Ich habe ein neues Lieblingsstück von Schubert, gestern entdeckt und mich gleich darin verliebt. Habe auch die vielen interessanten Kommentare dazu gelesen. Bisher kannte ich viele Lieder, die schönen beiden bedeutenden Sinfonien, einige Klavierwerke ( Ungarische Melodie wunderschön, Impromptus...) Ständchen Zögernd leise, Serenade, die zauberhafte "Nachthelle"...aber keine Trios und nicht viel Kammermusik aber Forellenquintett. Den Erlkönig hörten wir in der Schule mit 10/11 Jahren, die Winterreise beeindruckte mich mit 18/ 19 Jahren. Und jetzt erst mit 76 Jahren erst fand ich dieses erstaunliche Musikwerk. Per Tengstrand führte mich mit seiner Schubert-Dokumentation hierher und machte mich auf dieses Werk aufmerksam.
Pure greatness: each instrument has its own, independent life and thus contribute to the birth of the harmony instead of being purely subordinate to it. From my point of view, a great performance. Thanks to all those who made it possible.
I had the pleasure of hearing this trio live in LA playing the piano trio of Rebecca Clarke. A fine piece and wonderfully played by the Horszowski Trio. An ensemble to watch out for and of course to listen to. Good luck.
Wow; someone described this piece as epic, and I agree for a trio. Wonderful playing and thanks SO much for sharing. Schubert and Mozart left us many blessings, even in their short lifetimes. Glad that they were prolific!
Really sublime! This trio takes its name probably after the great pianist M, Horszowski, whose recording with Casals and Schneider has reigned supreme for the last 60 years. This one touches it, and how wonderful to get every note of it!
This trio is in another league from every trio I have ever heard. They get to the heart of the music with intelligence and soul. Bravo Jesse, Rieko and Raman! You all are absolutely amazing musicians and people.
Il y a un moment inouï, à la 27 ème minutes, un moment d'arrêt de silence, où les trois musiciens se concertent sans toutefois vraiment se regarder, un moment d'attente et de veille exceptionnel.
This performance restores the two groups of 50 measures Schubert cut from the published score.....at 42:51 he combines the three main thematic ideas that dominate the movement together.
Thank you very much for sharing that insight: I certainly have NOT studied the score, to have recognized that, nor would I have compared it to 10 other renderings of the same Trio, and have even detected the difference -- but I AM going to try to do that, for fun, now that you point it out. My question to you, Mr. Sturge, would be: why do you think Schubert would have removed them (the 50 measures) from the score he chose to have published? Today, we might imagine, in a recording studio that some technical, or time constraint for a recording, would "advise'" some such accommodation to some consideration having nothing to do with the intent of the Composer? But what MIGHT have been HIS intent? Or have you found something in writing about that? Anyway, it would be delightful to know your thoughts, sir. In these trying times -- the SOURCE OF INSPIRATION IS BEAUTY ITSELF and the Creative Mind that creates such inexpressible power, which is otherwise inaccessible to the physical domain. Do you know what I am trying to say here?
@@judyclark2734 Apparently, even back then, the movement was just too long. Especially since its exposition was also repeated in the original version (230 bars!), so the repeat was removed in the first published version, as well as those two sets of 50 bars.
@@judyclark2734 Der Herausgeber forderte Schubert auf, das Werk zu kürzen. Es sei zu lang, da strich Schubert einige Wiederholungen. Das las ich in einem anderen Kommentar.
Sçhuberts Trimo ñr 2,wonderfully performed, the Cellist Raman's contribution remarkable.Reminds me of the days in Bremen where l used to spend my post dinner evenings in the Kammer Orchester Halle l Halle l wish the tonal quality of music on the net to improve.
