Merveilleuse interprétation par Maroussia Gentet (que je viens de découvrir) sur un piano de fabrication française, il faut le souligner. Bravo aux musiciens toujours bien dirigés par cet excellent chef d'orchestre et aussi à Francis Poulenc qui nous a laissé tant de chef d'oeuvres. Encore merci à France Musique pour le choix de ses magnifiques concerts, surtout en cette période troublée. Vive la musique et le service public !
Je suis heureux de voir qu'on rejoue enfin ce merveilleux concerto de Francis Poulenc, après l'avoir injustement boudé (en France) pendant des décennies !
I have been listening to piano concertos for 50 years and missed this one completely. What beautiful music! Dave Hurwitz (Classics Today) said that Poulenc wrote beautiful tunes and here are some for sure. Thank you France Musique and musicians for making this delightful concert available.
This work is so French; by turns witty, solemn, profound, even cynical, redolent of Croissant, confiture good conversation, Citroen deux chevaux. And Maroussia Gentet is the elusive image of Yvonne de Gallette who haunts Le Grand Meaulnes . A delightful performance of an idiosyncratic but evocative work.
Un enchantement! Et quel belle idée d'avoir utilisé un Paulello qui permet d'entendre ce concerto comme enfin joué sur un Pleyel idéal, clair, heureux et lumineux. Immense merci!
Felicitaciones! Por la excelente interpretación de esta virtuosa pianista con el acompañamiento de la magnífica orquesta recordando este maravilloso y transparente concierto del insigne compositor de Francis Poulenc. SALUDOS Y BENDICIONES DESDE MÉXICO!!!
That is a great question and the answer is a mystery... perhaps conductors and artistic directors (who are responsible for programming) are not familiar with it?
Wunderschöne und detaillierte Aufführung dieses neoklassischen Konzerts mit anmutigem doch gut artikuliertem Klang des Soloklaviers und perfekt entsprechenden Tönen anderer Instrumente. Der intelligente Maestro dirigert das ausgezeichnete Orchester im relativ langsamen Tempo und mit sorgfältig kontrollierter Dynamik. Echt bewundernswert!
your prof sounds to me like an ultra snob with academic complex who rejects any 20th century music that is not harshly dissonant, 12 tone, or experimental. Am i right or nah
"How could you hate this"? Well Thomas Beecham had a theory about musicologists. "People who know all about the theory of music but can't hear it" Absolutely brilliant - lol
Maravilloso concierto, feliz, juguetón, pícaro, de lo mejor del estilo de Poulenc, a la vez con profundidad y gentileza.excelente la orquesta, el director y la solista....Me hace feliz.
Quel toucher délicat et lumineux ,en parfaite harmonie avec l'orchestre et son sympathique et très brillant chef. Poulenc, s'il l'entend, doit se réjouir .
Considero que falta más difusión de este bellísimo concierto tal como la Balada para piano y orquesta de Gabriel Fauré. MUCHAS GRACIAS! por su fina atención de difundir la extraordinaria y celestial de la Música Francesa. Ricardo Castro, Manuel M. Ponce y otros legendarios pianistas mexicanos, tienen en sus obras musicales la corriente francesa excelsa.
Il brano è molto bello. Adoro questo tipo di musica. Poulenc mi affascina e l'interpretazione della pianista è ottima,leggiadra e lieve. Accarezza quasi il piano.
It's quite uncharacteristic of me to listen to this kind of sweet romantic music (I prefer impressionism, the avant-garde and contemporary classical music), beautiful music is beautiful music. I absooutely love this.
When you've got too many wonderfull themes you don't need and have to develop them... Develop themes means for me lack of inspiration (sorry for my english)
CONCERTO per piano in do diesis min. (1949) I - Allegretto 00:27 II - Andante con moto: Commencer très calmement 12:22 III - Rondeau a La Française: Presto giocoso 18:45
Ho pensato che mi semdrasse solo. Di solito questo concerto è piu dinamico cirka 18-19 minuti.Ma anche questa interptetazione è buona. La pianista è bravissima e molto bella.
