I heard this Symphony in a concert of the Houston Symphony on tour in my home town of San Antonio Texas, I was 8 years old. That evening I decided to become a musician. 20 years later I played principal horn in the Vienna Symphony and this wonderful work was on the program. It was an experience that defies description. Of all the orchestral works I was privileged to perform, this will always remain my favorite.... well, maybe next to "Das Lied von der Erde" by Mahler.
I always thought that the opening melody was just the cellos but upon looking at the score, i can see that the clarinets, bassoon, and horns are doubling the cellos. Yet if you listen, they are so well blended with the cellos that you can't tell.
Same. Instruments with a similar colour in unison. If you listen more carefully, you can notice the clarinets, but not the horns and bassoons. Cellos only would sound much weaker.
@@maniak1768 Haha, I thought it was a two set violin reference, they use the word "sacrilegious" a lot and this is one of their favourite symphonies. My bad
I like all of Dvořák's first eight symphonies, but musically No 8 is by far the best crafted symphony. His orchestration is fabulous. I have played viola in this piece and the violas have a counter (or 'sub'?) theme under the cellos at the opening of the last movement, beautiful to play underneath the main melody.
@@Killerbee4712 as nice as it is, it relies a little too much on self-quotation without development. At least in my view, it sounds like it's trying to ride on its own coattails a bit. Obviously not every example of old material coming back is bad (the 2nd-movement chords at the end of the finale are amazing), but a lot of them give the piece a sort of 'pot-pourri' feeling. Still a great symphony, though - just a nitpick that pushes it a touch behind this and the 7th (which our dear friend Vince has left out :P).
This is one of those pieces I love to listen to either when I'm already in a good mood or when I want to be. It's in a similar class to Brahms' 2nd and Beethoven's 6th and 7th.
La octava sinfonía de Dvorak es para mí la que más me gusta del mundo mundial, ya que ella hay cohabitación de fenómenos tan dispares cono son lo lírico y lo grandioso, lo bucólico y lo vivaz, lo reluciente y lo entrevelado. Todo ello en perfecta armonía hasta el punto de llegar a preguntarme humildemente si tengo dotes para la interpretación. La música a veces arroyuelo, a veces océano discurre sabiamente de manos del compositor imprimiendo a cada momento el matiz preciso. El último movimiento es él en sí una coda desde la primera nota de la fanfarria. Un lujo para los oídos. A disfrutar ❤ 😊
I am listening to each of Dvorak's symphonies in turn. I am not sure whether I agree with Gervase Hughes ("Fifty Famous Composers", 1972) when he says, "Structural deficiencies are even more noticeable in symphony no.8 in G major (1889) and no.9 in E minor (1893, 'From The New World'). The first and third movements of the G major are close-knit and attractive, but the second is long-winded, and the finale, which sets forth confidently as though it were to be a theme with variations, ends by chasing its own tail."
Dvorak loved to experiment stuff, this is why the critic always go crazy about him! Like how his piano concerto (aside from being hard for pianist) is more about a conversation between orchestra and piano than a fight like how was common in the concertos of his era!
![Dvořák: Symphony No. 8 in G major, Op. 88, B 163 (with Score) [reupload]](http://i.ytimg.com/vi/h0JunYUA3PA/mqdefault.jpg)
I heard this Symphony in a concert of the Houston Symphony on tour in my home town of San Antonio Texas, I was 8 years old. That evening I decided to become a musician. 20 years later I played principal horn in the Vienna Symphony and this wonderful work was on the program. It was an experience that defies description. Of all the orchestral works I was privileged to perform, this will always remain my favorite.... well, maybe next to "Das Lied von der Erde" by Mahler.
It's just for myself.