They are playing the original uncut finale. The two sets of 50 cut measures constitute some of the most interesting writing in the whole piece. The worst deprivation is the two minute passage beginning 42:52 where Schubert beautifully combines nearly all the thematic material of the movement contrapuntally.
mich sturge Thank you for explaining this. I learn so much from the comments on music videos that I’ve made a habit of reading them. I’m a visual artist, not a musician or composer, though I’ve always loved classical music & played piano as a child (by ear) and grew up listening to my mother singing & playing everything from Hank Williams & old gospel songs to operettas & Chopin. She was also “self-taught “... that is, like the rest of her siblings she grew up singing & playing various instruments (7, including the bones) as home entertainment, taught by her elders in a Cherokee community in diaspora spread out over 40 miles of forest in southern Arkansas. I was lucky enough to grow up surrounded by live music performed by my mother & other relatives at home, unlike most kids who were stuck with only television. However, television did expose me to many kinds of music I wouldn’t have heard otherwise, as we watched all televised musical performance -in the ‘50s, an amazing amount of Bernstein & others, of Nat King Cole, Perry Como, Belefante, etc. Our family was also full of members who were talented in visual art, having inherited photographic memory as well as aural memory & “perfect pitch”, some of whom became professional painters like myself. Thanks to all of you who understand the structure of classical music & bother to explain it in this section. The comments on classical music are much more interesting & educational than the comments I generally find on other subjects, from fine art to film. I’ve often wondered why this is. Not only do I often learn more about the particular piece being commented upon, I’m greatly entertained by reading the disagreements between commenters, as these are usually very civil & intelligent and often quite humorous. It’s such a relief to find such people on RUclips, where the comments section on most subjects are full of racism, sexism, etc., and are usually seriously lacking any form of reason to boot. Most of the musicians whose comments I find online seem a different breed of people, which is delightful! Thanks to all of you who bother to write in to explain why you like or dislike a piece, why you think a particular performance is better than another, which performers you think play a certain piece better than others, etc. In the few years I’ve been listening to music on RUclips, I’ve learned more about classical music than I ever learned in music-appreciation classes years ago, & it’s wonderful that so many people now have access to a form of music most would otherwise never have a chance to hear. Perhaps classical European & the traditional music of other peoples will gain new fans, let’s hope.
oooh that's what that was.... thanks for explaining! I was caught by surprise by that section since I hadn't heard it in any other recording and was wondering if they were improvising or something haha
Decir Schubert es decir un sentimiento profundo, insondable. Imposible no sentir esa sensación tan ardua de definir. Este trió y estos intérpretes lo ponen de relieve
Un trio de caracteristicas casi sinfonicas, es el legado inmortal de Schubert, una inspiracion divina en su concepcion. Esta version es hermosa igualmente, hay otras maravillosas tambien. Es el trio mas importante de todos los compuestos anteriormente, salvo el movimiento del Andante del op. 70, "Ghost" de Beethoven. El Andante es una obra en si misma y lo vuelven a repetir en una recapitulacion en el Allegro Moderato final. Una emocion sin limites al escuchar este Andante cn Moto siempre.
Beautifully played, a couple of tiny minor mistakes, but nothing else. The page turner for the pianist looks a bit like Lady Lyndon played by Marisa Berenson in Barry Lyndon, of which the 2nd movement was played as background music during the candlelight scene.
C'est presque comme si c'était moi qui interprétait cette oeuvre, moi qui ne suis pas musicien. Comme si mon angoisse avait pris la parole de façon décisive.
Violinen sind schöne Instrumente, zu schön als durch einen Putzlappen entstellt zu werden. Ok., er ist der Künstler, aber sehen mag ich das jetzt nicht mehr.
Wonderful! Magnificent! Thank you very much.
Franz Schubert is unsurpassed - there are no words for him.
Ich habe ein neues Lieblingsstück von Schubert, gestern entdeckt und mich gleich darin verliebt. Habe auch die vielen interessanten Kommentare dazu gelesen. Bisher kannte ich viele Lieder, die schönen beiden bedeutenden Sinfonien, einige Klavierwerke ( Ungarische Melodie wunderschön, Impromptus...) Ständchen Zögernd leise, Serenade, die zauberhafte "Nachthelle"...aber keine Trios und nicht viel Kammermusik aber Forellenquintett. Den Erlkönig hörten wir in der Schule mit 10/11 Jahren, die Winterreise beeindruckte mich mit 18/ 19 Jahren. Und jetzt erst mit 76 Jahren erst fand ich dieses erstaunliche Musikwerk. Per Tengstrand führte mich mit seiner Schubert-Dokumentation hierher und machte mich auf dieses Werk aufmerksam.
