From my very limited experience (E-6 film shooter here) C-41 films suffer badly from pre-wet before the development. Perhaps that is why you've got veird colors on your Epson. Good luck!
No, that's not the reason. The colors look perfect in the Pakon F135 scanner. I no longer do the pre-wet and I don't notice any difference so far, to be honest.
Regardless of how the film looks (which i think it looks great lol), your photography is really great, and I really enjoyed looking at your pictures in this video!
Is it better to shoot Cinestill 800T and C-41 Process or to shoot Vision 3 500T and cross process in C-41? Seems like very few labs offer real ECN-II (not crossprocessing) and the ones that do are prohibitively expensive. I've read that the colors and contrast can get messed up when cross-processing, though your scans look great.
Great review Eduardo... Question though, 400ft into a bulk loader? Any loader I've used is limited to 100ft. Are you cutting? Im about to buy 250D in 400 or 1000ft. ANy help would be much appreciated. David
Heh, this is also the reason I stick to black & white and take it straight to RC paper whenever I can. I really love the colour here, some of these shots were fucking stunning and you should have left them up longer. I currently shoot about 90% B&W but when my V500 finally dies (going on eight years) I hope my upgrade handles colour a little better. I looked up the price of a Pakon and my wallet coughed a cloud of dust.
I know! Buying the Pakon was a family decision, hahah. Also, my Epson 4490 is six years old and going strong as ever. Scanners seem to last a long time...
this is really helpful! I came looking for setting recommendations for night photography with this film, and what I got is: not good with pushing! don't go to 800 iso. Find good lighting instead! Got it, thank you s2
Tokyo is paradise for photographers. I'm fascinated by Japan in general both as a weaboo and photography nerd. Pls make a bunch of videos while you're there!
hey eduardo, did you buy your 400' from kodak directly, or did you buy it from an eBay listing? I've bought bulk left overs from a director before and loved it! now I'm really wanting the dbl span 5222, but haven't been able to buy it new. if you have a direct contact with kodak, could you share? GREAT REVIEW!!!
great job explaining shooting with cine film Eduardo. I'm seriously considering bulk loading this film since I love the CineStill film anyway. I'm wondering though, have you considered processing it with the remjet layer on, or is it too complicated-expensive to get the actual cine chemistry to develop it properly?
Oh, no. ECN-2 for home developing is not super expensive... about £60. The problem is I don't want to have more chemicals, nor buying stuff that will only be used with one film. It's also not complicated. Is just like C-41, really.
thank you for this review! Appreciate the comments on color grading / filters. When you shoot on your Leica do you expose at 400 ASA with a 85B filter? (I am going to try this film on a Leica MP this week) to get the smoother grain you talked about ?
corregir el balance de blancos de una pelicula tungsteno es muy facil, solo tenes que aplicar un filtro 85b en photoshop (filtros, filtro de fotografía)
Thank you for the nice presentation. Enjoy Tokyo! I was there a year or so ago and it is filled with photo opportunities which I am sure you already know. Have you decided on what gear you will take with you?
Some of those were taken in Mexico! I can recognize some of those places! Hope you felt at home while being here :) Saludos, Eduardo, me gusta mucho tu canal!
I’m agree that it’s better to remove remjet layer before. It’s the way this type of film is developed in it own process. As you say it reduce the stains in the reels and also maintain the chemicals more clean for next use. For this process I use a coffee spoon of washing machine powder in 1 l of water 20• I have to say that in Kodak film remains some rest of remjet layer, but with Fijifilm it’s removed completely. There are some people that say add washing products take off part of the image.
you mentioned that you bought a 400ft roll. Do you have a larger bulk loader than the standard 100ft bulk loader? Or what was your process of transferring 100ft from the 400ft roll into the bulk loader? I ask because I have a bulk loader and have wanted to shoot vision3 but I never find lengths of 100ft! Thanks! Keep up the awesome videos
Apenas descubrí tu canal y tus reviews son geniales! Sí disparo este 500t a iso 400, ¿debería pedirlo el laboratorio que hagan algo especial o que lo procesen normal (el lab sí revela con ECN)?
