Incredible. An absolute godsend. I’m definitely using motion control cameras as compact and easy to operate as these in my future filmmaking career. These cameras are going to be incredibly useful when filming miniature models, I want to use as little CGI as possible in all my films and TV shows.
This is a great video! Keep them up! I am fascinated by how advanced filming techniques have become. I'm the type of guy who is just as impressed with the cameras and kit you use as much as the final result!
@@Pakhira148its South Indian movie featuring Kamal Hasan, Fahad fasil & Vijay sethupathi..there is a sequence in the movie Where they are using this camera 😊 dope shot
What is the average rate to charge when using this? I understand there are other costs but for a huge group of photographers it is just not cost effective unless the jobs can bring in the revenue. Seems very nice but not practical for a vast majority of product photographers. I may be wrong but this is new to me. I love but never spend on something that cannot bring back ROI. So please what is the average per day rate for the use of the camera motion control?
Hello - this equipment is primarily for capturing motion video, though it does have applications in the photography world for time-lapse applications. Please reach out to us via our website and we can customise a quote for you - every project has different personnel, equipment and lighting requirements that there is no magic number. Happy shooting!
I got a few questions, why do you bother using a TV as background when you can digitally insert the unreal engine created video in post into the shot? Eliminates pixels being seen by viewer which occur of the display of the tv. And; how do you make the waypoints, do you physically train the robot the move, or is there a trick to train its waypoints?
If you're filming something like a glass the only way to get the right reflections is with a virtual background. On the Bolt the keyframes are made in the Flair software.
Hello @JCD87, apologies for late reply. Pixels on TV only become issue when you focus on the LED / TV plane, otherwise pixels should remain out of focus to avoid aliasing. Always best to shoot against a screen if you can - just like news readers standing in front of screens to present weather / sport etc - remember the days of them standing in front of blue screen? Always looked awful and obvious. Regarding waypoints, yes we program the robot to hit ceratin parts of the move, and becuase it is rendering the output on the screen in realtime, the contents of the screen change accordingly - just the same as when you look out a window - if you move you head when you look out a window, the 'contents' in the window changes - same concept to rendering realtime images on a LED / screen.
Hi - this video is a really useful tool for our new clients and teams who haven't worked with camera motion control before to get familiar with our system. Especially as during a severe COVID lockdown in Victoria Australia our studios were closed to new production so this video was a good way to get eyeballs on the robot. So it's not so much an ad as more of a demo video - thus no call to action until the end of the video (:
Incredible. An absolute godsend. I’m definitely using motion control cameras as compact and easy to operate as these in my future filmmaking career. These cameras are going to be incredibly useful when filming miniature models, I want to use as little CGI as possible in all my films and TV shows.
Glad it helped (:
Bolt is the future of best of camera work.. interesting machine for DOPs
This is a great video! Keep them up! I am fascinated by how advanced filming techniques have become. I'm the type of guy who is just as impressed with the cameras and kit you use as much as the final result!
Thanks Richard - we love this stuff too.
Well explained! THANK YOU!!!
You’re welcome (:
Vikram nailed the use of this camera
Can you tell me in which movie?
@@Pakhira148its South Indian movie featuring Kamal Hasan, Fahad fasil & Vijay sethupathi..there is a sequence in the movie Where they are using this camera 😊 dope shot
@@ahnafahmed89 Thank you
@@Pakhira148 Movie name: Vikram
@@kameshwararaosambhani7246 thanks
very interesting and clean walkthrough
Thanks for the kind words
awesome...
how much is this beast? and you can only get this in Aust.
Hey, nice self promotion, very well done, guys. Very qualified and very cool. Greetings.
Thank you very much!
thank you soo much for showing us this
Don't mention it (:
can i get user manual of this robot from any website or something.... any lead would be appreciated thanks
You want the "FLAIR VERSION 6 MANUALat www.mrmoco.com/resources/downloads/
@@Robotface_au thanks a ton man!
What is the average rate to charge when using this? I understand there are other costs but for a huge group of photographers it is just not cost effective unless the jobs can bring in the revenue. Seems very nice but not practical for a vast majority of product photographers. I may be wrong but this is new to me. I love but never spend on something that cannot bring back ROI.
So please what is the average per day rate for the use of the camera motion control?
Hello - this equipment is primarily for capturing motion video, though it does have applications in the photography world for time-lapse applications. Please reach out to us via our website and we can customise a quote for you - every project has different personnel, equipment and lighting requirements that there is no magic number. Happy shooting!
I got a few questions, why do you bother using a TV as background when you can digitally insert the unreal engine created video in post into the shot? Eliminates pixels being seen by viewer which occur of the display of the tv. And; how do you make the waypoints, do you physically train the robot the move, or is there a trick to train its waypoints?
If you're filming something like a glass the only way to get the right reflections is with a virtual background. On the Bolt the keyframes are made in the Flair software.
Hello @JCD87, apologies for late reply. Pixels on TV only become issue when you focus on the LED / TV plane, otherwise pixels should remain out of focus to avoid aliasing. Always best to shoot against a screen if you can - just like news readers standing in front of screens to present weather / sport etc - remember the days of them standing in front of blue screen? Always looked awful and obvious. Regarding waypoints, yes we program the robot to hit ceratin parts of the move, and becuase it is rendering the output on the screen in realtime, the contents of the screen change accordingly - just the same as when you look out a window - if you move you head when you look out a window, the 'contents' in the window changes - same concept to rendering realtime images on a LED / screen.
can i know a website selling this control system ?
Head to Mark Roberts Motion Control - they'll fix you up (:
till the end i didnt know its an add,
thats one hell pf add guys
Hi - this video is a really useful tool for our new clients and teams who haven't worked with camera motion control before to get familiar with our system. Especially as during a severe COVID lockdown in Victoria Australia our studios were closed to new production so this video was a good way to get eyeballs on the robot. So it's not so much an ad as more of a demo video - thus no call to action until the end of the video (:
Justice for Inverse Kinematics for not having a mention
Hear hear
Why so less views
so glados?
Very (:
Anyone thinking of getting one to improve their TikTok videos, be ready to fork out $275,400 USD.
Or just come and visit us (:
@@Robotface_au price
Hold my beer