I. - 0:04
A - 1:01
B - 1:20
C - 1:51
D - 2:30
E - 3:05
F - 3:58
G - 4:59
H - 5:30
J - 5:54
K - 6:18
L - 7:16
M - 7:54
N - 8:29
O - 8:53
II. - 9:48
A - 10:29
B - 11:59
C - 12:55
D - 13:26
E - 14:16
F - 14:49
G - 16:13
H - 16:53
J - 17:15
K - 17:45
L - 18:18
M - 18:39
N - 19:22
III. - 20:18
A - 20:46
B - 21:11
C - 21:38
D - 22:07
E - 22:50
F - 23:15
G - 23:59
CODA - 26:13
IV. - 26:53
A - 27:28
B - 28:24
C - 29:14
D - 29:29
E - 30:00
F - 30:18
G - 30:52
H - 31:15
J - 31:33
K - 31:46
L - 32:01
M - 32:14
N - 32:34
O - 33:38
P - 34:42
Q - 35:45
R - 36:51
S - 37:07
OMG THANK YOU
Love this thank you so much lmao
31:33 the most extatic peace of music there exists IMO.
Man I wish this comment was here when I performed this in college. 😂
can you tell what is this? i don't know much about music :( i just noticed that there's a variation in these times
I always thought that the opening melody was just the cellos but upon looking at the score, i can see that the clarinets, bassoon, and horns are doubling the cellos. Yet if you listen, they are so well blended with the cellos that you can't tell.
Same. Instruments with a similar colour in unison. If you listen more carefully, you can notice the clarinets, but not the horns and bassoons. Cellos only would sound much weaker.
What a great observation! How incredibly skilled musicians the Cl/Bn/Hn must be to blend their sounds so discretely into the cellos.
@@ginavingara8393 and the celli, playing together as one (very difficult), then blending with the blow horns.
The celli are doubling the winds, not the other way around.
This is so true!
Let me say something sacrilegious if I tell you that the 8th is probably my favorite among Dvorak's symphonies. I'm serious.
The 9th is overplayed.
@@TheButterMinecart1 quiet
You are probably 40 or something
@@YoungKantian No, not really. Why do you assume that?
@@maniak1768 Haha, I thought it was a two set violin reference, they use the word "sacrilegious" a lot and this is one of their favourite symphonies. My bad
I like all of Dvořák's first eight symphonies, but musically No 8 is by far the best crafted symphony. His orchestration is fabulous. I have played viola in this piece and the violas have a counter (or 'sub'?) theme under the cellos at the opening of the last movement, beautiful to play underneath the main melody.
how bout the 9th?
currently working on it with viola too :)
@@Killerbee4712 as nice as it is, it relies a little too much on self-quotation without development. At least in my view, it sounds like it's trying to ride on its own coattails a bit. Obviously not every example of old material coming back is bad (the 2nd-movement chords at the end of the finale are amazing), but a lot of them give the piece a sort of 'pot-pourri' feeling. Still a great symphony, though - just a nitpick that pushes it a touch behind this and the 7th (which our dear friend Vince has left out :P).
Well, critical opinion would suggest that the 7th is the best musically.
playing this on viola too 😂 Dvorak never forgets the viola; his American quartet is a clear example of this
The first movement is so good! Every instrument has a very important part in the peice!
Also, the 3rd movement is very melodic!
And every can feel important! 😊
When something hilariously funny happens in a twoset video...
Editor San: 20:18
@@qixiangsun6036 yes!!!
Can't blame them for being obsessed with this piece :) found out bc of them and I'm grateful
Or Brett Yang's Lofi.
This is one of those pieces I love to listen to either when I'm already in a good mood or when I want to be. It's in a similar class to Brahms' 2nd and Beethoven's 6th and 7th.
Every bar is dripping with inventiveness, tunefulness and imagination. And the ending one of the most satisfying and exhilarating in all music.
Fantastic symphonic work, Dvorak was so good at finding leading motives.
