Guitarists might be COMPLETELY Screwed!
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- Опубликовано: 28 сен 2024
- Power issues? Annoying buzz that won't go away? Guess what, you're SCREWED! Might as well move, or take up photography.
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About Spectre Sound Studios:
I'm Glenn Fricker, engineer here at Spectre Sound Studios. I love making records, and after doing it for sixteen years, I want to pass on what I've learned. On my channel you can find tutorials on how to record guitar, bass, real drums and vocals. There's reviews and demos of tube amps, amp sims, drums, mics, preamps, outboard gear, Electric Guitar, Bass Guitar, and plugin effects.
We've covered Moon on the Water, played Bias FX, given you the absolute best in Stupid Musician Texts, ranted & raved about bass guitar, and this channel is where The Eagle has Landed.
Everything you've wanted to learn about recording Hard Rock & Heavy Metal can be found right here on this channel!
I also respond to your comments & questions: The best make it into the SMG Viewer's Comments series of videos. Loads of fun, lots of laughs.
Thanks for checking out my channel & please subscribe!
Indeed, need pro electrician. Will add: DON'T fuck around with mains wiring unless you are certified - it may well kill you.
Ahh the fires of “ well in a car black wires are ground why does this keep shocking me?”
Bass players need to know this!
And in many countries , if it doesnt kill you, very grumpy men from the govt will visit you in hospital with a "surprise bill" from the govt. Silly money fines (And if your american that "surprise bill" will be in the form of a hospital bill. I have no idea if its illegal to do home wiring in the US. Maybe both forms of surprise bill?)
I've placed in some places with scary electric wiring too. Bar owners, so trustworthy.
@@shayneoneill1506 I don't believe it is illegal, however, if it results in a fire, good luck getting your insurance company to cover you for a fire resulting from faulty work done by a non-certified electrician.
Don't remember the name of the video, but this guy had a similar hum noise issue in his signal. He found out that a contractor box down his street was causing the issue. He used a battery powered amp with a guitar and used the pickups as an antenna to find where the hum was being generated. A quick call to the company solved everything.
Edit: It was samuraiguitarist "Solving Another Mysterious House Noise" video
Thanks for sharing! That’s a FANTASTIC idea!
Old cassette deck head wired to radio shack battery amp makes a good EMF detector.
Or a portable AM radio
@@SpectreSoundStudios You are working with Steve? That guy had children's guitar videos in a PBS/Nickelodeon -style format, followed by commercials for Adam & Eve and other adult novelty vendors. PDF File from hell. Don't tarnish your name by including his.
@@ChrisTopherBunnellTy for mentioning this. Stevie sure needs to be asked who his channel is for…
I sure you saw the KDH video as well but others need to.
I was going to reply this too. It's a great vide, it was a Transformer.
I ship my tone air in from Greenland.
Do you keep it refrigerated during shipping? I heard that makes the most difference. Totally worth it.
@emartinezr Refrigeration is a must. It's best if it's between 33 - 35% humidity, and you have to test it for dubstep before you take delivery of it.
so its you pushing the price on Greenland Tone air up!
Then you'll sell it twice the price on Reverb?
See...
There're your problem.
I get my tone air from a Nigerian prince
You've Forced me to Try Harder at mixing my boring (But still human) music!
same for me 😎🤘
I can already hear the Soft overtones and Piano lows from the tubes …. Hahahaha
What about the haunting mids!
@@jdkimple can’t forget those
no, it's "punchy yet warm" lows "sparkling" highs and "rich complex harmonics" distortion get your sales jargon right.
Humming and clicking reminded me of Samuraiguitarist's video about a broken distribution transformer. ruclips.net/video/t6E0O8UtObU/видео.html
I’m lucky enough to live on a farm in Australia at the moment. I can turn it up as loud as I want and I have no neighbours 😁 it’s fucking awesome, it really test your technique, play loud and you will quickly find out what you’re doing wrong 🤘
If the Kookaburras start up then you know you need to practice more...
@@ffsireallydontcare yes they laugh at you 😂
Record yourself. That let's you know.
@@gilbertspader7974 definitely, recording hides nothing 😁
Checking from in from work 😂☠️🤘
The BEST place to watch!
To the guy asking about bodies/AC, etc. YES. The amount of people directly affects sound. That's why it's a good idea to have a buddy or sound guy monitoring it over the evening from the crowd. Even with no help, it's a good idea to go out front of the stage area when starting a new set if more people have come in. Noodle a bit...make sure everything is still clear and being heard. It usually only takes minor adjustments. Rock on.
