Bravo Tomasz !!!!!!! I am glad you did this recording, you carry so much and am not capable and knowledgeable enough to this level but heard this piece hundreds of times by the greats of last century and can feel your excellence. THANKS !!!
While high mids and trebles are lovely, the lower mids and basses are twangy and compete against trebles. They aren't articulate. You should slow down a little, pronounce basses and lower mids because you completely ignored them, and perhaps use different strings on this guitar.
@TheChupacabra While I don't have the expertise to validate this person's critique, you don't have to be able to do something yourself in order to have valid criticism. Plenty of good coaches and teachers aren't as skilled as their students. As long as you understand the subject you can sometimes notice things in their playing that they don't. It's not always about ability.
I second the nod to the Williams version. He's methodical without sacrificing the rhythmic vitality. However, on the note of Bream, I will say he always seemed to enjoy what he played, and that comes out in his performances. While he can sound a bit muddy at times.. I do enjoy him as well. Segovia is a bit too dull for me, and his playing at times and probably more specifically in his later years seemed a bit dirty and unrefined.
Fast playing does not a good or skilled performance make.. slow down and enjoy the piece. I understand its well over played and mildly anoying save for the second section. But theres a fair amount of string buzz as well. Taking your time to focus on technique and consistency will greatly improve your performance. It looks like your struggling to enjoy the piece. The speed and lack of passion does not allow the guitar to sing as it should, this is a master series guitar we want to her the guitars sing. The last strum was not necessary either it was sophomoric and akin to dropping a mic.
Bravo Tomasz !!!!!!! I am glad you did this recording, you carry so much and am not capable and knowledgeable enough to this level but heard this piece hundreds of times by the greats of last century and can feel your excellence. THANKS !!!
this is the best version I've heard so far, nearly perfect! Congratulations Mister Fechner, I really love your playing
really?
Check out Fabio Lima's rendition of that song
I like very much, good contrast beetwen presto and adagio and awesome finale
Beautifully played!!! Beautiful guitar!!! Thank you!!!
Outstanding...
Congratulations Tomasz! You have a great talent!!!!!!! I wish you all the best from Madrid!
Outstanding and wonderful finale!!
plays so well bravo
Beautiful
Very nicely played
Very nice sound and interpretation!
Fantastic!
That's some clean playing
I am inspired to get my Cordoba 45R out & play
3 people freaked out at the last rasguedo and accidentally clicked the thumbs down button
Your a guitar master. Awesome!
Bravo!
Bravíssimo....
Very nice.
Puedo estar equivocado...pero el tremolo no se ejecuta con dos o más dedos? Saludos
Slow clap *clap* *clap* *clap*
esa es asturias no cordoba
Fany Huaquilla Cordoba es la marca de guitarras 😁
excellent playing, but the guitar tone sounds a little dull to me?
the out of tune octaves were killing me. A little rushed but overall a nice intermediate level performance. check the intonation on that guitar.
Not the best version of this piece by a long shot. He was all over the place. Probably nerves
Also the harsh stabs sound kind of angry like U R bitch slapping your wife not just being percussive lol.
While high mids and trebles are lovely, the lower mids and basses are twangy and compete against trebles. They aren't articulate. You should slow down a little, pronounce basses and lower mids because you completely ignored them, and perhaps use different strings on this guitar.
@TheChupacabra While I don't have the expertise to validate this person's critique, you don't have to be able to do something yourself in order to have valid criticism. Plenty of good coaches and teachers aren't as skilled as their students. As long as you understand the subject you can sometimes notice things in their playing that they don't. It's not always about ability.
listen to Julian Bream. A little too J. Williams. sing more...
Bream? His version sounds like white noise, at best. Segovia and/or Parkening. Controlled and precise, but still lyrical.
I second the nod to the Williams version. He's methodical without sacrificing the rhythmic vitality. However, on the note of Bream, I will say he always seemed to enjoy what he played, and that comes out in his performances. While he can sound a bit muddy at times.. I do enjoy him as well. Segovia is a bit too dull for me, and his playing at times and probably more specifically in his later years seemed a bit dirty and unrefined.
Fast playing does not a good or skilled performance make.. slow down and enjoy the piece. I understand its well over played and mildly anoying save for the second section. But theres a fair amount of string buzz as well. Taking your time to focus on technique and consistency will greatly improve your performance. It looks like your struggling to enjoy the piece. The speed and lack of passion does not allow the guitar to sing as it should, this is a master series guitar we want to her the guitars sing. The last strum was not necessary either it was sophomoric and akin to dropping a mic.
Bravo!