar): It could probably come out roughly the same, but the difference is stuff like the string-tension, string thickness of course, and the scale. - Bass-instruments tend to be longer, for a reason, cause physics, which I'm no expert in while I get the general gist, but in terms of guitars the string-gauge really matters for the sound. You can easily get it too bright or dark going one way or the other and just tweaking the highs on the EQ doesn't really change that. And considering you want a "full" sound, to really cover those lower frequencies, you want those thicker strings, besides them also having the right tension (along with the scale-length) to tune that low and probably staying cleaner by not flopping around and all that. So it's not all about sound (or "toan"), but also how practical and playable it is. - The best bet would be to use a baritone-guitar with thick strings, which can definitely sound close to bass-guitars, for obvious reasons. But at that point you might as well get a cheap bass-guitar.
I heard one speaker test and I was convinced he was right. Then I watched the others and confirmed he was right on my own, as well. Same amp, same guitar, same riff, same settings but two cabs loaded with different speakers (DV-77 and Celestion G12H anniversary speakers). The difference is pretty wild.
Hi, Glen! Thanks for all your videos, I learned so so much from them. I have one more channel that gives me as much necessary information to survive in this musicians' world. Its Jim Lill's channel, maybe you heard about him. You always tell that guitar cab and speaker is the most important thing in the sound and I absolutely agree.
BUT Jim Lill proved in his "Where does tone come from in a guitar cab" video, that the only thing that actually matters in a cabinet is the dimensions of the cab. So basically you can take dimensional measurements (blueprint) of a cab that you like, then bring it to any local carpenter, and you got your dream cabinet for almost free. And you don't have to spend two grand on a mesa boogie oversized cab to get a great tone.
17:34 I have to disagree there on why 24fps is the standard for cinema. That frame rate was chosen when the only option was expensive physical film and was a nice middle ground for saving money with the illusion of smooth motion to most people. 24fps is still used because it was the accepted standard way back when celluloid was the default or only option, and it stuck for a century. That's why anything above that can look weird - you're used to it being lower. With TV it can be either 24 or 30 depending on production, with 60fps as a rarity. Like Mythbusters was entirely at 30fps and a lot of soap operas are at 60fps.
60 gives more clarity and smoothness to the motion while reducing smearing on fast actions. This part is definitely subjective, but 24fps is fatiguing to look at for me. Lower and it physically hurts my eyes (looking at you, anime) because it looks like a slide show.
0:30 For the love of the anamorphic lens facebook group and old times sake, anamorphic episode when Glenn???
Might have to start sending you sweaters now after the Mr. Rogers comment 😂 love the show man been watching on and off for years thanks again for the content
Congratulations on 10 years Glenn!
16:52 Hey! It's the view from my window! I had to leave Toronto 10 years ago to escape the insane cost of living and found a home here.
Yeah, it's not the best city to make a living in a creative field, and the level of 'unique and interesting opinions' is off the charts, but at least it's not as rough as somewhere like Kamloops.
I'm hoping to gain some redemption in the next Oldies But Baddies competition!!!!!! I actually used shots of the shell plant in chemical valley in the video!
Ten years. Pretty impressive. We just can't get enough of you telling us to go away in colourful ways...
Stop increasing amp prices Glenn! Geesh! 🤘😉
Hey, Glenn!
You could do a "10 years of butthurts" special.
You could even call it "Aged as a fine Whine!"
F bombs from Portugal
Two Notes Opus would my top pick for entry gear, it's versatile with separate Pre-amp/Power-amp/Cab IR sections allowing it serve as a standalone or part of a hybrid rig.
That guy commented on how he doesn't have time to drive to save money but he has time to troll Glen? I'm confused, I thought his time is valuable.
The 20w Jet City has been an open secret for years. They're easily one of the very best medium-gain amps in any price range. Until recently you could get one for $200AU/CAD with little effort. Like everything else that eventually gets 'found out' on the internet though, they've become reasonably unobtainable; and I expect to see them show up for $1000s once Glenn outs them further. If you want one, I'd start looking local before that video drops.
I did it backwards. I scored the speakers I wanted and now I am saving for an amp. I have 4 EVM12l and 1 EVM15l. I can mix the 15 with a1x12 or 2x12. The old Half Back 2x12 it THE cabinet I needed all these years. Got it for $250.00 with EVM12l top and bottom. 5 watts get LOUD with effecient speakers.
Love your book and show recommendations, but you should also include a book recommendation for the bass players out there. I'm just kidding. Always an awesome episode.