I'm recommending a points systems on comments with achievements to unlock. For example, a +50 dumb dumb comment might unlock "congratulations, you have unlocked an achievement: full White Sox", or a +100 might trigger "congratulations, you have unlocked an achievement; full cheeks"...LOL
GLLLLLLLLLLLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEENNNNNNNNNNNNNNNNN!!!!!!!!!!!!!!!!!!!!!!
About that Quad Cortex and Boss Katana as a power amo guy. Well, I own a Boss Katana Mk II myself and on one side I love it and on one side I just hate it. First of all you've got all of these nice effects. But some of these sound like 💩. If you're trying to get a nice Metal tone, the Boss katana is great for you but it still has two little details I don't like about it: You just have three IRs (Sound is in the speaker, so why no option to load in multiple IRs yourself?) and i order to have a footswitch, you need to buy one seperatly, while the Quad Cortex has none of those problems. The only annoying thing about the QC is the little sound-gap you get between switching presets, which the Boss Katana doesn't have. Anyways thanks for the effort you put into your videos! Greetings from Germany
If you have bodies in your studio, somewhere there are hungry gators.
Part 467 of an unlimited amount of stupid musician comments 😂
If you have really dirty power you could always use something like a portable power station, the ones designed for RVs/Camping ? If you running a small studio with a laptop and 50w amp, a 2000w power station would likely give you around 15+ hours in a single charge.
Maybe an isolator transformer to get rid of buzz. Worked for me.
yeah, I was thinking, one way to bust the 60 cycle hum would be to take it out of 60 cycles per second. step it up to triple phase 480, then step back down,
@@nunninkav Problem is 1:1 trafo is not 1:1 trafo. I've tried and with 230V on input, with small load will give you like 260Volts on output! also you will loose you circuit breaker protection and any short will kill you.
Please keep pulling the wool over my eyes. I love what you do. 😎👌
How come none of your viewers comment about help with songs they're writing ?? Why haven't any bragged about their original sound and tone ?? It's almost like everyone wants to sound the same, playing cover songs in their basement. Does the word "individual" scare people ??
This is an issue I as a metal player for decades have dealt with. As Glen notes often, I've found a difference with speakers in the past... but I play like the people I like the most (Mustaine, Hetfield, Hammett, Dimebag, Page). It's hard to find a sound... even Hetfield has expressed this issue in interviews. Original anything is incredibly difficult, and obviously you don't watch or listen when he goes over people's original mixed music. He gives feedback to the music we send him...🤷♂️
But Glenn, us Americans love gas and fire!
D'Addario Tour-Grade Power Base 8 Outlet. $44. While I can’t guarantee anything, the demonstration I saw makes me think this’ll get rid of pretty much any electrical noise. My whole band plugs into these now.
They tried a power conditioner already.
There’s a video going around of somebody who built an electric guitar with a shipping pallet. Like not even making it guitar shape. Sounds just like every other electric guitar. Tonewood debate over. Take that Paul Reed Smith
I saw that! lol. It sounded just like any other electric.
Gross. You are working with Steve? That guy had children's guitar videos in a PBS/Nickelodeon -style format, followed by commercials for Adam & Eve and other adult novelty vendors. PDF File from hell. Don't tarnish your name by including his.
Was hoping you could dispel/confirm something for me. "Fender amps can't do metal" I have a Hot Rod DeVille and every time I tell people that, it's instantly you can't use that for metal. With a decent distortion pedal I can get absolutely ripping tone, but nobody will even give me a chance. Could you maybe rent a Hot Rod Deluxe/DeVille and see what you can get out of it? They're not crazy expensive and might be a good tube amp option for some folks who can find a good deal on one used. Fuck you very much Glenn!!
You absolutly can. Some Desert Rock/Sludge/Doom bands use Fender amps with fuzz boxes and whatnot.
I really like the Hot Rods
Those people don’t know shit. You absolutely can, the right pedal tightens those up just peachy. The amp itself might be difficult to do metal alone, but a pedal will easily push that one into the zone.
I recommend you two watch Jim Lill's video about amp tone (and all his other videos, to be fair).
The main takeaway is that there's no secret sauce to amps, and it's possible to make very different amps produce the exact same sound if you know how to control the variables like frequency response from different EQ circuits.
