A Brazilian listening an German Osquestra playing a Russian composer writing a commentary in English... There's a place without banners, without borders.. This place Is called MUSIC
Well, I'm an Australian (in Melbourne) and while I'm very proud of our orchestra, I think this orchestra is among the very best in the world. I wish I could hear them live, but thoroughly enjoy their very frequent RUclips postings (not only performed, but also recorded with the highest quality). I almost shudder to think that, when I was very young, our countries were at war. The foibles of humanity. Your comment is spot on.
Agreed! All too often the conductor, soloist(s), and orchestra members are praised, but the excellent work of the camera crew goes unacknowledged. Some other venues also have excellent camera crews - the Concertgebouw, for example. We take it so much for granted when watching many videos that it jolts us when excellent performances are captured with only one fixed camera, which all too often gives us a view of the conductor's back.
I. Andante sostenuto - Moderato con anima 0:05 opening Fate motif 1:17 first theme in violins 2:47 development on the first theme 3:37 altered first theme 5:09 second theme, played by the woodwinds 5:49 third theme, also played by the woodwinds, with forth theme in cellos as counterpart (6:16) 6:39 forth theme picked up by flute 7:03 fifth theme in soft violins and winds 7:47 roles switch - tension builds 8:32 triumphant sixth theme 9:47 return of the fate motif 10:06 development 12:46 fate motif 13:31 first theme (??) 14:03 third theme, with forth theme counterpoint 15:18 fifth theme 16:03 roles switch - tension builds 16:48 release, but still building 17:23 fate motif 17:48 another new theme 18:27 another new theme!! yippee!! 19:20 first theme - ending II. Andantino in modo di canzona ∙ 20:05 first theme in oboe 20:52 theme moved to cello 21:34 passionate second theme in violins 22:46 return of wistful first theme, in strings with staccato wind counterpart 23:27 return of second theme, 24:09 winds break the tension with a third new theme!! (24:28) 25:22 the new third theme being lead full force by strings 26:16 the first theme comes back, accompanied by bubbling woodwinds 27:04 the second theme, played very delicately by the strings 27:53 a little development, followed by the forth theme, reminiscent of the first theme, but in major (28:17) 29:15 first theme in bassoon 29:57 coda III. Scherzo. Allegro ∙ 30:48 pizz strings theme 32:38 the oboe interjects - woodwind theme 33:25 brass joins, a joyful folk dance 34:06 return of the string theme 35:53 light development/ coda IV. Finale. Allegro con fuoco ∙ 36:52 introduction using the first theme 37:06 second theme in flutes 37:37 first theme shown fully 38:22 second theme 39:57 first theme 40:44 second theme in strings 41:56 the brass trade the second theme 42:14 the fate motif!! 43:27 using a middle bit of the first theme as a build 44:04 first theme 44:46 coda
Great work, but if you want me to click on every moment in this schedule I believe my total experience of this music is damaged. But if you want me to study every detail in this music you have a point.
Urbanski is one of my favorite conductores these days. The perfect combination of passion, rigour and charisma. And when I met him after an unforgettable Shostakovich 5 he was really kind! Stunning Tchaikovsky with one of Europe’s most wonderful orchestras!!!
Was für eine wunderbare Geste von Urbánski, den Solooboisten einzuladen, selber zu beginnen... Dies ist eine unglaublich tief empfundene, sehr differenzierte Interpretation dieser bewegenden Sinfonie! Ich weiß nicht, ob ich den Anfang des 9/8-Takt-Themas im ersten Takt jemals so langsam und scheu gehört habe. Wahnsinn, welche Steigerungen Urbánski da herausarbeitet! Die sehr flexible Tempodramaturgie im ersten Satz ist ungewohnt, aber absolut überzeugend und entwickelt eine sehr plastische Erzählung.
Excellent performance of one of my very favorite symphonies. I really appreciated the clear dynamic contrast within each movement, something that is not always so clear to me in other performances. A good performance of this symphony should be nothing less than thrilling, and this performance delivers. Bravo!
Incrível como alguns maestros famosos não conseguiam captar a beleza intrinseca das obras de Tchaikovsky. Essa interpretação é uma das melhores que já tive o prazer de ouvir. Os trechos em pizzicato estão de uma leveza e alegria contagiantes. Grato por compartilharem essa preciosidade!!
