Why did you use a chinese vocalist to sing english songs.. the result will be unclear dictions & not a true american language or lyrics.. if you want to accurately test a microphone then use a fluent english vocalist with clear diction of singing.. & also you cannot test it with human live singing because humans will automatically adjust their vocal style or quality depending on what mic they use.. it is more accurate if you will just use a recorded vocals & just plat the exact same song to a different mic.. so the output of the vocals will be exactly identical.. every songs a vocalist perform is not exactly identical to each other.. sometimes it is more powerful sometimes it is low quality sometimes it is good, better or best depending on the mood & condition of the singer.. humans are not perfect that can sing a song exactly identical to each & every song..
Her diction was great - and perhaps you don't know much about the mechanics of singing, it's not your fault. You seem to take issue with every aspect of the video, but as a female touring singer, I found it very helpful. I bet you're the CEO of the Blue Encore Mic. Yeah, I'm convinced of it.
The 835 is by far the clearest. I did a lot of research and have been a sound engineer for 40 years. I bought a pair of these for outdoor PA and indoor speech/ conferences and singing. The sound is very detailed and they have great feedback rejection as well. They are rugged and stand up to heavy use. They were definitely the best choice.
you're completely right sir. Also, on this particular mic she was singing sort of off axis with the mic pointing to her cheek, even though the e835 beat all the others and it's certainly the most balanced mic in that price range in the market
I bought a pair of 835's for outdoor PA use. Another band member has an SM58. After watching this video, I ordered an AKG D5, since we need four mics. It think it'll be nice to have the combination of depth and clarity.
@@padrejohnruffle True. Also, now that I've had the D5 for a few months, I must say that I much prefer the 835's. That's my go to mic of choice for lived wired sound.
I bought the D5 on a recommendation from a music store after I told him I was using a SM58 the so-called industry standard. I was blown away by the amazing tone of the D5 and will never go back to the SM58 which sounds harsh after using the D5.
This was easily the best vocal mic comparison video I’ve seen yet. I completely agree with your assessment and that of the vocalist - whose performance I really enjoyed, by the way ! The AKG and Sennheiser were pretty close I thought, but the former has just a better overall balance and a very smooth, natural sound. Bravo ! Thank you for an excellent video.
Sennheiser e835 sounds like it has more clarity, high end, slight low end cut, and overall sensitivity. Shure SM58 has more low end and mids. Nothing special about the other two to me. This was a GREAT review! Thank you.
Outstanding test environment. Thank you !! To my ears...the AKG D5 sounded the best isolated. Very smooth and clean. Followed by the Sennheiser e835. However, when blended with the full mix, I found the Sennheiser to be the clear winner. It sits smoothly in a nice spot, at least in this recording with this singer, and was the cleanest and most natural sounding to my ears. My only complaint...or comment was in the final mix...there is clearly processing on the vocals that wasn't used during the testing. I would have liked to hear all the mics with that same processing on them as well.
I use an AKG D5. I'm a singing drummer (lead and BVs) and I have limited ability to vary mic position once it's in front of me and depending on which part of my kit I'm playing, I may not be directly in front of the mic. Even though it's a super cardioid I find that the AKG is the most forgiving and gives me great flexibility to sing slightly off-axis and still capture a solid vocal. When I sing BVs I prefer to be slightly off mic for less cut-through and I find that AKG D5 performs best in this instance.
I am a singing drummer as well..both lead and BV. I am leaning toward the AKG for its ability to eliminate background influences due to its supercardioid pattern. Which in theory should also help reduce feedback.
The shure beta 56 could be a good option. It’s used quite a lot by singing drummers, because it essentially offers a beta 57 sound in a smaller enclosure that works well when you have less space.
I'd say the '58 fits her voice quite well. The Senny sounds a little thin and harsh. The D5 is a little too high end accentuated and the blue encore is just a little dull. I'd probably pick the '58 personally.
agreed, the D5 has more high end..have to cut more highs which will reduce the quality as we heard it now,but on the 58,you have control lows,mids and high control. Even on live performances while recording, it will be better than the D5
For me this was the best comparison video for mics that I have found for female vocals - thank you!! After trawling the internet for ages, this was the only video that really helped me and allowed you to clearly hear a long enough clip of each mic (in different scenarios, including the isolated vocal!) And you included soft singing (whisper) and louder volume. I can't tell you how helpful this was! Would you consider doing a similar demo or comparison for the Shure 87a?
It means so much that it helps... ....sure we will consider more mic comparisons in the future, production has been slow for a few months because we just moved the store and the studio is in under renovations. We hope to be back soon!
I use 835's live (I have four of them). They blow the SM58 away. I also find them great for vocal recording if you're looking for a dynamic sound. Really suits my voice but different mics for different voices is the key
Looking to buy a mic for vocoder work on my synth. Never owned a microphone and can safely say I'm completely unbiased. Unless this vid was rigged I cant see how anyone could choose any of the other microphones over the sennheiser.
This is EXACTLY the kind of review I have been looking for. I've had 2 of these in the past, and gotta say I side with her on the D5. I was surprised by it!
I want to do voice over. I want to record my poetry professionally. In which I get high quality. But in my poetry some lines will go in high tone and some lines will go in emotional low tone. Suggest me a good mic, headphone and audio interface.
@@coffeehigh420 Yes I need advice. I want to record the poetry I have written. Suggest me a mic and audio interface that can record professionally. But my room is not sound proof. My budget is also $300.