@@aozora7 the best amp is the one you can put your hands on. Same for the speakers, fx, guitars and basses, etc.
If Steve is a friend of yours then you have super sus' friends Glenn...don't touch the kids!!!
You keep the cheap ones . since pickups dont matter you give me all your seymores and dimarzios and you keep the squealin shit
They do matter to a certain extent but not the most important thing in the signal chain the difference between decent pickups and great ones are pretty much minuscule
Listening is a lost art these days. Please tell us all where Glen said pickups don’t matter.
He did several tests which showed that different humbuckers don’t have much of a tonal difference ( which for high gain becomes even less). The difference is mainly in the output.
And yes, there may be a difference in build quality and materials. But to get a different guitar tone, you’d better change the cabinet/speakers than getting expensive pickups
i have a schecter 7 string with passive pickups but the tone is really muddy, would active pickups make it tighter or would it just be a waste of money?
active will make it infinitely tighter. check out the Seymour Duncan Retribution set
Adjust the pickup height.
@@vorpalblades this
Does your DI box matter? - Have you ever explored different DI boxes? - I found out they make a noticeable difference - might be a good video
And now I see you did one 5 years ago!
Egress N ingress. U know u know
10 years aleady
You should do a vid with rob chapman And test his unbelievable hearing.
Chappers is inhuman with his ability to tell the difference between these things. Scares me everytime
For the guy with the ground issue. This is a solution that may be less costly. Thought of getting one of those rechargeable Anker power stations ? U get to power your whole system through and skip your apartments power all together. Atleast power the machine and any out board gear and the rest of monitors can be through your home power outlet. Hope this helps
& I'm here having fun with a Joyo DC15S Amp
Metal Setting works fine
& have a Joyo California pedal. I like a lot
And end of the story
I LIKE MAKING NOISE, haha
If you record next to a PC you can pick up electromagnetic noise into pickups when facing to PC.
When I upgraded GPU suddenly I got noise. Dunno, if that's only Nvidia but tested with GTX series 1060, 2070, 3080.
I bought and watched a year and a half in the life of Metallica back in the mid 90s. That video was the leading factor of me sticking with guitar and wanting to record one day. And now I do!
You've saved me tons of money Glenn because I never buy anything. Just kidding... keep up the tips and advise!
The boss katana head is pretty much the best bang for the buck for power amps
Can you turn off all the internal I.R.s?
@@robbirose7032 theres an effects loop
Going to Priest on Oct 18! You're right the main difference between "cheap chinese" and brand-name pickups are if the cheap chinese are not waxed, they're feedback machines, which can be an asset or a liability, if you're struggling with a bunch of Zakk Wylde harmonics, try an unwaxed pickup, they're great for pinch harmonics.
It's not recommended to run like it indefinitely, but if just for a recording session or gig putting a non-grounded power extension in between usually takes any ground related noise away. Sometimes grounding can also cause high pitched sounds, pops and noise running a laptop with a grounded plug. Not saying it's a fix, but a non-grounded power extension is something I always carry in my gearbag for obvious reasons. I have tried ferrite beads but haven't had success eliminating ground related noise where present.
Air density is definitely different with higher humidity and temperature, its also affecting the malleable texture of the speaker cone and the diaphragm of the mic. I have an environmental Science background and a guitarist of 35 years, a LOT happens to a speaker, mic, and other gear like drums with humidity and heat. COntraction and expansion would definitely change sound as well as liquids floating in between the sound source and mic or ear
Anyone who has ever played a hall knows an empty room and full room are two completely different places. Whether or not that affects your live sound kind of rests upon the sound engineer, in my opinion. Really, your sound check should only get you at a level mix, and make sure all your gear, monitors, etc. are working. Once you hit a stage, the sound person should be able to compensate once you’re done with your first song.
These days, with in ear monitors, direct source gear versus amps and cabs, and even digital drums, the venue shouldn’t matter much any longer. I’ve seen heavy metal legends who use Kemper amps, digital drums, in ear monitors, and their whole sound is crafted off stage.
Us local slobs, however, usually have sound issues because of two different guitarists with varying levels of G.A.S., a bass player who swears upon his beat to shit 6x10 and v-4, and a drummer who is using the same heads he bought last year. All of this will affect your sound far more than the venue you booked….