Браво! Великолепное качество! Мне импонируют такие не слишком быстрые темпы в первых 3-х частях, и такой быстрый фееричный финал на контрасте! Мне очень понравилась именно эта интерпретация любимой симфонии ! Божественная музыка гениального русского композитора! Это счастье исполнять такие шедевры!❤ а в таком коллективе - просто мечта!
If Tchaikovsky's intention was to "transmit" joy in the finale by orchestrating the popular song "Я иду, иду погуляю" then, he made it. The contrabass player seems happy, smiling at 39:13". Eloquent performance.
Krzysztof Urbański does very well here ! Not to speak of the orchestra, which is amazing. The conductor shows real affinity to this music with flexible tempi. This reminds me of a reading by Marek Janowski in Berlin 20 years ago. Janowski loved a brisk pace, maybe more forceful than Urbański.
He has a very odd way of conducting. but I accept it, specially without sheet music. Like if he trust in the musicians, 100%, you can specially see it in the end.
Lebhafte und wunderschöne Aufführung dieser perfekt komponierten Sinfonie mit farbenreichen und perfekt entsprechenden Tönen aller Instrumente. Der erste Satz klingt besonders dramatisch und ergreifend. Im Kontrast klingt der dritte Satz besonders verspielt. Der kluge Dirigent leitet das erfahrene hr-Sinfonieorchester im veränderlichen Tempo und mit recht effektiver Dynamik und Agogik. Danke fürs Onlinestellen!
Fremragende opførsels af symfonien- Urbanski formår at få temaer og motiver i instrumentgrupperne frem i klangfarne og samspil. Det dynamiske udstryk og tempigiven musikken en sjældenhørt dybde. Fremragende.
During, but mostly after his catastrophic and short marriage to Antonia Milyukova Tschaikowsky wrote this music. It tells us about destiny, dreams, longings, but also about sorrow and a hopeless situation. We dont need to know his biography to love this music, but maybe it helps us a little bit. Wonderful playing from hr-Sinfonieorchester under Krzysztof Urbanski!
How many times have I already listened to this rendition? I dont know. Sometimes I think it is a symphonie for the bassoon, then for the oboe, then for the flute or for the clarinet. The only thing I know is that Tschaikowsky had a wonderful gift to lift up all the instruments in an orchestra in full sight. Something that the cameras in this uptaking fully understand. The result is splendid. Together with this wonderful orchestra and Krzysztof Urbanski this turns out to be the best interpretation of this 4:th Symphony I ever heard. Thank you all so much!
*I appreciate the versatility of classical music. Whether you're studying, relaxing, or seeking inspiration, there's always a perfect piece to match the moment. 📚💭🎵*
Très sensible interprétation ; le 1er mouvement, d'une souplesse & 'une fausse modération distillant l'angoisse,, est un régal. Après quoi le charme est installé, & tout est merveilleux, jusqu'à la fin.
Wunderschöne Aufführung dieser romantischen und perfekt komponierten Sinfonie mit seidigen Tönen aller Streicher, milden Tönen aller Holzbläser und brillanten Tönen aller Blechbläser. Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der dritte Satz echt beweglich und auch erfreulich. Endlich kommt der letzte Satz voller Bewegung und Leidenschaft. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Einfach wunderbar!
I count myself as a Tchaik fan, but can find the 4th uniquely grating among his symphonies- frankly among anyone's symphonies. KU's legato-laden management of the first movement here is superb, sewing all the crescendos into a whole of natural momentum where the drama does not overwhelm the feeling that we have not yet reached the end. This manner is evident even among the soloists (14:10). Really, I can't think of another performance I've liked any better for making this music sound cohesive (and grim!). As usual, the hrSinf sounds fantastic.
I can see how reactions could vary on some aspects of tempi - this would be one of the longer Tchai 4ths, at about 48min, with some at only 40 minutes, simply too fast. [At this point may I explain: We watch on a 9ft / 230cm screen in darkened room, with high quality multi-channel Dolby Atmos (simulated) audio (not bragging, just illustrating that we see/hear under close to optimum technical and psychological conditions) thrilled that we're able to sit back in a simulated concert-hall experience - as close as we can get to "being there"] Wow, having, apologetically, got that out of the way: At the first (mildly) unusual tempo I wondered, until it launched into the next section, and suddenly it made sense. And further on, similarly, throughout the work. By the conclusion, I found that, finally, we ere hearing a much more dramatic, yet much more expressive and more sensitive, 4th, elevating it up at least, to stand beside the reputation of the 5th, but not quite the artistic and creative genius of the 6th - although I would dearly love to hear that latter work from this orchestra and this conductor.
