i am korean but i totally understood with caption and this video is the most helpful for cinematic setting and other videos were usually something like ads. Thanks!
Wow! Best, most comprehensive and useful video I’ve seen on the proper cinematic settings I’ve seen yet. I had no idea that you could save presets for the OP3! Major, thanks for that. The only thing I’m not a fan of is using the mist filter. I would much rather add bloom and halation in post using something like Dehancer Pro. I also really like the fact that you can pick from several different film stock emulation with that plug-in (minus the grain).
Yes most definitely! So if you’re filming a beauty video of yourself let’s say, get close to the camera, tap your face, and you should be set. The closer you are to the camera, the more blur you’ll notice. And thank you so much 🥹
@@dylanjohndickerson you know, come to think of it, this guys probably the ideal tool for someone interested in content creating, but not 100% all in. This gives them a chance to test the water, build some skills, and eventually progress. I could think of a few other applications as well..
@@dylanjohndickerson Cool! I got this NEEWER DL300 but it’s lacking a very important functionality, going back and forth automatically. I create workout videos outdoors so that’s a bugger.. maybe just for product shoots etc that’s good.
It does, however the caveat is that it won't record any audio. You can find it by going to the slow motion video mode and you'll see 4k 120 there. I believe it slows it down in camera so your file is already slowed down. Once again though, no audio.
3:47 This is actually incorrect. The Dlog M profiles on the osmo pocket 3 is not log at all. its simply a rec709 thats been desaturated. It doesn't give ANY extra dynamic range. If you want the best image, look up how to shoot in HLG which is the HDR formate which offers plenty more dynamic range, and using a software liek Davinci you can use a cst and conform this to a rec-709 output. Must better and is actutally an image with more information. Again, the Dlog M found on the osmo pocket 3 isn't log at all and doesn't actually give you any extra information like a real Log would.
Interesting. This is in the Pocket 3 manual though: “In addition, the 10-bit D-Log M color mode provides a more comfortable color perception and a larger dynamic range, which is convenient for post-production color correction.”
@@dylanjohndickerson Its false. Do the tests. in fact, pull the footage into davinci, it'll show you its a rec-709. DJI has never posted white papers on their 'D-log' M. I'm not here to argue or anything, I just don't want other to have the incorrect opinion that they're getting anything else out of the footage... They're not. a simple google search will tell you more than the pocket 3 manual will. D-log M is nothing more than their regular footage with a curve on it. Theres a reason theres no CST in Davinci resolve for it.
@@dylanjohndickerson I wrote a long response, not sure what happened to it. The manual is wrong. its just rec-709 with a log like curve. a flattened image in post not actually giving any extra range. pull it into davinci resolve. itll show its rec-709. theres a reason they;ve never shown white papers on that 'Log' its because it isn't log. Its like desaturating an image, lowering contrast and calling it log or maybe raw. the dynamic range is no different than if you just shot in the normal color profile and lowered these things yourself. some of their cameras do have real log, but not the osmo pocket 3 unfortunately. this is why there is no CST for the profile in Davinci. but again, the workaround is to shoot in HLG and you can transform properly with an output to rec-709 and THIS will give you extra latitude and dynamic range.
@@TravelWithAC Wow this is new to me... cos everybody says you should use D-log-M. Have you tested HLG and does Resolve allow this to be transfered to rec-709? I am an absolutely beginner so I am considering buying LUT but so far don't know what's the best mode to shoot and use in resolve....
@ loaded question 😅 Best is subjective in this case but to keep it short Yes, you can shoot HLG and have a rec-709 output. They have transform luts that are easy to use for HlG unlike d-logm (because that’s really just a flat rec-709 anyway lol) If you search hlg osmo 3 Davinci on RUclips there’s a great video with the entire transform process. Makes it easy and gives you a great recipe from beginning to end.