With her voice: "Live": 4. Blue Encore: "Boomy" conference-speaker sound. 3. AKG: "Boomy" conference-speaker sound. 2. Shure: Warmer but still a bit "boomy". 1. Sennheiser: Cleaner. Best Recording: 1. Blue Encore: Amazing melodic detail. Best 2. AKG: Slightly more flat/tinty . 3. Shure: "Boomy" in the mid-range. Makes mids and highs seam half an octave separate. 4. Sennheiser: Flat. This suggest to me that the Blue Encore is the best microphone for her voice but the speakers and external recording equipment, during live recording, are not a good setup for it.
I dont know. Feels like d5 has all the best traits. Clarity, low, high, mids. But i'd probably choose e835 still. Balance is the key. Now i see why they use 835 in grammy's, and not the "industry standard" sm58 or the d5.
I have a e835 and it's fantastic, better imo than the sm58. The 58 got a reputation a long long time ago because it was a well built sturdy mic that sounded good and was affordable. They're nothing special and they don't deserve as much praise as they get, not even close.
@@StanTheBland to be honest, the 58 doesn't have fantastic rejection. The off-axis pickup almost sounds like a radio effect and can add a really strange midrange. Modern mic designs are much cleaner, reject more and have a more even off-axis rejection response.
Timestamps: 1:00 Live Microphone Test with Monitors 3:20 Mics Recorded with Backing Track 7:20 Isolated Vocal Tracks 12:14 Cover with Guest Singer's Mic of Choice
This was an educational comparison. But what's all the hissy noise in the first sessions? I learned the most from the clean voice only tracks. The Blue came out very poorly. Last place. Thin, 'plosives, and a rustling from the breath noise. The SM58 #4. It always sounds like someone singing or speaking through a microphone, IMHO. I don't want to detect there's a microphone between me and the voice. It's a dead giveaway of the SM58. That includes its proximity effect and tendency to have 'plosives and breath noise. The AKG D5 wow. #1 choice. Very impressed across the board. The Sennheiser I would put at #2. Now one of the catches is that if you have the situation where it's a live performance and an unexpected guest singer with stage experience is invited up, in most parts of the world, they probably learned to sing with the SM58 and hand held. Would they be well served using any of the others? Handling noise, volume, proximity effect, etc.? That's a question I have to address soon in my work.
Hola! muy buena comparativa. Lo que se demuestra aquí en esencia es que cada micrófono tiene una respuesta en frecuencia distinta y por criterios de estética uno puede elegir subjetivamente cual le viene mejor a esta cantante. Pero lo que no creo es que uno u otro sea mejor, realmente seria bueno tenerlos a todos y elegir en cada sonido cual convendría usar o hace mas justicia por el tipo de voz. Yo compraría todos. Ahora. si tuviese que elegir uno solo. elegiría el mas barato. Creo que todos en ese precio cumplen con la función de alguna u otra manera y siempre estamos sujetos a la acústica, los altavoces, etc, etc. Teniendo una buena consola digital las respuestas en frecuencias se pueden corregir de alguna manera. Saludos desde ARGENTINA!
The differences were more prominent than I thought they would be and I liked all of them for different reasons... Except for the Blue, it didn't really flip my skirt. The most entertaining part of this video, as is usually the case, was reading the SM58-bashing comments. They always give me a good laugh!
In my mind, the Sennheiser was the clear winner. The AKG was a close second though. I've been using 58's for years and years. I am actually a little shocked by how bland it sounds in comparison to the the other two. I did not like the Blue mic at all. It had that covered with blanket sound to it. Very nice demo though.
Music Bliss Malasia I love you this is how to make a video. To me the shure is just wow. already. Like studio like highend mic. Those superstars using using are right with this mic SM 58. I was looking for something better. and surprise sm 58 kicking ass still. omg
Thanks bro. Helped to make an informative decision on the mics ill buy for female vocals. But the AKG D5 was definitely winner for her style, given that she has a slightly lower tone. That my opinion anyway
Great video just listening to it over my phone. I like the SM 58 the best. It brings out a little bit of the low mids, which is good for her high mid voice.
I play in a band, but also do sound for a variety of events and run a small festival. I do have an SM58 which I keep for vocalists who insist on using one. Many years ago I bought a couple of the Behringer XM8500s, which are decent mics for very little money. Thinking it would be a big step up I bought the SM58, and quickly realised it was pretty much the same as the XM8500. Then I played a gig where e835s were used and I realised the error of my ways. I have since bought three e835s and an e935 (which is even clearer). The Sennheiser mics will also give me a lot more gain before feedback. I almost always sing into an e835 or e935, except for a couple of songs in our set where I use an XM8500. For those songs where I want to take advantage of the proximity effect, and dramatically emphasize the bass I will use the XM8500, which is an SM58 clone. I'm pleased to see that the comparison confirmed my view on the e835 and SM58. The e835 is a really good mic, AKG D5 seems decent too, the Blue Encore is a waste of money, and the SM58, rugged as it is, is just a bit disappointing. Do yourself a favour and buy the e835 or D5.
I've viewed & listened to this content quite a number of times on different sound sources and at different times (philips soundbar, jbl 104 monitor, bose headset, maono studio headset, galaxy note10+, car audio, JBL partybox); AKG D5 always rise on top, close 2nd is the e835, far 3rd is the SM58... and none for the 4th place, LOL! I bought the D5S, thanks to this video. I then bought the SM58 just because it's the so-called "industry standard" and was on a huge sale price. During home sing-along sessions & parties, everyone wants to use the D5S leaving the SM58 just as a back-up. Now waiting for my 2nd AKG D5S. 😊
I watched this video in the past but this time I listened closely on some high-quality headphones. The Sennheiser sounds superior to the other mics in every test. She noticed it too when at first, she said she thinks she'd use it for this song only.
