It’s so awesome seeing you guys build up these amazing studios and get such awesome sounds out of them. All very well deserved and inspiring to watch. Keep up the great work.
A Trident console huh? I got chills just from the sheer connection to the past right there. Queen, Bowie, T.Rex Lou Reed, Rush and a ton of others recorded at Trident Studios in England and they quickly went on to develop recording consoles as well...obviously to feed their obsession. That deck is part of arguably some of the best rock history ever! Ziggy Stardust, the first 3 Queen albums...man! Sorry to geek out like that
Also Genesis' A Trick Of The Tail LP along with Elton John's early albums, up to and including Madman Across The Water. Lou Reed's Transformer and Carly Simon's No Secrets as well.
Andrews channel really helped me find some order in the chaos of my studio. It’s a small bedroom that at this point is full of gear. Seeing how he and dozens of other people solved storage problems and over tidiness issues with affordable options really helped. Getting my room under control, not so much from an acoustic treatment standpoint but in a functionally workable type of thing was a game changer for me.
I grew up in console/tape machine studios and it’s nice to hear modern guys appreciate what that provides vs. the process of click and drag and staring at a screen. Down for dumping to hard drive as you’ll retain your high end on the multitude of mix passes. But tracking and mixing with a console is where it’s at. As Brett said, the tactile nature of it is everything and you’re not so micro focused on a parameter.😊
I think there are other arguments to be made for digital. Tracking through a console anytime you can, but when you include client budget & timeframe, mixing in the analogue domain is just so hard to justify. Recalls are impossible or you need a console that has total recall (I don't have to explain how expensive & time consuming that is). I understand how having 64 channels of SSL EQ & compression for mixing was quite something in the past, but with the plugins & crazy good outboard that we have these days it makes a whole less sense. Don't get me wrong, as someone who grew up mixing live on consoles like the Midas XL3, I feel I have to work harder to get a great sound even on the highest end digital desk. There something about analogue desks that's absolute magic. But lord do I love saving a show by the press of a button, running CAT6 instead of a 150 pounds of copper, patching in a matrix instead of a huge splitter on stage via coms... Or in the studio sitting down in my chair and have my complete mix from months ago up in about 3 minutes. And I don't have to do 4 days of maintenance every month on a mammoth console that eats power like a small condo complex. The absolute majority of engineers these days work hybrid, best of both worlds is the only way forward.
Guys, way overthinking the gear. Don't forget the whole point is about writing a good song. A good song sounds good on 4 track Tascam cassette. I mic up. Throw a couple 57s on a Marshall. As long as it sounds good, coming in, that's all that matters. I think the last time I uploaded a track on RUclips was over a year ago, on a portastudio lol. There's absolutely no point upload anyting music wise on RUclips in 2023. A giant waste of time. Beato has it covered. I've tracked in many real studios, like "Deep Purple" recorded last before we tracked. This is somebody's home studio. Faders and some outboard gear doesn't change anything. Us humans think it's cool to look at, so it must sound better 😉 After all that at the end of this video, your writing MIDI on PreSonus. Probably sounds as good as the console. Try some blind fold A/B shootouts. Outboard gear & console VS Any high end DAW. It's a crazy game to play. I did it yesterday. I had my friends mind in a blender for the entire day. He thought he knew it all.
Rhett you should get the API 1608 check out Produce like a Pro where Warren is talking about it with a guy from API. Very modern integration with digital
awesome piece straight up. Man yr comment re using mouse/keybord .. ' [eyes squinting] I feel like I'm mixing with my eyes and not my ears' wow this is such a foundational consideration from beginner to intermediate [and impacts on everything you do] I've never really seen this covered anywhere - a piece on what peripheral hardware/panels/mixers [from entry up] are on offer? ...and how theyll change your life would be way cool] ...if I cant stand up and lean into the zone to dail in something with an actual knob/button/fader i couldnt do anything - seriously lol. Peace : )
I am not saying I am a better player than Rhett or that Rhett ever sucked at playing guitar- I AM saying that I have noticed as I have enjoyed these videos over the last 2-4 years that Rhett's playing has progressed noticeably and I like that. Kudos.
I've been waiting for this for so long! I've always said that you two were the same RUclipsr (no offense). Andrew was Rhett for drummers and Rhett was Andrew for guitarists.
