Hallo Emily, ich spiele seit ca 6 Monaten begeistert Querflöte, bin nun schon 63 Jahre, beginne gerade mit der 3. Oktave, habe einen prima Flötenlehrer und habe mit sehr großem Interesse Dein Video verfolgt. Das gab mir einen tiefen Einblick in das anspruchsvolle Flötenspiel .... tausend Dank dafür. Viele Grüße aus der Eifel in Deutschland, Fred
Thank you Emily. I am 82 and back flaying flute again after about 15 years away due to family commitments. This is so good, such easy to understand your tips. I love it.
That’s so wonderful to hear, Robyn!! BRAVO!!🤩 I actually made a whole workbook to get back into shape - you can find it on my website (under SHOP) and you can just pay what you want!! emilybeynon.com/workbook-to-help-you-get-back-into-shape/
Emily Beynon- what a complete, clear, and elegant tutorial on flute articulating! Many of these have been taught to me from my group of amazing teachers in Ohio, during the time Michel Debost was at Oberlin:) But your tutorial is so concise and clear. I will be having my students watch this and adding some of these exercises into their daily studies! Thank you😊
Thank YOU so much for your kind words - I’m glad you found the video useful (for your students) So, you studied with Michel Debost - how marvellous!! I had one lesson with him on Fauré Fantaisie back in 1990 (?) - unforgettable! Such a wonderful man, mind and musician!
@@EmilyBeynonflute Thank you. No, Michel Debost was not my teacher, but did master classes with two of my past teachers. What a treat for us to enjoy his teaching!
@@EmilyBeynonflute C'est moi qui vous remercie, en plus j'ai les " 17 grands exercice de Taffanel et Gaubert, que j'avais travaillé étant jeune. mais c'est loin tout ça... j'ai repris la flûte après un long arrêt (au moins 30 ans)... mais je retrouve un peu la technique. C'est tès appréciable d'avoir votre réponse en Français. Mon Anglais est "verry bad"...
I like that you included the key tapping technique. I learned it as a "G key slap" using the left ring finger instead of any of the right hand fingers, but I think it gives the same result. I figure it works by somehow setting the air column into vibration at the instant of the attack.
I have learnt from some interviews you did that it took you days to make one video.. Thank you so so much for your effort and generosity in sharing your great advices again🙏🙏🙏🙏
That was amazing! Flutter tonguing helps double tonguing tremendously! I wonder why it isn't widely taught as a means to improve your double tonguing. Thank you so much for passing your knowledge!
My flute teacher showed me your channel and told me that you taught her before. I must say, the teaching techniques and methods between teacher and student are incredibly similar. My teacher's Ms Shirley Tong.
Thank you! And thanks for the suggestion... I was thinking of doing a video about my gadgets!
4 года назад+1
Yes! Thank you very much for making this video - super helpful and very interesting to understand your take on it! Sending you a grateful hug from Brazil! haha
Emily - Thank you. My tongue hurts from the double tonguing (something I was not able to do before)! What a work-out. Hahaha! I loved these techniques and I just can't believe the improvement I can see immediately. You make practicing enjoyable.
Thank you for this video. I have a peculiar problem where my tongue becomes very tense and rigid as I try to tongue semiquavers at around 90bpm and above. The tongue becomes very stiff and speeds off uncontrollably and I cannot slow it down. Any idea how to address this?
Hi there! Thanks for your question but I’m not sure I can help much… try moving your tongue a bit less perhaps and/or moving the position of consonant contact (‘d’ attack instead of ‘t’) And maybe also try flutter-tonguing to release any buildup of tension. I hope these suggestions help. Good luck!
It sounds as though you might need to try using your air more. Practice without any tongue and then gradually add as little as possible until you achieve the desired result. Hope this helps! Will you let me know??
I just started playing again after an 8 year hiatus. My articulation in the upper register is an issue now. I've always used what you call the "grape pit" tonguing technique, but now I'm trying to learn other ways to tongue more accurately without squeaking or breaking notes. Any tips on this? Amazing video by the way!
Hi Hunter - welcome back to the flute world! 👏 I would suggest that you work on finding the right air speed first, before even involving the tongue. So, harmonics (fundamental plus 1st 2 harmonics from both low register and high register - LEGATO!) and then using only “ha!” From the belly - lips still and no tongue involvement. Then gradually add a very little action from the tongue. I hope this helps. Let me know!
I’ll absolutely try this. I’ve gotten the “don’t use your tongue at first” tip before, and I had ever heard of it. Would you mind if I sent you a private video link to get your opinion on my intonation and technique?