все современные камеры даже с маленьким сенсором легко справляются с ISO 800 и 1600. Что за совет ставить iso400??? лучше снять пусть и с шумом, но снять. Чем тупить и сохранять низкое iso. Короче такой себе специалист
I disagree. This camera is not a ‘low light monster’. 50-400 is a solid range that will prevent a lot of noise. If you really need your camera to improve its light sensitivity then you can bump the ISO up past 400, but keeping that 50-400 range is a solid starting point. And it’s very nice of you to call me a specialist. Thank you 😘
@@dylanjohndickerson thanks for the reply. But even this camera can easily handle a range up to 1600 ISO, so you're absolutely wrong. It makes no sense to mislead people, who also trusts you
i am korean but i totally understood with caption and this video is the most helpful for cinematic setting and other videos were usually something like ads.
Thanks!
Great video-thank you! Did not know about the C1/C2 saved settings.
No problem 😌 happy to help.
That footage looks insane!
Thanks dude! 👊🏼
the tips are fire but that room looks extremely zen.. love that😄
I really appreciate that 🥹 i put a lot of effort into it so thanks for taking the time to tell me.
Great tips on this thank you!
Thanks for watching 😊
Wow! Best, most comprehensive and useful video I’ve seen on the proper cinematic settings I’ve seen yet. I had no idea that you could save presets for the OP3! Major, thanks for that. The only thing I’m not a fan of is using the mist filter. I would much rather add bloom and halation in post using something like Dehancer Pro. I also really like the fact that you can pick from several different film stock emulation with that plug-in (minus the grain).
Thanks so much! 😄 and to each his own on the mist filter. I actually used Denhancer on the clips as well. Not any of the film stocks though.
Could I use the single focus to blur the background if I’m filming a beauty video? Ps, your vids are amazing and so helpful for beginners, thank you 🫡
Yes most definitely! So if you’re filming a beauty video of yourself let’s say, get close to the camera, tap your face, and you should be set. The closer you are to the camera, the more blur you’ll notice. And thank you so much 🥹
Love these
Awesome 😊 thanks for letting me know
Dylan are you releasing a video on the new MotionVFX Design Studio soon? Seems like a no brainer, not many videos on it yet!
Hey man! Yes I will be for sure. Likely the week after next week
This camera is pretty costly, but for what it offers, it’s considerably cheaper than say a ronin 4 w a Sony full frame.
Exactly. And it’s much smaller and lighter
@@dylanjohndickerson you know, come to think of it, this guys probably the ideal tool for someone interested in content creating, but not 100% all in. This gives them a chance to test the water, build some skills, and eventually progress. I could think of a few other applications as well..
Costly for what it offers? 😂 I would say otherwise
Thanks 👍
Thanks for watching!
Great video thanks! Have you tried putting Pocket 3 on a dolly? Pretty cool pans with facetrack!
I have not, but now I have to! Great idea. It's such a useful little camera.
@@dylanjohndickerson Cool! I got this NEEWER DL300 but it’s lacking a very important functionality, going back and forth automatically. I create workout videos outdoors so that’s a bugger.. maybe just for product shoots etc that’s good.
Probably going to invest in loooong slider next
@@FromAverageToWarrior Interesting! I'll give it a look. I don't have a recommendation for you unfortunately. My slider also kind of blows lol
@@FromAverageToWarrior Get itttttttt 💪🏼
Thanks!
🥹 Thank you so much!
Do you know if these settings will work for the Osmo ACTION 3 as well?
I’m not sure actually. I don’t have that camera
Same settings for the Osmo Action Pro?
Quite possibly! I don't have that camera so I can't confidently say if that's right.
I'm just waiting for pocket 4 😇
Does the Osmo Pocket 3 record 4k at 120fps? According to Amazon it does, but yours only showed up to 60fps
It does, however the caveat is that it won't record any audio. You can find it by going to the slow motion video mode and you'll see 4k 120 there. I believe it slows it down in camera so your file is already slowed down. Once again though, no audio.