Exact same preferred order for me, as well. I listened as though I were going to mix this, and (for her voice) the D5 had the most of what I want, and the least of what I don’t.
Had a couples of mics over the years, never liked the SM58 and, with different comparaison, I got an SM86, which is a live condenser. It was "better" than the SM58 but not quite there. Eventually I won (yeah! I was ment to try 'em) an e935. The minute I tried it, I knew (and felt) like my vocal exploded! So much wider, more presence, more precise than even the live condenser. Close to my Home Studio's AT2035. Ordered a kit with an e865 within days and I can assure you, the minute I plugged everything everyone was amazed! Anyway, this is related to my specific vocal and vocal type, the best way is always to test them out by yourself!
Great review! The sm58 and D5 are both brilliant mics but for my voice the D5 gives me a fuller sound than the 58 and have used it for years now... and think I will keep doing so. Was pleased to see her choose that one in this review.
Thanks for putting this together. Handy to hear before purchasing. However, I'd make sure the vocalist is singing directly into the mic in future as this will give a far greater representation of the mics, especially the super cardioid pattern. The vocalist is a long way off centre.
Awesome comparison - the singer and of course the entire team in the background! A ear to ear smile on my face when she said that the second mic - AKG D5 and then the Shure and then the others.... Same was my choice :) You guys are cool! Ciao!
Hi/peace, Thanks for the comparison, one of the best out there, watched it many times on different occasions! My humble opinion after listening via my newer 3000 headphones: 1. Sennheiser e835 2. AKG D5 3. Shure SM58 (but demands more power from the singer, IMHO) 4. Blue Encore 100i
That part was my doing..very sorry about that ...it's quite the challenge doing everything alone. Setting up, recording/watching audio levels, working the camera. Only noticed it when i was editing the entire thing.
I too noticed the "off mic" with the sennheiser, but I had a different take on it... she was singing to what she heard, to which she was satisfied with her reproduction... this told me that the Sennheiser actually picked her up better off center. I currently use the AKG D5 and have received great praise, I'm used the Sennheiser 7 series and pleased, The shures, have never really impressed me but are extremely durable (I run a karaoke show... I know I"m stupid for using AKG D5's but I purchased for the 5% of singers that know what they are doing haha) Thanks for the good video
The Blue encore 100i is their answer to the 57-meant to be an instrument mic. The Encore 100 is the vocal 58 equivalent. I have all 4 Blue handhelds. Been using Blue live for years. Great mics.
Nice review. They each have distinct frequency pickup. I like the detailed sennheiser. I personaly use an e845, but it has its Live setup inconvenience. A very important topic missing in this comparison is Gain before feedback. In a noisy Live setup with PA and monitors + amps on stage. My prefered sennheiser 845 mic is my favorite vocal mic but on stage near amps, drums and monitors, it is a hard to work with feedback squeeler. To me one of the most important factor is gain before feedback which i would've like to see in this video. But the rest was spot on and very well done.
Would be interesting to see the vocalist use AKG D5, an SM57 & SM58 and then see whether the SM57 was preferred to the D5 or whether she could tell the difference between an SM57 & D5 ? I went with a SM58 clone, basically a Pyle Pro PDMIC59.
I don't understand the hate for the SM58 in the comments. I want to like the AKG D5 the most, but everytime I heard the SM58 in this video I noticed the AKG was missing something. Not the biggest fan of the Sennheiser
i had the same feeling, sens just too bright, and D5 looses the soul, i might get the 100i since SM58 looses some soul to it ... hmmm ... music is sooo preferential .... at least we have a test bench on a women voice for now ...
Blue sounds like a $29.99 spare mic. 58 is what it is. The D5 is a replacement for a 57. Only Sennheiser to consider is the 219 buck 945. 835 too thin.
Scanning the comments reinforces my opinions from over 30 years of sound experience. 1. Sound is subjective. Everyone hears differently and has different priorities so opinions will differ. 2. These mics are more alike than they are different. 3. It’s very difficult to set up blind testing. Btw, I think this setup was pretty good. The only minor problem I have is that we see the mics along the way. So this really only shows her choice, not what should be our choice. Now my personal thoughts. I have used Sennheiser and AKG in the past and was very happy with the results. I currently use Shure SM58s because I got a great deal. I actually own a number of different brands in various price ranges, and my ears are getting too old to care. If I can understand the words, I’m happy.
Here are my thoughts and my needs and actual reality. The Akg D5 really good. sounds like it should after you have EQ'd a song or voice. That can be pleasant but in many cases would invite issues like sibilance and others stuffs. But the Shure to me sounds very high class like a valva mic. smooth nothing hypes yet bright and deep. So male singing, female singing with all those comprssion and mixing a song to have it louder than earth. The brighter mic would give lots of problem. And this is where the shure would come bright and clear after your mixing to the finish yet without the baggages of fixing things. Whenever you are going for a very loud mixed sound mastering because louder songs are the vogue and will remain so. I mix to sound really loud and with a mic sounding natural neutral like Sm 58 it will shine and beat the other mics here. brightness you can add later. I prefer to add brightness later than to start fixing sibilance later. with the D5. So and for the way It sounds just like a rich round high quality full sound and for voice over work reading and talking The shure would be King.
I think the SM 58 is an obsolete hunk of junk that most people chuck around in recording studios to mic up drums or guitar amps. It was a good vocal mic for 1969 but better stuff in dynamic microphones has come our way since then, the BETA Shures with stronger magnets and hypercardioid pattern vast improvements on the older SM series, the Sennheiser and D5 straight live are far superior in quality and response in every single one of the takes she is doing, listen back and go to the spots where she is getting louder and softer the Shure is dull, tinny and lifeless.