We have a store here in Porto, Portugal, which sells 24ex rolls for 2.5€ (+/-2£) and they develop and scan for 5€. I have had one in the fridge for quite awhile!
Thank Eduardo ! I was really pumped to try the vision 3 already, now even more. You gave a lot of insights that I have been gathering around the internet in on e video. Just to confirm, you don't remove the remjet before shooting right ? This means that you will not have the halation effect that Cinestill have ? Other question: is it possible to buy this film from Kodak itself ? Is it still been manufactured nowadays ? Thanks !
You remove the remjet when you are developing, not before shooting. I have no idea about any halation effect, to be honest. The film looks like you see in the pictures I showed. :) And yes, it's still being manufactured. Search on google where can you buy ot close to where you live!
Thanks for the cool video and the great explanation of the film. Where do you buy your Vision3 at a reasonable price? Have you already had experience with the medium format version (65mm as a base)?
You should try the plustek 8100/equivalent. I get amazing scans with that. Probably better, but slower than a pakon. I think I get better scans with the plustek on 35mm than I do with my Epson flatbed on medium format. I'm never happy with my medium format scans
Excelentes! el Cinestill que ya tiene removido el remjet genera un halo rojizo entorno a las luces altas (un ejemplo de eso lo podés ver aquí en los chispazos flic.kr/p/N7ya5E ) se supone que con el remjet esto se evita
Hi, Eduardo! Really like your videos. Can you do a episode explaining how you color correction your negatives? I started doing film and scanning negatives by my own , but I’m having trouble to get the pleasing colors. It will really help if you do so
I don't color correct them because I use a Pakon F135 scanner. If you scan with a flatbed scanner, color films are a pain in the ass and to fix and I was never able to get results as pleasing as the ones I get now. :(
It's 4 years passed, but why You still didn't try Vision 3 250D??? It's daylight balanced. Why use tungsten film and not shooting with tungsten bulbs? If you shoot regulary in the daytime, so why not 250D? And the color filter will eat some light, so the 500T with the filter will be close to 250D. And the second thing, you should try tungsten colored flash instead of color filter. It will give you properly colored people faces in front of a blueish back. This looks cool.
I’m moving to the US, so I’m not buying chemicals until I get there. Any ECN2 experiment will have to wait several months... but yeah, that’s something I want to try.
Is there a more cost-effective or economical alternative to the Hasselblad XPAN? It list at $3,000+ USD on eBay. I was hoping that maybe there was another company that made a camera that shot this medium format image for 35mm film. I love it. It looks like film stills. And ideas?
There’s the Horizon or Widelux, but it’s not the same. The x-pan is linear. Sadly, it’s the only camera in that format. People have built adapters for medium format cameras or home-made bodies, but nothing really high quality or professional.
For anyone who has shot this film with the filter, Are you still shooting it at 400? or are you going down even lower because of the added filter? What was your experience?
Great film, love the cinestill version of it. I shoot unfiltered and correct in post, but I've never had a problem with greens? Obviously we have a different process. Anyway, great for daylight and low light, as long as you like a bit of grain.
Awesome review. I’ve fallen in love w 500T, I get mine from film photography project pre-rolled. I haven’t developed it at home but I send it to little film lab (not cheap) and it’s a special treat. I’d like to get more of it though, it’s easily the best stock I’ve ever shot. Also wouldn’t cinestill be a good option for people? It’s pricey but cheaper for those that want to do Vision3 and will be sending it out.
What's your opinion on Cinestill 800Tin C-41 vs 500T @ Little Film Lab? They cross process in C-41, so doesn't that result in messed up colors? I shot a roll of Cinestill 800T and really liked it but the halation is a no go...