I like the conductor's stage presence and interpretation, I just find him slightly hard to follow since he keeps his baton at an upward pointing angle.
As always the orchestra (and the production) are sparkling. I have to say however that the first movement lacked the 'con anima' for me - the generally slow tempo seemed to somehow nullify the tension; lethargic even. Meh, aesthetic preference perhaps, but it does need the 'anima'!!
To put it more bluntly the firsr movement was bland to the point of boredom and lacked any kind of tension. Another example, I'm afraid, of a young conductor striving to be original and reinvent the wheel.
the tempo is slightly slower than what I like I dont feel the angst and anxeity of Tchaikovsky in the first movement.. but that being said.. excceptional performance per usual!
Die Tempi stimmen nicht (Satz 1-3). Ich habe den Eindruck, der Dirigent ist mehr mit sich selber beschäftigt als mit dem Werk. Im 4.Satz ist er dann gottseidank aufgewacht und hat ihn spannend gestaltet. 🥰 Der war grandios 👋
![Kodak Black - Catch Fire [Official Music Video]](http://i.ytimg.com/vi/A4ch-olIuZo/mqdefault.jpg)
A Brazilian listening an German Osquestra playing a Russian composer writing a commentary in English... There's a place without banners, without borders.. This place Is called MUSIC
Greetings from Germany. I love your comment! This is globalisation from the humanist and most loveliest kind. Enjoy your day.
Well, I'm an Australian (in Melbourne) and while I'm very proud of our orchestra, I think this orchestra is among the very best in the world. I wish I could hear them live, but thoroughly enjoy their very frequent RUclips postings (not only performed, but also recorded with the highest quality). I almost shudder to think that, when I was very young, our countries were at war. The foibles of humanity. Your comment is spot on.
Oui, c'est vrai. Les hommes pourraient vivre en paix, s'ils le voulaient vraiment.
You can say what you want about the interpretation, or, for example, the tempi, but the quality of orchestral playing here is simply magnificent!
The camera people are brilliant in following this music and all the instruments. I have seldom seen a consert better filmed than this. Bravo!
Agreed! All too often the conductor, soloist(s), and orchestra members are praised, but the excellent work of the camera crew goes unacknowledged. Some other venues also have excellent camera crews - the Concertgebouw, for example. We take it so much for granted when watching many videos that it jolts us when excellent performances are captured with only one fixed camera, which all too often gives us a view of the conductor's back.
I. Andante sostenuto - Moderato con anima
0:05 opening Fate motif
1:17 first theme in violins
2:47 development on the first theme
3:37 altered first theme
5:09 second theme, played by the woodwinds
5:49 third theme, also played by the woodwinds, with forth theme in cellos as counterpart (6:16)
6:39 forth theme picked up by flute
7:03 fifth theme in soft violins and winds
7:47 roles switch - tension builds
8:32 triumphant sixth theme
9:47 return of the fate motif
10:06 development
12:46 fate motif
13:31 first theme (??)
14:03 third theme, with forth theme counterpoint
15:18 fifth theme
16:03 roles switch - tension builds
16:48 release, but still building
17:23 fate motif
17:48 another new theme
18:27 another new theme!! yippee!!
19:20 first theme - ending
II. Andantino in modo di canzona ∙
20:05 first theme in oboe
20:52 theme moved to cello
21:34 passionate second theme in violins
22:46 return of wistful first theme, in strings with staccato wind counterpart
23:27 return of second theme,
24:09 winds break the tension with a third new theme!! (24:28)
25:22 the new third theme being lead full force by strings
26:16 the first theme comes back, accompanied by bubbling woodwinds
27:04 the second theme, played very delicately by the strings
27:53 a little development, followed by the forth theme, reminiscent of the first theme, but in major (28:17)
29:15 first theme in bassoon
29:57 coda
III. Scherzo. Allegro ∙
30:48 pizz strings theme
32:38 the oboe interjects - woodwind theme
33:25 brass joins, a joyful folk dance
34:06 return of the string theme
35:53 light development/ coda
IV. Finale. Allegro con fuoco ∙
36:52 introduction using the first theme
37:06 second theme in flutes
37:37 first theme shown fully
38:22 second theme
39:57 first theme
40:44 second theme in strings
41:56 the brass trade the second theme
42:14 the fate motif!!
