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2:27 those are some really clean double stops. It really shows that that cello isn't an instrument to shred and hit all the notes. He is playing really carefully.
It's crazy to look at the different interpretations of yo yo ma, Mischa Miasky, and Rostropovich
Maisky's rendition for Suite 1 and Rostropovich's rendition for Suite 6 are still my favourites out of everyone's that I've listened to.
Don't forget Pierre Fournier.
Woaaaa slow but it’s funny I actually play this suite more like him than other interpretations
2:27 those are some really clean double stops. It really shows that that cello isn't an instrument to shred and hit all the notes. He is playing really carefully.
It's crazy to look at the different interpretations of yo yo ma, Mischa Miasky, and Rostropovich
Maisky's rendition for Suite 1 and Rostropovich's rendition for Suite 6 are still my favourites out of everyone's that I've listened to.
Don't forget Pierre Fournier.
Woaaaa slow but it’s funny I actually play this suite more like him than other interpretations