Hi Kristin, thanks for your question. Well of course if you prefer, you can play the more usual: tkt tkt tkt etc. But to improve tkt ktk, I have two tips: firstly, make sure you practice the “k” alone sometimes (for a whole scale for example: k k k k k…) and then secondly, work on small groups tkt STOP ktk… listen and try and get them sounding the same. Then gradually build up: tkt ktk STOP ktk tkt etc… Let me know how you get on after having worked in these two ways for a few weeks. Good luck!
Emily Beynon thank you for sharing a series of lovely videos✨✨✨ your tips are helpful and making us more productive 😍😍😍we are grateful to have you on RUclips 😇😇😇
Hi K B - thanks for your question. I line up the embouchure hole with the holes in the kesy. Then, about half of the embochure hole should be covered/uncovered with the lips - any more open and the soft end of the dynamic range will be very difficult to control and any more covered and a fuller sounds will be impossible. Let me know how you get on!
@@EmilyBeynonflute Thank-you, so much for your reply. It's really helpful, especially in this current lockdown situation. One thing that I'm always curious about is this cork position of 17.3 and whether it depends from flute to flute. I'm always tempted to turn the crown bit by bit to find that sweet spot where the flute sings.
@@EmilyBeynonflute Hi Emily Thanks for your help on headjoint position. I'm noticing the higher octave is more clear and balanced. You've really made a difference.
hi ! i am 15 years old and i am learning the flute, but my double tongue clapping technique isn’t working well, i can hear a lot of air in the sound when it comes out. what can i do to listen the sound of the flute more than the sous of the air ?
Hi Sarah, do lots of double tonguing practice without the flute; just saying/singing DGD..... DGD x 20...... then DGDGD.... DGDGD x 20...., gradually building up. It sounds as though there's too much tongue and not enough air going into the flute. Try also fluttertonguing so that the air is really moving. Let me know how you get on! Good luck!
Thank you Emily. Would you be able to talk a bit more in depth on flutter tongue? Has watched a few videos but still can’t do it comfortably with the tongue method. And I can only use it for the higher notes.
@@EmilyBeynonflute No I'm not. :) As I first studied Dutilleux Sonatine, I saw exactly what you said, double tounging is more fluent and beneficial at most places. I use it sometimes, for example at the 3/16 passages in Mendelssohn Solo, to point out the polyrhythm. But never too fast passages. :)
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Hallo Emily, ich spiele seit ca 6 Monaten begeistert Querflöte, bin nun schon 63 Jahre, beginne gerade mit der 3. Oktave, habe einen prima Flötenlehrer und habe mit sehr großem Interesse Dein Video verfolgt. Das gab mir einen tiefen Einblick in das anspruchsvolle Flötenspiel .... tausend Dank dafür. Viele Grüße aus der Eifel in Deutschland, Fred
Dear Fred, thank you for your kind message. Good luck and wishing you lots of fun with your flute playing! 😊
Thank you Emily. I am 82 and back flaying flute again after about 15 years away due to family commitments. This is so good, such easy to understand your tips. I love it.
That’s so wonderful to hear, Robyn!! BRAVO!!🤩 I actually made a whole workbook to get back into shape - you can find it on my website (under SHOP) and you can just pay what you want!! emilybeynon.com/workbook-to-help-you-get-back-into-shape/
Thank you Emily! One of the best videos I've ever seen about technic (articulation)!!! A powerful 15 minutes Masterclass!!!
Thank you, Leonardo - I’m so very glad you like it!! 🙏
Sehr gut erklärt, fachgerecht übersetzt. Letzteres findet man selten. 👍
Many thanks for your kind comments. And many thanks to Julia Maier for her translation!! 🤩
Emily Beynon- what a complete, clear, and elegant tutorial on flute articulating! Many of these have been taught to me from my group of amazing teachers in Ohio, during the time Michel Debost was at Oberlin:)
But your tutorial is so concise and clear. I will be having my students watch this and adding some of these exercises into their daily studies! Thank you😊
Thank YOU so much for your kind words - I’m glad you found the video useful (for your students)
So, you studied with Michel Debost - how marvellous!! I had one lesson with him on Fauré Fantaisie back in 1990 (?) - unforgettable! Such a wonderful man, mind and musician!
@@EmilyBeynonflute Thank you. No, Michel Debost was not my teacher, but did master classes with two of my past teachers. What a treat for us to enjoy his teaching!
Merci Emily pour tous ces conseils précis. J'ai appris beaucoup avec cette vidéo. J'ai hâte de découvrir les prochaines... Au revoir.
Oh merci beaucoup á vous, Hubert! ☺️
@@EmilyBeynonflute C'est moi qui vous remercie, en plus j'ai les " 17 grands exercice de Taffanel et Gaubert, que j'avais travaillé étant jeune. mais c'est loin tout ça... j'ai repris la flûte après un long arrêt (au moins 30 ans)... mais je retrouve un peu la technique. C'est tès appréciable d'avoir votre réponse en Français. Mon Anglais est "verry bad"...