Performed this in youth orchestra once. The build-up and climax at 31:52 was absolutely EPIC
I. - 0:04
A - 1:01
B - 1:20
C - 1:51
D - 2:30
E - 3:05
F - 3:58
G - 4:59
H - 5:30
J - 5:54
K - 6:18
L - 7:16
M - 7:54
N - 8:29
O - 8:53
II. - 9:48
A - 10:29
B - 11:59
C - 12:55
D - 13:26
E - 14:16
F - 14:49
G - 16:13
H - 16:53
J - 17:15
K - 17:45
L - 18:18
M - 18:39
N - 19:22
III. - 20:18
A - 20:46
B - 21:11
C - 21:38
D - 22:07
E - 22:50
F - 23:15
G - 23:59
CODA - 26:13
IV. - 26:53
A - 27:28
B - 28:24
C - 29:14
D - 29:29
E - 30:00
F - 30:18
G - 30:52
H - 31:15
J - 31:33
K - 31:46
L - 32:01
M - 32:14
N - 32:34
O - 33:38
P - 34:42
Q - 35:45
R - 36:51
S - 37:07
You are seriously the best
1 часть
Вступление
Экспозиция
ГП - 1:02
ГП1. 1:02
ГП2 1:20
СП - 1:57
ПП - 2:14
ПП1- 2:30
ПП2 3:04
ЗП - 3:30
Тема вступления - 3:59
Разработка - 4:39
Кульминация - 6:49
Реприза
ГП - 7:26
ПП - 7:56 (ПП2 8:29)
Кода - 9:16
3 часть
1 раздел 20:19
2 раздел 22:08
3 раздел - 24:22
Кода - 26:14
4 часть
Вступление - 26:54
А - тема 27:29
Var1 - 27:57
Var 2 - соло валторны 29:15
Var 3 - соло флейты 29:31
Var 4 = var 2 30:01
B - эпизод 30:30
Фанфары вступления - 32:02
А1 (var5) - 32:37
Var 6, var 7 - 34:10; 36:17
Кода: var 8(var2=var4) - 36:52
It really is such a wonderful piece...so much excitement. Nice!
Excuse me but not only is Dvoraks 8th symphony his best symphony BY FAR , it gets my vote for best symphony ever written
1977年弘前大学でオケに入って初めて弾いた曲。青春時代を思い出す。
この頃クラシックをまだ弾いているの？
20:18 the part of sadness and failure in twosetviolin's videos
La octava sinfonía de Dvorak es para mí la que más me gusta del mundo mundial, ya que ella hay cohabitación de fenómenos tan dispares cono son lo lírico y lo grandioso, lo bucólico y lo vivaz, lo reluciente y lo entrevelado. Todo ello en perfecta armonía hasta el punto de llegar a preguntarme humildemente si tengo dotes para la interpretación. La música a veces arroyuelo, a veces océano discurre sabiamente de manos del compositor imprimiendo a cada momento el matiz preciso. El último movimiento es él en sí una coda desde la primera nota de la fanfarria. Un lujo para los oídos. A disfrutar ❤ 😊
Soy Javier Villamor Lugo
The perfotmance which I love the best
is the only one
with Rafael Kubelic, wich is the unly one that I have.
1:25 first excerpt
20:17 second excerpt
30:00 third excerpt
for upcoming seating audition :,)
flute III
29:14 - 30:02
I've gotten to play the 3rd, 5th, 7th and 9th on trombone, but I still haven't gotten a chance to play this beautiful symphony.
That guy was one happy dude......
Look for the Cypresses of him (he write those after a broken heart)
Orchestral excerpt:
6:05-6:45
16:53-17:18
Thanks Editor San (TwoSet) :)
6:47 bro my soul left my body this is so good
Mi favorito en esta versión de la filarmónica Checa con su director Newman.hermosa sinfonía.
Bravo! Bravo!!! Such a beautifull symphony!!!
9:46 Such celestial music
Flute excerpt: 29:13
0:35
Soooo trueeee!!!!! You really don’t miss!!!!
2nd mov absolute beauty
I am listening to each of Dvorak's symphonies in turn. I am not sure whether I agree with Gervase Hughes ("Fifty Famous Composers", 1972) when he says, "Structural deficiencies are even more noticeable in symphony no.8 in G major (1889) and no.9 in E minor (1893, 'From The New World'). The first and third movements of the G major are close-knit and attractive, but the second is long-winded, and the finale, which sets forth confidently as though it were to be a theme with variations, ends by chasing its own tail."