Coming from a retired 11B ( Infantryman aka. U.S. Government payroll trigger puller) temp and humidity will do ridiculously crazy things to a hunk of lead that is being chucked through the air at 853 m (2800 feet) per second, so I can just imagine what it will do to sound waves. I'm just "spitballing" here, but I'm pretty sure it will have an effect on sound. Love your videos, keep it up, and Fuck you Glen 🤘🏴☠️🤘
Top of the hat for acknowledgement of the brilliance of the Black Album. Yes it's over played and over listened to. Yes it has a lot of quarter note drum patterns, but taking away the ego out of the equation, it's a bloody masterpiece. Every note and hit is bloody perfect and stands the test of time. So does Puppets, but in a different way. That band is very fortunate to have made two masterpieces.
When you have hum, you need to make sure the electric installation has a grounding system implemented, we here call it javelin. I had that issue in my parents house, we couldn't install a javelin, so I ordered a EB Tech Hum Eliminator from Amazon in 2012 and it helped a lot, also changing my tubes from the stock chinese Peavey Red tubes to Sovteks helped. Hum is so annoying...
dude probably just likes playing around with patches for fun on the quad cortex and the katana as a poweramp will get it loud for ya, it's a guitarist thing!
For Mark's issue @2:12 Glenn's idea may very well work. However if not, I'd also suggest getting a sinewave UPS to run your computer and gear from. Like a Cyber Power PFC Sinewave for example. That would for sure provide a clean electrical signal. It will cost much more than Glenn's idea, but may cost less than moving. Best of luck!
I had a similar noise problem with my monitors. I tried them in my neighbour's house next door and they were silent. I then moved them back to the studio and then ran a long power supply cable in through the window from my neighbour's just to trouble shoot, and the fizz came back. It turns out my studio had a direct line of sight to a cluster of mobile phone antennas on a nearby block. I moved the studio to another room, problem solved...
*I've designed some circuits that will completely eliminate noise including most or all of the 60 cycle picked up by single coils.* They will be cheap and truly a one-size-fits-all solution but especially so for guitarists.
I absolutely despise noise gates but have shred and sweep levels of gain and almost no noice and in that, almost never use a noise gate.
*When I do, it's different in that I set the sensitivity to get rid of string noise, resonant noise, finger noise etc. since there's no noise for it to gate out based on signal voltage.* Before you go there, I am literally a college educated electrical/electronics engineer and believe it or not, we're in fact very rare in dedicated guitar electronics.
I've got RCA tubes in my amp, no idea how they sound though because I can't find somebody capable to recone this speaker.
I put a Celestion FX12 FRFR speaker inside a Katana 100 and it is AWESOME! Just plug your modeller into the power amp in
Curious questions regarding electronics...
Seriously just curious....
I thought hospitals were only concerned with digital interference with their equipment, they are also concerned with electrical and acoustical as well?
Why?
Need education.
I had a Jet City head, 50 watts. It sounded phenomenal, but it just wasn't loud enough for my punk band.
Hello from Quebec ! I have a 4x12 Cab and 8 speakers, (2x) Vintage 30s (2x) Celestion G12H-10 and (4x) Warehouse guitar speaker "invaders 50" . All 8 ohm, what combination and placement would you recommend ? I'm playing through the clean channel +fuzz pedal or distortion from a Mesa Dual rectifier. I'm not looking for something unique, I just want to use the speaker that would make the most sense together. At the moment, it's 4 WGS invaders 50 and it's ...ok, but nothing impressive. I wanted to ask before I open the back ten times and screw over and over again into the plywood .Thank you, has you can read, English is not my native language :P
13:46 yes, we have been noticing the difference between the soundcheck and the concert when the venue is full for decades. The pressence of many bodies filling the space is like stuffing the place with foam in wood structures, but it's flesh over bone. When the venue is full it all tends to sound a little (or a lot sometimes) less crispy and more muddy, that is the treble tend to appear muffled. Also a little difference in the volume in the furthest places from the stage comparing to the empty room. I have noticed this in large venues and in small bars. In this case specially if the amp cabs are directly in the ground not higher than the waist or chest of people.
Air density and temperature changing the sound? I'm not sure to which degree but i would say equipment sensitive to temperature such as tubes, strings, wood and the human throat will be affected. Sometimes after an easy soundcheck the show feels like taming wild horses if it's too hot.
