@@noahberndes9188 Thank you. It would have been nice for him to explain that crucial information. I’ve never in my life seen a speaker like that though.
@@FinalLifeForm people call them monitors, they're used for accurate sound reproduction, so you'll see them in recording studio control rooms, for instance.
this whole comment section is just the funniest ive seen in a long time... the interplay of all the bewilderment, incomprehension, patient explaining, grumpy explaining, wise cracks, and a sprinkling of sensible comments ... .. and we've not even got started on the carpentry yet 😂😂 Dont mind us Rick, we adore you xx
We've passed from Peak Tid Bit into some other form of consciousness. Perhaps this defines where the boundaries lie; this seems to be an example of a too short short. We only need to wait till youtube introduces something even shorter to get clicks and sell ads.
You send the original recording of the snare/kick/whatever though loudspeakers _at_ a different drum (its mounted above the snare there, as you can see). Mic the drum, and there you have it. Re-amped. It actually works, which is wild.
This is one where you have to watch the whole video. If I recall, he's playing back a recorded drum sound through a speaker... that's placed in front of an entirely different drum shell... which is then mic'd. That's why he calls it "drum re-amping." Actually a cool idea. Not sure what video that was in, though. Can't really see what's happening at all in this short.
edit: Rick has honoured me with a description below. i'd love to hear a comparison of the original and re-amped sound. original: shame no description for context. im a soundEngineer ( edit: broadcast s.e.) but I have no idea what he's doing here what he's trying to achieve.
The description is drum reamping. If you’re a sound engineer and don’t know reamping is, you’re not really a sound engineer. It’s the same thing as taking a DI guitar or bass sound and sending it back through an amp and re-micing it. This is what people used to do when they had a bad Snare sound on a recording. They would play the Snare through speaker suspended above the snare or kick drum and re-mic and record that. It has all the dynamics of the original Snare or bass drum part but with a completely different sound because you have a new snare drum, that is mic’ed then its place. It’s far better than using a sample.
Cool idea ! I mean you could play anything through the amp, even high hats for some snare sizzle! Going to experiment with this idea thank you for sharing !
Rick, your stuff is usually great. But, unless you're, well, _you_ , this makes absolutely no sense. You don't need to kowtow to RUclips's demands for shorts. Even the slightest explanation would've been helpful … like wtf even is "reamping"?
For those of you that have never heard of drum reamping….. You basically take the transients from a recording and send them out into a speaker that “hits” a drum and you can retune or re mic that drum in a new way. I’ve done this a few times on snare drums for song where we wanted to change the tuning of the snare. It’s a useful technique that allows you to go back without having to re-record the entire performance, as well as the ability to experiment with different drum kits, percussion instruments, or other processing techniques. This can be useful in situations where the original drum sound needs to be adjusted or enhanced, or when the drummer is unavailable for a re-recording session.
@@RickBeato yeah, you're right and I apologise. I allowed my frustration at an increasing stream of "pointless" shorts - surely stemming from pressure from RUclips - to get the better of me. I typically love your videos, and I'm disappointed that you felt you needed to reply to my negative comment.
Transient / Beat Detection before DAWs were invented. Surely there's an "original recording" which was basically stolen from a great drummer's performance somewhere out there on record?
Some time you can hum or talk and here your snare wires vibrate. Put a speaker that close and turn it up with a drum track and eq etc. so the snare is A GIANT MOON GEL. 😂. I’m probably wrong but give me all that and I could figure it out.
I am Amazed on how they use different rooms old amps pillows crazy set up’s every artist in a different room. One amp in one place another in a different room. Cheap keyboards etc. I worked for studios and in a TC BAY the sub was in front of the operator behind a wall and literally filled with pillows 6 ft tall. Steel studs I guess but one thing affects another.
What song do you hear to this drum pattern? - so many fit; I predominantly hear ‘Never Let Me Down’ by DM. Slow it down quite a bit and maybe more like the intro to Supersonic…btw, the former is a great/fun song to play all parts at once to on acoustic.