Yea! Crazy wicked to see Andrew on your channel! Followed him back when he only had 10.000 subs - and even back then he put out some amazing quality content. He is hard working and comes across as an extremely nice guy. And I bet his videos did a lot for a many of us - myself included, when I built my home studio. Would be awesome to see him help you with your studio build.
One thing I love about your videos Rhett is how excited you get about everything. Doesn't matter if its the gear or the story - you always have a wide smile on your face. Love it.
Rhett - I have been enjoying your videos for years but PLEASE dump Sweetwater. I bought so much stuff from them over the past 8 years or so and on my last purchase (Martin 0-18) I was lied to and DID NOT get what I paid for. I will never buy another thing from them again. Unless it’s an 18 cent pick. Don’t trust them.
My contribution to your studio is my experience with Roc-n-Soc - they have options (including a square seat, which I have, and it's awesome) you can select with a checkbox to configure anything from a straight up throne to an office chair complete with casters, foot ring, and backs with piston height adjustment in several fabric types. Check your boxes, pay about a couple hundred bucks, and in a few weeks your built to order chair arrives - I've had mine for about 15 years and it's just now getting ready for a piston change (I've been saying that for like 5 years lol) and the fabric is nearly perfect on top with just some of the piping on the edge worn a bit. I'm not an affiliate but I wish I was. It's the type of tool you literally buy once; I see a lot of their configurations in a LOT of the best studio videos, which also affirms not just the quality but the comfort since a lot of places won't care about the cost of something they're gonna buy a few of, once. But they're so much less cost than any other seating option and with the configurability you can fill all your needs and spend half what you were on "specialty" furniture that fits the "role". Honestly I can't believe it's lasted this long and I use it for hours a day for everything from playing guitar to computer work and it's super comfy for all of it (why it gets constantly used). Can't say enough about the product...it's done right at a very fair price.
The comment about artists making music at home, is exactly why the "industry" is trying to force everyone into going Atmos. I don't hate Atmos. I llve it actually. But it needs to be an option, not the only way of doing things. They are forcing people because artists creating at home don't need the "industry". Make them do something that is too insanely expensive for every weekend warrior to afford the materials/products to do it, and it will be cheaper to have the "industries" big studios do it.
OK, this is the music geek dream studio with a crazy budget. Very cool. But what is the low budget "I just want to record music that sounds like 70's - 80's quality" home studio? Is it a couple apps on a laptop or phone with 4 good mics or what? What's the cheap modern approach to recording like Joni MItchell, The Smiths, Pink Floyd, Metallica, Nirvana?
Get 16 or 24 BAE 1073 or 1084s Rhett. Rack em up like a console. It would be that Neve console. I just got my 1st BAE 1073 and it changed things in my studio. Even DI is excellent now. Andrew's show is great for people with studios
This space was potentially an acoustic nightmare. It's square at 19 x 19 ft. And the peaked ceiling would focus sound in a weird way. It shouldn't work, but it does. I guess the FabricWall on the ceiling works. Short of DI-ing everything into your DAW; which you can't do with drums, you have to acoustically treat your room. Most of us DIY which ends up looking like "walls with acne". Rhett's comment that when you mix on a DAW with a mouse you end up "mixing with your eyes, not your ears" is unfortunately true.
Howdy Rhett and Andrew, Totally awesome use of wasted space. Don’t forget you also have 20’ x 20’ below that can be used for orchestral works or tributes to those who have gone to that other band. BTW - Probably best to just bite the bullet and use pre-drilled wood as your coffee and other pourable liquids station top above your amp shelf. One-half to one full inch holes gets the job done right if in a hurry for your liquid amp screams.
Rhett, as a console owner (I bought a used Neve 5088 during the pandemic)- some things to consider... regardless of whether a console is new or old- if a channel goes down, look for a console that is serviceable per channel. I love the trident stuff but if you go that route- get the Trident 88- not the 68. The 68 is only serviceable in banks of 8. That means if one channel goes down, you have to take the other seven down to repair it. Not the case with the 88 series. Its an important purchase - so do it right. Other consoles I would recommend. The Neve 5088. You can start with 8 channels and expand, the Api 1608 and the Iron age audioworks console. Also- make sure you invest your money with a proven company thats going to be around for a long time. Hope that it helps.