C'est la BO de quel film(s) ? Parce que, personnellement, au moins une dizaine de longs métrages sont passés dans ma tête en écoutant ce concerto (Chaplin, Miyazaki, Spielberg, frères Coen, Sergio Leone, Tim Burton....).
Does anybody know why Poulenc called this one (once called "Concerto number 1" because other ones were expected) *"le concerto casquette"* ??? (I do not)
He used to say it was a "Concerto en casquette" (Concerto with a cap), opposite to a proper classical hat, meaning that the score that is "dressed casually" and doesn't take itself too seriously. It quotes indeed some popular music in the last movement.
The tempo indication in the score for the first mouvement is quarter note equals 84. That is by far much faster than the tempo chosen for this performance. The composer's tempo indications are part of the work, as are the notes and rhythms. They must be taken into serious consideration.
To Jean-Claude Adda. I give you a line from one of my short stories. Clare went into the opening phrase of Poulenc's flute sonata, such elegant, refined, melancholy music, and so totally French. So I think I know something about France and French music. I simply said Poulenc didn't know how to develop his ideas. Which is true. I think you don't know your musical arse from your elbow. AB
Le texte sous la vidéo semble comporté des erreurs ou de curieuses formulations (traduction de l’anglais à la volée ?). C’est dommage car ces informations sous les vidéos sont très précieuses pour le public (merci d’ailleurs pour cet effort).
Au contraire! Les notes d'accompagnement étaient perspicaces et précises ... et la belle Maroussia Gentet a joué sans effort et avec brio .... BRAVA d'San Agustinillo, México!!
I wouldn`t say ``much`` too slow but yes this performance could do with more momentum. However what a pleasure to hear Poulenc`s wonderful work instead of yet another Beethoven, Brahms etc overplayed concerto.
Agree. Leaden, which I suspect is the pianist's doing. As evidence, I offer Maestro Franck's exquisite interpretation of Poulenc's "Litanies à la Vierge noire" with an incredibly well prepared children's chorus also uploaded onto RUclips.
Anyone notice this is not typical 88 key piano... looks like pretty wide range and have different tone color too. Is the extra-range piano require to play this?
Otavio Lamounier - Obrigado pelo aviso, amigo. 4 em 10! Mas, embora formado em piano, está é uma simples opinião minha, sem maior aprofundamento técnico.
Mas há Stravinsky, Rach... Como uma bela sátira (obviamente) própria do estilo. Os atentos perceberão... Este concerto não perde em nada para obra mestra nenhuma, pois ele o é a obra! 😉
Too slow and draggy! Poulenc is notoriously exciting in what he writes and this is missing from this performance. Yes, the lyric side of Poulenc is brilliantly depicted, but where is the excitement that Poulenc does so well? Poulenc is a master of themes. Yes, we are able to follow the development very well by the slow tempo, but what is missing is the drama and sparkle! Poulenc is no "Beethoven", but he is a "Saint Saens."
Es insoportable este concierto....carente de TODO.....con "estructuras rítmicas y melódicas" indefinidas...ambiguas...."opacas"...y toda la obra resulta SIN FUERZA ni vitalidad...DEPLORABLE....
Dommage que ce piano n'ait pas d'échappement profond...On a l'impression d'un son qui ne s'épanouit pas...Rien ne vaut un bon Steinway...Je sais que les cordes parallèles se veulent une révolution...Pas convaincu...
Je vous avoue sans honte mon ignorance quant aux détails techniques que vous mentionnez, et je suis bien incapable de faire la distinction entre le son de ce piano et un Steinway. Pourriez-vous m'éclairer sur cette notion d'échappement et sur les cordes de Steinway non parallèles ? Merci d'avance.