Brendan Lee shouldn’t it be the same? It’s the same stock and the same C41 process. I love the colors. I actually never shoot with a filter and haven’t seen the intense color shifts ed has, but maybe little film lab does a lot of color balancing in proofing
If you always shoot the film in Daylight why don't you use Vision3 250D? With a 85B filter you lose 2/3 stop of light so it's almost the same iso. I have a 60m roll of 250D and it's a great and cheap alternative to Portra.
Oh man, strong agree with everything you've said here although I've probably only shot 20 rolls or so of it. I do however think that your colors may be off with the warming filter due to old(er) chems or scanning issues.... Based on my results if you showed me a frame of Portra 400 and one of V3 500T with an 85B filter both developed with fresh chems and scanned through a Pakon I wouldn't really be able to tell them apart. That's why I kind of think of this film like a 500 speed tungsten-balanced Portra, with slightly lower contrast. It helps that it's A LOT cheaper than Portra too...which sort of makes me wonder why Cinestill is so very expensive, but that's a topic for a different rant.
you can, it's like any other 35 mm film. You have to develop it using the ECN-2 process though, not C-41 which is the standard used in all photolabs. If you give it to a lab you MUST tell them it's vision 500T because if they don't know and process it with all their other films this will spoil their chemistry.
Este post ya tiene tiempo, pero me cuesta encontrar en español la definición correcta de Washing Soda... Podrías decirme la marca o producto que compras para ver la referencia y conseguir lo mismo en España? Saludos !!
So instead of the pre-soaking with water at 102F I have to pre-soak it with a solution of water+baking soda at 102F right? Or the solution can be at room temperature?
Hi Eduardo. Great video. I got several rolls of 500T and other cinema film from my film school, which was leftovers from past year students. My question is, I brought a bag full of empty canisters to load it into, from the local film lab. Is there a particular technique you have to load it into these that works good? Do you open the top cap of the cassette carefully or just stick it to some leftover film with tape on the outside?
I don't understand why someone would choose 500T shot at 400ASA with a filter (lose another stop), then have to properly remove remjet, instead of using a film like Fuji 400H processed by a proper lab.
Seeing as its basically the same as Cinestill 800t except for the ramjet. Should I try shooting my Cinestill at 400 iso with 85B filter and have the lab process it as 800? I've also had people say to shoot at 500 and overexpose 1 Stop, what are your thoughts on that?
That's great because to be fully honest I've yet to ever try shooting film at any speed other than box Speed, And it scares me this is a completely new process for me. I have heard of pushing before and seen video's, but never really seen any reason as to why I would want to do so. But this video made me think otherwise especially after seeing some of your results. Thanks for the nudge and boost of confidence.
Well, technically speaking, by shooting it at 400 you are pulling the film, not pushing it. I have a video where I shoot CineStill at 3200 asa in order to be able to take pictures inside a dark jazz club. That's pushing. :)
EduardoPavezGoye lol, yeah I end up mixing the both of them. That’s great I think I’ve seen it il have to go check it again. What about processing how would I go about doing so, with pulling film?
El filtro 75b no funciona como un filtro naranja normal, verdad? Que pasa si se pone un filtro naranja de los que usamos para película en blanco y negro?
@@edpavez en Barcelona encuentro los vision3 por 8€. Ahora mismo es de los rollos de color más baratos que se encuentra. Incluso un color plus cuesta más
Hi I love your stuff and handling films..... I love to shoot in film but I'm in a country where all film and it's uses are shut, as a film student I'm Egor to put my hands on film (film strip) to satisfy my instinct on film I watch your videos and I love your work on them. Hope I shoot film soon. Thanks 😉👍
Great video. How do you load 400’ to the 100’ bulk loader?
From my very limited experience (E-6 film shooter here) C-41 films suffer badly from pre-wet before the development. Perhaps that is why you've got veird colors on your Epson. Good luck!
No, that's not the reason. The colors look perfect in the Pakon F135 scanner. I no longer do the pre-wet and I don't notice any difference so far, to be honest.