Great video, and a boss setup brodda. I had the pleasure of recording at this place called the mouse house one time in Pasadena. Legit 2" tape machines..omg. There's just nothing better for drum tones. You bash them 66 Ludwig's hard as f*cking hell..then listen back and hear all the transients tail off with this beautiful hiss that's hard to describe... addicting. Cheers-
At this point I am using a hybrid system. But I am considering 2 options for moving forward. One is the ssl origin desk. Or go full uad and try to make as much use of the unison pre’s as posible. And for controls using usb controlled controllers. 😅
The main thing is , get in there and steal the ideals-- then as you're leaving dump the coffee down the amps haha... Rhett live music is everything to me , recording live- we listen later and I ask who is that playing that part on the guitar ?-->and they said "you"...wow that's what they call getting in the groove.
Man, the best thing about having owned it all is knowing how little it means. Don't get too seduced by gear unless you're trying to sell studio time and need the marketing - it's a trap and a diversion to what's really important.
When you point to something and say I use this, it would help if you tell what that thing is instead of just assuming that everyone already knows what it is.
I also told him my account info and somehow they had a different account in there system for me, one I had deleted a week prior to making the new one. They could fix it, but lack initiative
Crazy, I literally just came across Andrew's channel from his recent tour of Mitch Gallagher's home studio and then you do this video so clearly I was meant to find his channel lol. He definitely has a great studio and I am a HUGE proponent of having a control surface. I went through a couple different ones before I finally settled on the UF8 when it came out and I will never go back to any other one. It is BY FAR the best control surface out there. Used in conjunction with my SSL Big Six, it definitely gives me the hybrid studio setup where I barely have to use the mouse at all and the fact that you can link multiple UF8s together is a plus.
Two of my favorite channels, great to see you guys together. And I love the console, countless great records were made on Trident consoles.....👍👍👍
Can I borrow a guitar and a console?
Takes one to know one.
😂
The master speaks.🙇🏽♂️
Ya that’s the .. you’ve come along way boys …
It’s so awesome seeing you guys build up these amazing studios and get such awesome sounds out of them. All very well deserved and inspiring to watch. Keep up the great work.
A wild Bandrew appeared!
@@gitpho so true...I'm not jealous at all...if only I could fit one into the my closet ;)
Ha!! Love seeing you both together!
Yo I've seen this dude b4...
I love Andrew Masters. This has to be the best collab. I hope he tours your place when you got it rocking
Loved seeing a tour of my husband's space for a change! You did a great job :) Thanks for coming over.
Thanks for coming through Rhett, super fun hang!
A Trident console huh? I got chills just from the sheer connection to the past right there. Queen, Bowie, T.Rex Lou Reed, Rush and a ton of others recorded at Trident Studios in England and they quickly went on to develop recording consoles as well...obviously to feed their obsession. That deck is part of arguably some of the best rock history ever! Ziggy Stardust, the first 3 Queen albums...man! Sorry to geek out like that
Dear Prudence, Hey Jude, Savoy Truffle, I Want You (She's So Heavy)....
Also Genesis' A Trick Of The Tail LP along with Elton John's early albums, up to and including Madman Across The Water. Lou Reed's Transformer and Carly Simon's No Secrets as well.
Rick Beato and Andertons TV. Rick with Tim Pierce. Now Rhett Shull and Andrew Masters. We’re approaching the RUclips music creators singularity.
I've said it so many times before. Trident has one of the best sounds in the industry. Audient as well.
Andrews channel really helped me find some order in the chaos of my studio. It’s a small bedroom that at this point is full of gear. Seeing how he and dozens of other people solved storage problems and over tidiness issues with affordable options really helped. Getting my room under control, not so much from an acoustic treatment standpoint but in a functionally workable type of thing was a game changer for me.
Man, this is goals. :) thanks for the tour, Rhett!
I grew up in console/tape machine studios and it’s nice to hear modern guys appreciate what that provides vs. the process of click and drag and staring at a screen. Down for dumping to hard drive as you’ll retain your high end on the multitude of mix passes. But tracking and mixing with a console is where it’s at. As Brett said, the tactile nature of it is everything and you’re not so micro focused on a parameter.😊
I think there are other arguments to be made for digital. Tracking through a console anytime you can, but when you include client budget & timeframe, mixing in the analogue domain is just so hard to justify. Recalls are impossible or you need a console that has total recall (I don't have to explain how expensive & time consuming that is). I understand how having 64 channels of SSL EQ & compression for mixing was quite something in the past, but with the plugins & crazy good outboard that we have these days it makes a whole less sense.