Is the idea that the initial percussive strike is recorded from the speaker in addition to whatever sympathetic vibrations are created by the new drum?
The sound wave strikes the drum that is Mic’d. The blast of air is like a stick, hitting the string, but the exact same snare hit from the recording. You can change the pitch or type of drum with the new snare or kick drum.
This is what happens when you ask A.I. to make a Rick Beato You Tube video
10/10 comment
I have no idea what the hell is going on here.
Recording technique called drum reamping
@@John_Kealiinohomoku which means what?
The speaker is playing a sound into the snare, which is then rerecorded by the mic.
@@noahberndes9188 Thank you. It would have been nice for him to explain that crucial information. I’ve never in my life seen a speaker like that though.
@@FinalLifeForm people call them monitors, they're used for accurate sound reproduction, so you'll see them in recording studio control rooms, for instance.
this whole comment section is just the funniest ive seen in a long time...
the interplay of all the bewilderment, incomprehension, patient explaining, grumpy explaining, wise cracks, and a sprinkling of sensible comments
...
.. and we've not even got started on the carpentry yet 😂😂
Dont mind us Rick, we adore you xx
Lyrics:
You can change the snare drum tuning
Anything
Swap the snare out
You are the winner of today's free internet with this comment.
I'm just dying lol
This is totally me when I change the snare drum tuning.
Is he making pickles?
this is like if I ask my dad to make a YT short
On the best vocal intros ever
My stomach hurts from laughing
We've passed from Peak Tid Bit into some other form of consciousness. Perhaps this defines where the boundaries lie; this seems to be an example of a too short short. We only need to wait till youtube introduces something even shorter to get clicks and sell ads.
Haha!!!
I was waiting for Paul Stanley to start singing, "🎵you really like my limousine🎵"
I don't geddit
same
You can change the snare drum tuning, anything. Swap the snare out.
You send the original recording of the snare/kick/whatever though loudspeakers _at_ a different drum (its mounted above the snare there, as you can see). Mic the drum, and there you have it. Re-amped. It actually works, which is wild.
That's funny, for years I thought I could not change the snare drum tuning, or change the snare out. But now I believe that I can.
This is one where you have to watch the whole video. If I recall, he's playing back a recorded drum sound through a speaker... that's placed in front of an entirely different drum shell... which is then mic'd. That's why he calls it "drum re-amping." Actually a cool idea. Not sure what video that was in, though. Can't really see what's happening at all in this short.
The swap and snare there’s tuning and a box. Sky is water, trees are microphones. We all die.
That’s about as confused as I am right now haha
edit: Rick has honoured me with a description below.
i'd love to hear a comparison of the original and re-amped sound.
original:
shame no description for context. im a soundEngineer ( edit: broadcast s.e.) but I have no idea what he's doing here what he's trying to achieve.
Ye I'm not sure what's going on, something to do with the speaker facing the snare?
The description is drum reamping. If you’re a sound engineer and don’t know reamping is, you’re not really a sound engineer. It’s the same thing as taking a DI guitar or bass sound and sending it back through an amp and re-micing it. This is what people used to do when they had a bad Snare sound on a recording. They would play the Snare through speaker suspended above the snare or kick drum and re-mic and record that. It has all the dynamics of the original Snare or bass drum part but with a completely different sound because you have a new snare drum, that is mic’ed then its place. It’s far better than using a sample.
@@RickBeato I'm not a sound engineer i just wasn't sure what was happening, that's a really cool trick!
huh?
Cool idea ! I mean you could play anything through the amp, even high hats for some snare sizzle! Going to experiment with this idea thank you for sharing !
Love the 'Action' presentation style Rick.
Don't let the band see this or else they might replace me with a speaker. 🙄
Rick, your stuff is usually great. But, unless you're, well, _you_ , this makes absolutely no sense. You don't need to kowtow to RUclips's demands for shorts. Even the slightest explanation would've been helpful … like wtf even is "reamping"?