Deutsche Musik ist uber alles in der Welt~~~
Pure greatness: each instrument has its own, independent life and thus contribute to the birth of the harmony instead of being purely subordinate to it. From my point of view, a great performance. Thanks to all those who made it possible.
Excellent. Really excellent.
Every time I hear this I raise my eyes up and say thanks, Franz...
I had the pleasure of hearing this trio live in LA playing the piano trio of Rebecca Clarke. A fine piece and wonderfully played by the Horszowski Trio. An ensemble to watch out for and of course to listen to. Good luck.
Wonderful!
Thank you for letting me know about this lovely music.
Finally someone who plays the original finale
Pur moment de grâce et de tranquillité. Magie des sons qui apaisent, consolent et apportent la confiance. Merci
Wow; someone described this piece as epic, and I agree for a trio. Wonderful playing and thanks SO much for sharing. Schubert and Mozart left us many blessings, even in their short lifetimes. Glad that they were prolific!
Wonderful to get this long piece on UTube, so grateful. In this new Age of Darkness and delusion, this rings true and good.
So very beautiful.
Really sublime! This trio takes its name probably after the great pianist M, Horszowski, whose recording with Casals and Schneider has reigned supreme for the last 60 years. This one touches it, and how wonderful to get every note of it!
This trio is in another league from every trio I have ever heard. They get to the heart of the music with intelligence and soul. Bravo Jesse, Rieko and Raman! You all are absolutely amazing musicians and people.
Exactly! Perfectly stated, thank you. Je suis d'accord.
@@judyclark2734 Et bien, et moi aussi!
Liliane
Who else did begin clapping at the end of the piece?? Such a passionate and stunning performance!
Exquisite playing, world class. BRAVO Horszowski Trio!
Heaven sent. Great music and great performers. Schubert tops the list for chamber music.
Une interprétation inspirée, magnifique dans les parties lentes, riche de sous-entendus qui emmènent très loin. Merci. Bravo !
One of the best renditions of an oft-played piece! Bravi!!!
Il y a un moment inouï, à la 27 ème minutes, un moment d'arrêt de silence, où les trois musiciens se concertent sans toutefois vraiment se regarder, un moment d'attente et de veille exceptionnel.
Superb, gutsy performance, full of verve and also the uncanny side of Schubert's music. Bravo!
Eine wundervolle Interpretation..
I'm listening this for the third time. Very nice rendition! Thank you Horszowski Trio!
probably the best performance of this great piece on the net !!!
Bravo, Bravo, Bravissimo!!!!
QUELLE BEAUTE !!!!!
This performance restores the two groups of 50 measures Schubert cut from the published score.....at 42:51 he combines the three main thematic ideas that dominate the movement together.
Thank you! For a non-musician like me, that loves Schubert Trios, it would had seemed like the musicians playing were messing with the Author :)
Thank you very much for sharing that insight: I certainly have NOT studied the score, to have recognized that, nor would I have compared it to 10 other renderings of the same Trio, and have even detected the difference -- but I AM going to try to do that, for fun, now that you point it out. My question to you, Mr. Sturge, would be: why do you think Schubert would have removed them (the 50 measures) from the score he chose to have published? Today, we might imagine, in a recording studio that some technical, or time constraint for a recording, would "advise'" some such accommodation to some consideration having nothing to do with the intent of the Composer? But what MIGHT have been HIS intent? Or have you found something in writing about that? Anyway, it would be delightful to know your thoughts, sir. In these trying times -- the SOURCE OF INSPIRATION IS BEAUTY ITSELF and the Creative Mind that creates such inexpressible power, which is otherwise inaccessible to the physical domain. Do you know what I am trying to say here?