I want to do voice over. I want to record my poetry professionally. In which I get high quality. But in my poetry some lines will go in high tone and some lines will go in emotional low tone. Suggest me a good mic, headphone and audio interface.
Really felt that the Sennheiser was the most pleasant to listen to. It was smoother, more detailed, fuller sounding without over emphasizing the base range.
Nice shoot out! The Sennheiser and the AKG did sound slightly better. Sound quality is an important factor, but my main concern using dynamic mics is not it's sound quality really because those mics in this blindfold test all sound fairly good with slight differences. What i'm more concern about is how these mics perform on a busy stage with a full band with amps and multiple floor monitors. For me the best mic would be the one that could be pushed louder with enough treble without feedback issues. To me it's how easy a mic is to work with. A soft delicated female voice backed by a full loud rock band on a small stage with amps and monitors is where i'll be critical towards a certain mic.
El sennheiser no estaba tomando la voz como para tener una referencia mas exacta como si los anteriores, ya que estaba corrido del centro y no estaba bien en el centro de la boca como los otros
Hey, I think if you put a 0:00 that says somethin like Intro (or whatever, not empty) in the timestamps section in the description we will be able to se the video sections on the red timeline bar :) great video btw, now that song is stuck in my head xdxd
Because of this I ordered a very rare champagne coloured D5 that sounds better and better as I use it in my gigs, I think the Sennheiser was second best for evenness and clarity and the SM58 only slightly better than the blue one. SM58s are the most overrated , outdated and overused obsolete mics still being used in the industry IMO. Microphone technology has come along way since the 60s and SM58s to me are tinny and rubbish in comparison to modern electret condensors and other modern developments in microphonic technology.
I liked the sennheiser.. I own the 58, I've always loved it but I'm looking for a little less muddy (deep voice here).. I fancy the sennheiser could work for me.. and might work better with my new voicelive t2..?
came here to hear the E835, and still think it sounded best (bias perhaps?), would like to hear a demo like this with a male singer before I buy though, not sure about the bottom end.. (currently using SM58)
Why did you use a chinese vocalist to sing english songs.. the result will be unclear dictions & not a true american language or lyrics.. if you want to accurately test a microphone then use a fluent english vocalist with clear diction of singing.. & also you cannot test it with human live singing because humans will automatically adjust their vocal style or quality depending on what mic they use.. it is more accurate if you will just use a recorded vocals & just plat the exact same song to a different mic.. so the output of the vocals will be exactly identical.. every songs a vocalist perform is not exactly identical to each other.. sometimes it is more powerful sometimes it is low quality sometimes it is good, better or best depending on the mood & condition of the singer.. humans are not perfect that can sing a song exactly identical to each & every song..
.....and the saddest human being award goes to
Her diction was great - and perhaps you don't know much about the mechanics of singing, it's not your fault. You seem to take issue with every aspect of the video, but as a female touring singer, I found it very helpful. I bet you're the CEO of the Blue Encore Mic. Yeah, I'm convinced of it.
didn’t ask + ur middle aged, get some pussy instead of being a loser on the net
@@MusicBlissMalaysiaTV yeah it goes to you hahaha!.. 😂😂
You can't assess the characteristics of a microphone unless they speak perfect English? I know who I'm not calling to mic up an INSTRUMENT
This is exactly how a side-by-side review of mics should be done. Same song, same singer, with and without backing. Good job.
The 835 is by far the clearest. I did a lot of research and have been a sound engineer for 40 years. I bought a pair of these for outdoor PA and indoor speech/ conferences and singing. The sound is very detailed and they have great feedback rejection as well. They are rugged and stand up to heavy use. They were definitely the best choice.
you're completely right sir. Also, on this particular mic she was singing sort of off axis with the mic pointing to her cheek, even though the e835 beat all the others and it's certainly the most balanced mic in that price range in the market
I bought a pair of 835's for outdoor PA use. Another band member has an SM58. After watching this video, I ordered an AKG D5, since we need four mics. It think it'll be nice to have the combination of depth and clarity.
@@SauliusMatas1 Having as load of different vocal mics sure makes it hard on the sound guy tbh.
@@padrejohnruffle True. Also, now that I've had the D5 for a few months, I must say that I much prefer the 835's. That's my go to mic of choice for lived wired sound.
Hi! Which do you think is better for podcasting in an untreated room?
I would really appreciate your answer.
Am vocalist and looking for this... You clearly made my mind's... I will go for AKG D5. your review was the Best of the RUclips. Thumb up. Bro.
I bought the D5 on a recommendation from a music store after I told him I was using a SM58 the so-called industry standard. I was blown away by the amazing tone of the D5 and will never go back to the SM58 which sounds harsh after using the D5.
This was easily the best vocal mic comparison video I’ve seen yet. I completely agree with your assessment and that of the vocalist - whose performance I really enjoyed, by the way ! The AKG and Sennheiser were pretty close I thought, but the former has just a better overall balance and a very smooth, natural sound.
Bravo ! Thank you for an excellent video.
D5 sounds like a nice blend between the SM58 and E835. It sounds really polished off the bat
Sennheiser e835 sounds like it has more clarity, high end, slight low end cut, and overall sensitivity. Shure SM58 has more low end and mids. Nothing special about the other two to me. This was a GREAT review! Thank you.
E835 sounds great than the others
One of the best audio mic reviews in terms of illustrating relative sound spectrums that I have watched. Well done!
D5 usually sounds way better than other mics on female vocals. For males I prefer the E835.