Thank you for the treasure trove of these articulation tips. They are super helpful!
Glad you found them helpful, Paddy! 😄
thank you I have been having trouble with articulation
I hope you found some useful tips in this video!
I like that you included the key tapping technique. I learned it as a "G key slap" using the left ring finger instead of any of the right hand fingers, but I think it gives the same result. I figure it works by somehow setting the air column into vibration at the instant of the attack.
Yes, I use the G key sometimes too!! 👍
Que ótima explicação procurei por muitos vídeos e não achei uma boa explicação assim bay 👏
So happy you found this helpful!
@@EmilyBeynonflute👏👏
Bravo! There are many details you mentioned that I haven't completed
. thank you very much!
Thank YOU for watching!! 😊
Wow Emily, this Video is a big answer for what I’m looking to learn and improve my articulation with the flute. Thank you so much!
Hi David! I’m so happy that you’ve found this video so helpful! Thank YOU for your kind message! 🙏
Thank you for your clarity and generosity.
Thank YOU for watching!! ☺️
I have learnt from some interviews you did that it took you days to make one video.. Thank you so so much for your effort and generosity in sharing your great advices again🙏🙏🙏🙏
Yes, it takes me about 4 days to make one video!! 🤭 Basically I am learning EVERYTHING as I go along!! 🤣 Thanks for watching!
😂😂😂😂😊👍
That was amazing! Flutter tonguing helps double tonguing tremendously! I wonder why it isn't widely taught as a means to improve your double tonguing. Thank you so much for passing your knowledge!
I’m glad you found this video helpful, Iena! Happy flute-ing! ☺️
Thank you Emily! Great tips 😊
Thank YOU for watching, Ana! Glad you found it helpful 🙏
Nota dez professora, excelente aula.
Obrigado.
I am happy you found it helpful! 🙏
Amazing Emily!!!
So precisely explained, thank you!!!👏🏻🔥
Thanks Sachha! 😄 So glad you liked it!!
Thank you! Struggling with articulation until watching this.
I’m so happy you found it helpful!! 😊
Muito boa a aula por favor não apague o vídeo do canal me ajudou muito nós estudos muito obrigada ❤️❤️👏🪈
Happy to hear this! No plans to delete it, don’t worry!! 😜
@@EmilyBeynonflute👏👏
Thanks!
You’re very welcome! 🙏
Excellent!
Glad you liked it! Thanks for watching! 🙏
My flute teacher showed me your channel and told me that you taught her before. I must say, the teaching techniques and methods between teacher and student are incredibly similar. My teacher's Ms Shirley Tong.
Wow, thank you! Please send Ms Tong my greetings! Happy flute-ing!!
Top lesson, Thanks for it
You’re very welcome!
Wonderful lessons, so detailed and such great sound. I would love to hear your opinions on the Lefreque and how it changes your sound. Many thanks
Thank you! And thanks for the suggestion... I was thinking of doing a video about my gadgets!
Yes! Thank you very much for making this video - super helpful and very interesting to understand your take on it! Sending you a grateful hug from Brazil! haha
You are so welcome, Júlio! I'm glad you found it helpful!
This is extremely helpful! Thank you so much!
I’m so happy to hear that Oriana! 🙏
Gracias muy especifica en los detalles haserca de la articulacion.
Thank you for watching! 🙏
Emily - Thank you. My tongue hurts from the double tonguing (something I was not able to do before)! What a work-out. Hahaha! I loved these techniques and I just can't believe the improvement I can see immediately. You make practicing enjoyable.
I’m delighted to hear this! Well done - YOU do you work, not me - but I’m happy if I can help! 👏👏👏
Gracias ❤
You’re very welcome - I hope you found it helpful! 🙏
Thank you for this video. I have a peculiar problem where my tongue becomes very tense and rigid as I try to tongue semiquavers at around 90bpm and above. The tongue becomes very stiff and speeds off uncontrollably and I cannot slow it down. Any idea how to address this?
Hi there! Thanks for your question but I’m not sure I can help much… try moving your tongue a bit less perhaps and/or moving the position of consonant contact (‘d’ attack instead of ‘t’) And maybe also try flutter-tonguing to release any buildup of tension. I hope these suggestions help. Good luck!
AMAZING 🙂 Thank you🤜🤛🇧🇷
Thank you too! 🙏
Very useful information, thank you so much for sharing this tutorial.
Thank YOU Miguel for watching! I’m so happy you found it useful!
so wonderful - just amazing - Thank you, Emily!!
Hi Sara - you’re too kind! Thank you!! Hope you’re keeping well... 🤗
@@EmilyBeynonflute Thank you! I didn't look closely 😣
What do I do if my tounguing is very loud? How can I make it cleaner and smooth?
