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Awesome video! Outside of shooting Log and raw footage, would auto white balance in an outdoor ceremony setting, with clouds moving in and out of the sunlight, be superior?
Quite the opposite! Your cameras will search for white balance the whole time and change the color temp when clouds come in, etc. Best to set a kelvin temp; match all cameras, and then fix any subtle issues in post!
@@HowToFilmWeddings Interesting. I get that for log and raw footage. To be clear, my example is for rec709, which I understand should not be color corrected. My understanding is that rec709’s color information, out of the camera, is baked in, and it does not hold up well to even minor color correcting and or grading. Shooting in rec709 Sony neutral and setting a kelvin will require color correcting each time the clouds change the temperature, including the shift in magenta and green.
Great video! Very informative and brilliantly presented. I have a question, when you say you set the kelvin and adjust accordingly - how do you adjust correctly? Do you just use your eyes and the on camera monitor? Or is there something more accurate than eye balling it? Thank you!
Be sure to let us know what you thought of the video below, and don't forget to get on the waitlist for The Complete Wedding Videography Course by clicking here: www.completeweddingvideography.com/
bro why doesn't this have more views, great video
Thanks for the tips!
Hope they were helpful!
Great job my best good buddy!
Appreciate you!
Awesome video! Outside of shooting Log and raw footage, would auto white balance in an outdoor ceremony setting, with clouds moving in and out of the sunlight, be superior?
Quite the opposite! Your cameras will search for white balance the whole time and change the color temp when clouds come in, etc. Best to set a kelvin temp; match all cameras, and then fix any subtle issues in post!
@@HowToFilmWeddings Interesting. I get that for log and raw footage. To be clear, my example is for rec709, which I understand should not be color corrected. My understanding is that rec709’s color information, out of the camera, is baked in, and it does not hold up well to even minor color correcting and or grading.
Shooting in rec709 Sony neutral and setting a kelvin will require color correcting each time the clouds change the temperature, including the shift in magenta and green.
Great video! Very informative and brilliantly presented. I have a question, when you say you set the kelvin and adjust accordingly - how do you adjust correctly? Do you just use your eyes and the on camera monitor? Or is there something more accurate than eye balling it? Thank you!