Glenn you recommending the ToneX was a cure for my GAS. I was able to use the captures and not dealing with the space and clutter and also get use out of my rigs (Joyo Meteor, H&K Tonemeister 39, Traynor Reverb Mate 40) without putting hours on some of the tube amps and older hardware. Really makes my life easier to preserve equipment in a time where tubes are becoming more expensive and scarce. The eco system is great and enjoy your channel and no bullshit advice. I don't get how people can be such idiots and understand the value of being able to preserve your amp sounds and using this with existing effects.
Anyway thanks man and rock on!
Hey Glenn. A few years ago I changed the pickups in my Chinese Telecaster to Seymour Duncans. I forgot what date I did it and just listened to those old recordings. Low and behold I can't pinpoint the date without looking it up. I'm shocked I tell you... shocked! Keep up the great content
Pickups - For the past few years I’ve been trying to find good, cheap gear. I ended up with Fleur pickups. They’re great, cheap, but with adjustable pole pieces, wax potted and great customer service. For the bridge, I ordered an alnico 5 in 8k and 15k ohm and a ceramic 15k ohm. Yes they were all very slightly different in tone. The odd part seemed to be that the 8k had no balls at all, may have been faulty. My 2 cents. Keep up the great work.
On the Hum, if they don't mind spending the $$, try using a Pure Sine Wave Battery Back up for a computer server. My brother is big in IT and has helped setup a few friends for home recording, and one piece of equipment he says should be mandatory is to run a PSW Battery backup set up for Isolation Use. I don't know if he runs one for the computer and one for the amps or just one for everything, but he said it divorces the power from wall supply and provides pure clean power.
RGB keyboard lights cause interference with soundcards. Before moving house try turning your keyboard lights off.
Trust me dude, temperature and humidity always have something to do with your sound. No matter what. I live up in Minnesota, where you can really tell the difference between winter and summer humidity. We have to really protect our guitars to keep them from warping and stuff in the winter time. The wood shrinks that much. In the winter time, since I live in a freaking apartment that doesn't have a humidifier, I have to use Humidipacks, and basically leave my acoustic in the case all winter. Except for when I pull it out to play it.
Now, being a physics guy, I know it also affects even the paper/density of your speakers. Some days, things just don't sound right, and you can't quite figure out why? Sometimes, it's just the fncking weather. 🤪🤪🤪
I use a combination of a Hum-X that I plug into the wall and a power bar into the Hum-X. I also added an Electro Harmonix Hum-Debugger to the front of my pedal chain to get rid of the florescent light hum that I was getting on my single coils (my Rick 4003 was especially bad - Yes, I'm a bass player). This combination seems to work for me.
Depending on how much gain you're using, you MIGHT be able to tell the difference between actives and passives, but even then, probably only in isolated recordings; in a mix that difference will ghost you faster than that chick you knew from high school and accidentally creeped out at the bar in your early 20's.
The guy with the hum problem should investigate another possibility: Are there any radio transmitters nearby? I've had this problem before and, though it is possible to get some improvement, I ended up moving to fix it totally. At another place I had an amateur radio enthusiast next door. It wasn't quite as bad as the Air Force gig in Spinal Tap but it was pretty bad. What made the biggest difference was (heresy alert!)... changing pickups. Active pickups like EMG's have low output impedance, which resists pickup of radio signals, and high output, which makes your signal louder in relation to any RF that is picked up. Finally, try a bunch of different guitar cables. Not all shielding is created equal and you won't hear the difference unless you're in a noisy EMI/RFI environment.
If you do a test for the effect of temp/humidity on sound, make sure to get a thermohygrometer to record the data. You don't want to just be using a humidifier or dehumidifier and just assuming they're changing things the way you want. Also, your AC unit works as a pretty good dehumidifier on it's own, so you may not have to buy one.
Quick question…
What part of the sound equation does the acoustic volume of an electric guitar play in your opinion?
I’ve put a lot of work into an RGA (Brass nut and string through surrounded saddle/ Gotoh’ish bridge relevant) and the volume of the strings is remarkably louder than my Epiphone V (Brent Hinds signature).
Any opinions or relevant experiences?
Thank You Glenn even though I don't record anything I do enjoy your videos! 👏👏🤘🤘💯💯🎸🎸🔥💙💜❤️🖤🤍. Bad wiring will F&&# up things!
want a great single sized humbucker? i always went DiMarzio or Seymour Duncan... but bought several ARTEC Alnico V versions for around £25 a pop, and omg! these things are indistinguishable form the brand names at 4x the price!
GLEENNN! I’m starting to get in the market for new speakers and am looking at the Celestion Creambacks or the Mojotone Bv30h’s, and my biggest hurdle is the difference in Ohms. Which is your recommendation; 8 or 16?