@@judyclark2734 Apparently, even back then, the movement was just too long. Especially since its exposition was also repeated in the original version (230 bars!), so the repeat was removed in the first published version, as well as those two sets of 50 bars.
@@judyclark2734
Der Herausgeber forderte Schubert auf, das Werk zu kürzen. Es sei zu lang, da strich Schubert einige Wiederholungen. Das las ich in einem anderen Kommentar.
du pure bonheur c'est un véritable ravissement une interprétation merveilleuse .Merci au trio
Horszowski Je suis émerveillé
Quelqu'un peut il me dire où se produit ce trio ? Merci bg21290@gmail.com
I can't get enough of this.
Thanks beloved Schubert
I can hear gems like this only on You Tube. The 50 minute length makes it hard to program on classical music radio stations.
BEAUTIFUL!
Such a fantastic music and performance, unforgetful performance of divine tunes!!
I applaud.
Ich möchte Euch live sehen hören. Ich liebe diese Musik.
I just can't get tired of this music, especially of this interpretation... Congrats!
This piece is simply a miracle.
Franz is the one of the best composer ever!!
Estic d'acord totalment amb vostè
The way the last movement of the Piano Trio D.929 recalls the themes of the first three movements... that is awesome!
He did it like Beethoven.
Sçhuberts Trimo ñr 2,wonderfully performed, the Cellist Raman's contribution remarkable.Reminds me of the days in Bremen where l used to spend my post dinner evenings in the Kammer Orchester Halle l Halle l wish the tonal quality of music on the net to improve.
@@cihanyy
Schumann and Dvořák too.
Incredible. Brings tears.
Every single note of this masterpiece is so beautiful, and played perfectly... Amazing.
Allegro final avec rappel du mouvement second. Very nice to hear that more.
hits right to my soul and hearth, the violin is so sensitive and soothing in all emotions
Wow - This is so beautiful and well played.
Wonderful performance...and the balance of the instruments is perfect in perfect acoustics...
It's very good they play on the unabridged version.
Magnifica interpretació d'aquest excpepional grup d'una bellísima obra del genial Schubert. Per gaudir-la amb els ulls tancats.
They are playing the original uncut finale. The two sets of 50 cut measures constitute some of the most interesting writing in the whole piece. The worst deprivation is the two minute passage beginning 42:52 where Schubert beautifully combines nearly all the thematic material of the movement contrapuntally.
mich sturge Thank you for explaining this. I learn so much from the comments on music videos that I’ve made a habit of reading them. I’m a visual artist, not a musician or composer, though I’ve always loved classical music & played piano as a child (by ear) and grew up listening to my mother singing & playing everything from Hank Williams & old gospel songs to operettas & Chopin. She was also “self-taught “... that is, like the rest of her siblings she grew up singing & playing various instruments (7, including the bones) as home entertainment, taught by her elders in a Cherokee community in diaspora spread out over 40 miles of forest in southern Arkansas. I was lucky enough to grow up surrounded by live music performed by my mother & other relatives at home, unlike most kids who were stuck with only television. However, television did expose me to many kinds of music I wouldn’t have heard otherwise, as we watched all televised musical performance -in the ‘50s, an amazing amount of Bernstein & others, of Nat King Cole, Perry Como, Belefante, etc. Our family was also full of members who were talented in visual art, having inherited photographic memory as well as aural memory & “perfect pitch”, some of whom became professional painters like myself.
