OH no! I am a fan. I just discovered you and am very happy I did. Thank you. I will revise my comment so not to confuse people. Thank you for calling it to my attention. @@NathanBortonMusic
Thanks for sharing your knowledge. Your analysis capacity is fantastic. It helps us mortals understand what make these players sounds like they do... very powerfull and intriguing. I personally would like very much to get an idea of why guitarists like Alan Holdsworth or Kurt Rosenwinkel sound the way they do...
Hey thanks so much! :) Appreciate your support. I think I actually did a Kurt video a while back! If you search my name with Kurt Rosenwinkel I'm sure it will come up!
I wish you had a shown a little rift that George Benson plays on the blue horizons I think it's impressions but actually he goes out like what you were talking about with the pentatonic like a half step
That would have been good! Maybe a future lesson about George benson modal playing? Was trying to keep it to Miles, Trane, and Cannonball but maybe should have opened it up?
I don't understand how the triad pairs at 2:13 bring out the sound of Dorian. I think more of D min and Gmaj would be more so to as it includes the natural 6th.
Definitely! That would be another great option. I was more focusing on what Miles is doing and building off that. If you watch later in the lesson you will see that cannonball does a similar approach to what your talking about
One of the best guitar lesson in entire internet (youtube) ❤
Oh boy. So glad I found this young man, and fine teacher.
Not a fan? :(
OH no! I am a fan. I just discovered you and am very happy I did. Thank you. I will revise my comment so not to confuse people. Thank you for calling it to my attention. @@NathanBortonMusic
outstanding Jazz Language great tools to have in the tool box wow.
So glad you found it helpful!
Grant Green's solo on Two for One is a really good example to mixing bebop ideas and modal thinking too. :) Great lesson as always!
Grants stuff is always amazing! Thanks for watching :)
More on playing over modes thanks 10:02
Great lesson. 👍
Appreciate that!
We need more lesson about modes! Thanths for lesson!
Thanks for the comment! Possibly in the future!
Thank you so much for such a great lesson.
Appreciate you watching!
Hey Nathan , that is a really great lesson !! Thanks so much. This will keep me busy for awhile. Cheers !!
Thanks Adam! Glad you enjoyed this lesson!
Thanks for sharing your knowledge. Your analysis capacity is fantastic. It helps us mortals understand what make these players sounds like they do... very powerfull and intriguing. I personally would like very much to get an idea of why guitarists like Alan Holdsworth or Kurt Rosenwinkel sound the way they do...
Hey thanks so much! :) Appreciate your support. I think I actually did a Kurt video a while back! If you search my name with Kurt Rosenwinkel I'm sure it will come up!
As soon as i think i got i all the tricks of the trade here you go pulling more knowledge out of your magic hat 🎩… great Video
Thanks Malik! Appreciate that! Just stealing from the masters haha 😂
Great lesson. Thanks.
Thanks for watching!
Que du bonheur ! Thanks
Thanks for watching!
Gran lección
Thanks so much!
I wish you had a shown a little rift that George Benson plays on the blue horizons
I think it's impressions but actually he goes out like what you were talking about with the pentatonic like a half step
That would have been good! Maybe a future lesson about George benson modal playing? Was trying to keep it to Miles, Trane, and Cannonball but maybe should have opened it up?
I don't understand how the triad pairs at 2:13 bring out the sound of Dorian. I think more of D min and Gmaj would be more so to as it includes the natural 6th.
Definitely! That would be another great option. I was more focusing on what Miles is doing and building off that. If you watch later in the lesson you will see that cannonball does a similar approach to what your talking about
@@NathanBortonMusic Thanks!!
Bello!
Hello? 👋