Hey Glen. I have a guitar the I really like when I play it unplugged, but it seems I cannot find the amp/IR or CAB combination that I like. Do you think other pickups might help? I got some local made ones.
4:06 Hubble is a name brand. The magic phrase is "isolated ground". The ground wire isn't connected to the frame. In many commercial buildings and high-rises, the receptacle frame is connected to the conduit which is connected to the metal parts of the building. That's what you're avoiding with the isolated ground receptacle. I believe the IG receptacle is usually orange, but I'm not sure if it's an absolute "always". If the building is wood frame wired with Romex or you have plastic electrical boxes, then I don't know as a isolated ground will do anything for you. It's already isolated from everything else.
I suspect when it comes to temperature and humidity, I'm sure it does affect frequency response, but like you said, whether its' pickups, wood used on a guitar body/neck/fretboard, does it affect it to be that noticeable, especially at high gain levels? Probably negligible at best and not worth the effort change it unless you're into such voodoo as sadly many a player is, hence guitar marketing these days! But I'm sure some jackass will shoot back with " I can TOTALLY tell it was a humid day when (insert preferred guitar god) recorded X solo!" 🤦♂
UA you can rent montly with an all-in one or pay them as they are. Pricing ain't cheap, but...UA never is.
I’ve been rocking a Jet City 333 40 watt head since shortly after launch and it’s a beast. Definitely benefits from an overdrive to thicken up the sound a bit (through my sh!t peavey 4x12 cab).
Can’t wait to see what you think of it (as a head) and would love to get your thoughts on balancing the eq and presence for humbuckers.
Hoping to hear a lil’ surfing with the alien style riff too.
Anyway, excited to see some of my gear getting a shot, and thank you for what you do.
Jet City's are cool !!
2 years ago, I bought a 100W Jet City JCA Head for 270€ ..!!! With a "Bugera PS1 Power Soak" Attenuator + Boost, it's great for the price !!
Hey Glen! On the oldies but baddies thing... I've never made a video before :( I'm hoping I can use some DIY lighting and my phone camera? Also never hooked up my recording rig to work with video... any quick tips? Cheers from BC
6:35 I changed out the pickups in my Michael Kelly from the Rosewill pickups to Gibson 70’s tributes. The Gibson pickups were higher output and less noisy but they only sounded marginally clearer over the Rosewill pickups. So it’s down to preference for the SLIGHT differences in sounds. I ran them through an MT-15 with an Eminence DV-77. They really don’t sound much different. I’m glad I listened to you and bought the pickups for $240 instead of wasting thousands on a Gibson just to get slightly quieter pickups.
2:45 Since my band was only a 3 piece, I used to run ALL of the power through a "line conditioner" of some sort, a grey box that had 4 x 120outlets, every time we set up on stage. All it takes is one bad ground... your dad was right.
For the guy with the electricy and noise problem.. another option is to buy a large LFP powerpack like an Ecoflow or Bluetti and run the amp/modeller/computer etc in isolation from one of those. Also turn off all fluorescent lights, take LED lights off the mains, move them FAR away from any amplification/drive pedals etc.
If noise changes based on the orientation of your guitar, it's an appliance (fluorescent lights? Computer monitor?) interacting with your guitar. This is a common problem with single coil pickups, but less so with humbuckers (noise is the reason humbuckers were invented). A dummy coil could help if you're using single coils, but I don't know of any metal guys using single coils.😄
Also, we had a dimmer switch on our studio lights that was causing a ton of noise.
Hi Glenn, cool thing is since you are a metal shop I can agree with you about pickups not making a difference. When I engage my Boss Metal Zone through my 100 watt Marshall 2555 into a 4 X 12 cab with green backs cranked to jet engine at afterburner I can’t tell pickup differences. (Just kidding about the volume). I agree speakers and cabinet build are key to a great metal sound. A little compression helps. I perform Blues and Pop Rock so pickups matter in these circumstances. Additionally I’m a Helix/Tonex and Katana user so with my style pickups matter.
I enjoy learning from you and all you advice is sound. Keep teaching up and thanks a bunch.
Unrelated, but from watching your videos, it's funny how many bass players who refuse to change their strings use that whole "but James Jamerson never did!!!"; apart from Jamerson not being a metal bass player, he was also a known master of his instrument, with an impeccable sense of timing and rhythm. Something these knuckle draggers do not have.
