The only difference between the keys of C and G is the F#. Otherwise it's all the same notes. I'm not sure if this is a good way to see things, but it helped me to understand modes and the circle of 5ths. Of course the nature of the F/F# changes more than that - where the F goes from being the 4th degree of C; to the F#, which is the 7th degree of G major. But as a way of understanding and remembering scales and modes, etc, this simple way of seeing the similarities and differences was helpful to me.
Yes, you can do: C - Am - F - G - Am - Em - Am7/C - D7 - Em - G/B - C - D7 - G. After the first D7 I went to Em (VI - Deceptive cadence) then second time D7 - G.
@@dr.guyshkolnik_composer I think it does, yes! Basically you keep that high D-note on F6 because than it's also part of the G chord that comes right after and it sounds nicer.
Nice simple explanation thanks very much, looking forward to putting it into practice
Thanks Jordan! It can be a good idea to start from learning this example :)
Actually sounds really good! Thanks
Thank you :)
Gorgeous ❤. Much love from Miami 👍
The only difference between the keys of C and G is the F#. Otherwise it's all the same notes.
I'm not sure if this is a good way to see things, but it helped me to understand modes and the circle of 5ths.
Of course the nature of the F/F# changes more than that - where the F goes from being the 4th degree of C; to the F#, which is the 7th degree of G major.
But as a way of understanding and remembering scales and modes, etc, this simple way of seeing the similarities and differences was helpful to me.
any way that helps you learning the scale is great. If it works for you - that what's matter.
With pivot chors you can also modulate to different keys and also to minor keys so it’s great ❤
Thanks 👍
You’re very welcome!!
Nice! What's the other modulation techniques?
Fantástico! Preciso arrumar tempo para estudar seus vídeos.
Gracias Ricardo ☺️
Obrigado* 🫡
smooth
Thank you! :)
Nice sharing😃.. Can we use Em too as a pivot modulation? Both C and G has Em (3rd degree and 6th degree)
Yes, you can do:
C - Am - F - G - Am - Em - Am7/C - D7 - Em - G/B - C - D7 - G.
After the first D7 I went to Em (VI - Deceptive cadence) then second time D7 - G.
0:40 confused on this part
This is very useful thanks! Is there a specific reason why you use a F6 instead of a normal F major chord as the IV and a Am7 after the Am? Thank you
It’s a matter of voice-leading. In some situations F is the smooth choice. In others it’s F6 or Dm7. Make sense?
@@dr.guyshkolnik_composer I think it does, yes! Basically you keep that high D-note on F6 because than it's also part of the G chord that comes right after and it sounds nicer.
@@clementepascale159 exactly
For some reason, the first part almost reminds me of Beauty and the Beast
Great song :)
🤍
🙏