Don't get me wrong, as someone who grew up mixing live on consoles like the Midas XL3, I feel I have to work harder to get a great sound even on the highest end digital desk. There something about analogue desks that's absolute magic. But lord do I love saving a show by the press of a button, running CAT6 instead of a 150 pounds of copper, patching in a matrix instead of a huge splitter on stage via coms...
Or in the studio sitting down in my chair and have my complete mix from months ago up in about 3 minutes. And I don't have to do 4 days of maintenance every month on a mammoth console that eats power like a small condo complex.
The absolute majority of engineers these days work hybrid, best of both worlds is the only way forward.
Lots of interesting thoughts and ideas ... just need the money ... LOL !!
Guys, way overthinking the gear. Don't forget the whole point is about writing a good song. A good song sounds good on 4 track Tascam cassette. I mic up. Throw a couple 57s on a Marshall. As long as it sounds good, coming in, that's all that matters. I think the last time I uploaded a track on RUclips was over a year ago, on a portastudio lol. There's absolutely no point upload anyting music wise on RUclips in 2023. A giant waste of time. Beato has it covered. I've tracked in many real studios, like "Deep Purple" recorded last before we tracked. This is somebody's home studio. Faders and some outboard gear doesn't change anything. Us humans think it's cool to look at, so it must sound better 😉 After all that at the end of this video, your writing MIDI on PreSonus. Probably sounds as good as the console. Try some blind fold A/B shootouts. Outboard gear & console VS Any high end DAW. It's a crazy game to play. I did it yesterday. I had my friends mind in a blender for the entire day. He thought he knew it all.
Rhett you should get the API 1608 check out Produce like a Pro where Warren is talking about it with a guy from API. Very modern integration with digital
You could have made this an hour. And maybe should have. This stuff is addictive.
so true.
Two of my favorite creators, working together - I love it!
Neve custom series 75 Burbank audio. In api price range new neve sound. Pretty sure Bruce still makes them.
Today's video sponsored by Sweetwater. Lol. My comment before I even clicked was going to be "his Sweetwater agent loves him!"
awesome piece straight up. Man yr comment re using mouse/keybord .. ' [eyes squinting] I feel like I'm mixing with my eyes and not my ears' wow this is such a foundational consideration from beginner to intermediate [and impacts on everything you do] I've never really seen this covered anywhere - a piece on what peripheral hardware/panels/mixers [from entry up] are on offer? ...and how theyll change your life would be way cool] ...if I cant stand up and lean into the zone to dail in something with an actual knob/button/fader i couldnt do anything - seriously lol. Peace : )
Y'all are literally my 2 favorite channels on RUclips and here y'all are collaborating. Freakin love it
I am not saying I am a better player than Rhett or that Rhett ever sucked at playing guitar- I AM saying that I have noticed as I have enjoyed these videos over the last 2-4 years that Rhett's playing has progressed noticeably and I like that. Kudos.
You are correct with out a doubt
Rock out with your socks out! I loved this video. It's always awesome to see a couple of your favorite creators collaborate.
So cool to see a video of you two ! I hope he will tour your studio when it’s done ! :)
I've been waiting for this for so long! I've always said that you two were the same RUclipsr (no offense). Andrew was Rhett for drummers and Rhett was Andrew for guitarists.
Rhett and Andrew doing a video together (cue avengers theme song)
Not the drum stick snapping at 0:25
this was cool thanks
My best recordings were late 80s early 90s on 8 track tape tascam then mixed to Cd or cassette
Yea! Crazy wicked to see Andrew on your channel! Followed him back when he only had 10.000 subs - and even back then he put out some amazing quality content. He is hard working and comes across as an extremely nice guy. And I bet his videos did a lot for a many of us - myself included, when I built my home studio. Would be awesome to see him help you with your studio build.
One thing I love about your videos Rhett is how excited you get about everything. Doesn't matter if its the gear or the story - you always have a wide smile on your face. Love it.
Where’s the link to Andrew’s videos?
Sounds KILLER! Goals on your drum sound.
Brilliant drum sounds!
Most home studios are studios in a home. This happens to be a home within a studio.