Imagine them trying to play any of his basslines.
re: dirty DI -- If all else has been addressed (instrument shielding, cable, RF interference), you might try plugging the bare minimum of gear needed to record a DI (computer, interface, monitor?) into a UPS with a decent battery backup time and disconnect it from the house AC before hitting record.
I don't know how anyone can still deny what a huge difference the speaker makes in your tone. I have a 4x12 that I built for recording, with 4 different speakers in it. I wired it up in such a way that you can use any speaker by itself, or any combination of any of the 4 speakers in it. Since building that thing, it's been a piece of cake to get a guitar tone that sounds good and sits nicely in any mix I do. Being able to switch speakers on the fly really demonstrates the drastic change a speaker swap makes, as opposed to having a 30 minute break to swap out speakers, and forgetting what the original tone sounded like in the process of doing so.
13:38 Yes! The presence of the audience does make a difference. Check out David Rat's video "Audience Heat Messes With Concert Sound" where he shows that with a scale model experiment.
I don't know as that would make a difference in a recording studio, but I could see it making a difference with paper cone speakers as it could change the dynamics of the speaker.
HEY GLENN!!! Can you review using some specific bass speakers in guitar cabs? People online recommend Celestion BN12-300S, Eminence Basslite S2012, Eminence Deltalite II 2512, Beyma 12G40, 12" vintage CTS, and 12" Peavey Black Widow, and there's surely more I am not aware of. These often have response graphs similar to guitar speakers, but can handle the excursion and wattage needed for bass - though a graph is not enough to know what to expect irl. I’ve seen them used in setups with a modeller + poweramp + DIY cab, or for high-gain guitar and bass in home studios, or for Doom/Shoegaze. Quilter, Zilla, and Barefaced use them in guitar cabs. I think it's a cool idea to explore as an alternative to the boring V30 and/or Greenback standard. I wonder how well - from your perspective - they perform with high-gain guitar tones (possibly with a 10-band EQ in the effects loop), as well as bass tones where you mix a miced cab track with a bass cab IR track. Could you test each speaker individually and in blends, and compare closed vs. open cabs, and 2x12 vs. 4x12 configurations? Dr. Decibel from Celestion support confirmed it’s safe to use the BN12-300S this way, and I've seen people successfully use the Eminence models, not to mention vintage CTS being common in old Fender combo amps. Celestion BN12-300S and Eminence Deltalite II 2515 are often suggested as lightweight alternatives to EVM12L (as in physically, easier to carry cause neodymium), though they're a bit darker apparently.
Hey glen I have a question, I get latency using my pedalboard on the computar like 1 seg of delay between the stroke and the sound.. any ideas why this happen? My oefalboard is an GX 100 from boss and Im trying to use it on Reaper.
Thank you for your advices and greetings from Chile!!
Every body in a concert hall acts like a Big bag of water, absorbing and diffusing parts of the sound, Mostly dampen LF
As the crowd increases in size and density there is an 'upcurrent' caused by the combined body heat, which can have an effect on the HF throw (that is, how far the High frequencies will travel), basically causing a diversion towards the sky/ceiling.
There are AES (Audio Engineers Society) papers regarding each of these factors.
There are also mentions of these effects in 3 chapters of the Don Davis Bible for live sound "Sound System Engineering".
15:00 There is a new girl troupe called Katseye, they have the Antares cranked up so high, all 6 girls literally sound the same. With your eyes closed you could not tell which one is singing, it would be like one of Glenn's power tube tests. On the flip of that is the Rolling Stones. I cannot listen to the Rolling Stones, shit like "Start me up" sounds like they all recorded their parts without hearing any of the other tracks, it is so out of synch with itself it drives me crazy. Hearing Geedy Lee and Neil Peart hit that hi-that catch together on the syncopated 16th note accent is what soothes my anxiety. The Rolling Stones make me wanna run away. Oh, by the way Katseye is really good with the sound off.
Hey guys, I need some help. I seem to remember Glen posting a video where he discussed a free manual for how to sound treat your room based on shape and size. I'm pretty sure he also mentioned someone had developed a software that would help you do it by telling you how far away from the wall to place your sound traps, and what material to use. Anybody know what I'm talking about, or am I just fever dreaming this? Thanks!