I like the chunky, run on second movement. Feels like a journey and gives the piece gravity.
Yes; Gervase Hughes' Symphony no. 8 is far superior.. lol. 🤣
Dvorak loved to experiment stuff, this is why the critic always go crazy about him! Like how his piano concerto (aside from being hard for pianist) is more about a conversation between orchestra and piano than a fight like how was common in the concertos of his era!
Being British doesn't mean you can't be a nincompoop, and Mr. Hughes demonstrates that amply.
@@derianalveswolanski9855 hm. i think compared to his peers dvorak was quite traditional. interesting comment tnough
Bass excerpt at 21:32
I'm so greatful i watched Portrait of a lady on fire.
Riiiight put a commercial right in the middle of the fourth movement trumpet solo got it..
uva fall 2024 orchestra audition excerpt starts at 21:07
ええわー。痺れるわー。
This is just a bookmark for myself 1:26 and 20:19
Trumpet excerpt 6:48 - 7:20 for YOLA kiddos
1: 6:08
2: 13:27
3: 30:01
Notes for myself:
13:00
29:25
This is for my auditions, please ignore it
Violin start: 8:37
Violin end: 9:41
Bass start: 37:08
Bass end: end of mvt.
Nice.
1:13
Theme for the Vidro Treasures logo
stacatto playing in flutes in 1st mvt seems way too short?
about 1:15 the violin daayo auditions start (sorry, this is for me)
29:23 excerpt for flute
31:05 からホルンフルートとメロディー吹いてる？？？
Personal bookmark: 36:51
I came here from the 1985 video treasures logo
29:07 All state Excerpt
36:51 ignore this
1:15 - 2:00
Работаем)
10:29
17:45
Allegro con Brio has a similar melody to Norwegian Wood.
Note: 29:22
29:15
Also 30:30
36:50 to 37:29
05:30
H: 5:30 & H: 29:14
7:50
14:07
21:04
3:15
7:00
13:53
26:53
1st : 1:25
1:13 for video treasures
9:45
4:00 Cello F Start
2nd : 13:26
My high orchestra is playing this but it may be cancelled because of omicron
5:39 reference for myself
john fahey brought me here
医師会オーケストラのコンミス、開業医です。ドボルザークのなかでも、とくに難しい交響曲です。
Mov 3. 20:15
1:20
29:55
1:24 note
0:26 que
2:07 bls 2
1:27 _because of audition.
26:58
1:01
30:01
37:11
flute concerto
26:54 North Korea?🤣
?
9:18
1:15 (sorry)
R 36:51
36:51 ...
W. OOOOOOOOOOOO. W
죽으라는거에요 지금?
I. - 0:04
A - 1:01
B - 1:20
C - 1:51
D - 2:30
E - 3:05
F - 3:58
G - 4:59
H - 5:30
J - 5:54
K - 6:18
L - 7:16
M - 7:54
N - 8:29
O - 8:53
II. - 9:48
A - 10:29
B - 11:59
C - 12:55
D - 13:26
E - 14:16
F - 14:49
G - 16:13
H - 16:53
J - 17:15
K - 17:45
L - 18:18
M - 18:39
N - 19:22
III. - 20:18
A - 20:46
B - 21:11
C - 21:38
D - 22:07
E - 22:50
F - 23:15
G - 23:59
CODA - 26:13
IV. - 26:53
A - 27:28
B - 28:24
C - 29:14
D - 29:29
E - 30:00
F - 30:18
G - 30:52
H - 31:15
J - 31:33
K - 31:46
L - 32:01
M - 32:14
N - 32:34
O - 33:38
P - 34:42
Q - 35:45
R - 36:51
S - 37:07
0:00
37:08
32:29
02:30
1:35
12:50
8:33
16:50
1:13
15:55