How to Practice your Cinematography [BMPCC 6K]
HTML-код
- Опубликовано: 22 июл 2024
- We recreated shots from The Killer (2023), Fargo (1996), and Road to Perdition (2002).
All rights reserved to their respective owners.
0:00 Intro
0:21 Why shot recreations are important
1:08 Meet the crew
1:42 The Killer
3:20 Fargo
5:39 Road to Perdition
8:04 Outro
Cameras:
BMPCC 6K
Sony A6300
Editing / Sound Mix / Grading:
Final Cut Pro X + Dehancer Pro
Check out Dehancer: www.dehancer.com/
Get 10% off of all Dehancer's products with promo code "PEPPERMINTFILMS"
Follow us on:
Instagram: / peppermint_films
TikTok: / peppermint.films
Twitter: / filmspeppermint
Facebook: / filmspeppermint
Check out our official website: www.peppermint-films.com/
Contact us: info@peppermint-films.com
#cinematography #bmpcc6k #lighting #cinematographer #directorofphotography #davidfincher #movieshots #rogerdeakins #cinema #film #cinematic #bmpcc #PeppermintFilms
Tags:
How to Practice your Cinematography [BMPCC 6K], the killer cinematography, fargo cinematography, fargo shot recreation, road to perdition cinematography, roger deakins shot recreation, cinematography exercises, improve your cinematography, how to recreate cinematography, how to light a Hollywood film, cinematic lighting bmpcc 6k, bmpcc 6k shot recreations, lighting breakdown bmpcc 6k, night cinematography bmpcc 6k, bmpcc 6k vs Hollywood, how to practice cinematography, practicing cinematography, cinematography exercise bmpcc 6k, practice cinematography bmpcc 6k 
Кино
![How We Recreated This Shot in Our Short Film [BMPCC 6K]](http://i.ytimg.com/vi/QqsNM4qexmY/mqdefault.jpg)
Which shot did we recreate best?
The Killer
Fargo!
Road to Perdition
The Killer and Road to Perdition
Fartgo
Very clever!
Would love a full video with DIY lighting setup (ie. shower curtains, black fabric etc., maybe even flashlights or lamps as a light source?) to see what is achievable without gear
Real cool! Loved this video! More of this!!
You guys are sick
Let’s go Quinn!!!!
I think in the rain scene they used one of those giant overhead softboxes that simulate moonlight, however it is one of the things that is impossible for most of us to do 😔
Great job 👍👍👍
Get Keenin a raise
just amazing man
Idk if this IMPROVES your cinematography but I agree it is a fun exercise
u guys killed it
You guys should make more of these types of videos
You’re the best! Would like more of these!
All of the shots were beautiful! Go on!
awesome! super inspiring!
Nice exercise to show how you can create Hollywood style lighting on a budget. I teach at a university and will share this with my students. FYI, you forgot to mention Conrad Hall shot "Road to Perdition." He's my favor DP of all time.
So cool to see the process! Really insightful stuff, shots look amazing too 🔥
This is a really good idea. I know people done it for writing (Hunter S. Thompson wrote out books by F. Scott Fitzgerald & Ernest Hemingway works letter by letter to get a feel for their style). Hope you do more of this these kinds of videos.
Wow, word by word? That's even harder
Great video guys! Love it .
Great stuff here! Loved the rain shot!
You did a great job with the tools you had at hand!
I often wondered what the last 10% are about, that most people just can’t achieve with semiprofessional lighting equipment, no matter how good they are. It’s such a subtle difference, but I think it’s the light falloff which is giving away that a scene is lit by sources standing kinda close to the actors, while on the big budgeted movies they have the money to put up huge sources with powerful lights and place them at more realistic distances to the actors. You can just barely feel the difference, but it elevates the shot to a different level of realism.
The rain shot actually looks surprisingly good. Bravo!
loved it
Great job guys pls make more
Nice job! Would love to see you guys recreate more shots
this is inspiring.
3:11 Cat farts twice
I think you missed the rim light in the rain scene which is the most important light in that scene I believe. And the person in your background has a rim light, which is a distraction. The person in the background in the original scene doesn't have a rim light. Sorry to point these out.
Very nice, indeed. From the sharpness point of view, why BMPCC is so soft? It is a big difference in sharpness. orherwise, excellent video
The Fargo shot was slightly out of focus so that's just a mistake and not the BMPCC.
@@PeppermintFilms thank you for your reply.
Great video !
I get where you're coming from, but I honestly believe this approach isn't the most effective way to hone your craft in filmmaking. Instead, focus on delving into the intricacies of cinematography - study framing and its nuanced meanings, delve into the significance of colors, explore costumes and their representations across different eras. Immerse yourself in the world of symbolism, examine the interplay of light on faces and glass, and pay attention to poses. Connect these learnings to your daily life, striving to apply them organically.
However, I strongly advise against merely copying existing films. While it might yield some results, it becomes a crutch that's hard to break free from. You might get stuck in that cycle, hindering your ability to create genuinely original and innovative work. It's crucial to draw inspiration but always strive for authenticity and your unique perspective in filmmaking.
We make our own films. Love how you typed this all out.
@@quinnsbrega I get your ironic tone that might sound a bit arrogant. Yes, I wrote all of this because I have experience. I'm not here to engage in a battle with you; I'm here to discuss and exchange experiences because I believe that's what propels cinema forward. Can you explain your purpose in training by copying others? Is it merely an exercise to showcase your ability to replicate and create this specific type of lighting?
Let me draw a parallel from sports. When a basketball player is training, they might execute moves in practice that they won't be able to replicate during a real game. Similarly, in cinema, the role of the author is highly valued, and aesthetics play a crucial part. While you excel at imitation, have you ever ventured into thinking and crafting original frames and scenes? If I were to describe a scene, could you assemble it with creativity and authenticity?
Totally understand! By no means are we stating that this is the best way to improve your cinematography. It's really just a fun exercise and a catchy title/thumbnail.
Try looking into the lens rather than watching yourself.