43:27 using a middle bit of the first theme as a build
44:04 first theme
44:46 coda
Great work, but if you want me to click on every moment in this schedule I believe my total experience of this music is damaged. But if you want me to study every detail in this music you have a point.
Thanks.
As a music learner, for me, this is precious. Thank you so much for sharing!
Великолепное расписание!
Truly electrifying! This Orchestra is becoming one of my favorite performing groups. All is so clear and precise. Bravo!
Urbanski is one of my favorite conductores these days. The perfect combination of passion, rigour and charisma. And when I met him after an unforgettable Shostakovich 5 he was really kind! Stunning Tchaikovsky with one of Europe’s most wonderful orchestras!!!
Aááá
Fantastic. I love the way he put down his arms during the final few bars of the finale and just watched, as if they didn't need him at that point.
Was für eine wunderbare Geste von Urbánski, den Solooboisten einzuladen, selber zu beginnen...
Dies ist eine unglaublich tief empfundene, sehr differenzierte Interpretation dieser bewegenden Sinfonie! Ich weiß nicht, ob ich den Anfang des 9/8-Takt-Themas im ersten Takt jemals so langsam und scheu gehört habe. Wahnsinn, welche Steigerungen Urbánski da herausarbeitet! Die sehr flexible Tempodramaturgie im ersten Satz ist ungewohnt, aber absolut überzeugend und entwickelt eine sehr plastische Erzählung.
Actually that’s pretty standard. Similar to Scheherazade mvt 2 bassoon and many others.
Great style of conducting in the end, beautiful!
I agree, but still I find a little bit of a posing manner in his conducting.
Great that we can follow the ovations after this fantastic consert, celebrating all musicians!
Sharp!!!! hr-Sinfoniekonzert one the best orchestras around. Awesome interpretation from FL, USA!!
Fantastic performance! I was ecstatic watching and listening. Bravo! 🌹🌹🌹
Fantastic, and points to the cameraman.
Die Ovationen sind absolut verdient! Was für eine tolle Darbietung!
Fantastico Urbanski,bravi. tutti.
Great to see the 10 minute applause left in. What a stunning performance.
Excellent performance of one of my very favorite symphonies. I really appreciated the clear dynamic contrast within each movement, something that is not always so clear to me in other performances. A good performance of this symphony should be nothing less than thrilling, and this performance delivers. Bravo!
C'est vraiment magnifique. Incroyable. En plus, le chef d'orchestre est super sympa !
One of the greatest symphonies ever composed.
A roller coaster of emotions !
And of course one of my favorites.
Not of this earth for sure.
Fantastico.! Grazie.
Thank you for posting this in its entirety...well done as usual. Good to see another young conductor doing well.
めちゃくちゃヒューマニズム溢れる演奏で、刺激される。繊細な感性の演奏ですね。冷たい、厳しいクラシック音楽が多い中で、
あたたかな部分が、おもしろい部分が、めちゃくちゃ盛たくさん。こんな演奏を聞いたら、本当に、来てよかったと、幸せになります。
Incrível como alguns maestros famosos não conseguiam captar a beleza intrinseca das obras de Tchaikovsky.
Essa interpretação é uma das melhores que já tive o prazer de ouvir.
Os trechos em pizzicato estão de uma leveza e alegria contagiantes.
Grato por compartilharem essa preciosidade!!
Браво! Великолепное качество! Мне импонируют такие не слишком быстрые темпы в первых 3-х частях, и такой быстрый фееричный финал на контрасте! Мне очень понравилась именно эта интерпретация любимой симфонии ! Божественная музыка гениального русского композитора! Это счастье исполнять такие шедевры!❤ а в таком коллективе - просто мечта!
If Tchaikovsky's intention was to "transmit" joy in the finale by orchestrating the popular song "Я иду, иду погуляю" then, he made it. The contrabass player seems happy, smiling at 39:13".
Eloquent performance.
Krzysztof Urbański does very well here ! Not to speak of the orchestra, which is amazing. The conductor shows real affinity to this music with flexible tempi. This reminds me of a reading by Marek Janowski in Berlin 20 years ago. Janowski loved a brisk pace, maybe more forceful than Urbański.