![[DRAGON BALL LEGENDS REVEALS ＆ STUFF] LEGENDS FESTIVAL 2024 Special Edition Part 1](http://i.ytimg.com/vi/mV5bGIswTtQ/mqdefault.jpg)
Merveilleuse interprétation par Maroussia Gentet (que je viens de découvrir) sur un piano de fabrication française, il faut le souligner. Bravo aux musiciens toujours bien dirigés par cet excellent chef d'orchestre et aussi à Francis Poulenc qui nous a laissé tant de chef d'oeuvres. Encore merci à France Musique pour le choix de ses magnifiques concerts, surtout en cette période troublée. Vive la musique et le service public !
Un grand merci !
This concert is a jewel of french elegance
Agreed
Je suis heureux de voir qu'on rejoue enfin ce merveilleux concerto de Francis Poulenc, après l'avoir injustement boudé (en France) pendant des décennies !
Je l'ai joué au diplôme en Pologne en 1986... magnifique souvenir...
Just love Poulenc. This is a masterful and sensitive performance. A great concerto
I have been listening to piano concertos for 50 years and missed this one completely. What beautiful music! Dave Hurwitz (Classics Today) said that Poulenc wrote beautiful tunes and here are some for sure. Thank you France Musique and musicians for making this delightful concert available.
🥰Amazing performance! Beautiful! Thank you Maroussia Gentet ! :)...
Merveilleux concerto et trés bien joué, bravo!
Splendide ! Poulenc, ce génie indémodable !
J'ai adoré le jouer... magnifique interprétation ❤
S U. B. L. I. M. E !!!!!!!!!!!!!!!!! A écouter jusqu'à plus l'oreille.orchestration magnifique.le romantisme français !!! ❤️💚💞💕🦩
J'adore poulenc, je me régale de tout. Vraiment très bien filmer. Superbe qualité sonore. Bravo.
Perfect
orchestra, too.
This work is so French; by turns witty, solemn, profound, even cynical, redolent of Croissant, confiture good conversation, Citroen deux chevaux. And Maroussia Gentet is the elusive image of Yvonne de Gallette who haunts Le Grand Meaulnes . A delightful performance of an idiosyncratic but evocative work.
Yvonne de Galais, pas de Galette. Mais merci pour votre culture si française...
Merci mille fois. Vous avez raison. Je lit chaque jour Le Monde, Pour moi c'est Le plus meilleur Journal du Monde@@jean-francoismayeur3776
Merci. Je le lis aussi très régulièrement, mais j'aime aussi la presse anglo-saxonne. Bonne fin de journée...
The English press is rubbish these days .I prefer Le Monde, it is the best paper I have encountered, @@jean-francoismayeur3776
Never hear hear about this piano brand! love the sound and of course Maroussia Genet is such a talented artist!
bravo. I have not listened to this in over 40 years and forgot how beautiful it is. deeply appreciated.
1850-1950 apothéose de la musique française, de Chabrier à Poulenc en passant par Fauré, Debussy, Ravel et Chausson. ❤
Un enchantement! Et quel belle idée d'avoir utilisé un Paulello qui permet d'entendre ce concerto comme enfin joué sur un Pleyel idéal, clair, heureux et lumineux. Immense merci!
On aime le son velouté de se piano sensibilité de l’interprète la musique Française top 👍
Felicitaciones! Por la excelente interpretación de esta virtuosa pianista con el acompañamiento de la magnífica orquesta recordando este maravilloso y transparente concierto del insigne compositor de Francis Poulenc. SALUDOS Y BENDICIONES DESDE MÉXICO!!!
Splendida musica e splendida interpretazione.
Frêle et savante expertise. Poulenc. Serait. Toujours le best tramplin. Pour les élèves. 🎉😂❤
I have no idea why this is not in the regular repertoire its gorgeous
I totally agree with you. Have you heard Poulenc's piano concerto for two pianos...you will love it!
That is a great question and the answer is a mystery... perhaps conductors and artistic directors (who are responsible for programming) are not familiar with it?
J’y étais, juste derrière la pianiste. Un délice.
Ah bon, c'était un mec ?