FOH usually rides the faders hard in the 1st song to compensate for those elemental variables
Hey Glenn, Have you ever put your top amps in front of a crappy cab (or two), to prove it's not the amp? I think it would add another element to the argument of "it's in the speaker"
Not that I am on the V30 bandwagon, per se, but every amp in front of my V30's always sound really good.
and on another note, someone gave me a Peavey Black Widow 1x18 15 years ago, and it sound great with guitar amps. You'd swear it was a 4x12, and a major increase in volume, with the 1x18 too.
You gotta turn the lights off. Use a battery operated lantern or candles. Specially lights attached to wall switch.
#1 might be having a noise issue with the power co.'s overhead lines. Where I live there is a mile plus long distributed 120/240V line fed with multiple (yet all overloaded) transformers. 8AM to 8PM the noise drowns out any pickup signal and after 8PM you only have to be 200 feet from the road to have a chance. And stand 90 degrees to the power lines.
Hey Glenn! Fucking love your content please keep doing what youre doing! I love the videos where you feature the cheap gear, especially the one with the Tonex pedal, and would like to suggest the NUX MG400 it has a bunch of amp and cab sims, exp pedal and the abillity to load custom IRs. Thanks for the content and much love!
The butthurt of the week sort of threw me off this time. Yes, the unit is $1899. That is not $200 saved from $2000 and with taxes in many places will wind up above $2000 anyway. Secondly, the commenter asked a question about EQs that you did not answer (how does a “regular eq” sound harsh?) which would have been a great way to “do good” with your show, through sharing knowledge. Third, the commenter took issue with the fact that you are claiming that this piece of gear is going to level up your sound. You absolutely did say that it took your mix to another dimension, specifically in the kick drum. I personally have no issue with the concept that an expensive piece of gear could also get you good results just as a cheap one can, but the way you responded to this commenter felt very defensive, and a bit obtuse. You ignored the point he made about trying different combinations of EQ and saturation to get new tones as well. That would give positive results just as this expensive gear would, though it would likely take longer to dial and may not sound exactly the same. You did make a good point about efficiency, and I wish you would have more clearly emphasized that the efficiency was a major factor for you as a professional.
Humidity can really change the sound. If it's noticeable in a studio would be interesting to test though. But if you want proof, just compare how things sound outside on a clear, dry day compared to a very foggy day. Yes, there's more to it than 'just' the humidity (eg. fog...) but it's a fairly simple way to hear that it does make a change.
Again, I don't know how much the relatively small humidity changes in a confined space like a studio change the sound. Thinking as an engineer I can even see humidity affect the speakers and microphones. Speaker cones are mostly made from paper or cloth, so they do absorb moisture, which changes the characteristics of the materials. Would LOVE to see a comparison on that ;) "wet" vs "dry" speaker cones ;)
NOISE? No you're NOT fucked. You'll need to spend a bit but, buy either a Ryobi or an Ego power station and buy some batteries. I often plug my Fractal into my Ego Nexus Power Station loaded with some batteries. If you already do yard work and bought batteries buy one of the comparable power stations.
Hey Glenn, just to give you a little info first off love your channel. Secondly, the Green Dot represents hospital grade, which is also a separated ground a triangle would be a true isolated ground. Having both would be unobtainium and found on the planet Nirvana.
As far as drowned electrical noise, I haven’t tried it yet, but I was wondering if an uninterruptible power supply/UPS system would help with that since it isolates the incoming through the inverter😮
Universal Audio offers both monthly payments and own it forever. They have made most (if not all) plugins available as VST, not requiring their hardware.
I've got their hardware, and had an issue years after warranty expired and had to have them repair it...called their tech support, got an RMA and had it back in about 3 days and cost less than $300 with shipping.
Their hardware is expensive, but is very flexible and sounds great.
Also, I keep all of my gear behind a voltage regulator, surge protector, and Furman filters.
I have noise from underground train or a (high power transformers) its high freq, nothing helps i took a battery amp and walked in the area sure enough 150 meter away noise dissepeard.. same noise 14 years 😂 i am not but a pro but still is irritating noise gates and using on my pc works but the noise is there....
Hey Glenn, how are the clean tones on that Element Bass deal? I don't have much need for distortion in the songs I record, and don't even play much metal. But I absolutely hate going DI for the bass. I'm not talented enough to make that sound good.
regarding barometric pressure and humidity, etc. on sound: i have often wondered if that's why one day my sound is fantastic and wonderful and then without changing anything at all, it sounds not so good on another day. maybe that's all in my head, i don't know. just something that rattled around in my brain.