Regardless of how the film looks (which i think it looks great lol), your photography is really great, and I really enjoyed looking at your pictures in this video!
Wow Thanks.. I love your videos
I'm just PASSIONATE about everything film photography ! I hope it lives forever .. greetings from Syria!!
Realy like your videos!
How long did it take for you to shoot all this film?
Did you have any problems with expireing?
Is it better to shoot Cinestill 800T and C-41 Process or to shoot Vision 3 500T and cross process in C-41? Seems like very few labs offer real ECN-II (not crossprocessing) and the ones that do are prohibitively expensive. I've read that the colors and contrast can get messed up when cross-processing, though your scans look great.
See ? Xpan is so cool you will forget you have a Leica !
Simon Ark That’s what I’m afraid of. I love my M5.
This is what was used to shoot Call Me By Your Name! Amazing!
Ready Player One too!
@@KirkVisitacion Oh really!
Great review Eduardo... Question though, 400ft into a bulk loader? Any loader I've used is limited to 100ft. Are you cutting? Im about to buy 250D in 400 or 1000ft. ANy help would be much appreciated. David
Hey! I explained this in my Vision3 200T review. :)
Thanks, found it. Not really interested in 200T so hadn't checked... enjoyed the review so I checked out the others you had done and saw the answer.
how to move the film from a film can into the bulk loader ?
Great video. I feel like if I try it I'd need a better scanner first. (v500)
absolutely! color film (and this, in particular) was the reason I bought a Pakon.
Heh, this is also the reason I stick to black & white and take it straight to RC paper whenever I can. I really love the colour here, some of these shots were fucking stunning and you should have left them up longer. I currently shoot about 90% B&W but when my V500 finally dies (going on eight years) I hope my upgrade handles colour a little better. I looked up the price of a Pakon and my wallet coughed a cloud of dust.
I know! Buying the Pakon was a family decision, hahah. Also, my Epson 4490 is six years old and going strong as ever. Scanners seem to last a long time...
Gabe Anzelini ooo a 600. lucky guy ;) I have no idea. Ed might know.
CineStill is this same film without the remjet at a higher price. if you want to give it a try, go for it.
this is really helpful! I came looking for setting recommendations for night photography with this film, and what I got is: not good with pushing! don't go to 800 iso. Find good lighting instead! Got it, thank you s2
Tokyo is paradise for photographers. I'm fascinated by Japan in general both as a weaboo and photography nerd. Pls make a bunch of videos while you're there!
hey eduardo, did you buy your 400' from kodak directly, or did you buy it from an eBay listing? I've bought bulk left overs from a director before and loved it! now I'm really wanting the dbl span 5222, but haven't been able to buy it new. if you have a direct contact with kodak, could you share? GREAT REVIEW!!!
How about buying the largest filter you need and then get a few step down rings?
great job explaining shooting with cine film Eduardo. I'm seriously considering bulk loading this film since I love the CineStill film anyway. I'm wondering though, have you considered processing it with the remjet layer on, or is it too complicated-expensive to get the actual cine chemistry to develop it properly?
Oh, no. ECN-2 for home developing is not super expensive... about £60. The problem is I don't want to have more chemicals, nor buying stuff that will only be used with one film. It's also not complicated. Is just like C-41, really.
bigheadtaco there's an ffp c41 dev guide convincing me that I could just rub it off after developing.
Wait, so do you develop this with C-41?
Sales De Plata in Madrid will process this in ECN-2.
thank you for this review! Appreciate the comments on color grading / filters. When you shoot on your Leica do you expose at 400 ASA with a 85B filter? (I am going to try this film on a Leica MP this week) to get the smoother grain you talked about ?
corregir el balance de blancos de una pelicula tungsteno es muy facil, solo tenes que aplicar un filtro 85b en photoshop (filtros, filtro de fotografía)
Thank you for the nice presentation. Enjoy Tokyo! I was there a year or so ago and it is filled with photo opportunities which I am sure you already know. Have you decided on what gear you will take with you?