It sounds as though you might need to try using your air more. Practice without any tongue and then gradually add as little as possible until you achieve the desired result. Hope this helps! Will you let me know??
Nice video , in indian or Pakistani music we call it strokes or tonguing technique.
‘Strokes’ - that’s nice! 😄
very clear
Thanks 🙏
Great Tips❣❣
Glad you found them useful! Thanks!
I just started playing again after an 8 year hiatus. My articulation in the upper register is an issue now. I've always used what you call the "grape pit" tonguing technique, but now I'm trying to learn other ways to tongue more accurately without squeaking or breaking notes. Any tips on this? Amazing video by the way!
Hi Hunter - welcome back to the flute world! 👏 I would suggest that you work on finding the right air speed first, before even involving the tongue. So, harmonics (fundamental plus 1st 2 harmonics from both low register and high register - LEGATO!) and then using only “ha!” From the belly - lips still and no tongue involvement. Then gradually add a very little action from the tongue. I hope this helps. Let me know!
I’ll absolutely try this. I’ve gotten the “don’t use your tongue at first” tip before, and I had ever heard of it. Would you mind if I sent you a private video link to get your opinion on my intonation and technique?
I cannot get the hang of using double-tonguing for triplets. I just can't keep the triplets even and in time TKT KTK TKT KTK. Any suggestions?
Hi Kristin, thanks for your question. Well of course if you prefer, you can play the more usual: tkt tkt tkt etc.
But to improve tkt ktk, I have two tips: firstly, make sure you practice the “k” alone sometimes (for a whole scale for example: k k k k k…) and then secondly, work on small groups tkt STOP ktk… listen and try and get them sounding the same. Then gradually build up: tkt ktk STOP ktk tkt etc… Let me know how you get on after having worked in these two ways for a few weeks. Good luck!
Круть!
Благодарю❤
Thank YOU for watching! 🙏
Superb.
Thank you! 🙏 Glad you like it!
Great, thanks!
You're very welcome! 🙏
Thank you Emily ✨✨✨
Thank YOU for watching!! 🙏
Emily Beynon thank you for sharing a series of lovely videos✨✨✨ your tips are helpful and making us more productive 😍😍😍we are grateful to have you on RUclips 😇😇😇
Any advice on headjoint alignment, rolled in or out?
Hi K B - thanks for your question. I line up the embouchure hole with the holes in the kesy. Then, about half of the embochure hole should be covered/uncovered with the lips - any more open and the soft end of the dynamic range will be very difficult to control and any more covered and a fuller sounds will be impossible. Let me know how you get on!
@@EmilyBeynonflute
Thank-you, so much for your reply. It's really helpful, especially in this current lockdown situation. One thing that I'm always curious about is this cork position of 17.3 and whether it depends from flute to flute. I'm always tempted to turn the crown bit by bit to find that sweet spot where the flute sings.
@@EmilyBeynonflute
Hi Emily
Thanks for your help on headjoint position. I'm noticing the higher octave is more clear and balanced. You've really made a difference.
Delighted to hear this KB! ☺️
thanks.!!
Thank you! 🙏
hi ! i am 15 years old and i am learning the flute, but my double tongue clapping technique isn’t working well, i can hear a lot of air in the sound when it comes out. what can i do to listen the sound of the flute more than the sous of the air ?
Hi Sarah, do lots of double tonguing practice without the flute; just saying/singing DGD..... DGD x 20...... then DGDGD.... DGDGD x 20...., gradually building up. It sounds as though there's too much tongue and not enough air going into the flute. Try also fluttertonguing so that the air is really moving. Let me know how you get on! Good luck!
Emily Beynon thank you for your answer !
Thank you Emily.
Would you be able to talk a bit more in depth on flutter tongue? Has watched a few videos but still can’t do it comfortably with the tongue method. And I can only use it for the higher notes.
❤️❤️❤️❤️❤️❤️
Thanks! 🙏
I rly need help with staccato
Keep practising… I hope these tips help!
God bless you dear child of God
Thank you! 🙏
❤❤❤
Thanks 💕
Tip number 4: Amen!
Ha-ha! Yes, I’m not a fan of triple staccato!! 😜 You neither, I guess?!
@@EmilyBeynonflute No I'm not. :) As I first studied Dutilleux Sonatine, I saw exactly what you said, double tounging is more fluent and beneficial at most places. I use it sometimes, for example at the 3/16 passages in Mendelssohn Solo, to point out the polyrhythm. But never too fast passages. :)
I would like to ask for Japanese subtitles if possible🥺
Hello! The Japanese subtitles should be there... press the wheel (bottom right of the picture) to select Japanese!
7
Ha! Ha! Your favourite?...