Glenn, great video. You are spot on about the psychological aspect of film frame rates. They just work like magic. We do audio & video and I wanted to weigh in on the frame rate thing. There are a lot of good reasons to shoot in higher frame rates and at higher resolution such as 4k. Its really a balance of workflow, storage and all that. Depending on your camera, higher frame rates may look a lot worse; very sterile. Lower frame rates allow more light to hit the sensor and can produce a better look in many cases. Higher resolution can let you do cool tricks like pan and zoom within the frame when your final output is lower than what you shot. Shooting in 4k and outputting in HD 2K for example. Also, high res is great for both extreme closeups of say, a guitar bridge set-up and huge wide shots of a stage. Higher rates would help filming a close up of fingers shredding on a fret board. Talking head shots in 2k 25 fps generally look great. In 4K you could zoom in on a nose hair if you wanted. Video editing applications like Davinci Resolve let you play with all this stuff pretty much for free. But whatever you do, try outputting your final in a film frame rate and maybe use a 'film look' plugin of some kind. Your videos will have that special film magic we have loved since 1926. Rock on brother.
People like Glenn and Johann Segeborn can be blamed for all these sleeper amp prices going through the roof 😅
For low costs hardware amp-sims, I use a NUX MG-400 which cost about £170. For software amp-sim plugins, my go to is AuroraDSP Rhino for guitars, Rhino/Mamoth for bass.
Glenn says transformer saturation and bass players everywhere drop megatron on their toes in confusion
19:39 "It makes Windsor look like 𝒇𝒖𝒄𝒌𝒊𝒏𝒈."
The problem with buying speakers is it's really hard to try them before buying and most stores don't allow returns on speakers.
I've got a Peavey VIP-3 100watt solid state combo that absolutely crushes! Paid $150 US used.
You really don't need to pay top dollar for good tone.
for me ampero 2 stomp does allt he work, even cabs there are not bad and don't misunderstand, ampero mini is not same as stom/stage, soft is newer, refined and different
Hard disagree on the low frame rate, I guess I'm sensitive to it because my brain always sceams whenever the camera pans because the juddering stuttering mess that is 24 fps looks like absolute ass to me. The Hobbit felt like such a relief to me back in the day. I'm convinced the main reason Hollywood insists on 24fps is that it makes the CG work cheaper
yes, but the CG in Avatar 2 looked so horribly layered and fake it was horrible. Furiosa too, looks fake. There is something about running over a real motorcycle with a real truck with real incendiary pyrotechnics that CGI cannot replace.
Loved Death Note (almost) 20 years ago. And you reminded me, I might want to watch the show again :D.
Hey Glenn, just wanted to chime in. I have no interest in being a recording engineer. That's not to say I haven't gained any information from this channel. Case and point my Marshall 1960AV from an old video and it sounds great to this day. I watch because you are actually hilarious, and I do love the information, even if it doesn't apply directly to me.
The videogame people dont understand that for animation you need at least 48 frames to make it look smooth. But our eyes register real things better in a slightly lower framerate.
I play video games and I understand that, I struggle to keep up with games that push 60 frames constantly things happen too fast and I hate it. In a blink I've missed a block and gotten hurt it's stupid
He was talking about the cinema experience. Trouble is TV / monitors and movie theatres with projectors work differently.
I KNEW THE HOBBIT LOOKED WEIRD!!! Although I noticed it in the second one…
I think you'll LOVE AP Mastering
I still love pepperoni pizza, regular cheeseburgers and vintage 30s - I don't care how many other people also like them - they're just good.
I'm excited to hear your thoughts on the Jet City - I've enjoyed everyone I've ever played.
Retrospective sounds interesting, congrats on 10 years!!
Dammit, I wish I would’ve been paying attention to the district 142 in Wyandotte, Michigan. I only live a couple blocks away 🤦🏻♂️
Still haven't missed a VC. Been around since Stupid Musician texts days. Can't say a lack of knowledge is holding me back. Still think the 11 11 plugin kicks arse. Cheers from down under
Glenn, angry Glenn rocks! Is there an episode about running a amp sim to a reamp to a 4×12? I get a lot of feed back. Oh yeah, it's a 44 magnum power amp to the cabinet. Dig your content.
Don't forget about the budget Marshall JCM-killer, the Bugera 1990.
Jensen wanted you to play with their new speakers, I want you to do it with a GK RL250 because the clean sounds out of the Jensen were magic.
Glenn, your tutorials on recording guitar have helped me tremendously, I’ve been watching them since your first one, where you insisted on using a 5150 into a V30 cab and micing it with an SM57, which is a far cry from your current stance on not using gear that everyone else has heard a million times. Have you ever thought about doing updated versions of those videos? I’d love to see all the things you’ve learned since you started your channel compiled into one video.
Cheers from Memphis (I agree with you on Sun Studios)
Feel Good Comment of the Week is something we all need
Hi Glenn, I really love what you do here and I wish there was more channels like yours! So I found a very great combo-amplifier for around 250$, It's Harley Benton Tube 15 (for US and Canada there is same amplifier by brand "mono price" same amp just different branding) and it rocks! 15 watt tube amp that can go into hi gain territory, also the speakers are celestion "Seventy-80" those sound very decent but well didn't check out if recorded will still sound great, really recommend it tho. Cheers from Poland!