@@dylanjohndickerson That actually works great for my needs. Thanks Dylan
🤘🏼
Great info but my guess is most people will leave it on auto
Perhaps, but that's what this video is for. Those who want to get the most out of the camera.
I dont even think guy has ever heard of life out the US.
There’s life outside the US? Naa don’t believe it
3:47
This is actually incorrect. The Dlog M profiles on the osmo pocket 3 is not log at all. its simply a rec709 thats been desaturated. It doesn't give ANY extra dynamic range.
If you want the best image, look up how to shoot in HLG which is the HDR formate which offers plenty more dynamic range, and using a software liek Davinci you can use a cst and conform this to a rec-709 output. Must better and is actutally an image with more information.
Again, the Dlog M found on the osmo pocket 3 isn't log at all and doesn't actually give you any extra information like a real Log would.
Interesting. This is in the Pocket 3 manual though:
“In addition, the 10-bit D-Log M color mode provides a more comfortable color perception and a larger dynamic range, which is convenient for post-production color correction.”
@@dylanjohndickerson Its false. Do the tests. in fact, pull the footage into davinci, it'll show you its a rec-709. DJI has never posted white papers on their 'D-log' M. I'm not here to argue or anything, I just don't want other to have the incorrect opinion that they're getting anything else out of the footage... They're not. a simple google search will tell you more than the pocket 3 manual will.
D-log M is nothing more than their regular footage with a curve on it. Theres a reason theres no CST in Davinci resolve for it.
@@dylanjohndickerson I wrote a long response, not sure what happened to it. The manual is wrong. its just rec-709 with a log like curve. a flattened image in post not actually giving any extra range. pull it into davinci resolve. itll show its rec-709. theres a reason they;ve never shown white papers on that 'Log' its because it isn't log. Its like desaturating an image, lowering contrast and calling it log or maybe raw. the dynamic range is no different than if you just shot in the normal color profile and lowered these things yourself. some of their cameras do have real log, but not the osmo pocket 3 unfortunately.
this is why there is no CST for the profile in Davinci. but again, the workaround is to shoot in HLG and you can transform properly with an output to rec-709 and THIS will give you extra latitude and dynamic range.
@@TravelWithAC Wow this is new to me... cos everybody says you should use D-log-M. Have you tested HLG and does Resolve allow this to be transfered to rec-709? I am an absolutely beginner so I am considering buying LUT but so far don't know what's the best mode to shoot and use in resolve....
@ loaded question 😅
Best is subjective in this case but to keep it short
Yes, you can shoot HLG and have a rec-709 output.
They have transform luts that are easy to use for HlG unlike d-logm (because that’s really just a flat rec-709 anyway lol)
If you search hlg osmo 3 Davinci on RUclips there’s a great video with the entire transform process. Makes it easy and gives you a great recipe from beginning to end.
Dlog M is not a real log standard.
That's what I'm coming to find out. Seems like false advertising from DJI doesn't it?
NTSC is 30/60fps
PAL is 25/50fps
Cinema is 24fps
все современные камеры даже с маленьким сенсором легко справляются с ISO 800 и 1600. Что за совет ставить iso400??? лучше снять пусть и с шумом, но снять. Чем тупить и сохранять низкое iso. Короче такой себе специалист
I disagree. This camera is not a ‘low light monster’. 50-400 is a solid range that will prevent a lot of noise. If you really need your camera to improve its light sensitivity then you can bump the ISO up past 400, but keeping that 50-400 range is a solid starting point. And it’s very nice of you to call me a specialist. Thank you 😘
@@dylanjohndickerson thanks for the reply. But even this camera can easily handle a range up to 1600 ISO, so you're absolutely wrong. It makes no sense to mislead people, who also trusts you
blurry like dirty glasses.... too blurry
To each his own! I much prefer that look. Just don't buy an ND filter with mist built in if you want that sharp digital look.
Hello Dylan, I just sent you an email 🙂