Marek PASIECZNY | "SAKURA NO HANA" Variations for two guitars (to Duo Joncol)
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- Опубликовано: 14 июл 2013
- SCORE / DOWNLOAD/ STREAM: li.sten.to/SakuraDuo
Prelude 0:00 Theme 0:56 Var I 1:39 Var II 2:41 Var III 3:40 Var IV 4:04 Var V 5:09 Var VI 5:39 Var VII 6:37 Postlude 7:14 | Available Worldwide on iTunes: ow.ly/RssBI | Amazon: ow.ly/RsrRp | GooglePlay: ow.ly/RsslE
ワールドプレミア! さくらの花変奏曲 ～二つのギターのために マレク・パシェツニ作曲 《さくらさくら》のメロディーに基づいた作品で
Marek PASIECZNY and Michal STANIKOWSKI (guitars) | SAKURA NO HANA Variations for two guitars by Marek Pasieczny | dedicated to Britta Schmitt and Carles Guisado Moreno | DUO JONCOL
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"Sakura No Hana Variations" is a fantasy piece based on a famous Japanese theme. The way of combining Japanese tradition with new sounds and metric, the transfer of the Koto sound on two guitars and the creative ideas to different guitar techniques makes this work just inimitable. Marek Pasieczny is such a talented composer and we wish him to continue to be so innovative, original and creative.
Britta Schmitt and Carles Guisado Moreno | DUO JONCOL
Lucerne, Switzerland (June, 2013)
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'Sakura-Sakura' ('Cherry-blossoms-cherry blossoms') is a traditional Japanese-folk-song that depicts the season of cherry-blossoms during spring. Contrary to popular belief, the song did not originate in ancient times: it was a popular, urban melody of the Edo Period, defined as time from beginning of the seventeenth century to the middle of the nineteenth. The song was later adopted for use by beginner students learning the-Koto (a traditional string instrument), and was published in the Tokyo Academy of Music Collection of Japanese-Koto Music at the end of the nineteenth century. This set of variations is based on this melody.
"Sakura No Hana" Variations is based entirely on five notes (A, B, C, E, and F) forming a pentatonic scale that is commonly used in traditional-Japanese musics. In contemporary Japanese-music, a sixth note (D) is occasional employed to act as a dominant seventh. My attempt here from the very beginning of the compositional process was not to create a guitar piece, but a composition for two Japanese Koto instruments to later be adapted for two guitars. In using extended techniques on the classical guitar, I tried to imitate as closely as possible the Japanese Koto. Each variation is therefore highly significant in its structure, form and timbre nuances.
Marek Pasieczny
(July, 2013 | London, UK)
#classicalguitar #marekpasieczny 
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Beautiful interpretation! 🌺
Thank you, I also composed that.
Great and brilliant artist
Interestin
Dziękuję!
Brilliant! Marek is really an amazing guitar artist.
I love this, wonderful tune!
Wonderfull as usual! I expect nothing less of Marek and everyone he plays with.
Great duet guys! Truly inspirational.
As Theophilus said: Every composition seem like a new landmark made in classical guitar.
Awesome !!
Excellent! and very creative!
Beautiful innovative version!
Beautiful! Every composition of yours I've heard is like a landmark for classical guitar. Marek you are an amazing composer and your duo with Michal Stanikowski is simply awesome!!
Nice work! It sounds amazing.
Очень понравилось! Браво!
Genius work, as always! Bravissimo! Really really wonderfull music and performance! ;-)
A sounding cristall!
Wouwww Marek PASIECZNY and Michal STANIKOWSKI (guitars) fantastic Arrangement Sakura sakura.......I find the aura japanesse Koto in this video. Great achievement..
Lianto Tjahjoputro
Hello Marek! There are many Sakura Variations. But this version is unique and special. Always new techniques and new sounds.
I hope you have also in the future so many wonderful compositional ideas.
Best wishes,
Günter
Wow! Wonderful composition and music! I like it very much! It has an impressionistic touch, though it is based on Japanese music! Awesome and brilliant sound and guitar playing! Congrats, all thumbs up and best regards, Karlheinz:)
recorded on THE ART OF THE DUO; available worldwide: iTunes: ow.ly/RssBI | Amazon: ow.ly/RsrRp | GooglePlay: ow.ly/RsslE
This variations have a lot of good ideas and a wonderful Japanese sound!--Great!
Ursula Bagdasarjanz
I don't know if anyone else has asked, but what are the balls at the end of Marek's strings (behind the bridge)? Seems like a new way to string guitars.
At least Marek's got balls,...
Well these "balls" are used for tying the knot behind the block so that the string is not being pulled upwards by the top loop of the conventitional attatchment method. This creates a bit more pressure on the sadle bone resulting in a slightly more focussed and tight tone. Some hear, use it, others don't. I prefer it on the bass strings only.