I have to agree that AKG D5 was the best! It has more soul juice 😂
soul juice? let's add that to dictionary 😂
Outstanding test environment. Thank you !!
To my ears...the AKG D5 sounded the best isolated. Very smooth and clean. Followed by the Sennheiser e835. However, when blended with the full mix, I found the Sennheiser to be the clear winner. It sits smoothly in a nice spot, at least in this recording with this singer, and was the cleanest and most natural sounding to my ears.
My only complaint...or comment was in the final mix...there is clearly processing on the vocals that wasn't used during the testing. I would have liked to hear all the mics with that same processing on them as well.
I use an AKG D5. I'm a singing drummer (lead and BVs) and I have limited ability to vary mic position once it's in front of me and depending on which part of my kit I'm playing, I may not be directly in front of the mic. Even though it's a super cardioid I find that the AKG is the most forgiving and gives me great flexibility to sing slightly off-axis and still capture a solid vocal. When I sing BVs I prefer to be slightly off mic for less cut-through and I find that AKG D5 performs best in this instance.
I am a singing drummer as well..both lead and BV. I am leaning toward the AKG for its ability to eliminate background influences due to its supercardioid pattern. Which in theory should also help reduce feedback.
The shure beta 56 could be a good option. It’s used quite a lot by singing drummers, because it essentially offers a beta 57 sound in a smaller enclosure that works well when you have less space.
The SM58 and it's very durable. Sennheiser e835 is your runner up.
I'd say the '58 fits her voice quite well. The Senny sounds a little thin and harsh. The D5 is a little too high end accentuated and the blue encore is just a little dull. I'd probably pick the '58 personally.
agreed, the D5 has more high end..have to cut more highs which will reduce the quality as we heard it now,but on the 58,you have control lows,mids and high control. Even on live performances while recording, it will be better than the D5
The e835 is the best out of all of them. It is brighter, better isolated, and is easier to EQ with.
I use the 835 on stage because as you can hear it punches through the band. For recording direct in that's different.
For me this was the best comparison video for mics that I have found for female vocals - thank you!! After trawling the internet for ages, this was the only video that really helped me and allowed you to clearly hear a long enough clip of each mic (in different scenarios, including the isolated vocal!) And you included soft singing (whisper) and louder volume. I can't tell you how helpful this was! Would you consider doing a similar demo or comparison for the Shure 87a?
It means so much that it helps...
....sure we will consider more mic comparisons in the future, production has been slow for a few months because we just moved the store and the studio is in under renovations. We hope to be back soon!
I agree with her take. The D5 wins. The SM58 is darker...but still second. Did not care for the other mics for various reasons.
I was surprised by how good the Blue enCORE 100i sounded. It seemed to capture every nuance and every frequency of her voice.
Same observation
i'm amazed that people liked the Blue, it sounded like a muddy mess.
EnCORE 100i is the winner in my opinion. Want to buy one soon ❤
Bought one already, and was super❤
I use 835's live (I have four of them). They blow the SM58 away. I also find them great for vocal recording if you're looking for a dynamic sound. Really suits my voice but different mics for different voices is the key
Looking to buy a mic for vocoder work on my synth. Never owned a microphone and can safely say I'm completely unbiased. Unless this vid was rigged I cant see how anyone could choose any of the other microphones over the sennheiser.
I bought akg d7 after shure beta 58 and I am fascinated. The best mic ever.
This is EXACTLY the kind of review I have been looking for. I've had 2 of these in the past, and gotta say I side with her on the D5. I was surprised by it!
Sennheiser hands down. I own the e935 and e965 and love both! The warmth and detail sennheiser puts into these mics are fantastic.
I want to do voice over. I want to record my poetry professionally. In which I get high quality. But in my poetry some lines will go in high tone and some lines will go in emotional low tone. Suggest me a good mic, headphone and audio interface.
have you tried the e945 ?
@@coffeehigh420 no i have to buy studio setup first time
@@TrueShayari do you want some advice ? i might know a few things about recording / studio setup :) let me know! glad to help you out.
@@coffeehigh420 Yes I need advice. I want to record the poetry I have written. Suggest me a mic and audio interface that can record professionally. But my room is not sound proof. My budget is also $300.
With her voice:
"Live":
4. Blue Encore: "Boomy" conference-speaker sound.
3. AKG: "Boomy" conference-speaker sound.
2. Shure: Warmer but still a bit "boomy".
1. Sennheiser: Cleaner. Best
Recording:
1. Blue Encore: Amazing melodic detail. Best
2. AKG: Slightly more flat/tinty
.
3. Shure: "Boomy" in the mid-range. Makes mids and highs seam half an octave separate.
4. Sennheiser: Flat.
This suggest to me that the Blue Encore is the best microphone for her voice but the speakers and external recording equipment, during live recording, are not a good setup for it.
I dont know. Feels like d5 has all the best traits. Clarity, low, high, mids. But i'd probably choose e835 still.
Balance is the key.
Now i see why they use 835 in grammy's, and not the "industry standard" sm58 or the d5.
I have a e835 and it's fantastic, better imo than the sm58. The 58 got a reputation a long long time ago because it was a well built sturdy mic that sounded good and was affordable. They're nothing special and they don't deserve as much praise as they get, not even close.
Nice but I'd probably still buy the 58 because I need to have the noise rejection, besides none of these really have a crazy godlike difference
@@StanTheBland to be honest, the 58 doesn't have fantastic rejection. The off-axis pickup almost sounds like a radio effect and can add a really strange midrange. Modern mic designs are much cleaner, reject more and have a more even off-axis rejection response.