Worlds are colliding! 😮
Rhett - I have been enjoying your videos for years but PLEASE dump Sweetwater. I bought so much stuff from them over the past 8 years or so and on my last purchase (Martin 0-18) I was lied to and DID NOT get what I paid for. I will never buy another thing from them again. Unless it’s an 18 cent pick. Don’t trust them.
I've followed AM since before built this and its a helluva an impressive studio and his chops have also come a long way in a short time as well.
Crossover of the century
Thanks for more power!!
Trident makes some great little consoles.
That room is incredible, definite vibes🍑
*grabs notepad*
Andrew is a G
My contribution to your studio is my experience with Roc-n-Soc - they have options (including a square seat, which I have, and it's awesome) you can select with a checkbox to configure anything from a straight up throne to an office chair complete with casters, foot ring, and backs with piston height adjustment in several fabric types. Check your boxes, pay about a couple hundred bucks, and in a few weeks your built to order chair arrives - I've had mine for about 15 years and it's just now getting ready for a piston change (I've been saying that for like 5 years lol) and the fabric is nearly perfect on top with just some of the piping on the edge worn a bit.
I'm not an affiliate but I wish I was. It's the type of tool you literally buy once; I see a lot of their configurations in a LOT of the best studio videos, which also affirms not just the quality but the comfort since a lot of places won't care about the cost of something they're gonna buy a few of, once. But they're so much less cost than any other seating option and with the configurability you can fill all your needs and spend half what you were on "specialty" furniture that fits the "role".
Honestly I can't believe it's lasted this long and I use it for hours a day for everything from playing guitar to computer work and it's super comfy for all of it (why it gets constantly used). Can't say enough about the product...it's done right at a very fair price.
3 thumbs up
The comment about artists making music at home, is exactly why the "industry" is trying to force everyone into going Atmos. I don't hate Atmos. I llve it actually. But it needs to be an option, not the only way of doing things. They are forcing people because artists creating at home don't need the "industry". Make them do something that is too insanely expensive for every weekend warrior to afford the materials/products to do it, and it will be cheaper to have the "industries" big studios do it.
One of the best crossover eveeerrrr! 🤘🏻🤘🏻🤘🏻
This is the husband of the woman that called into Dave Ramsey last week talking about being 29 years old with $800k in debt
I do love a channel crossover.
get the uc-1 along with the uf-8 -- the SSL channel strip 2 and mix bus plugin come with it and it is incredible
OK, this is the music geek dream studio with a crazy budget. Very cool. But what is the low budget "I just want to record music that sounds like 70's - 80's quality" home studio? Is it a couple apps on a laptop or phone with 4 good mics or what? What's the cheap modern approach to recording like Joni MItchell, The Smiths, Pink Floyd, Metallica, Nirvana?
Get 16 or 24 BAE 1073 or 1084s Rhett. Rack em up like a console. It would be that Neve console. I just got my 1st BAE 1073 and it changed things in my studio. Even DI is excellent now. Andrew's show is great for people with studios
Nothing like having stuff right there in front of you to mix songs. Too much technology is being used and it takes the soul out of music.
8:35 “whether it’s a home studio... pro studio? NO STUDIO? Sweetwater’s got you covered” 😂😂
This space was potentially an acoustic nightmare. It's square at 19 x 19 ft. And the peaked ceiling would focus sound in a weird way. It shouldn't work, but it does. I guess the FabricWall on the
ceiling works. Short of DI-ing everything into your DAW; which you can't do with drums, you have to acoustically treat your room. Most of us DIY which ends up looking like "walls with acne". Rhett's
comment that when you mix on a DAW with a mouse you end up "mixing with your eyes, not your ears" is unfortunately true.
Howdy Rhett and Andrew,
Totally awesome use of wasted space. Don’t forget you also have 20’ x 20’ below that can be used for orchestral works or tributes to those who have gone to that other band.
BTW - Probably best to just bite the bullet and use pre-drilled wood as your coffee and other pourable liquids station top above your amp shelf. One-half to one full inch holes gets the job done right if in a hurry for your liquid amp screams.
Rhett, as a console owner (I bought a used Neve 5088 during the pandemic)- some things to consider... regardless of whether a console is new or old- if a channel goes down, look for a console that is serviceable per channel. I love the trident stuff but if you go that route- get the Trident 88- not the 68. The 68 is only serviceable in banks of 8. That means if one channel goes down, you have to take the other seven down to repair it. Not the case with the 88 series. Its an important purchase - so do it right. Other consoles I would recommend. The Neve 5088. You can start with 8 channels and expand, the Api 1608 and the Iron age audioworks console. Also- make sure you invest your money with a proven company thats going to be around for a long time. Hope that it helps.