Some of those were taken in Mexico! I can recognize some of those places! Hope you felt at home while being here :) Saludos, Eduardo, me gusta mucho tu canal!
I’m agree that it’s better to remove remjet layer before. It’s the way this type of film is developed in it own process. As you say it reduce the stains in the reels and also maintain the chemicals more clean for next use.
For this process I use a coffee spoon of washing machine powder in 1 l of water 20•
I have to say that in Kodak film remains some rest of remjet layer, but with Fijifilm it’s removed completely.
There are some people that say add washing products take off part of the image.
you mentioned that you bought a 400ft roll. Do you have a larger bulk loader than the standard 100ft bulk loader? Or what was your process of transferring 100ft from the 400ft roll into the bulk loader? I ask because I have a bulk loader and have wanted to shoot vision3 but I never find lengths of 100ft! Thanks! Keep up the awesome videos
I use a regular loader. I talked about this in my past review: ruclips.net/video/agll4ZxhkQk/видео.htmlm17s
EduardoPavezGoye thanks so much!!
Apenas descubrí tu canal y tus reviews son geniales! Sí disparo este 500t a iso 400, ¿debería pedirlo el laboratorio que hagan algo especial o que lo procesen normal (el lab sí revela con ECN)?
Nunca he revelado a ECN, pero deberías no tener ningún problema tirándolo a 400. :)
@@edpavez gracias!
We have a store here in Porto, Portugal, which sells 24ex rolls for 2.5€ (+/-2£) and they develop and scan for 5€. I have had one in the fridge for quite awhile!
Thank Eduardo ! I was really pumped to try the vision 3 already, now even more. You gave a lot of insights that I have been gathering around the internet in on e video.
Just to confirm, you don't remove the remjet before shooting right ? This means that you will not have the halation effect that Cinestill have ?
Other question: is it possible to buy this film from Kodak itself ? Is it still been manufactured nowadays ?
Thanks !
You remove the remjet when you are developing, not before shooting. I have no idea about any halation effect, to be honest. The film looks like you see in the pictures I showed. :)
And yes, it's still being manufactured. Search on google where can you buy ot close to where you live!
Cool ! Thank you for the attention, Keep it up the awesome work :D !
Thanks for the cool video and the great explanation of the film. Where do you buy your Vision3 at a reasonable price? Have you already had experience with the medium format version (65mm as a base)?
Not a film shooter but love your videos.
I just got a fresh unopened 400ft can of 500t for $65! I can't wait to load it up and try it out.
where did you get it?!
Joseph Delgadillo please share where you bought it.
Yes, dont hold the secret. Who sells it for that little? Was it someone who bot 400 ft and didnt like it?
You should try the plustek 8100/equivalent. I get amazing scans with that. Probably better, but slower than a pakon. I think I get better scans with the plustek on 35mm than I do with my Epson flatbed on medium format. I'm never happy with my medium format scans
muy buena la review Eduardo, una pregunta que tal el film usado bajo luces de tungsteno?
En el review puse un ejemplo de ellos. Puedes ver mi Shoot Film de la Leica M3 con CineStill. Eso fue todo bajo tungsteno. Saludos!
buenísimo!
Excelentes! el Cinestill que ya tiene removido el remjet genera un halo rojizo entorno a las luces altas (un ejemplo de eso lo podés ver aquí en los chispazos flic.kr/p/N7ya5E ) se supone que con el remjet esto se evita
De rollo de película. Film means película
Hi, Eduardo! Really like your videos. Can you do a episode explaining how you color correction your negatives? I started doing film and scanning negatives by my own , but I’m having trouble to get the pleasing colors. It will really help if you do so
I don't color correct them because I use a Pakon F135 scanner. If you scan with a flatbed scanner, color films are a pain in the ass and to fix and I was never able to get results as pleasing as the ones I get now. :(
Wow, looks like a fun film. But where did you get it in 35mm? Or am I missing something?