@@zakwhiting1758 so what is your choice of mic?
interesting. the sennheiser appears to plateau out at the higher frequencies. i think it has great mids. i would pick the sennheiser.
The E835 did great considering she wasn't singing directly into it unlike the others D:
plosives were horrible especially considering she wasn't singing directly into it i was shocked
I’ve never particularly been a sennheiser ‘fan’ but the E835 was in a class of its own here, I’ll be purchasing one
The real blind test :). And it kinda makes sense: the singer is not influenced with bias. And also you have the singer feedback.
Really good job
Timestamps:
1:00 Live Microphone Test with Monitors
3:20 Mics Recorded with Backing Track
7:20 Isolated Vocal Tracks
12:14 Cover with Guest Singer's Mic of Choice
Once again I am convinced that there is no perfect microphone. You need to LISTEN. Choose for yourself
there is no perfect mic because it depends a lot on your voice
This was an educational comparison. But what's all the hissy noise in the first sessions? I learned the most from the clean voice only tracks.
The Blue came out very poorly. Last place. Thin, 'plosives, and a rustling from the breath noise.
The SM58 #4. It always sounds like someone singing or speaking through a microphone, IMHO. I don't want to detect there's a microphone between me and the voice. It's a dead giveaway of the SM58. That includes its proximity effect and tendency to have 'plosives and breath noise.
The AKG D5 wow. #1 choice. Very impressed across the board. The Sennheiser I would put at #2.
Now one of the catches is that if you have the situation where it's a live performance and an unexpected guest singer with stage experience is invited up, in most parts of the world, they probably learned to sing with the SM58 and hand held. Would they be well served using any of the others? Handling noise, volume, proximity effect, etc.?
That's a question I have to address soon in my work.
Hola! muy buena comparativa. Lo que se demuestra aquí en esencia es que cada micrófono tiene una respuesta en frecuencia distinta y por criterios de estética uno puede elegir subjetivamente cual le viene mejor a esta cantante. Pero lo que no creo es que uno u otro sea mejor, realmente seria bueno tenerlos a todos y elegir en cada sonido cual convendría usar o hace mas justicia por el tipo de voz. Yo compraría todos.
Ahora. si tuviese que elegir uno solo. elegiría el mas barato. Creo que todos en ese precio cumplen con la función de alguna u otra manera y siempre estamos sujetos a la acústica, los altavoces, etc, etc. Teniendo una buena consola digital las respuestas en frecuencias se pueden corregir de alguna manera.
Saludos desde ARGENTINA!
The differences were more prominent than I thought they would be and I liked all of them for different reasons... Except for the Blue, it didn't really flip my skirt. The most entertaining part of this video, as is usually the case, was reading the SM58-bashing comments. They always give me a good laugh!
In my mind, the Sennheiser was the clear winner. The AKG was a close second though. I've been using 58's for years and years. I am actually a little shocked by how bland it sounds in comparison to the the other two. I did not like the Blue mic at all. It had that covered with blanket sound to it. Very nice demo though.
Music Bliss Malasia I love you this is how to make a video. To me the shure is just wow. already. Like studio like highend mic. Those superstars using using are right with this mic SM 58. I was looking for something better. and surprise sm 58 kicking ass still. omg
Thanks bro. Helped to make an informative decision on the mics ill buy for female vocals. But the AKG D5 was definitely winner for her style, given that she has a slightly lower tone. That my opinion anyway
What would you advise for a female voice that easily goes in the highs ?
AKG D5 for sure. Very detailed and warmer than others. Overall output also much better than other mics. I'm buying this mic today.
100%. Sennheiser was good for her also but she wasnt singing directly into it unfortunately.
I like the shure sm58 . It sounds natural , neutral , smooth and warm. Balanced.
Great video just listening to it over my phone. I like the SM 58 the best. It brings out a little bit of the low mids, which is good for her high mid voice.
I play in a band, but also do sound for a variety of events and run a small festival. I do have an SM58 which I keep for vocalists who insist on using one. Many years ago I bought a couple of the Behringer XM8500s, which are decent mics for very little money. Thinking it would be a big step up I bought the SM58, and quickly realised it was pretty much the same as the XM8500. Then I played a gig where e835s were used and I realised the error of my ways. I have since bought three e835s and an e935 (which is even clearer). The Sennheiser mics will also give me a lot more gain before feedback. I almost always sing into an e835 or e935, except for a couple of songs in our set where I use an XM8500. For those songs where I want to take advantage of the proximity effect, and dramatically emphasize the bass I will use the XM8500, which is an SM58 clone.
I'm pleased to see that the comparison confirmed my view on the e835 and SM58. The e835 is a really good mic, AKG D5 seems decent too, the Blue Encore is a waste of money, and the SM58, rugged as it is, is just a bit disappointing. Do yourself a favour and buy the e835 or D5.
I've viewed & listened to this content quite a number of times on different sound sources and at different times (philips soundbar, jbl 104 monitor, bose headset, maono studio headset, galaxy note10+, car audio, JBL partybox); AKG D5 always rise on top, close 2nd is the e835, far 3rd is the SM58... and none for the 4th place, LOL!
I bought the D5S, thanks to this video. I then bought the SM58 just because it's the so-called "industry standard" and was on a huge sale price. During home sing-along sessions & parties, everyone wants to use the D5S leaving the SM58 just as a back-up. Now waiting for my 2nd AKG D5S. 😊
Got my 2nd AKG D5S yesterday! Woot! 😁
I watched this video in the past but this time I listened closely on some high-quality headphones. The Sennheiser sounds superior to the other mics in every test. She noticed it too when at first, she said she thinks she'd use it for this song only.