Wunderschöne und detaillierte Aufführung dieses neoklassischen Konzerts mit anmutigem doch gut artikuliertem Klang des Soloklaviers und perfekt entsprechenden Tönen anderer Instrumente. Der intelligente Maestro dirigert das ausgezeichnete Orchester im relativ langsamen Tempo und mit sorgfältig kontrollierter Dynamik. Echt bewundernswert!
I had a music professor who hated Poulenc. How could you hate this? Thanks for posting. Merci.
your prof sounds to me like an ultra snob with academic complex who rejects any 20th century music that is not harshly dissonant, 12 tone, or experimental.
Am i right or nah
@@KinkyLettuce sounds like most of the arrogant award-winning "young talents with a bright future"
"How could you hate this"? Well Thomas Beecham had a theory about musicologists. "People who know all about the theory of music but can't hear it" Absolutely brilliant - lol
@@yanpengtheman ^^
I don't know, guys. Have you thought that some people just don't like Poulenc, and there are perfectly justified to do so?
Depuis les premiers sons je suis fasciné.
Maravilloso concierto, feliz, juguetón, pícaro, de lo mejor del estilo de Poulenc, a la vez con profundidad y gentileza.excelente la orquesta, el director y la solista....Me hace feliz.
Quel toucher délicat et lumineux ,en parfaite harmonie avec l'orchestre et son sympathique et très brillant chef.
Poulenc, s'il l'entend, doit se réjouir .
It is pretty slower than usual, but we can hear very clear all the counterpoint of the piece and all the instruments. It is an interesting approach.
Just love this work to bits ❤
The opening is so beautiful!
as if composed by Villalobos! :-)
@@leslieackerman4189 I love Villa-Lobos' music too!
Superb interpretation of a wonderful work! Thank you!
Faszinierende Sinnlichkeit, Schönheit und Liebe finde ich bei dieser hervorragende Musik !!!
❤️🥰🙏🏻👏🏻👏🏻👏🏻😘
Considero que falta más difusión de este bellísimo concierto tal como la Balada para piano y orquesta de Gabriel Fauré. MUCHAS GRACIAS! por su fina atención de difundir la extraordinaria y celestial de la Música Francesa. Ricardo Castro, Manuel M. Ponce y otros legendarios pianistas mexicanos, tienen en sus obras musicales la corriente francesa excelsa.
Esta a todo dar esta pieza!!!
Very pretty French girl, lovely dress. Fantastic first name. Hadn't heard thjis piece before. Thanks, RUclips.
Il brano è molto bello. Adoro questo tipo di musica. Poulenc mi affascina e l'interpretazione della pianista è ottima,leggiadra e lieve.
Accarezza quasi il piano.
Grazie
Quelle modernité ! J'adore
It's quite uncharacteristic of me to listen to this kind of sweet romantic music (I prefer impressionism, the avant-garde and contemporary classical music), beautiful music is beautiful music. I absooutely love this.
洋阿相
素晴らしい音楽動画の傑作です。特にプーランクの音楽を愛する者にとっては宝物の一つとなることでしょう。テンポがやや遅めと感じる演奏ですが、その分このリリカルでロマンティックな曲想がより聴く者に伝わってきます。使用されているピアノはステージではお目にかかったことがありませんが高音域の音色に興味がありました。外装もシックでこんなピアノが増えたらクラシック音楽のファンも少しは増えるのでは。なにしろ今はバエの時代ですからね。
本当にそうですね！同感！！
ややもするとこの協奏曲はテンポが速くて機械的に聞こえることもありましたが、この演奏はプーランクが愛した古典派の協奏曲のように聴こえます。私もこのピアノを初めて見ました。素敵なピアノですね！
このフランスの若いピアニストさんの、デュティユーの前奏曲がYou Tubeにアップされていますが、素晴らしい演奏ですよ。
@@T.NISHIBE_Composer
丁寧な返信有難うございます。1936年生まれの老い耄れですが、人生が終わる瞬間まで良い音楽を愉しめれば本望です。プーランクの洒落たジョークが大好きです。
@@洋阿相 御年85で！私は丁度息子くらいの年代です。畏多くも天皇陛下と同年齢です！一応作曲家ですので、You Tube検索してみて下さい！
Poulenc didn't know how to develop his themes, but his individual ideas are always so enchanting
Personally I'd sooner listen to this than a Beethoven concerto, Poulenc really speaks to me and IMO his organ concerto is the finest ever written.