El mejor review de esta película, hay que probarla algún día, saludos edo!
buen viaje a tokio!!
Gracias, querido!
The film is rated for 320 ASA in daylight. No matter if you use a filter it’s just not as sensitive to daylight as it is to tungsten light.
You say to use washing soda to remove the ramjet!..... Is that washing powder as in Percil and Areal and powders like that?
It's 4 years passed, but why You still didn't try Vision 3 250D??? It's daylight balanced. Why use tungsten film and not shooting with tungsten bulbs? If you shoot regulary in the daytime, so why not 250D? And the color filter will eat some light, so the 500T with the filter will be close to 250D. And the second thing, you should try tungsten colored flash instead of color filter. It will give you properly colored people faces in front of a blueish back. This looks cool.
Aren't you still cross processing it in C-41? I really think you should get it developed in ECN2 and make an update on the colors.
I’m moving to the US, so I’m not buying chemicals until I get there. Any ECN2 experiment will have to wait several months... but yeah, that’s something I want to try.
Hey Eduardo, Do you even need the Remjet remover that you used in the Kodak V3 200D review?
Nah. You can use washing soda or baking soda and it works just as good.
@@edpavez Oh wow baking soda? Would you say the same amount as Washing soda?
@@edpavez Nevermind I just looked it up.
Is there a more cost-effective or economical alternative to the Hasselblad XPAN? It list at $3,000+ USD on eBay. I was hoping that maybe there was another company that made a camera that shot this medium format image for 35mm film. I love it. It looks like film stills. And ideas?
There’s the Horizon or Widelux, but it’s not the same. The x-pan is linear. Sadly, it’s the only camera in that format. People have built adapters for medium format cameras or home-made bodies, but nothing really high quality or professional.
Hi Eduardo, what is washing soda? Is that the same thing as like arm and hammer baking soda?
For anyone who has shot this film with the filter, Are you still shooting it at 400? or are you going down even lower because of the added filter? What was your experience?
Have you ever tried kodak daylight balanced film instead if the tungsten balanced?
be interested in how that works out!
Muy buen vídeo ¿sabes donde puedo conseguir los químicos en la CDMX?
mucha gracias mi bro he comprado un par de este films y tus consejos son oro molido.
How did you bulk roll a 400ft to a 100ft bulk loader? Or how did you do it? Im planning to buy a 400ft.
I’m waiting for the answer too. Did you find out how to do that???
Did you ever figure it out? Take the film off the 400' roll onto the 100' roll then into the bulk loader?
Suerte en Tokio, buenos tiros y espero ver la aventura por allá. Saludos desde Ciudad de México.
What are some tips on traveling abroad with film, through the x-ray machines etc.
Great film, love the cinestill version of it. I shoot unfiltered and correct in post, but I've never had a problem with greens? Obviously we have a different process. Anyway, great for daylight and low light, as long as you like a bit of grain.
Me queda una duda tras ver el vídeo: si vas a disparar en interiores o al atardecer, ¿le quitas el filtro o lo dejas?
Lo quitas. El filtro es para el dia. :)
Awesome review. I’ve fallen in love w 500T, I get mine from film photography project pre-rolled. I haven’t developed it at home but I send it to little film lab (not cheap) and it’s a special treat. I’d like to get more of it though, it’s easily the best stock I’ve ever shot.
Also wouldn’t cinestill be a good option for people? It’s pricey but cheaper for those that want to do Vision3 and will be sending it out.
What's your opinion on Cinestill 800Tin C-41 vs 500T @ Little Film Lab? They cross process in C-41, so doesn't that result in messed up colors? I shot a roll of Cinestill 800T and really liked it but the halation is a no go...
Brendan Lee shouldn’t it be the same? It’s the same stock and the same C41 process. I love the colors. I actually never shoot with a filter and haven’t seen the intense color shifts ed has, but maybe little film lab does a lot of color balancing in proofing
What bulk loader are you using with 400ft rolls? The rolls must be huge
jodad did you find the answer for that??