Exact same preferred order for me, as well. I listened as though I were going to mix this, and (for her voice) the D5 had the most of what I want, and the least of what I don’t.
For me the Sennheiser e835 is the over all best one in this line up
Had a couples of mics over the years, never liked the SM58 and, with different comparaison, I got an SM86, which is a live condenser. It was "better" than the SM58 but not quite there. Eventually I won (yeah! I was ment to try 'em) an e935. The minute I tried it, I knew (and felt) like my vocal exploded! So much wider, more presence, more precise than even the live condenser. Close to my Home Studio's AT2035. Ordered a kit with an e865 within days and I can assure you, the minute I plugged everything everyone was amazed!
Anyway, this is related to my specific vocal and vocal type, the best way is always to test them out by yourself!
AKG D5! I owns
3, was amazing.
Great review! The sm58 and D5 are both brilliant mics but for my voice the D5 gives me a fuller sound than the 58 and have used it for years now... and think I will keep doing so. Was pleased to see her choose that one in this review.
I swear by the SM58, but the Sennheiser E835 has great background noise rejection. I would probably use it if I had a bad stage to work with.
Thanks for putting this together. Handy to hear before purchasing. However, I'd make sure the vocalist is singing directly into the mic in future as this will give a far greater representation of the mics, especially the super cardioid pattern. The vocalist is a long way off centre.
"Dont you know?":
Encore 100i 7:21
SM58 8:24
E835 8:56
D5 7:52
"Wasting time":
Encore 100i 7:37
SM58 8:40
E835 9:12
D5 8:09
"AAAAaaaaa!!!":
Encore 100i 9:27
SM58 10:01
E835 10:18
D5 9:44
Awesome comparison - the singer and of course the entire team in the background! A ear to ear smile on my face when she said that the second mic - AKG D5 and then the Shure and then the others.... Same was my choice :) You guys are cool! Ciao!
My result for this test: I fell in love with the singer.
😆😂
Hi/peace,
Thanks for the comparison, one of the best out there, watched it many times on different occasions!
My humble opinion after listening via my newer 3000 headphones:
1. Sennheiser e835
2. AKG D5
3. Shure SM58 (but demands more power from the singer, IMHO)
4. Blue Encore 100i
It would have been better with her blind fold off so she could actually have sung into the Sennheiser
That part was my doing..very sorry about that
...it's quite the challenge doing everything alone. Setting up, recording/watching audio levels, working the camera. Only noticed it when i was editing the entire thing.
I too noticed the "off mic" with the sennheiser, but I had a different take on it... she was singing to what she heard, to which she was satisfied with her reproduction... this told me that the Sennheiser actually picked her up better off center. I currently use the AKG D5 and have received great praise, I'm used the Sennheiser 7 series and pleased, The shures, have never really impressed me but are extremely durable (I run a karaoke show... I know I"m stupid for using AKG D5's but I purchased for the 5% of singers that know what they are doing haha) Thanks for the good video
I have the AKG D5, it is definitely the microphone for my voice too.
The Blue encore 100i is their answer to the 57-meant to be an instrument mic. The Encore 100 is the vocal 58 equivalent. I have all 4 Blue handhelds. Been using Blue live for years. Great mics.
Nice review.
They each have distinct frequency pickup. I like the detailed sennheiser. I personaly use an e845, but it has its Live setup inconvenience.
A very important topic missing in this comparison is Gain before feedback. In a noisy Live setup with PA and monitors + amps on stage.
My prefered sennheiser 845 mic
is my favorite vocal mic but on stage near amps, drums and monitors, it is a hard to work with feedback squeeler.
To me one of the most important factor is gain before feedback which i would've like to see in this video. But the rest was spot on and very well done.
D5 was my fave, then Sennheiser, Shure, blue.
Whith her voice I liked tow but the Blue mic sound best >>>:| ...They all had a good sound...They cranked the sound on last song,sounder better...
#1 e835 followed by D5 close second place.
Would be interesting to see the vocalist use AKG D5, an SM57 & SM58 and then see whether the SM57 was preferred to the D5 or whether she could tell the difference between an SM57 & D5 ? I went with a SM58 clone, basically a Pyle Pro PDMIC59.
This was a good test. WE NEED A NEW UPDATED TEST WITH THE LATEST MICS 🙂
Great video. She's awesome! The AKG sounds great, but the e835 was a little better in my opinion.
Yes! I agree with you. I prefer AKG D5 too
I don't understand the hate for the SM58 in the comments. I want to like the AKG D5 the most, but everytime I heard the SM58 in this video I noticed the AKG was missing something. Not the biggest fan of the Sennheiser
i had the same feeling, sens just too bright, and D5 looses the soul, i might get the 100i since SM58 looses some soul to it ... hmmm ... music is sooo preferential .... at least we have a test bench on a women voice for now ...
Blue sounds like a $29.99 spare mic. 58 is what it is. The D5 is a replacement for a 57. Only Sennheiser to consider is the 219 buck 945. 835 too thin.
Scanning the comments reinforces my opinions from over 30 years of sound experience.
1. Sound is subjective. Everyone hears differently and has different priorities so opinions will differ.
2. These mics are more alike than they are different.
3. It’s very difficult to set up blind testing. Btw, I think this setup was pretty good. The only minor problem I have is that we see the mics along the way. So this really only shows her choice, not what should be our choice.
Now my personal thoughts. I have used Sennheiser and AKG in the past and was very happy with the results. I currently use Shure SM58s because I got a great deal. I actually own a number of different brands in various price ranges, and my ears are getting too old to care. If I can understand the words, I’m happy.