For those of you that have never heard of drum reamping…..
You basically take the transients from a recording and send them out into a speaker that “hits” a drum and you can retune or re mic that drum in a new way.
I’ve done this a few times on snare drums for song where we wanted to change the tuning of the snare.
It’s a useful technique that allows you to go back without having to re-record the entire performance, as well as the ability to experiment with different drum kits, percussion instruments, or other processing techniques. This can be useful in situations where the original drum sound needs to be adjusted or enhanced, or when the drummer is unavailable for a re-recording session.
@rogerramjet8395 I have an old video on this. You do realize you can look these things up right?
@@RickBeato nah, they need you to hold their hand like little children lol
So Rick shouldnt do whatever videos he wants cuz you dont get them? Or else you will pollute the world with your negativity? Sh*t man…
Thank you Rick.
@@RickBeato yeah, you're right and I apologise. I allowed my frustration at an increasing stream of "pointless" shorts - surely stemming from pressure from RUclips - to get the better of me. I typically love your videos, and I'm disappointed that you felt you needed to reply to my negative comment.
When you fall asleep to rick beato.
Reminds me of the start of "Do you love me" by kiss lol
Isn’t this what Jeff Lynn did for his snare sound? But, instead of replacing, he stacked.
Where did you learn this
Please check El Estepario Siberiano's mic setup. And check his drumming out, while you're at it.
The dude's a modern drum legend in the making.
Buffalo Bill begins to dance
Drumagog 5. Get it.
Transient / Beat Detection before DAWs were invented. Surely there's an "original recording" which was basically stolen from a great drummer's performance somewhere out there on record?
You lost me before I got to the video Rick......
An engineer friend explained this to me a ways back. Great to see what it actually looks like
I just had PTSD and heard the beginning of the Hannah Montana show on Disney
Yeah! Let's drum! =)
Some time you can hum or talk and here your snare wires vibrate. Put a speaker that close and turn it up with a drum track and eq etc. so the snare is A GIANT MOON GEL. 😂. I’m probably wrong but give me all that and I could figure it out.
I am Amazed on how they use different rooms old amps pillows crazy set up’s every artist in a different room. One amp in one place another in a different room. Cheap keyboards etc. I worked for studios and in a TC BAY the sub was in front of the operator behind a wall and literally filled with pillows 6 ft tall. Steel studs I guess but one thing affects another.
We were doing this before samples. 2 drum sticks and an auratone....
I know what he’s talking about. This is sweet
What is happening
What song do you hear to this drum pattern? - so many fit; I predominantly hear ‘Never Let Me Down’ by DM. Slow it down quite a bit and maybe more like the intro to Supersonic…btw, the former is a great/fun song to play all parts at once to on acoustic.
Well, I know what I’m doing later.
🤥🙄
When is Rick going to drop his album?
That's the trick from Fine Young Cannibals.
Is the idea that the initial percussive strike is recorded from the speaker in addition to whatever sympathetic vibrations are created by the new drum?
I'm not getting it. What is this video attempting to illustrate?
The sound wave strikes the drum that is Mic’d. The blast of air is like a stick, hitting the string, but the exact same snare hit from the recording. You can change the pitch or type of drum with the new snare or kick drum.
@@RickBeato I think it needs a longer video that a short to explain this concept.. that's why most people is confused by this post
Wow.
wtf did i just watch?!..
Please explain?
Do do du do do do du do
So, what if one uses mahogany instead of yellow pine to hold the amp above that snare?
It's kinda bs because the speaker can't hit the snare or a kick drum like a drummer would do. It's just a reflection off the drum heads.
You’d be surprised. It’s a fun technique to try.
?
Ok I don’t mean to sound like a elitist but it’s a fucking bass drum not a kick drum.
What?
This is old news, just sayin’.
:)
What's this 🙄?