He has a very odd way of conducting. but I accept it, specially without sheet music. Like if he trust in the musicians, 100%, you can specially see it in the end.
Great piccolo performance!
Thank you from Canada. Really great to see the involvement of a fine orchestra in a fine performance.
Lebhafte und wunderschöne Aufführung dieser perfekt komponierten Sinfonie mit farbenreichen und perfekt entsprechenden Tönen aller Instrumente. Der erste Satz klingt besonders dramatisch und ergreifend. Im Kontrast klingt der dritte Satz besonders verspielt. Der kluge Dirigent leitet das erfahrene hr-Sinfonieorchester im veränderlichen Tempo und mit recht effektiver Dynamik und Agogik. Danke fürs Onlinestellen!
Blazingly fast Tempi-- Wow!!! The best Symphony Orchestra on the planet bar none
Fremragende opførsels af symfonien- Urbanski formår at få temaer og motiver i instrumentgrupperne frem i klangfarne og samspil. Det dynamiske udstryk og tempigiven musikken en sjældenhørt dybde. Fremragende.
During, but mostly after his catastrophic and short marriage to Antonia Milyukova Tschaikowsky wrote this music. It tells us about destiny, dreams, longings, but also about sorrow and a hopeless situation. We dont need to know his biography to love this music, but maybe it helps us a little bit. Wonderful playing from hr-Sinfonieorchester under Krzysztof Urbanski!
This music is truly a work of art!
멋져요 😊
How many times have I already listened to this rendition? I dont know. Sometimes I think it is a symphonie for the bassoon, then for the oboe, then for the flute or for the clarinet. The only thing I know is that Tschaikowsky had a wonderful gift to lift up all the instruments in an orchestra in full sight. Something that the cameras in this uptaking fully understand. The result is splendid. Together with this wonderful orchestra and Krzysztof Urbanski this turns out to be the best interpretation of this 4:th Symphony I ever heard. Thank you all so much!
Thanks for sharing
une superbe version .Le chef laisse parfois à l'orchestre une liberté ,une autonomie ,tout en étant parfaitement aux commandes ! du grand art !
Magnifique interprétation 🤩🤩🤩!
45:06 Brilliant reaction. Truly a special moment.
Wow, just wow. What an adventure was that.
And such great camera work.
Phenomenal performance! Thank you so much for great music!
The level of greatness of this video cannot be expressed through words ❤❤❤❤ bravo
bravissimo…chef et orchestre🫶
It can be greatly exaggerated through words though.
Un des mes plus grands rêves ; faire partie d un orchestre pour partager la musique 🎶 Magnifiquement interprétée et menée 🙂🍂🍃
Simply Stunning!’ 💙🙏
*I appreciate the versatility of classical music. Whether you're studying, relaxing, or seeking inspiration, there's always a perfect piece to match the moment. 📚💭🎵*
My humble opinion is that studying to this music is a waste to the study, but most of all to the music.
And if you ask WHY? my answer is: this music needs full attention. You cannot study and listen at the same time.
Super!!!!!!!!!!😊
Bravo. I really like the way the orchestra is film. Great close up shots.
Très sensible interprétation ; le 1er mouvement, d'une souplesse & 'une fausse modération distillant l'angoisse,, est un régal. Après quoi le charme est installé, & tout est merveilleux, jusqu'à la fin.
Masterpiece of music.
wow. brilliant.
Wunderschöne Aufführung dieser romantischen und perfekt komponierten Sinfonie mit seidigen Tönen aller Streicher, milden Tönen aller Holzbläser und brillanten Tönen aller Blechbläser. Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der dritte Satz echt beweglich und auch erfreulich. Endlich kommt der letzte Satz voller Bewegung und Leidenschaft. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Einfach wunderbar!
Just listened to this like half an hour ago on Spotify ... I don't mind doing it again here
Big wow. Spectacular.
How much you are missed at ISO. I was so privileged to work with you here.
Bravo!
slow and delicate, really fresh
All this magnificent music making. And now in 4K!
I count myself as a Tchaik fan, but can find the 4th uniquely grating among his symphonies- frankly among anyone's symphonies. KU's legato-laden management of the first movement here is superb, sewing all the crescendos into a whole of natural momentum where the drama does not overwhelm the feeling that we have not yet reached the end. This manner is evident even among the soloists (14:10). Really, I can't think of another performance I've liked any better for making this music sound cohesive (and grim!). As usual, the hrSinf sounds fantastic.