Great video, and a boss setup brodda. I had the pleasure of recording at this place called the mouse house one time in Pasadena. Legit 2" tape machines..omg. There's just nothing better for drum tones. You bash them 66 Ludwig's hard as f*cking hell..then listen back and hear all the transients tail off with this beautiful hiss that's hard to describe... addicting. Cheers-
Now you need to have Andrew take you over to Colt Capperrune's Place
Guitar tone is awesome.
Andrew is the man. Hoping for more collabs between you and him in the future!
At this point I am using a hybrid system. But I am considering 2 options for moving forward. One is the ssl origin desk. Or go full uad and try to make as much use of the unison pre’s as posible. And for controls using usb controlled controllers. 😅
Shout out Butch!
Now I know what my Sweet Water 48 months no interest credit card can get me ….😅
The main thing is , get in there and steal the ideals-- then as you're leaving dump the coffee down the amps haha... Rhett live music is everything to me , recording live- we listen later and I ask who is that playing that part on the guitar ?-->and they said "you"...wow that's what they call getting in the groove.
this is awesome. im looking for some more stuff to get my instagram videos looking and sounding better so this is great.
I love this! I saved this to my favorites. I also subscribed to his channel. My home studio setup will definitely be similar.
I’m striving to have this in my life. God damn! The organization and lay out is amazing!
2:42.... every guitar players dream .....that is exactly what a guitar player wants to here.
Studio looks amazing Rhett. Congrats!!! Make some music!!
Hey Rhett check old Harrison consoles excellent EQ. Saludos
Great video👍 - was wanting it to keep going longer! How many channels do you want for your console Rhett?
Man, the best thing about having owned it all is knowing how little it means. Don't get too seduced by gear unless you're trying to sell studio time and need the marketing - it's a trap and a diversion to what's really important.
Dude looks like (the actor who plays) Shaggy, from Scoobie Doo
Awesome video guys! What fuzz did you use in the track, Rhett?
Reminds me a lot of Colt Capperrune’s studio in Nashville.
Please create an Album together
When you point to something and say I use this, it would help if you tell what that thing is instead of just assuming that everyone already knows what it is.
My 2 favs YT Channels at the same video !! Super cool
My two favorite channels collide... 🤘
Hope u reinforced the floors.weight.peace.
Made check out Tweed Recording
school in athens next
Still waiting on my reward points from sweetwater… 10k sale… ethics? The sales engineer processed it as a guest account…
@NTPL Worship indeed and I told the ENGINEER… I was autistic and needed help with this order.
I also told him my account info and somehow they had a different account in there system for me, one I had deleted a week prior to making the new one. They could fix it, but lack initiative
Nobody cares if I get screwed, my name isn’t Rhett Shull :)
@NTPL Worship On a positive note, Fender stepped up/in and sent me a new case for my tele I purchased from sour water, even let me keep the old one.
Can’t believe this collab finally happened.
The console link doesn’t work…
YES!! We finally got this collab!
Best dudes on RUclips including Rick Beato
Andrew’s Studio is really nice!
What's under the fabric walls?
Andrew is the man!
Nice studio, would be fun to Jam with you fellas
Lolol finally someone pulls an Andrew on Andrew!!
Is it sad when you know whose studio it is from just the pic?
Musician RUclips Cinematic Universe
if one learns how to mix quiet, he or she should be able to mix even in a bathroom
Crazy, I literally just came across Andrew's channel from his recent tour of Mitch Gallagher's home studio and then you do this video so clearly I was meant to find his channel lol. He definitely has a great studio and I am a HUGE proponent of having a control surface. I went through a couple different ones before I finally settled on the UF8 when it came out and I will never go back to any other one. It is BY FAR the best control surface out there. Used in conjunction with my SSL Big Six, it definitely gives me the hybrid studio setup where I barely have to use the mouse at all and the fact that you can link multiple UF8s together is a plus.
AAGGGHHHHHHHH..!!! I’m doing this.! As soon the room frees up..Cool..!
Power requirements..?
1:58 Andrew just did not get the sarcasm hahahaha
anyone notice his stick breaking in the begginning
What a colab is this?!! awesome … thanks ….