Totally disagree. This is actual French unadulterated, free from any kind of stereotype. A real treat !
@@VersaillesP88 Totally agree!
@@TheVaughan5 Yes!!! His organ concerto is so gooood!
When you've got too many wonderfull themes you don't need and have to develop them... Develop themes means for me lack of inspiration (sorry for my english)
I enjoy this music much. Thanks for knowing me such a great piece.
bravo! loved that...
뿔랑을 음악방송에서 듣고 찾아듣고 있답니다. 클래식을 그리 오래 들었건만...아직 못들어본 게 있다니...그냥 안심이 되네요^^
Étonnante. J’adore... 🌹
Merci
참 좋습니다!
beautifull(,here and there some stormy)
l' apesanteur et la grâce....
I love the onslaught of coughs after the movements end 😂😂
CONCERTO per piano in do diesis min. (1949)
I - Allegretto 00:27
II - Andante con moto: Commencer très calmement 12:22
III - Rondeau a La Française: Presto giocoso 18:45
Portato in primo piano per comodità di ricerca !!!
4:21 Debussy is seated at the front row!
졸업 콘서트에서 들었던 게 엊그제 같은데.. 벌써 몇년전인지...
9:53 Rite of the spring motif heard!
Tacchino's interpretation is the real thing, even better than the composer himself.
15:30 Echoes of Rheingold, anyone?
Bravo à tous, sauf à l'ingénieur du son qui a oublié le hautbois.
Le tempo ! Trop lent !!!!
Ho pensato che mi semdrasse solo. Di solito questo concerto è piu dinamico cirka 18-19 minuti.Ma anche questa interptetazione è buona. La pianista è bravissima e molto bella.
Le tempo est trop lent?
Prenez la baguette et montrez nous
Very nice art :))) pretty woman.:))
i think one of the clarinettists (longer hair) has youtube channel, but i cannot recall his name at this moment. can someone help me out?
Nicolas Baldeyrou? fr.wikipedia.org/wiki/Nicolas_Baldeyrou. I love his multiple-personality videos!
C'est la BO de quel film(s) ? Parce que, personnellement, au moins une dizaine de longs métrages sont passés dans ma tête en écoutant ce concerto (Chaplin, Miyazaki, Spielberg, frères Coen, Sergio Leone, Tim Burton....).
BO de Sade de Benoît Jacquot
That's a Stephen Paulello piano.
If ever the Berlin Philharmonic wants to get away from their mechanistic way of playing, they would do well to hire Mikko Franck.
Does anybody know why Poulenc called this one (once called "Concerto number 1" because other ones were expected) *"le concerto casquette"* ??? (I do not)
He used to say it was a "Concerto en casquette" (Concerto with a cap), opposite to a proper classical hat, meaning that the score that is "dressed casually" and doesn't take itself too seriously. It quotes indeed some popular music in the last movement.
The tempo indication in the score for the first mouvement is quarter note equals 84. That is by far much faster than the tempo chosen for this performance. The composer's tempo indications are part of the work, as are the notes and rhythms. They must be taken into serious consideration.
Tempo is subjective
To Jean-Claude Adda. I give you a line from one of my short stories. Clare went into the opening phrase of Poulenc's flute sonata, such elegant, refined, melancholy music, and so totally French. So I think I know something about France and French music. I simply said Poulenc didn't know how to develop his ideas. Which is true. I think you don't know your musical arse from your elbow. AB
Le texte sous la vidéo semble comporté des erreurs ou de curieuses formulations (traduction de l’anglais à la volée ?). C’est dommage car ces informations sous les vidéos sont très précieuses pour le public (merci d’ailleurs pour cet effort).