Do Brasil, 8: 30 p.m. Excelente performance , belíssima.
Concordo! Parabéns por seu apurado gosto musical, querido compatriota !
Excellent !
Very Nice!
Great !
Me ha encantado esta versión,en especial la tarea del Director
quel beau et bon Chef !
45:06 had me rollin 😂😂 Iconic moment fs
Same 😭😭 he’s like I couldn’t make them sound like this this is all them
Wunderbar! Fantastisch Konzert!
اجمل تصوير لعزف هذه السنفونية
45:06 I love it how he just takes his foot off the accelerator and lets the orchestra roll downhill on its own momentum. Fun!
Theo Plath (solo bassoon) is simply phenomenal!
Esse cara é maestro ou modelo? que rapaz bonito!
First movement sometimes a bit fast , but each of us has his own taste, second movement outstanding!!! Best permormance ever heard!!!
The magnificence of Tchaikovsky performed masterfully.
What a performance!
Very unusual choice of tempi. But this orchestra can play anything whether it’s way to slow…mvt2…or crazy fast…mvt 4.
Always felt this symphony pairs favourably with Mendelssohn's own 4th 'Italian' symphony.
I can see how reactions could vary on some aspects of tempi - this would be one of the longer Tchai 4ths, at about 48min, with some at only 40 minutes, simply too fast.
[At this point may I explain: We watch on a 9ft / 230cm screen in darkened room, with high quality multi-channel Dolby Atmos (simulated) audio (not bragging, just illustrating that we see/hear under close to optimum technical and psychological conditions) thrilled that we're able to sit back in a simulated concert-hall experience - as close as we can get to "being there"]
Wow, having, apologetically, got that out of the way: At the first (mildly) unusual tempo I wondered, until it launched into the next section, and suddenly it made sense. And further on, similarly, throughout the work. By the conclusion, I found that, finally, we ere hearing a much more dramatic, yet much more expressive and more sensitive, 4th, elevating it up at least, to stand beside the reputation of the 5th, but not quite the artistic and creative genius of the 6th - although I would dearly love to hear that latter work from this orchestra and this conductor.
1st movement
0:05 begins | 9:10 celebration |
🏆🏆🏆🏆🏆🏆🏆🏆♥️
Фейерверк звука и инструментов.
I like the conductor's stage presence and interpretation, I just find him slightly hard to follow since he keeps his baton at an upward pointing angle.
Дирижер чудо,ничего лишнего
❤
Finally a good quality video of this!
Although nothing will top the CSO doing it…
As always the orchestra (and the production) are sparkling. I have to say however that the first movement lacked the 'con anima' for me - the generally slow tempo seemed to somehow nullify the tension; lethargic even. Meh, aesthetic preference perhaps, but it does need the 'anima'!!
To put it more bluntly the firsr movement was bland to the point of boredom and lacked any kind of tension. Another example, I'm afraid, of a young conductor striving to be original and reinvent the wheel.
Kitűnő előadás!
the tempo is slightly slower than what I like I dont feel the angst and anxeity of Tchaikovsky in the first movement.. but that being said.. excceptional performance per usual!
WoW
21:08
We miss the maestro here in Indianapolis Indiana
Die Tempi stimmen nicht (Satz 1-3). Ich habe den Eindruck, der Dirigent ist mehr mit sich selber beschäftigt als mit dem Werk. Im 4.Satz ist er dann gottseidank aufgewacht und hat ihn spannend gestaltet. 🥰 Der war grandios 👋
🌻
29:14 Bassoon solo
5:04 5:45 10:20 32:51 for clarinet reference.
respect to the cymbal player (cymbalist?) at the end :D
Did anyone else know that Captain Faramir was a conductor?! I did not!
00년대 프리미어 리그 축구 중계와, k리그 축구 중계 차이를 보는 것 같다. 카메라 워킹이 다르고, 촬영이 섬세하다.
The Scarlett Empress.....😊 Dietrich......
Der Dirigent hat sehr ökonomisches Bewegungen 😂
The young sergie clibidache.. The slow clear tempi to show up every note !
Sergiu Celibidache
@@mymusic-321 no problem
Did you listen right to the end? The last movement is blazingly fast.
@@dorette-hi4j OK .. Thanks
클래식 포에버
16:30 für Pauker