I was wondering how you would develop 16mm film from a filmo 70bh not bulk loaded 35mm
If you always shoot the film in Daylight why don't you use Vision3 250D? With a 85B filter you lose 2/3 stop of light so it's almost the same iso. I have a 60m roll of 250D and it's a great and cheap alternative to Portra.
I don't like the blue cast in the highlights of the 250D. I much rather filter the 500D.
Interesting, I prefer the look of 250D. Tastes differ.
Oh man, strong agree with everything you've said here although I've probably only shot 20 rolls or so of it. I do however think that your colors may be off with the warming filter due to old(er) chems or scanning issues.... Based on my results if you showed me a frame of Portra 400 and one of V3 500T with an 85B filter both developed with fresh chems and scanned through a Pakon I wouldn't really be able to tell them apart. That's why I kind of think of this film like a 500 speed tungsten-balanced Portra, with slightly lower contrast. It helps that it's A LOT cheaper than Portra too...which sort of makes me wonder why Cinestill is so very expensive, but that's a topic for a different rant.
Is 812 goibg to function the same as the 85B?
Can i use this film on EOS500 or Point n shoot like yashica t2?
you can, it's like any other 35 mm film. You have to develop it using the ECN-2 process though, not C-41 which is the standard used in all photolabs. If you give it to a lab you MUST tell them it's vision 500T because if they don't know and process it with all their other films this will spoil their chemistry.
Welcome to Tokyo! Have fun! I'll try to spot you in the street :)
Yi Gu we can meet him
Let's do it!
EduardoPavezGoye I sent you a private message on facebook
EduardoPavezGoye I wrote you a message on facebook
Saw it and answered it. Neat!
Wow man you are coming here in Tokyo? Will be nice to meet you if possible. Let me know
Este post ya tiene tiempo, pero me cuesta encontrar en español la definición correcta de Washing Soda... Podrías decirme la marca o producto que compras para ver la referencia y conseguir lo mismo en España?
Saludos !!
Es detergente en polvo, para lavar ropa!
Which Minolta are you talking about in this video?
Have a nice trip!
You've given me FAS !!
LOS TIEMPOS DE REVELADO EN C 41 SON LOS MISMOS QUE PARA CUALQUIER FILM COLOR???? SALUDOS DESDE ARGENTINA
Where did you buy the 400ft roll of this film?? I'd love to know. Thanks
This is the real question!
Can you give me any advice on buying 85B filter from which brand? :)
You could just but a large threaded filter and use a stopdown filter rings.
Bellini makes a 3 ltr Kit ECN-2. I use this with much success. Better than C41 or RA4. I create 500ml using liquids of of the concentrates.
Sabes si habría alguna diferencia al ocupar el proceso ecn-2? Pd: en Chile es posible conseguirlo para uso en casa.
Is washing soda baking soda?
Weóoon, estaba escuchando Tenemos Explosivos mientras buscaba este rollo y salió esto ajsjdasj
Just buy 1 filter for you largest lens and some step-down rings. Much cheaper.
Hola, yo no tengo un filtro de esos, pero tengo cto que va directo a lampara, seria buena idea montar eso al lente ?
So instead of the pre-soaking with water at 102F I have to pre-soak it with a solution of water+baking soda at 102F right? Or the solution can be at room temperature?
room temperature is fine. but is not just soaking. you need to soak, agitate strongly and rinse.
@@edpavez Thank you Eduardo, I really appreciate it!
Hermano, tienes que probar las olympus pen originales! Saludos desde Mallorca!
Gran Video y que hermosas fotos!
Hi Eduardo. Great video. I got several rolls of 500T and other cinema film from my film school, which was leftovers from past year students. My question is, I brought a bag full of empty canisters to load it into, from the local film lab. Is there a particular technique you have to load it into these that works good? Do you open the top cap of the cassette carefully or just stick it to some leftover film with tape on the outside?