Thanks to all of you who understand the structure of classical music & bother to explain it in this section. The comments on classical music are much more interesting & educational than the comments I generally find on other subjects, from fine art to film. I’ve often wondered why this is. Not only do I often learn more about the particular piece being commented upon, I’m greatly entertained by reading the disagreements between commenters, as these are usually very civil & intelligent and often quite humorous. It’s such a relief to find such people on RUclips, where the comments section on most subjects are full of racism, sexism, etc., and are usually seriously lacking any form of reason to boot. Most of the musicians whose comments I find online seem a different breed of people, which is delightful! Thanks to all of you who bother to write in to explain why you like or dislike a piece, why you think a particular performance is better than another, which performers you think play a certain piece better than others, etc. In the few years I’ve been listening to music on RUclips, I’ve learned more about classical music than I ever learned in music-appreciation classes years ago, & it’s wonderful that so many people now have access to a form of music most would otherwise never have a chance to hear. Perhaps classical European & the traditional music of other peoples will gain new fans, let’s hope.
oooh that's what that was.... thanks for explaining! I was caught by surprise by that section since I hadn't heard it in any other recording and was wondering if they were improvising or something haha
Bravissimo !
Fabulous performance of a corner stone of chamber music!
The best piano trio in America.
Wonderful performance! Bravo
Thank you! I love it. Congrats.
Absolutely stunning!! Bravissimo!
Segundo movimento, Lindo! Lindíssimo! Uma obra prima de Schubert!
Amazing
Especially the last part, "Allegro Moderato".
An exquisite and unique masterpiece, played by hands aparentelly divines!
J'en suis certaine, moi aussi; que ce sont des mains divines!
very impressive indeed. great performance
Amazing interpretation ...
Bravíssimo, Horszowski Trio!
Thank you, so much! Superb!
So very beautiful and moving, thrilling. The piece, the players.
Fantastisch an excellent performance,
I can't help but depict imagery of Barry Lyndon
same
Can you please record this in a studio?! Amazing work! Loved it.
멋져 버려 좋은 곡이네 특히2악장
Decir Schubert es decir un sentimiento profundo, insondable. Imposible no sentir esa sensación tan ardua de definir. Este trió y estos intérpretes lo ponen de relieve
Un trio de caracteristicas casi sinfonicas, es el legado inmortal de Schubert, una inspiracion divina en su concepcion. Esta version es hermosa igualmente, hay otras maravillosas tambien. Es el trio mas importante de todos los compuestos anteriormente, salvo el movimiento del Andante del op. 70, "Ghost" de Beethoven. El Andante es una obra en si misma y lo vuelven a repetir en una recapitulacion en el Allegro Moderato final. Una emocion sin limites al escuchar este Andante cn Moto siempre.
wow I like this interpretation!
Nice Job!
Franz Schubert -Piano Trio nº 2 Op. 100
I'm drunk as fuck. This is awesome
3 dollar singles are dangerous.
What happened at 17:50? What was that squeak? ! ! !
Bravo
Please add more performance videos.
Beautifully played, a couple of tiny minor mistakes, but nothing else. The page turner for the pianist looks a bit like Lady Lyndon played by Marisa Berenson in Barry Lyndon, of which the 2nd movement was played as background music during the candlelight scene.
bravo
Wonderful superb music ... but who is the young lady who turns over the pages for the pianist?
Stefan Boensch indeed she is very attractive !!!
Looks like a Boticelli venus to me 💗
@@anaperezcrespo7730 comme Venus de MILOS !!!! Charmante !!!!
@@anaperezcrespo7730 Venus of Milos .... Charmante !!!!!!!!!!!!!
I wasn't the only one to notice, then.
C'est presque comme si c'était moi qui interprétait cette oeuvre, moi qui ne suis pas musicien. Comme si mon angoisse avait pris la parole de façon décisive.
17:24
Magical! Great performance but no Horoszowski! (I guess he died a while back before his performance of 100 years!)
Schubert could write that with just pen and paper. No piano needed.
Is that true? Just pen and paper? It stays in my head, without the recording, but better with.
Ä
Violinen sind schöne Instrumente, zu schön als durch einen Putzlappen entstellt zu werden. Ok., er ist der Künstler, aber sehen mag ich das jetzt nicht mehr.
Manche Künstler haben vom Geigenspiel Druckstellen am Hals, die können sich auch entzünden, darum schützt er seine Haut.
Franz Schubert -Piano Trio nº 2 Op. 100