Au contraire! Les notes d'accompagnement étaient perspicaces et précises ... et la belle Maroussia Gentet a joué sans effort et avec brio .... BRAVA d'San Agustinillo, México!!
Why so slow, at a couple of points nearly stops altogether
Much to slow. Takes all the impetuous joy out of the music.
I wouldn`t say ``much`` too slow but yes this performance could do with more momentum. However what a pleasure to hear Poulenc`s wonderful work instead of yet another Beethoven, Brahms etc overplayed concerto.
I thought the same at first but it actually grew on me. One can savor the moments of it even more. Worse would be much too fast.
Agree. Leaden, which I suspect is the pianist's doing. As evidence, I offer Maestro Franck's exquisite interpretation of Poulenc's "Litanies à la Vierge noire" with an incredibly well prepared children's chorus also uploaded onto RUclips.
There is such a thing as loving the music to death. Like the difference between a cuddly puppy and a cuddly boa constrictor.
J'ai l'impression que Danny Elfman a puisé son inspiration pour certaines de ses compositions (Nightmare before Christmas notamment) dans ce concerto.
D'accord... Danny Elfman et aussi John Williams... La musique du Poulenc est une grande inspiration pour les compositeurs de musique de films.
Oui! 'Jack Skellington's Lament'
누가 피겨스케이트 곡 선정으로 이곡 해주면 뿔랑에대해 사람들이 많이 알게될텐데 ㅠ,ㅠ
Etrange piano... ?
Piano à cordes parallèles !
Notei tb!...
C'est le Stephen Paulello à 102 notes et cordes parallèles
뭔가, 지브리애니 기분도 나지 않나요?
So weird to hear nothing but coughing after the first movement lol. I wish clapping between movements was normal
Anyone notice this is not typical 88 key piano... looks like pretty wide range and have different tone color too. Is the extra-range piano require to play this?
No
mauvaise gestion des images, très dommage. Trop de Mikko !!!
O concerto é melodioso, mas falta-lhe muita BRAVURA, que pudesse aproxima-lo ao menos um pouquinho de Beethoven ou Prokofieff! Nota 4!
Em 5 ou 10 ?
Otavio Lamounier -
Obrigado pelo aviso, amigo. 4 em 10! Mas, embora formado em piano, está é uma simples opinião minha, sem maior aprofundamento técnico.
Mas há Stravinsky, Rach... Como uma bela sátira (obviamente) própria do estilo. Os atentos perceberão...
Este concerto não perde em nada para obra mestra nenhuma, pois ele o é a obra!
😉
Too slow and draggy! Poulenc is notoriously exciting in what he writes and this is missing from this performance.
Yes, the lyric side of Poulenc is brilliantly depicted, but where is the excitement that Poulenc does so well?
Poulenc is a master of themes. Yes, we are able to follow the development very well by the slow tempo, but what is missing is the drama and sparkle!
Poulenc is no "Beethoven", but he is a "Saint Saens."
Es insoportable este concierto....carente de TODO.....con "estructuras rítmicas y melódicas" indefinidas...ambiguas...."opacas"...y toda la obra resulta SIN FUERZA ni vitalidad...DEPLORABLE....
La pianiste est jolie.
Dommage que ce piano n'ait pas d'échappement profond...On a l'impression d'un son qui ne s'épanouit pas...Rien ne vaut un bon Steinway...Je sais que les cordes parallèles se veulent une révolution...Pas convaincu...
Je vous avoue sans honte mon ignorance quant aux détails techniques que vous mentionnez, et je suis bien incapable de faire la distinction entre le son de ce piano et un Steinway. Pourriez-vous m'éclairer sur cette notion d'échappement et sur les cordes de Steinway non parallèles ? Merci d'avance.
Sloppy.
Peter Lorre conducting