I don't understand why someone would choose 500T shot at 400ASA with a filter (lose another stop), then have to properly remove remjet, instead of using a film like Fuji 400H processed by a proper lab.
Hey, you developing the 500T in C41?
Same doubt.... I can't got good results
Seeing as its basically the same as Cinestill 800t except for the ramjet. Should I try shooting my Cinestill at 400 iso with 85B filter and have the lab process it as 800? I've also had people say to shoot at 500 and overexpose 1 Stop, what are your thoughts on that?
I think shooting it at 400 with an 85B should look amazing.
That's great because to be fully honest I've yet to ever try shooting film at any speed other than box Speed, And it scares me this is a completely new process for me. I have heard of pushing before and seen video's, but never really seen any reason as to why I would want to do so. But this video made me think otherwise especially after seeing some of your results. Thanks for the nudge and boost of confidence.
Well, technically speaking, by shooting it at 400 you are pulling the film, not pushing it. I have a video where I shoot CineStill at 3200 asa in order to be able to take pictures inside a dark jazz club. That's pushing. :)
EduardoPavezGoye lol, yeah I end up mixing the both of them. That’s great I think I’ve seen it il have to go check it again. What about processing how would I go about doing so, with pulling film?
Just develop it normally. Color film can take two or three stops of overexposure with ease. :)
Have you tried cinestill? I know it's basically the same thing with the remjet already removed, but I was wondering if there was a difference in it.
Dwight Daly Jr. Yeah he has a xpan vid I think.
I tried it. Since it has no remjet, I sent it to a lab. Aside from the expensive price tag and the lack of remjet, I didn't notice much difference.
Where do you get those film cannisters?
How did you buy the bulk? Did you get it from Kodak?
A video on the LC-Wide would be awesome, if that's something you'd want to do!
It will happen kind of soon!
which camera you were using with the film?
Doesnt your film get damaged when you get your stuff x-rayed at airports?
How you correct the photos? I'm so curious
El filtro 75b no funciona como un filtro naranja normal, verdad?
Que pasa si se pone un filtro naranja de los que usamos para película en blanco y negro?
No he usado nunca el 75B, pero con lo caros que están los rollos, mejor invierte en el filtro correcto.
@@edpavez perdón, quería decir el 85b.
Error por escribir rápido con el móvil!😅
@@edpavez en Barcelona encuentro los vision3 por 8€.
Ahora mismo es de los rollos de color más baratos que se encuentra. Incluso un color plus cuesta más
@ed you should try the Cokin filter system for your different camera !
For SLRs is perfect, but shooting a rangefinder with a massive filter on the lens blocking half the viewfinder, is not really an option. :(
You're right ;-)
you should do a video on how to bulk load film :)
I don't think it deserves a whole video. I already shot the process here: ruclips.net/video/Ih2AZ99fvUU/видео.htmlm55s
can we use the same filter for CineStill ?
Thank you! Amazing content u got here!
Dónde puedo encontrar este film en Chile? Saludos! Muy buen canal
no tengo idea. yo lo compro acá. :/
mandate unos! jajaja :)
how do you buy that film?
Where did you bought the bulk film? Cheers!
Hi I love your stuff and handling films..... I love to shoot in film but I'm in a country where all film and it's uses are shut, as a film student I'm Egor to put my hands on film (film strip) to satisfy my instinct on film I watch your videos and I love your work on them. Hope I shoot film soon.
Thanks 😉👍
Where do I get a 400 ft roll of this film?? :) in the UK??
do you have any alternative other than 85b since its really difficult to find?
Where did you get the 400ft roll?
why would you shoot 500T if you don't want the look of the film?
hola, puedo preguntar dónde conseguís esas latas? Si sabes de algo en Argentina mejor
Las compro en Inglaterra, que es donde vivo. No tengo idea de dónde las venden en Argentina.