I would recommend AKG D5
I like the enCORE 100i...it picks up the breathy part better, and it has the small echo that I like too!!❤ Even tho I am a SM58 die hard?
for her sm58 or D5
Would like to see same test with male vocalist. Wonder if the results would be similar....
Here are my thoughts and my needs and actual reality. The Akg D5 really good. sounds like it should after you have EQ'd a song or voice. That can be pleasant but in many cases would invite issues like sibilance and others stuffs.
But the Shure to me sounds very high class like a valva mic. smooth nothing hypes yet bright and deep. So male singing, female singing with all those comprssion and mixing a song to have it louder than earth. The brighter mic would give lots of problem.
And this is where the shure would come bright and clear after your mixing to the finish yet without the baggages of fixing things. Whenever you are going for a very loud mixed sound mastering because louder songs are the vogue and will remain so.
I mix to sound really loud and with a mic sounding natural neutral like Sm 58 it will shine and beat the other mics here. brightness you can add later. I prefer to add brightness later than to start fixing sibilance later. with the D5.
So and for the way It sounds just like a rich round high quality full sound and for voice over work reading and talking The shure would be King.
I think the SM 58 is an obsolete hunk of junk that most people chuck around in recording studios to mic up drums or guitar amps. It was a good vocal mic for 1969 but better stuff in dynamic microphones has come our way since then, the BETA Shures with stronger magnets and hypercardioid pattern vast improvements on the older SM series, the Sennheiser and D5 straight live are far superior in quality and response in every single one of the takes she is doing, listen back and go to the spots where she is getting louder and softer the Shure is dull, tinny and lifeless.
I want to do voice over. I want to record my poetry professionally. In which I get high quality. But in my poetry some lines will go in high tone and some lines will go in emotional low tone. Suggest me a good mic, headphone and audio interface.
Not agree. Ok AKG is the best but Sennheiser is my second place and far away from these two Shure SM58.
Hola como esta.? Una pregunta que efectos le pusiste al microfono al final (akg d5) me podrias decir.? Suena super super bien :)
Really felt that the Sennheiser was the most pleasant to listen to. It was smoother, more detailed, fuller sounding without over emphasizing the base range.
835 had no low end at all!
My list
AKG D5
Shure SM58.
Sennheiser.
Blue mic.
Nice shoot out!
The Sennheiser and the AKG did sound slightly better. Sound quality is an important factor, but my main concern using dynamic mics is not it's sound quality really because those mics in this blindfold test all sound fairly good with slight differences. What i'm more concern about is how these mics perform on a busy stage with a full band with amps and multiple floor monitors. For me the best mic would be the one that could be pushed louder with enough treble without feedback issues. To me it's how easy a mic is to work with. A soft delicated female voice backed by a full loud rock band on a small stage with amps and monitors is where i'll be critical towards a certain mic.
Excellent comment.
So what you suggest ?
You described the Sennheiser..
I'm surprised you haven't included the Shure Beta 58a. It's fantastic.
Fantastic yes, but priced at a different tier...wouldn't be fair in this test...
@@MusicBlissMalaysiaTV Fair enough. I like the clarity of the D5 but found it didn't have much bottom end. The Sm58 I would say is the best
Sm58 и e835 в отрыве 😊🙌🏻
Я лично фанат Sennheiser ,для мужского тенорового оттенка голоса - очень подходит
El sennheiser no estaba tomando la voz como para tener una referencia mas exacta como si los anteriores, ya que estaba corrido del centro y no estaba bien en el centro de la boca como los otros
im gettin interestin at akg d5 n sennheiser
Very interesting comments here. Seems there is a preference overall, but to each his/her own.
Classic proximity effect with SM58
Hey, I think if you put a 0:00 that says somethin like Intro (or whatever, not empty) in the timestamps section in the description we will be able to se the video sections on the red timeline bar :) great video btw, now that song is stuck in my head xdxd
This was just what i was looking for. Thank you!
Because of this I ordered a very rare champagne coloured D5 that sounds better and better as I use it in my gigs, I think the Sennheiser was second best for evenness and clarity and the SM58 only slightly better than the blue one. SM58s are the most overrated , outdated and overused obsolete mics still being used in the industry IMO. Microphone technology has come along way since the 60s and SM58s to me are tinny and rubbish in comparison to modern electret condensors and other modern developments in microphonic technology.
Thank you for taking the time to make this!
The girl... can sing! Fantastic!
I liked the sennheiser.. I own the 58, I've always loved it but I'm looking for a little less muddy (deep voice here).. I fancy the sennheiser could work for me.. and might work better with my new voicelive t2..?
i don't know which way you went but the tc helicon mp-76 mic is perfect for the vlt2 otherwise i agree with you the sen is a great mic
jef539475 what’s good for very high almost female-male voice
Shure is sounds much low frequences for me; agk and senheiser sound more bright but senheiser is more realistic and powerfull sound
Awesome job. Tks bro & team for making this video.
EnCORE 100i is the winner in my opinion. Want to buy one soon ❤
I bought one and it was mamamia ❤
Beautiful girl, wonderful voice, discerning ears! Nice comparison video!
what is the name of the back vocal???? beautiful...
came here to hear the E835, and still think it sounded best (bias perhaps?), would like to hear a demo like this with a male singer before I buy though, not sure about the bottom end.. (currently using SM58)
To be fair the blue 100i is a instrument mic. I own both blues. And the shure and sennhieser. All mics usedcan be eq’d to taste.
i would buy akg
Omg.. Fantastic singing.. Forget about the mics
I reckon a Beyer tg v70 would take the lot of em.