Ahhh the feelgood comment was great hahahaha
I have that hotone. It is nice. You can use your impulses, but nothing more. It has good sims as well. nothing beats it for the money.
Bought an Ibanez micro bass for the studio and I love it. For the price it couldn’t be best. I just use it to lay down some low end for song writing.
JTM60 is a killer early plexi tone, too. Cheap as hell, only issue is overheating - just put an aluminium plate right over the power tubes, fixed.
Jet City’s are great because you can pick up a JCA20/22 for like 200-350 usd and mod it for a couple hundred to sound like another amp. Jcm800, Diezel, Satan, Butterslax, etc etc. Epic Tones sells the mod kits if you’re good with a soldering iron.
Hotone, Valeton, and Sonicake are all part of the same conglomerate. One of my guitarists has the Valeton GP200Jr and it sounds great.
Hi Glenn. Inexpensive gear suggestion: Peavey TransTube Bandit 112 combo. Got an ex demo unit for £299 and I love it - great range of tones for cover band band work and it's bloody loud. Did an outside gig the other week without mic'ing up and only needed to put it on 4.
Would love for you to review the Boss IR-2. That little stomp box is amazing!
Love the A-Type, had it installed 6 or 7 years ago into my Blackstar HT-5R and it sounds great to me.
Hey Glenn great video on a budget solution for the Quad Cortex I decided to go with the HeadRush Core it seems to do just about everything that the quad does but at a way more affordable cost all while not skipping on the important features like sound quality also tons of I/O amp capturing stereo send and return with ease of use hell it's even got that fancy touchscreen stuff the kids are all talking about these days give it a shot you and budget-minded guitarists and bass players hell even vocalists will be glad you did there's something for everyone in this.
The Avid Eleven Rack is a great hardware amp sim. And it's really affordable. You can get one for less than $300 on Sweetwater's used section and it sounds great. If you just want a box that'll get you going then get that. Also the G1X four Zoom is a decent unit as well. I've used it many times mostly for lead tones but it's fine for rhythms depending on what your style is, if you're going for a stoner or sludgy type sound then you'll be fine anything else and I'd say the Eleven rack may be better
Been waiting to hear about Glenn making cheap gear spike in price.
a.k.a. the Josh Scott effect
I really enjoyed David Brin's Sundiver years past. I could re-read that now. And Frank Herbert's Dune. The book, not the films.
If you're looking for affordable amp tones, you should check out the AMT Legend 2 pedals. They're a preamp pedal with three outputs: amp sim, preamp, distortion pedal. They make a number of amp models, including the Soldano.
Goddammit! GLEN I'm not a weeb and never will be.
Glen you are kicking a$$
Two things - I would love an updated cabinet miking video that goes in depth, like an SM57 on the same spot on multiple different speakers since speakers are the tone changer. I ask that because most would play through a different speaker CABINET without a reamp box but we know you will eliminate as many variables as possible.
I also am once again asking you to check out the Carvin V3, or even an XB100. They are killer for the price, I got my V3, a custom made red one with brown textured tolex, for about $500.
I had the DLS 20H for a bit ran into a Bugera 4x12 with the stock speakers. Sounded amazing!
My suggestion for "modeller" is, to put NAM on a Raspberry PI with ZynthianOS. You can either put it in a Zynthian hardware for Audio IO, use a HifiBerry, or use a USB audio interface. A Raspberry Pi 4 will run a few additional effects, and an IR loader. A Raspberry Pi 5 will yawn on pretty complex signal chains.
I've tried to convince TwoNotes, to build Genome for Linux on a Raspi, but they won't, even though it works just fine on x64 systems with Wine. Therefore you'll have to work with multiple plugins. Thank god, there's Jack and Carla, to make things really easy. The upside is, that you can use all the high quality plugins available for Linux, like e.g. the LSP suite, or the Calf suite.
@Glen, will Prism be available for Linux? Since most of your plugins are, I do have high hopes. Would you mind providing a ARM64 version for Raspberry Pi/Zynthian use cases as well?
Love Your Show Brother!
I would like to recommend the stage series of Fender Amps.
As a great value at a good price.
The amps are solid state & not tube, however they come preloaded with the Celestion G12T-100.
I paid 179.95 for my Fender Stage 1000 at the local pawn shop, & It was worth every penny.
Thank you for pointing out hidden gem gear that we poor folks can still afford.
Keep Up The Killer Work! 🤘🤘🤘
At $1400, you might as well buy a used EVH 5150 iii head. It'll be cheaper and more solid
Guys, should You want to see a tutorial on making music videos, review all previous editions of SMG competitions like "Oldies but baddies".
GLENN!!! As guitarists, most of us have lots of pedals lying around. With many brands now employing studio-grade components - like Origin Effects Cali 76 compressor and the JHS Color Box preamp - how viable are they to use in the studio for recording various sources and not just for guitar? Maybe a video on using pedals side-chained and how they compare to other studio preamps/compressor??